Relevant bibliographies by topics / The House of Music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The House of Music'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "The House of Music"

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Miller, Malcolm. "London, Leighton House." Tempo 60, no. 238 (2006): 71–73. http://dx.doi.org/10.1017/s0040298206310339.

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Peseke, Horst, Alexander Stahr, Manfred Grohmann, and Klaus Bollinger. "Musikkens Hus Aalborg - House of Music." Beton- und Stahlbetonbau 110, no. 11 (2015): 767–74. http://dx.doi.org/10.1002/best.201500052.

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Wright, David, Sviatoslav Richter, Bruno Monsaingeon, and Stewart Spencer. "In the Doll's House." Musical Times 142, no. 1875 (2001): 77. http://dx.doi.org/10.2307/1004476.

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RUDOLF, MAX. "Soprano of the House." Opera Quarterly 7, no. 1 (1990): 81–88. http://dx.doi.org/10.1093/oq/7.1.81.

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Grebenar, Alex. "Lost in music: mapping the 21st century house music event experience." Journal of Policy Research in Tourism, Leisure and Events 12, no. 3 (2020): 363–81. http://dx.doi.org/10.1080/19407963.2020.1727604.

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Jones, Richard E., and David Cummings. "Random House Encyclopedic Dictionary of Classical Music." Notes 55, no. 1 (1998): 93. http://dx.doi.org/10.2307/900356.

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Afdhal, Muhammad. "“REPUBLIKEN” MENYATU DALAM PERBEDAAN." Imaji 17, no. 1 (2019): 66–73. http://dx.doi.org/10.21831/imaji.v17i1.25736.

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Republiken adalah penganut ketatanegaraan yang berbentuk republik. Istilah Republiken menunjukkan suatu kesatuan masyarakat yang berbangsa dan berdaulat. Republiken dalam kaitannya dengan karya seni ini adalah suatu bentuk semangat berbangsa melalui seni, dalam hal ini musik, menunjukkan bahwa perbedaan ras atau suku bukanlah masalah untuk bangsa Indonesia menjadi semangat yang satu. Karya komposisi musik yang berjudul “Republiken”, diharapkan dapat menunjukkan semangat berbangsa melalui beberapa karakteristik musik-musik nusantara yang diekspresikan melalui EDM atau Elektronik Dance Music yan
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Wicaksono, Bambang. "Adaptation from Flooring Level of Stilt House in Sustainable Settlement Musi Riverside Palembang." Science Proceedings Series 1, no. 2 (2019): 153–56. http://dx.doi.org/10.31580/sps.v1i2.839.

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The development of Musi Riveside house was influenced by the role of the river. The form of Musi riverside house is a riverside house and a stilt house. The choice to build stilt house is inseparable from the condition of the land in South Sumatra, which is generally in the form of wetlands. The level / height of the stage of flooring house is influenced by the condition of the house in the settlement layer, given the higher volume of water due to the denser density of the riverside houses. The high pole of the house is a form of adaptation to the high volume / tide of river water in the rainy
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Maxwell, Richard. "House." PAJ: A Journal of Performance and Art 21, no. 3 (1999): 79. http://dx.doi.org/10.2307/3245969.

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Arnold, Denis. "Music at the Ospedali." Journal of the Royal Musical Association 113, no. 2 (1988): 156–67. http://dx.doi.org/10.1093/jrma/113.2.156.

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The peacefulness and longevity of the Venetian Republic prove that it had solved one of its greatest problems – that of poverty Not that it was rid of its poor even in times of prosperity: but at least they were cared for by a wealth of charitable organizations, and that desperation which leads to civil insurrection never gained a hold. The chronically sick, the girls having no dowry, the orphans and the beggars were each helped by various institutions which were supported by the more fortunate. The four largest of these could between them claim to cater for any poor person who was really in n
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Dissertations / Theses on the topic "The House of Music"

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Callahan, Moiya Lynn. "Killing the Angel in the House." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991306831.

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Rietveld, H. C. "House music : the politics of a musical aesthetic." Thesis, Manchester Metropolitan University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260993.

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Schwalbach, Burkhard. "J.S. Bach at the coffee house : music as edifying practice." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573677.

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This thesis proposes a new critical perspective on Bach's Collegium musicum and its performances at a Leipzig coffee house. Based on a range of fresh literary, architectural, and administrative sources, I argue that coffee houses in Bach's time were highly prestigious, if often controversial performance-venues. As a cultural sphere, they were guided by a neo-humanist ideal, known as 'useful edification' (nutzliche Erbauung) which has not been recognised by scholars so far. Yet, applied to musical practice; the notion of useful coffee-house edification can provide a fruitful paradigm for rethin
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Hedges, Jared William. "The Old Forge at Satis House for string quintet and piano." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5499.

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“Get hold of portable property!” says one of the great Dickens characters in Great Expectations. The notion of “portable property” strikes me as deeply analogous to that of pieces of art, which are their creators’ “properties” exported to anyone who will take hold of them. Some of my most valued possessions are the portable properties handed down to me by musicians, painters, writers—most of whom I have never met. Often it is one specific aspect of an artwork that makes it important to me. Several months ago I was struck by how the ethereal coda (actually, the cadenza) of Elgar’s Violin Concer
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Cave, Penelope. "Piano lessons in the English country house, 1785-1845." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/366438/.

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Two largely unexplored collections form the basis for research on the significance of piano lessons in the country homes of the British elite in the years around 1800. The owners of the music libraries were the Egerton family at Tatton Park, Cheshire and the Aclands of Killerton House, Devon. The women who married into these families, along with their children, form casestudies that stretch the boundaries of domestic amateur music-making, within an overlooked area of English keyboard repertoire. The piano was emerging as the ideal instrument for girls and women in the home, and this study exam
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Iler, Devin. "Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103332/.

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Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music.
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Troughton, Jane Elizabeth. "The role of music in the Yorkshire Country House 1770-1850." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/10390/.

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This thesis is a contribution to the history of domestic musicality and sociability, focusing on the collections and musical practices of four Yorkshire Houses - Harewood House, Castle Howard, Temple Newsam and Nostell Priory - from around 1770 to 1850. The thesis interrogates the individual case studies of musical activity within the four houses using a framework of the following themes: the changing role of musical patronage and the status of the professional musician; music-making and elite men and women; private and public performance; the role and influence of visiting tutors and performe
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Rana, Leena. "Music and elite identity in the English country house, c.1790-1840." Thesis, University of Southampton, 2012. https://eprints.soton.ac.uk/367018/.

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In this thesis I investigate two untapped music book collections that belonged to two women. Elizabeth Sykes Egerton (1777-1853) and Lydia Hoare Acland (1786-1856) lived at Tatton Park, Cheshire, and Killerton House, Devon, respectively. Upon their marriage in the early nineteenth century, they brought with them the music books they had compiled so far to their new homes, and they continued to collect and play music after marriage. I examine the vocal music in Elizabeth’s and Lydia’s collections, and I aim to show how selected vocal music repertoires contributed toward the construction of land
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Sequera, Hector. "House music for recusants in Elizabethan England : performance practice in the music collection of Edward Paston (1550-1630)." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1028/.

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Edward Paston (1550-1630) was very skilled in liberal arts, especially music and poetry. His love of music is reflected in his having gathered one of the largest collections of music manuscripts from Elizabethan and early Jacobean times. The collection is very important as it holds unique copies of many compositions by some of the best-known composers from the Renaissance including Byrd. This thesis investigates the idea of the Paston collection as a performing collection within the historical, cultural, and musical context of 16th century England. The study presents Edward Paston as a personi
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Duncan, Matthew Alexander. "In Search of the Organic: An Unequivocal Exploration into the Principles of Organic Architecture." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/71747.

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The architecture is a multi-venue performing arts complex consisting of a full-scale opera house, a mid-size open-air theater, a small recital salon, and an outdoor arena-style street-stage. The building is sited at Buzzard Point in Washington, DC at the terminus of South Capitol Street along the Anacostia River. The thesis is an exploration into the concept of organic architecture and a formal study of its application to the order, structure, and construction of a building.<br>Master of Architecture
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Books on the topic "The House of Music"

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Swanson, Suzanne. House of music. Laurel Poetry Collective, 2005.

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illustrator, Zaidi Nadeem, ed. Music around the house. Scholastic, Inc., 2006.

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Frances, Lynch. In the house ofdark music. Magna, 1985.

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A house waiting for music. Tupelo Press, 2003.

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House: The rough guide. Rough Guides, 1999.

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House music: The Oona King diaries. Bloomsbury, 2007.

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This is our house: House music, cultural spaces, and technologies. Ashgate, 1998.

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Sommers, Laurie Kay. Beaver Island house party. Michigan State University Press, 1996.

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Europe, James Reese. Castle House rag. Margun Music, 1993.

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Eagle, Chester. House of music: A suite of stories. Trojan Press, 1996.

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Book chapters on the topic "The House of Music"

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Snoman, Rick. "An overview of House music." In Dance Music Manual. Routledge, 2019. http://dx.doi.org/10.4324/9780429453830-27.

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Brunt, Lodewijk. "Crime at the Opera House." In Crime and Music. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49878-8_5.

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Perry, Rebecca. "House of Mirrors." In Analytical Approaches to 20th-Century Russian Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-5.

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Gadir, Tami. "“I Don’t Play Girly House Music”." In The Routledge Research Companion to Popular Music and Gender. Routledge, 2017. http://dx.doi.org/10.4324/9781315613437-17.

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Meyer, Jürgen. "Acoustical Problems in the Opera House." In Acoustics and the Performance of Music. Springer New York, 2009. http://dx.doi.org/10.1007/978-0-387-09517-2_9.

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Golding, Rosemary. "Barnwood House: Music in the Small Asylum." In Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78525-3_11.

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Poulos, Panagiotis C. "At the House of Kemal." In Theory and Practice in the Music of the Islamic World. Routledge, 2017. http://dx.doi.org/10.4324/9781315191461-6.

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Levi, Erik. "Conformism or Challenge: The Opera House in the Third Reich." In Music in the Third Reich. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-24582-6_7.

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Verbuč, David. "DIY Individuals, Music Groups, Houses, and Shows." In DIY House Shows and Music Venues in the US. Routledge, 2021. http://dx.doi.org/10.4324/9781003201090-11.

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Beranek, Leo. "Music and Acoustics." In Concert Halls and Opera Houses. Springer New York, 2004. http://dx.doi.org/10.1007/978-0-387-21636-2_1.

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Conference papers on the topic "The House of Music"

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"THE INFLUENCE OF HOUSE MUSIC ON FRUSTRATION TOLERANCE AND PERFORMANCE MOTIVATION AT PSYCHOLOGY STUDENTS." In Psiworld 2016. Romanian Journal of Experimental Applied Psychology, 2017. http://dx.doi.org/10.15303/rjeap.2017.si1.a75.

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Cailliez, Matthieu. "Europäische Rezeption der Berliner Hofoper und Hofkapelle von 1842 bis 1849." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.50.

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The subject of this contribution is the European reception of the Berlin Royal Opera House and Orchestra from 1842 to 1849 based on German, French, Italian, English, Spanish, Belgian and Dutch music journals. The institution of regular symphony concerts, a tradition continuing to the present, was initiated in 1842. Giacomo Meyerbeer and Felix Mendelssohn Bartholdy were hired as general music directors respectively conductors for the symphony concerts in the same year. The death of the conductor Otto Nicolai on 11th May 1849, two months after the premiere of his opera Die lustigen Weiber von Wi
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Alexander, Yakoupov. "Dealing with Managerial Conflicts and Resolving Them By the Case of Magnitogorsk Music Houses and Music Community." In Proceedings of the 4th International Conference on Economics, Management, Law and Education (EMLE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/emle-18.2018.44.

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DeMore, Daniel, and William Maier. "Multiphase CFD Model Development for a Rotating Centrifugal Separator." In ASME Turbo Expo 2012: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/gt2012-69881.

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The present paper describes the development of a Computational Fluid Dynamic (CFD) modeling approach suitable for the analysis, design, and optimization of rotating centrifugal separator stage geometries. The Homogeneous Multiple Size Group (MUSIG) model implemented in the commercial code CFX V13.0 was utilized as a basis for the CFD modeling method. The model was developed through a series of studies to understand the impact of droplet size distribution, particle coalescence, rotor/stator interface treatment, and mesh resolution on the prediction of separation efficiency for a given rotating
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Franco Arce, Samuel. "Someone’s treasure: a legacy for all?" In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.1.03.

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The Casa K’ojom in La Antigua Guatemala, Guatemala, houses a unique collection of physical objects and audiovisual materials devoted to Mayan cultural heritage, both tangible and intangible. What began as a private collection has evolved into a museum where thousands of visitors have learned about Mayan culture and music. This paper highlights the development and care of the collections from the perspective of the Casa K’ojom’s founder and current director, Samuel Franco Arce. It reviews the steps he is taking to preserve the collection’s analogue and digital material for the future, all the w
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Schwaen, Regin. "House in a House." In ASES Solar20/20. International Solar Energy Society, 2020. http://dx.doi.org/10.18086/solar.2020.01.15.

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Capen, Judith, and Kirby Capen. "Row House to Ranch House." In ASME 2014 8th International Conference on Energy Sustainability collocated with the ASME 2014 12th International Conference on Fuel Cell Science, Engineering and Technology. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/es2014-6391.

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According to Lawrence Livermore Labs 36% of the country’s energy use is attributable to buildings and two thirds of that is in the residential sector. This research combines building energy modeling with energy consumption data in transportation and infrastructure sectors to examine energy use implications of habitation patterns. We compared CO2 footprints of three different patterns of typical American habitation: post-Second World War non-urban, 19th century urban, and highly urban. From drawings, utility bills, and occupant data, we used TREAT (Targeted Retrofit Energy Analysis Tool) to mod
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"HOUSE PRICE, HOUSE QUALITY AND ECONOMIC GROWTH." In 17th Annual European Real Estate Society Conference: ERES Conference 2010. ERES, 2010. http://dx.doi.org/10.15396/eres2010_392.

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Stenner, Jack, and Patrick LeMieux. "Open House." In ACM SIGGRAPH 2011 Art Gallery. ACM Press, 2011. http://dx.doi.org/10.1145/2019342.2019362.

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Walsh, Greg, Allison Druin, Elizabeth Foss, et al. "Energy house." In the 2011 annual conference extended abstracts. ACM Press, 2011. http://dx.doi.org/10.1145/1979742.1979554.

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Reports on the topic "The House of Music"

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Stahl, Geoff, and Alex Gyde, eds. Popular Music Worlds, Popular Music Histories: Conference Proceedings, Liverpool 2009. International Association for the Study of Popular Music, 2011. http://dx.doi.org/10.5429/2225-0301/2009.

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Maddocks, Sally C. Music and Combat Motivation. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ada635065.

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Johnston, Mindy. Music and Conflict Resolution: Exploring the Utilization of Music in Community Engagement. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.437.

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Bassalé, Parfait. Music and Conflict Resolution: Can a Music and Story Centered Workshop Enhance Empathy? Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1122.

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Kaplan, Gail. Review ofThe Music of Pythagoras. The MAA Mathematical Sciences Digital Library, 2010. http://dx.doi.org/10.4169/loci003480.

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Mehegan, Laura, and G. Chuck Rainville. 2020 Music and Brain Health Survey. AARP Research, 2020. http://dx.doi.org/10.26419/res.00387.001.

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Connolly, Marie, and Alan Krueger. Rockonomics: The Economics of Popular Music. National Bureau of Economic Research, 2005. http://dx.doi.org/10.3386/w11282.

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Saldana, Pablo. Boomers, Millennials, and The Music Experience. Portland State University Library, 2016. http://dx.doi.org/10.15760/honors.309.

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Arnold, Christopher. Music and Acculturation: Using Culture-focused Music Therapy to Address the Adverse Effects of Acculturative Stress. Portland State University Library, 2014. http://dx.doi.org/10.15760/honors.83.

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Seybold, Patricia. Amazon Takes on Apple in Digital Music. Patricia Seybold Group, 2013. http://dx.doi.org/10.1571/pp01-24-13cc.

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