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Relevant bibliographies by topics / The Illustration of Art

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Academic literature on the topic 'The Illustration of Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "The Illustration of Art"

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Blum, Ann. ""A Better Style of Art": The Illustrations of the Paleontology of New York." Earth Sciences History 6, no. 1 (January 1, 1987): 72–85. http://dx.doi.org/10.17704/eshi.6.1.5635758n4521384g.

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James Hall, like other authors and editors of 19th-century American state and federal surveys, learned first hand that publishing illustrations was time-consuming, frustrating and expensive. But illustrations were indispensible, providing the graphic communication of morphology that justified the author's taxonomic decisions. That essential information, however, passed through the hands of an illustrator and either an engraver or lithographer before it reached the scientific audience that would test and judge it. Artists and printers, therefore, needed close supervision; plates required careful proofing and sometimes cancellation. Hall, like his colleagues, vastly underestimated the time and expense that his project would entail. The plates illustrating the Palaeontology reflected changes occurring in American science and printing. Over the decades spanned by the publication, picture printing techniques changed from craft to industry, and converted from engraving to lithography; so did the New York survey. Meanwhile, the scientific profession developed illustration conventions to which publications with professional intent increasingly conformed. These conventions combined standards of "accuracy" with issues of style to reflect both scientific activity and its social context. The early illustrations drawn by Mrs. Hall were no less "accurate" although clearly less polished than the collaborations between R.P. Whitfield and F.J. Swinton, or the later work of J.H. Emerton and E. Emmons, Jr. The artists and printers of the Palaeontology plates emulated and contributed to the emerging national style of zoological and paleontological illustration, and thus helped consolidate the "look" of American science.

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Pace-Asciak, P., and T. Gelfand. "38. Max Brodel (1870-1941): His artistic influence on surgical learning at John Hopkins Medical School." Clinical & Investigative Medicine 30, no. 4 (August 1, 2007): 47. http://dx.doi.org/10.25011/cim.v30i4.2798.

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Medical students depend on illustration to learn anatomical facts and details that may be too subtle for the written or spoken word. For surgical disciplines, learners rely on tools such as language, 2-dimensional illustrations, and 3-dimensional models to pass on important concepts. Although a photograph can convey factual information, illustration can highlight and educate the pertinent details for understanding surgical procedures, neurovascular structures, and the pathological disease processes. In order to understand the current role of medical illustration in education, one needs to look to the past to see how art has helped solve communication dilemmas when learning medicine. This paper focuses on Max Brodel (1870-1941), a German-trained artist who eventually immigrated to the United States to pursue his career as a medical illustrator. Shortly after his arrival in Baltimore, Brodel made significant contributions to medical illustration in Gynecology at John Hopkins University, and eventually in other fields of medicine such as Urology and Otolaryngology. Brodel is recognized as one of America’s most distinguished medical illustrators for creating innovative artistic techniques and founding the profession of medical illustration. Today, animated computer based art is synergistically used with medical illustration to educate students about anatomy. Some of the changes that have occurred with the advancement of computer technology will be highlighted and compared to a century ago, when illustrations were used for teaching anatomy due to the scarcity of cadavers. Schultheiss D, Udo J. Max Brodel (1870-1941) and Howard A.Kelly (1858-1943) – Urogynecology and the birth of modern medical illustration. European Journal of Obstetrics & gynecology and Reproductive Biology 1999; 86:113-115. Crosby C. Max Brodel: the man who put art into medicine. New York: Springer-Verlag, 1991. Papel ID. Max Brodel’s contributions to otolaryngology – Head and Neck surgery. The American Journal of Otology 1986; 7(6):460-469.

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Stoleriu, Irina-Andreea. "Book Illustration or the Art of Illustrating." Anastasis. Research in Medieval Culture and Art 7, no. 1 (May 29, 2020): 153–55. http://dx.doi.org/10.35218/armca.2020.1.09.

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Bel'skaya, Anna O. "FEATURES OF COMPOSITION IN THE ART OF CHILDREN’S BOOKS BY ARTHUR RACKHAM." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2020): 131–49. http://dx.doi.org/10.28995/2073-6401-2020-3-131-149.

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The article studies the book illustration by the English artist Arthur Rackham (1867–1939), the features of his work in the context of time and the experience that can be used in the process of teaching the book design and illustration. Here, research interest is focused on six main techniques that the artist actively used when illustrating in the children’s books in England in the late 19 – early 20th century. The name of A. Rackham and his graphics, are entirely associated with the English Art Nouveau. Having studied the graphic heritage of A. Rackham, on the example of his seven illustrations for children’s books, one can trace how A. Rackham’s creative credo was formed. The artist managed to move away from imitation of the English Victorian style, the Eastern and Western charts, medieval manuscripts and came to his own version of the Neo-Gothic in the art of the English book

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Tursunmurotovich, Sobirov Sarvar. "Illustration and the Influence of Illustrator on Children’s Understanding of Fairy Tales and Works of Art in Books." International Journal of Psychosocial Rehabilitation 24, no. 5 (April 20, 2020): 3526–33. http://dx.doi.org/10.37200/ijpr/v24i5/pr202063.

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Patel, Smruti K., William T. Couldwell, and James K. Liu. "Max Brödel: his art, legacy, and contributions to neurosurgery through medical illustration." Journal of Neurosurgery 115, no. 1 (July 2011): 182–90. http://dx.doi.org/10.3171/2011.1.jns101094.

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Max Brödel is considered the father of modern medical illustration. This report reviews his contributions to neurosurgery as a medical illustrator. Max Brödel, a young artist from Leipzig, Germany, was hired at Johns Hopkins Hospital in 1894, where he illustrated an operative textbook of gynecology for Howard A. Kelly. Although Brödel did not have any formal medical training, he quickly acquired knowledge of anatomy, pathology, physiology, and surgery. Brödel's extraordinary illustrations were characterized by an aerial perspective that conveyed the surgeon's operative viewpoint and precise surgical anatomy. He masterfully incorporated tissue realism with cross-sectional anatomy to accentuate concepts while maintaining topographical accuracy. Brödel's reputation spread quickly and resulted in collaborations with prominent surgeons, such as Cushing, Halsted, and Dandy. Cushing, who also possessed artistic talent, became a pupil of Brödel and remained a very close friend. In 1911, Brödel was appointed the director of the Department of Art as Applied to Medicine at Johns Hopkins, the first academic department of its kind in the world. For the next several decades, he trained generations of renowned medical illustrators. Just as Osler, Halsted, and Cushing passed their skills and knowledge to future leaders of medicine and surgery, Brödel did the same for the field of medical illustration. The advancement of neurosurgical education has been greatly facilitated by Max Brödel's artistic contributions. His unique ability to synthesize art and medicine resulted in timeless illustrations that remain indispensable to surgeons. The art produced by his legacy of illustrators continues to flourish in neurosurgical literature today.

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Bulduk, Banu. "Contemporary illustration methods and new application areas on illustrations: Interaction induced animated illustrations." Global Journal of Arts Education 6, no. 3 (June 29, 2016): 77–84. http://dx.doi.org/10.18844/gjae.v6i3.1699.

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Illustration can be defined as a sub-discipline of graphic design enabling the realization of visual communication which mediates to the description of ideas and thoughts in a formal way. From the past to the present, illustrations find various areas of usage as visual elements in communication environment and it can be used as a design element for many graphic products ranging from product designs to children’s books. Over time, stylistic differences in illustration languages have also turned into structural differences in design and production process and concepts such as interaction, user control and animation have developed an alternative language to the traditional illustration techniques. Contemporary form-languages of these illustrations are examined in the scope of this study. Formal analysis of illustrated graphic products and their delivery to new media environments are considered in this process. Animated illustrations and three dimensional design, among those application techniques, are at the active position to intensify the perception of viewers/readers via illustration. In this study, method included the usage, design and application processes of animated illustration applications, also current and proposed examples and alternative languages’ search of illustrations are discussed. Keywords: illustration, contemporary illustration, animated illustration, three dimensional art design, interaction design.

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kim hye kyujg and 임수은. "Illustration through Primitive Art." Journal of Korea Design Forum ll, no. 23 (May 2009): 291–300. http://dx.doi.org/10.21326/ksdt.2009..23.025.

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Kuzmenko, Halyna. "Borys Hrinchenko Literary Heritage in Works of Graphic Artists." ART Space, no. 3 (2018): 50–67. http://dx.doi.org/10.28925/2519-4135.4.2018.3.10.

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The article, in the retrospect of time, covers the peculiarities of publishing development in Ukraine in late nineteenth — early twentieth century the time of Borys Hrinchenko literary activity. It refines the essence of the term “illustration” and determines the specific character of the book illustration design, highlights the role and characteristics of the artist concerning the art of creation and finishing of the book. The article also reveals a brief art analysis of artistic features of the specific illustrations created by the graphic artists for the works of Borys Grinchenko.

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Soyluçiçek, Seza. "Looking through the sphere; Illustration in virtual reality." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (September 14, 2018): 53–59. http://dx.doi.org/10.18844/prosoc.v5i6.3695.

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Illustration field has developed different visual communication ways and reached a broad usage area. Instead of consisting of just book limning, with various techniques, methods and technological opportunities, it continues to take place in other places. Especially the usage area of two–three-dimensional illustrations on digital media enlarged, led to different production processes and designers found new display possibilities and design processes. One of the examples about this situation is 360-degree illustrations that can be designed and displayed on virtual reality (VR) media. VR is an interactional virtual media that can detect the location and movements of users, appeal to one or more artificial senses and give the feeling of being inside the simulation. 360-degree display and production on this media takes not only VR glasses but also web portals and some developer programs. In this study, illustration in VR and 360-degree panoramic illustration of display and development systems and production processes are examined.Keywords: Illustration, virtual reality, panoramic illustration, graphic design, art education.

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Dissertations / Theses on the topic "The Illustration of Art"

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Webb, Keith R. "A new approach to illustration curriculum design : using Bloom's taxonomy as the framework for cognitive and psychomotor illustration studio objectives /." Read thesis online, 2007. http://library.uco.edu/UCOthesis/WebbKR2007.pdf.

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Davila, Victor. "THE ILLUSION OF ART: MY AMALGAMATION OF ILLUSTRATION AND CONTEMPORARY ART." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3753.

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Drawing on archetypical aspects of human characteristics and personalities, I create images that illustrate our connection to memory, media, and culture. My work is informed by pop culture, including television, movies, cartoons and comic books as it relates to characters in our own physical world and society. The grid is used to represent both childhood games and the frames of a comic strip, where each panel equals an exact moment of time.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA

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Jones, Andrew Stuart. "Kay Nielsen orientalism in illustration during the Belle Époque /." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2009m/jonesa.pdf.

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Thesis (M.A.)--University of Alabama at Birmingham, 2009.
Title from PDF title page (viewed Jan. 21, 2010). Additional advisors: Cathleen Cummings, Heather McPherson, Mindy Nancarrow. Includes bibliographical references (p. 66-71).

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Akard, Carrie Meitzner. "Southern Genre Painting and Illustration from 1830 to 1890." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc277611/.

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The purpose of this thesis is to give a concise view of stylistic, iconographical, and iconological trends in Southern genre paintings and illustrations between 1830 and 1890 by native Southern artists and artists who lived at least ten years in the South. Exploration of artworks was accomplished by compiling as many artworks as possible per decade, separating each decade by dominant trends in subject matter, and researching to determine political and/or social implications associated with and affecting each image. Historical documents and the findings of other scholars revealed that many artworks carried political overtones reflecting the dominant thought of the white ruling class during the period while the significance and interpretation of other artworks was achieved by studying dominant personal beliefs and social practices.

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Valley, Madeleine. "Gentle Wolves: Re-Contextualizing Fairy Tale Illustration." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1367427355.

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Tremblay, Denys. "La sculpture environnementale : point de vue historique, articulation conceptuelle et illustration." Paris 8, 1987. http://www.theses.fr/1987PA080197.

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La mutation envirionnementale de la sculpture s'effectue lorsque des artistes impliquent les contextes de presentation dans de nouvelles relations esthetiques et existentielles avec l'oeuvre. Avec le litchrequisit, moholy-nagy s'empare arbitrairement du contexte quotidien de presentation en projetant sur lui un spectacle d'ombres et de lumieres. Avec fountain, duchamp qualifie arbitrairement d'artistique un objet quotidien en voulant l'exposer dans un contexte artistique de presentation. Dans ces deux exemples, les artistes realisent des sculptures dependantes du contexte environnant et tributaires de l'evenement qu'elles y produisent. Ces oeuvres manifestent un art en interaction avec la vie et expriment une dominance esthetique ou existentielle selon que l'objet sculptural est decrete arbitrairement quotidien ou que l'objet quotidien est decrete arbitrairement artistique. En suivant le cheminement de smithson, de christo et de l'illustre inconnu, nous realisons que certains artistes contemporains developpent et approfondissent davantage les processus existentiels et esthetiques impliques par leurs oeuvres. En effet, ces artistes proposent et negocient des projets artistiques qui s'enracinent davantage dans le substrat culturel et social d'une localite. De plus, ils inaugurent une mutation "regionaliste" de la sculpture environnementale en permettant de transcender le temps et le lieu meme de la localite concernee. Le resultat sculptural prend alors la forme d'un really-made, c'est-a-dire un acte d'art introduit dans le champ de la vie et assume a la fois comme art et comme vie par des responsables locaux devenus des partenaires a part entiere. La deuxieme partie de la these relate les experimentations pratiques de l'auteurartiste. Ce dernier opere des rituels protocolaires dans diverses localites a titre d'illustre inconnu de l'impouvoir-peripherique. Il procede a l'inhumation de l'histoire de l'art metropolitaine recuperee au centre pompidou a paris. Plus tard, il negocie un protocole d'entente unique en son genre pour la sauvegarde de sculptures contemporaines a chicoutimi. De plus, il elabore les plans d'un pavillon thematique et universitaire tout a fait revolutionnaire. Veritable contrat contemporain et local entre l'art et la vie, la these devient elle-meme un really-made lorsqu'elle invite le lecteur a l'accepter comme "unite volumetrique" de base de l'auteur.

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Kroeter, Chloe Melinda. "Art and activism : promoting change through British periodical illustration, 1893-1914." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648341.

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Schütz, Marine. "Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975)." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3104.

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Dès l’apparition du Pop art autour de 1962, l’iconographie de l’illustration et de la publicité indique l’émergence d’une véritable esthétique graphique. La rencontre du Pop art et du dessin se révèle particulièrement intéressante car suivre les productions réalisées dans cette discipline éminemment manuelle permet de réexaminer les différentes positions des artistes vis-à-vis de la culture de masse et d’aborder des questions tant matérielles qu’iconographiques. Partant du constat que les formations artistiques sont à l’origine du va-et-vient entre options manuelles et mécaniques dans l’économie du Pop art, le propos débute par l’examen des conditions d’émergence du dessin. L’examen des relations entre dessin et culture de masse ne saurait être complet sans évoquer la réponse d’artistes qui s’engagent dans la recherche d’un dialogue avec un public croissant (par des stratégies de classe, l’iconographie de logos de produits, la prise en compte des possibilités de l’estampe etc.). Non seulement l’œuvre naît du parcours de la main, mais le dessin pop dépasse le seul processus créateur pour exister dans un corpus d’œuvres autonomes, qui s’écarte de tout schéma finaliste. Cette présence souligne ce que peuvent avoir de critique l’image et l’action du corps. De même que Claes Oldenburg et David Hockney opposent une tension manuelle aux expressions mécanisées dans la société – et là réside le double sens de la notion d’engagement autant physique que politique dans le dessin pop –, le réinvestissement du corps sous la forme du portrait et du nu affirme sa solidarité avec les combats pour la libération sexuelle à l’aube des années soixante-dix
By 1962 with the beginning of Pop art, the iconography of illustration and advertising points the development of an art founded on graphics. Interestingly, the relations between Pop art and drawing allow to follow how the handmade practices reassess the artists’ positions towards mass culture and deal with material issues (such as manual involvement) and the meaning of iconography (counter-culture, return of the figure). Starting from the point that artistic pop economy of art owes its back and forth mouvement between manual and mechanical options to its protagonists’ artistic education, this dissertation opens with the study of drawing’s emergence in a pedagogical context. The study of the relations between drawing and mass culture wouldn’t be fully led without assessing the answer of the artists who involve in the claim for a bigger audience (with a class strategy, an iconography full of mass products and the possibilities of prints). Moreover, not only the graphic works stem from the hand, but pop drawing overwhelms the solely issue of creation processes to exist in an autonomous corpus of works, which doesn’t fall into the finalist schema. This presence points how critical may be the body, through drawing, as an image and as an action. Similary to Claes Oldenburg and David Hockney who oppose a manual tension to the social mechanized expressions – and there lay the double sense of the very notion of involvement which is to be understood in Pop art in the same time on a physical and a political level – the reinvolvement of the body by way of portrait or nude shows its solidarity with the fights in the wake of the sixties, fight for sexual liberation, or women rights

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Connerty, Michael. "Secret identity : reassessing Jack B. Yeats as a comic strip artist." Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13452/.

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The focus of this research is the critically neglected comic strip work produced by the Irish painter Jack B. Yeats for a number of British publications between c. 1893 and 1917. The thesis seeks to identify and analyse the corpus of his previously unexamined work, positioning it in relation to contemporaneous media, entertainment and popular culture, as well as to the early development of the British comic. This thesis seeks to establish the key role that Yeats played in the early development of the form, during a key phase in its evolution. The claims that the thesis makes for Yeats as an important comic strip artist are based on extensive archival research, focused on comics such as Comic Cuts, The Big Budget and The Halfpenny Comic published in London by Alfred Harmsworth, Arthur Pearson and George Newnes respectively. He went through a number of identifiable phases in terms of his graphic style, producing a very substantial volume of work over the course of his career, largely in the form of series of strips featuring recurring characters, a number of which became very popular with the reading public. Yeats has almost exclusively been discussed in terms of his fame as a fine artist, despite the fact that his comics work was widely disseminated during his lifetime. Given that the work was once well known, as part of a novel and widely circulated mass medium, it is necessary to interrogate the absence of this material from art-historical accounts of his work and reassess Yeats as a comic strip artist. In Ireland there has been a tendency to articulate Yeats in terms of national identity, and thus avoid recognition of his engagement with, and contribution to, British popular culture. Issues regarding the mutual exclusivity of the ‘high’ and ‘low’ cultural registers in which he operated has likewise resulted in the valorization of a particular area of his creative activity and the exclusion of the material acknowledged, discussed, and celebrated here. The repositioning of Yeats in relation to comic strip art has profound implications for the study of twentieth century Irish art generally, and for Yeats connoisseurship specifically, and proposes significant challenges to both, as well as making a contribution to British comics history.

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Osborne, Carol Margot. "Pierre Didot the Elder and French book illustration, 1789-1822." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12050279.html.

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Books on the topic "The Illustration of Art"

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Illustration. Cambridge, Mass: Harvard University Press, 1992.

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Miller, J. Hillis. Illustration. London: Reaktion, 1992.

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Illustration. Mulgrave, Vic: Images Pub., 2004.

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McGregor, Alasdair. The art of Australian geographic illustrations. Sydney, NSW: Australian Geographic, 2013.

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Behrens, Roy R. Illustration as an art. Englewood Cliffs, N.J: Prentice-Hall, 1986.

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Heller, Steven, and Howard Roffman. Star wars art: Illustration. New York: Abrams, 2012.

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Star wars art: Illustration. New York: Abrams, 2012.

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Wood, John Rowland. Handbook of illustration. New York, NY: Design Press, 1991.

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Handbook of illustration. London: Studio Vista, 1991.

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Seymour, Chwast, ed. Illustration: A visual history. Abrams: New York, 2008.

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Book chapters on the topic "The Illustration of Art"

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Hunnisett, Basil. "Decline of the art." In Steel-Engraved Book Illustration in England, 205–16. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003090861-11.

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Hedeman, Anne D. "Gothic Manuscript Illustration." In A Companion to Medieval Art, 547–68. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch23.

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Hunnisett, Basil. "The art of steel engraving." In Steel-Engraved Book Illustration in England, 33–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003090861-4.

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Hyde, Emily. "Auden and the Art of Illustration." In Auden at Work, 86–110. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-45293-1_6.

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"Art Deco." In The Visual Dictionary of Illustration, 34. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0022.

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"Art Director." In The Visual Dictionary of Illustration, 35. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0023.

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"Art Nouveau." In The Visual Dictionary of Illustration, 36. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0024.

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"Art School." In The Visual Dictionary of Illustration, 38. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0026.

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"Book Art." In The Visual Dictionary of Illustration, 48. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0036.

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"Folk art." In The Visual Dictionary of Illustration, 103. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0091.

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Conference papers on the topic "The Illustration of Art"

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Chen, Zihan, Lianghong Chen, Zhiyuan Zhao, and Yue Wang. "AI Illustrator: Art Illustration Generation Based on Generative Adversarial Network." In 2020 IEEE 5th International Conference on Image, Vision and Computing (ICIVC). IEEE, 2020. http://dx.doi.org/10.1109/icivc50857.2020.9177494.

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Kim, Yongjin, Jingyi Yu, Xuan Yu, and Seungyong Lee. "Line-art illustration of dynamic and specular surfaces." In ACM SIGGRAPH Asia 2008 papers. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1457515.1409109.

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Ying, Xu. "The Creative Value of Zhuhai Folk Art Illustration." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.124.

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Chen, Qiduan, and XiaoJun Tang. "Fiber Art and Its Application in Illustration Creation." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.108.

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Cunha, Sara, and Adriano Rangel. "Visual Poetry. Illustration in digital publishing." In 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. São Paulo: Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-45.

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Chu, Yueying. "Analysis of the Application of Illustration Art in Graphic Design." In Proceedings of the 2018 3rd International Conference on Politics, Economics and Law (ICPEL 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icpel-18.2018.126.

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Dima, Gabriela_Eugenia. "Rosmunda: Feminine Illustration of Vittorio Alfieri�s Tyrant." In 7th SWS International Scientific Conferences on ART and HUMANITIES ISCAH 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.f2020.7.2/s09.14.

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Cayatte, Henrique. "Design and Illustration. Two of a kind." In 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. São Paulo: Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-04.

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Bambang, Girindraswari, Bambang Prihadi, Nawung Asmoro Girindraswari, Trie Hartiti Retnowati, and Wrin Probo Tyas. "Effectiveness of the Application of Mind Maps in Learning Illustration in Elementary Schools." In Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.48.

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Oliinyk, V. A. "Non-traditional use of book illustration in modern Ukraine." In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-110.

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Reports on the topic "The Illustration of Art"

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Reddy-Best, Kelly L., Eunji Choi, and Hangael Park. When and How Are Men Represented in Fashion Illustration Textbooks? A Critical Analysis of Race and the Body. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1843.

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Buathong, Thananon, Anna Dimitrova, Paolo Miguel M. Vicerra, and Montakarn Chimmamee. Years of Good Life: An illustration of a new well-being indicator using data for Thailand. Verlag der Österreichischen Akademie der Wissenschaften, August 2021. http://dx.doi.org/10.1553/populationyearbook2021.dat.1.

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While Thailand has achieved high levels of economic growth in recent decades, poverty at the local level has been increasing. Indicators of human development at the national level often mask the differences in well-being across communities. When responding to the need for sustainable development research, the heterogeneity of a population should be emphasised to ensure that no one is left behind. The Years of Good Life (YoGL) is a well-being indicator that demonstrates the similarities and differences between subpopulations in a given sociocultural context over time. The data used in this analysis were collected from Chiang Rai and Kalasin, which are provinces located in regions of Thailand with high poverty rates. Our main results indicate that the remaining years of good life (free from physical and cognitive limitations, out of poverty and satisfied with life) at age 20 among the sample population were 26 years for women and 28 years for men. The results varied depending on the indicators applied in each dimension of YoGL. Our analysis of the YoGL constituents indicated that cognitive functioning was the dimension that decreased the years of good life the most in the main specification. This study demonstrates the applicability of the YoGL methodology in investigating the wellbeing of subpopulations.

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Gore, Tim, Mira Alestig, Sabita Banerji, and Giorgia Ceccarelli. The Workers Behind Sweden's Italian Wine: An illustrative Human Rights Impact Assessment of Systembolaget's Italian wine supply chains. Oxfam, September 2021. http://dx.doi.org/10.21201/2021.7703.

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This paper reports on an illustrative human rights impact assessment (HRIA) of the Italian wine supply chains of Systembolaget, the Swedish monopoly alcohol retailer. The HRIA aimed to evaluate the actual and potential human rights impacts at the production stage of the value chain in Italy, to identify their root causes, and to provide recommendations to relevant stakeholders concerning their prevention, mitigation and/or remediation. The assessment took just over a year and consisted of five phases of analysis using a methodology aligned with the UN Guiding Principles on Business and Human Rights (UNGPs). However, the onset of Italy’s severe first wave of coronavirus in 2020 meant that the assessment team was unable to conduct the field study phase with the full rigour required of an HRIA. The field phase started in September 2019, with an initial assessment phase based on a literature review and a round of stakeholder interviews from September 2019 to March 2020. Further, limited, worker interviews were conducted from October 2020 to January 2021. The result is an illustration of the human rights risks that are present in the areas of Italy from which Systembolaget sources its wine.

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Ayoul-Guilmard, Q., F. Nobile, S. Ganesh, M. Nuñez, A. Kodakkal, R. Rossi, and C. Soriano. D6.4 Report on stochastic optimisation for unsteady problems. Scipedia, 2021. http://dx.doi.org/10.23967/exaqute.2021.2.003.

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This report brings together methodological research on stochastic optimisation and work on benchmark and target applications of the ExaQute project, with a focus on unsteady problems. A practical, general method for the optimisation of the conditional value at risk is proposed. Three different optimisation problems are described: an oscillator problem selected as a suitable trial and illustration case; the shape optimisation of an airfoil, chosen as a benchmark application in the project; the shape optimisation of a tall building, which is the challenging target application set for ExaQUte. For each problem, the current developments and results are presented, the application of the proposed method is discussed, and the work to be done until the end of the project is laid out.

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Smith, Rupert, Nigel Howard, and Andrew Tait. Commanding Anti-Terrorist Coalitions: A Mid-East Illustration. Fort Belvoir, VA: Defense Technical Information Center, June 2002. http://dx.doi.org/10.21236/ada467631.

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Flood, Robert, and Andrew Rose. Financial Integration: A New Methodology and an Illustration. Cambridge, MA: National Bureau of Economic Research, August 2003. http://dx.doi.org/10.3386/w9880.

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Rubin, Alex, Alan Omar Loera Martinez, Jake Dow, and Anna Puglisi. The Huawei Moment. Center for Security and Emerging Technology, July 2021. http://dx.doi.org/10.51593/20200079.

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For the first time, a Chinese company—Huawei—is set to lead the global transition from one key national security infrastructure technology to the next. How did Washington, at the beginning of the twenty-first century, fail to protect U.S. firms in this strategic technology and allow a geopolitical competitor to take a leadership position in a national security relevant critical infrastructure such as telecommunications? This policy brief highlights the characteristics of 5G development that China leveraged, exploited, and supported to take the lead in this key technology. The Huawei case study is in some ways the canary in the coal mine for emerging technologies and an illustration of what can happen to U.S. competitiveness when China’s companies do not have to base decisions on market forces.

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Dillon, M. B., and R. G. Sextro. Illustration of Key Considerations Determining Hazardous Indoor Inhalation Exposures. Office of Scientific and Technical Information (OSTI), March 2019. http://dx.doi.org/10.2172/1569185.

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Sala-i-Martin, Xavier, and Arvind Subramanian. Addressing the Natural Resource Curse: An Illustration from Nigeria. Cambridge, MA: National Bureau of Economic Research, June 2003. http://dx.doi.org/10.3386/w9804.

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Gelfand, Alan E., Susan E. Hills, Amy Racine-Poon, and Adrian F. Smith. Illustration of Bayesian Inference in Normal Data Models Using Gibbs Sampling. Fort Belvoir, VA: Defense Technical Information Center, September 1989. http://dx.doi.org/10.21236/ada212630.

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