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1
Suharsono, Suharsono. "PENGGUNAAN METAFORA DALAM LAYLA MAJNUN." Adabiyyāt: Jurnal Bahasa dan Sastra 13, no. 2 (2014): 176. http://dx.doi.org/10.14421/ajbs.2014.13202.
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The study of the metaphor in a literary work can be used to find out the author’s creativity in utilizing words to concretize an abstraction through the use of metaphor. Because every human being is essentially unique, each author is assumed to have his/her own style in creating metaphors. The two questions in this article are: 1) how is the typical form of metaphor in Layla Majnun as the embodiment of creativity? ; 2) what is the function of the use of metaphor in Layla Majnun? Based on the analysis of data, a metaphor can be classified into a phrase, clause, and sentence. At the phrasal level, position or location of the image element can be either in the beginning or in the end of the topic. Meanwhile, at the level of the clause and sentence, image elements are always in the end of the topic. This latter sequence is possible because the clause part of the “explained or described” is filled syntactically by the predicate. The predicate in Indonesian is predominantly located after the subject. The study of the use of metaphor in Layla Majnun leads to the conclusion that the creativity of the author in creating metaphor reflected on how human (the author) sees the world. Because human perception is inseparable from the environment in which the author lives, develops, and interacts, the use of metaphor in Layla Majnun reflects an overview of the social life, values of culture, and customs of the Arab people at that time.
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Ulfiana, Elita. "A SYNTACTICAL STRUCTURE ANALYSIS OF METAPHORS IN THE TRANSLATION OF LAYLA MAJNUN'S ROMANCE IN 2002." Jurnal CMES 14, no. 2 (2021): 188. http://dx.doi.org/10.20961/cmes.14.2.54985.
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<p>The purpose of this study is to describe the syntactic structure in the metaphors in Layla Majnun's translation of the novel. The data was obtained from the novel Layla Majnun published by Navila through listening with simak bebas libat cakap technique. Data analysis was padan using pilah unsur tertentu method, namely by sorting certain elements using referential sorting. The results showed that the metaphorical structure in Layla Majnun's novel was dominated by phrases and clauses. Images in the structure of phrases and clauses are displayed through the categories of nouns and verbs. The form of the verb in the clause is found in the form of action verbs, events and circumstances. The variety of these forms proves that the metaphorical structure is consistent in constructing its construction to form a concrete meaning that is easily understood by the reader.</p>
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Hamdamova, Shamshoda Saidakhmat kizi Nasimova Mukhlisa Narzullo kizi. "LITERARY INTERPRETATION OF MOTHER-CHILD RELATIONSHIP IN UZBEK LITERATURE." MODELS AND METHODS IN MODERN SCIENCE 1, no. 14 (2022): 52–55. https://doi.org/10.5281/zenodo.7115629.
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This article gives informations about the interpretation of one of the human relationships, the relationship between mothers and children, in Uzbek literature. The importance of mothers in upbringing children, morality and finding; their place in life is revealed by the example of the heroes of the artistic work. The character of the children who lost their mother's life due to their wrongdoing is "Ufq"(“Horizon”), "Oftoboyim" by Said Ahmad, "Qorako’z Majnun", in the works of O'tkir Hashimov's “Urushning so’nggi qurboni ”("The Last Victim of the War"); the images of mothers who did not give appropraite upbringing to their children were given in such works, Sh. Botayev's “Sho’rodan qolgan odamlar”("People left from Shura"), Behbudi's "Padarkush"; the image of a well-educated child is highlighted in U. Hashimov's work "World Affairs
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Aliyeva, Saltanat. "The image of the mountain in “Leyli and Majnun” by Mahammad Fuzuli on the mythological and religious-mystical level." AZERBAIJAN LITERATURE STUDIES, no. 03 (2024): 104. https://doi.org/10.59849/2663-4406.2024.3.104.
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Sevinj, Aghayeva. "POETIC ISSUES IN THE WORKS OF YUSUF MADDAH AND MUHAMMAD FUZULI (XIV AND XVI CENTURIES)." Journal of Language and Literature 1, no. 1 (2022): 21–25. https://doi.org/10.5281/zenodo.6402279.
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For comparative analysis, although the authors of both works are known, “Varga and Gulshah," "Leyli and Majnun" were memorized as an epic by folk artists in ancient times. Our goal is not to investigate the origins of these two works, but to compare the language of the images in work with the environment in which they live, their desires, want to realize and to analyze the main points in parallel in by the writing patterns of both centuries - also, showing similarity of the works, the linguistic and stylistic features of both Azerbaijani-Turkic poets, the sequence of events in work in terms of plot and composition, etc., such as to convey the literary issues. Yusif Maddah wrote "Varga and Gulshah" in the form of "assemblies," and by his style; at the end of each assembly, he referred to both written and oral examples of folk literature. This tradition was seen in Muhammad Fuzuli's "Leyli and Majnun." No matter how much both the predecessor and the successor refer to sources close to the content, the sequence of events shows that both Azerbaijani-Turkic poets benefited more from Turkic folk art.
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Abdullaevna Ataniyazova, Muborak. "Romantic epics Navoi interpreted by Olim Sharafiddinov." SCIENTIFIC WORK 61, no. 12 (2020): 27–31. http://dx.doi.org/10.36719/2663-4619/61/27-31.
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This article deals with a scientific analysis of the views of the literary critic Olim Sharafiddinov on the poetics of the epic Alisher Navoi "Khamsa", in particular, "Farhod and Shirin", "Leyli and Majnun". It evaluates the views of the scientist on this topic, the world of images, plot and composition from today's point of view. Also, scientific problems related to the poetics of the epic are studied, new views are put forward on the genre and semantic features of this immortal work. Along with this, issues related to the poetics of the epic are clarified. Key words: views of Olim Sharafiddinov, poetics of the epic, composition, literary criticism of the 1930s, artistic interpretation
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Musayeva, E. "Issues of Physical Perfection and Physical Education of Women in the Poetry by Nizami Ganjevi." Bulletin of Science and Practice 7, no. 9 (2021): 650–54. http://dx.doi.org/10.33619/2414-2948/70/67.
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After gaining independence, the Republic of Azerbaijan, one might say, has always honored all our writers and poets from our classical heritage. Our President Ilham Aliyev has declared this year the Year of the classic poet Nizami Ganjavi. The main goal is the desire to lead our nation forward, to protect it, to preserve the legacy left to us by our great leader, world politician Heydar Alirza oglu Aliyev. He also pointed out the importance of preserving our classical poets such as Nizami Ganjavi and passing on their works to the younger generation. Female images play a key role in the works of Nizami Ganjavi. In his works, he highlighted the place of a woman, depicting a woman as a mother, an ornament of life. In Sultan Sanjar and the Old Woman Beit from Treasury of Secrets, the first poem in the five-verse Hamsa, Nizami Ganjavi describes a woman as the leading force of society, defending her rights. In the second poem — Khosrov and Shirin, Nizami Ganjavi always wanted to see women free and made it clear that a society without women would become an orphan. In his third poem, Layli and Majnun, he described in detail the image of Layli as a selfless oriental woman, attached to her family and devoted to her love. In fact, Nizami Ganjavi foresaw the role of women in society thousands of years ago. The fourth poem Seven Beauties shows the customs and traditions of Chinese, Russian, Persian, Indian, Arab and Turkish women. The poem describes in detail the maternal care of a woman, regardless of her nationality. In his works, Nizami Ganjavi called for an end to all forms of violence against women and wanted to see women free.
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Kartika, Desta Leila, Suseno Susanto, and U’um Qomariyah. "Cinta Abadi dalam Novel Laila Majnun Karya Nizami dan Novel Romeo Juliet Karya William Shakespeare Kajian Intertekstual." Jurnal Sastra Indonesia 7, no. 2 (2019): 140–47. http://dx.doi.org/10.15294/jsi.v7i2.29836.
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Penelitian ini bertujuan untuk menemukan hubungan cinta abadi dan hubungan intertekstual antara novel Laila Majnun karya Nizami dengan novel Romeo Juliet karya William Shakespeare. Pendekatan yang dilakukan dalam penelitian ini adalah pendekatan intertekstual yaitu pendekatan yang digunakan untuk menemukan aspek-aspek tertentu yang telah ada pada karya-karya sebelumnya pada karya yang muncul kemudian. Penelitian ini merupakan penelitian deskriptif kualitatif. Sasaran penelitian ini adalah menemukan hubungan keabadian cinta dan hubungan intertekstual antara novel Laila Majnun karya Nizami dan novel Romeo Juliet karya William Shakespeare. Objek penelitian ini adalah novel Laila Majunun karya Nizami dan novel Romeo Juliet karya William Shakespeare. Teknik pengumpulan data menggunakan teknik baca dan catat. Berdasarkan hasil penelitian menunjukkan bahwa Hubungan keabadian cinta antara novel Laila Majnun karya Nizami dengan novel Romeo Juliet karya William Shakespeare yang terdapat dalam penelitian ini meliputi: jatuh cinta pada pandangan pertama di usia remaja, dimabuk cinta, menutupi kisah cinta mereka, harus menderita karena cinta, berjuang untuk bisa bertemu, dan keabadian cinta. Hubungan intertekstual antara novel Laila Majnun karya Nizami dengan novel Romeo Juliet karya William Shakespeare yang terdapat dalam penelitian ini meliputi: gambaran tokoh secara fisik, tokoh Majnun dan tokoh Romeo sama-sama memiliki sahabat yang setia, pertarungan antar dua keluarga, tokoh Laki-Laki yang menyukai tokoh Laila dalam novel Laila Majnun dan tokoh Laki-Laki yang menyukai Juliet dalam novel Romeo Juliet sama-sama meninggal, keluarga Romeo dan Juliet bermusuhan sedangkan keluarga Laila dan Majnun tidak bermusuhan, Laila dan Majnun tidak sempat menikah sedangkan Romeo dan Juliet sempat menikah, tokoh Majnun diceritakan menjadi gila sedangkan tokoh Romeo tidak gila, mengasingkan dan diasingkan, tokoh Laila sempat menikah sedangkan tokoh Juliet tidak jadi menikah, kisah Laila Majnun dari dunia bagian timur sedangkan Romeo Juliet dari dunia bagian barat.
 This research aims to fine the relationship of the eternity of love and relationship intertextual between Laila majnun novel by Nizami masterpiece novel of Willian Shakespeare Romeo Juliet. The approach was conducted in this research is the intertextual approarch that is the approarch used the discover certain aspects which had existed in previous papers on the works that appeared later. This research is a descriptive qualitative research. The target of this research is to find the relationship of the eternity of love and relationship intrtextual between Laila Majnun novel work of Nizami and William Shakespeare Romeo Juliet. The object of this research is the work of Nizami Laila Majnun novel and William Shakespeare Romeo Juliet. Data collection techniques using read and write down. Based on the result of the research showed that the relationship between the novels love eternity Laila Majnun novel by Nizami works Romeo Juliet William Shakespeare contained in this studyinclude: fall in love at first sight in their teens, intoxicated of love, cover their love story, should suffer because of love, struggle to meet, and the immortality of love. The relationship amoung intertextual Laila Majnun novel by Nizami works Romeo Juliet William Shakespeare contained in this study include: the description of the character physically, morally and Romeo Majnun both have loyal friends, a fight between two families, the male character who liked the character Laila Majnun Laila and in the novel the character man who liked Juliet in Romeo Juliet alike died the family of Romeo and Juliet, feuding while families Laila and Majnun is not hostile, Laila and Majnun didn’t get married while Romeo and Juliet got married, Majnun is told to go crazy while Romeo character is not mad, alienated and isolated, the character Laila got married while the characters Juliet not so married Laila Majnun, the story of the estern part of the world while Romeo Juliet of the western world.
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Qizi, Muradova Shodiya Zakir. "Objectives in the speech of the images of wives and girls in Alisher Navoy's "Khamsa" (In the example of the character of Lali and Majnun)." ACADEMICIA: An International Multidisciplinary Research Journal 12, no. 7 (2022): 31–36. http://dx.doi.org/10.5958/2249-7137.2022.00701.7.
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Junaidi, Ahmad Syafa'at, and Suma Riella Rusdiarti. "Marriage and Women's Subalternity in the Ecranisation of Layla Majnun’s Story." Buletin Al-Turas 29, no. 2 (2023): 171–84. http://dx.doi.org/10.15408/bat.v29i2.33838.
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PurposeThis article aimed to explain the textual changes in adapting Layla Majnun's story to the film Layla Majnun (2021). In addition, this article questioned the textual ideology of both works con-cerning marriage and women's subalternity.MethodThis article was qualitative research using the literature method. The corpus of this article were the novel Layla Majnun by Nizami Ganjavi and the film Layla Majnun (2021) by Monty Tiwa. This article used Linda Hutcheon's adaptation theory, the concept of subaltern initiated by Ga-yatri C. Spivak, and feminist concepts related to marriage.Results/FindingsThe results of this article show significant changes in the form of the adaptation of the story of Layla Majnun to the film. The changes are in the form of narrative structure, the meaning of mar-riage, and women's voices. The story of Layla Majnun focuses more on the storytelling of male characters, while the film focuses more on the storytelling of female characters.ConclusionThe textual shift from novel to film influences changes in the ideology of the text concerning mar-riage and women's subalternity. In the Layla Majnun novel, women are unable to speak out (subaltern) against repression from men concerning marriage. At the same time, the film Layla Majnun attempts to bring out women's voices to articulate their will in marriage.
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Mir'atul Hasanah. "PENGARUH KISAH LAYLA MAJNUN TERHADAP BALADA CINTA MAJENUN KARYA GEIDURRAHMAN EL-MISHRY." BARA AJI: Jurnal Keilmuan Bahasa Arab dan Pengajarannya 1, no. 01 (2023): 49–62. https://doi.org/10.52185/baraaji.v1i01.311.
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Kisah Layla Majnun merupakan salah satu kisah yang sangat monumental. Selama lebih dari seribu tahun beragam versi dari kisah tragis ini telah muncul dalam bentuk prosa, puisi, dan lagu dalam hampir semua bahasa di negara-negara Islam Timur. Kisah ini sangat terkenal dan melegenda hingga mampu mempengaruhi banyak karya-karya sastra di seluruh dunia. Salah satu karya yang disinyalir terpengaruh oleh kisah ini adalah novel “Balada Cinta Majenun” karya Geidurrahman El-Mishry. Artikel ini mencoba untuk melihat sejauh mana keterpengaruhan novel “Balada Cinta Majenun” dengan kisah “Layla Majnun”. Artikel ini menggunakan metode deskriptif dalam memaparkan data-datanya. Dari penelitian ini ditemukan bahwa sangat jelas terlihat pengaruh kisah Layla Majnun terhadap terciptanya novel “Balada Cinta Majenun” karya Geidurrahman el-Mishry. Hal ini nampak jelas dari penyisipan kata “Majenun” dalam judul novelnya yang dimana kata “Majnun” ini sangat identik dengan kisah “Layla Majnun”. Hal ini juga mengingat bahwa novel ini bukanlah karya pertama yang terpengaruh oleh kisah monumental ini. Selain itu, ketika kita menelisik kepada penulis novel “Balada Cinta Majenun”. Perjalanan karir dan pendidikannya yang pernah ia jalani di Mesir tidak akan bisa membuat ia menjauh dari kesusastraan Arab. Ditambah dengan seringnya ia melakukan penerjemahan-penerjemahan karya sastra Arab ke Indonesia, ataupun sebaliknya. Dan hal yang paling menonjol dari semua itu adalah alur yang disajikan dalam novel ini memiliki beberapa kesamaan dengan kisah Layla Majnun. Sehingga ketika kita membacanya, kita akan tergambarkan kisah Layla Manjun tersebut. Meskipun mesti diakui bahwa novel ini juga memiliki beberapa sisi yang berbeda dari kisah Layla Majnun ini. Kata Kunci: Layla Majnun, Sastra Banding, Balada Cinta Majenun
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Kahhorova, Shahnoza Abdimuminovna. "POETIC INTERPRETATION OF NONEXIST TION OF NONEXISTANCE (F ANCE (FANA) IN THE A) IN THE EPIC “LAILI AND MAJNUN” OF FUZULI." Scientific Reports of Bukhara State University 3, no. 3 (2019): 176–79. http://dx.doi.org/10.52297/2181-1466/2019/3/3/11.
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In the article It is conceived about the views of the author according to Sufism, particularly, about the artistic interpretation of the status of FanoendBaka in the epic poem of "Layli end Majnun". Fuzuli's epic "Layla and Majnun" was a mystical epic along with secularism, in which the poet skillfully created a tax in the person of Majnun, Ruhi Mutlaq in the person of Layla.
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Asteka, Pipik. "KAJIAN INTERTEKSTUALITAS DALAM NOVEL SITI NURBAYA KARYA MARAH RUSLI DAN LAILA MAJNUN KARYA SYAIKH." Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia 2, no. 2 (2017): 13–21. http://dx.doi.org/10.31943/bi.v2i2.28.
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Dua karya sastra atau lebih yang mengangkat tema yang sama terdapat persamaan dan perbedaan. Persamaan dan perbedaan tersebut menandakan bahwa setiap pengarang mempunyai pesan tersendiri yang disampaikan melalui karyanya. Persamaan dan perbedaan dalam beberapa karya sastra dapat dianalisis dengan menggunakan prinsip intertekstualitas. Prinsip ini dimaksudkan untuk mengkaji teks yang dianggap memiliki hubungan tertentu dengan teks lain sehingga dimungkinkan suatu karya menjadi hipogram bagi karya sastra selanjutnya. Tujuan penelitian ini adalah pendeskripsian kajian intertekstualitas pada Novel Siti Nurbaya Karya Marah Rusli dengan Novel LaIla Majnun Karya Syaikh Nizami.
 Penelitian novel “Siti Nurbaya karya Marah Rusli dan Laila Majnun Karya Syaikh Nizami” menggunakan metode kualitatif, yaitu penelitian yang bersifat deskriptif. Penelitian kualitatif merupakan penelitian yang cenderung menggunakan analisis. Pendekatan penelitian ini menggunakan kajian intertekstualitas yaitu membandingkan dua buah teks yang diduga memiliki keterkaitan dan pendekatan intertekstual ini untuk menemukan hipogram dan transformasi dalam novel Siti Nurbaya dan Laila Majnun.
 Kedua cerita Novel LaIla Majnun karya Syaikh Nizami dan Novel Siti Nurbaya Cinta karya Marah Rusli di atas yakni memiliki unsur tema yang hampir sama yaitu tentang perjuangan cinta sejati sepasang kekasih yang mengalami cobaan atau hambatan namun menyatu dalam sebuah keabadian mengunakan sudut pandang yang sama yakni sudut pandang orang ketiga dan lain-lain. Selain persamaan ada juga perbedaan yakni terletak pada struktur gaya bahasa, latar sosial dan lain-lain.
 Novel Siti Nurbaya karya Marah Rusli merupakan hipogram untuk novel Laila Majnun karya Syaikh Nizam. Hal itu terbukti karena adanya persamaan ide dan peristiwa-peristiwa yamg terjadi dalam novel Laila Majnun yang sudah lebih dulu diekspresikan Marah Rusli dalam novelnya yang berjudul Siti Nurbaya, kemudian di transformasikan oleh Syaikh Nizam pada novelnya yang berjudul Laila Majnun.
 
 Kata Kunci: Siti Nurbaya, Laila Majnun, Intertekstualitas, Hipogram
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Kartila S, Ninis, Nensilianti Nensilianti, Hajrah Hajrah, and Aslan Abidin. "RELASI KUASA DALAM NOVEL “MAJNUN” KARYA ANTON KURNIA : PERSPEKTIF MICHEL FOUCAULT." Neologia: Jurnal Bahasa dan Sastra Indonesia 6, no. 1 (2025): 600. https://doi.org/10.59562/neologia.v6i1.68957.
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This research discusses the discourse on power relations contained in the novel Majnun by Anton Kurnia using Michel Foucault's perspective. The focus of the research is the form of power relations found in the novel Majnun. This type of research is descriptive qualitative research which aims to examine the discourse that describes the form of power relations in the novel Majnun. Data was collected through technical literature study. The results of this research provide an overview of the four forms of power relations contained in the Majnun novel, namely religious, cultural, institutional and body power relations. Forms of body power relations are classified into three, namely power relations over individual, social and sexual bodies.
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Subhan, Subhan. "ANALISIS UNSUR INSTRINSIK DAN EKSTRINSIK NOVEL LAYLA MAJNUN KARYA NIZAMI." Journal Peqguruang: Conference Series 4, no. 1 (2022): 123. http://dx.doi.org/10.35329/jp.v4i1.2531.
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Pemeriksaan ini diharapkan dapat memecah komponen alami dan lahiriah dari Layla Majnun asli karya Nizami. Landasan sosial suatu negara. Layla Majnun adalah kisah yang menceritakan kisah seorang pemuda yang menarik, berlari dan terhormat yang terkenal di klan Bani Amir, Semenanjung Arab, bernama Qays. Eksplorasi ini merupakan pemeriksaan ilustratif subjektif. Informasi yang dikumpulkan melalui pemeriksaan asli dan strategi membaca dan mencatat diidentifikasi dengan karakteristik dan komponen luar. Hasil penelitian menunjukkan bahwa 1. Komponen bawaan, pokok bahasannya tentang sentimen yang kental dengan kehalusan yang tegas, tokoh-tokoh dasar Layla dan Majnun, alur atau plot dalam kepandaian Layla Majnun menggunakan alur maju, perspektif dalam karya Layla Majnun yang asli menggunakan a Ketiga perspektif individu, gaya bahasa mengandung banyak metafora dan ungkapan representasi. 2. Komponen asing, landasan rumah dalam novel ini disesuaikan dengan kisah nyata yang dialami oleh pencipta, landasan sosial dan sosial yang dikenang dalam novel adalah kebangsaan Iran yang mendapat tempat dengan keluarga Iran, landasan tegas pencipta secara teratur menyematkan perbedaan Ilustrasi ketat Islami. , fondasi keuangan pembaca artistik akan mengetahui fondasi moneter novel, fondasi instruktif pencipta memiliki tingkat pendidikan yang signifikan.
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Yendri, Risa Delva, Bakhtaruddin Nasution, and Muhammad Ismail Nasution. "KAJIAN ASPEK PSIKOLOGI TOKOH UTAMA DALAM NOVEL LAYLA-MAJNUN KARYA SHOLEH GISYMAR." Jurnal Bahasa dan Sastra 1, no. 3 (2013): 39. http://dx.doi.org/10.24036/821940.
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This article describes: (1) Layla-Majnun novel structure Sholeh Gisyamar work, (2) the main character in the novel psychological Layla-Majnun works Sholeh Gisyamar of aspects of id, ego, superego. This data was collected by way of reading the novel Layla-Majnun Gisymar Sholeh work, marking the language related to the research problem. The findings of the research, a novel structure-Majnun Layla Gisymar Sholeh work consisting of plot, setting, characterization, theme and the message, style, and point of view. While the discussion of the psychological aspects of the figure consists of the id, ego, and superego. Based on the results of this study concluded that, aspects of the main character's personality is more likely to attach great importance to the principle of the id ego gratification. Aspects of the ego is not balanced with the character superego aspect, then in the event of self-awareness on the figure, the ego back into play so that the resulting chaos and abnormal action. So the role of the superego in Layla-Majnun novel works Sholeh Gisymar only slightly.
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Lestary, Merry, Dolla Sobari, and Luqman Sumarna. "KONSEP MAHABBAH TOKOH UTAMA NOVEL LAYLA MAJNUN (Pendekatan Psikologi Sastra)." Kitabina: Jurnal Bahasa & Sastra Arab 1, no. 1 (2020): 32–47. http://dx.doi.org/10.19109/kitabina.v1i1.7397.
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Penelitian ini merupakan penelitian sastra yang memanfaatkan teori psikologi sastra dalam melihat kejiwaan tokoh perilaku kecintaannya. Adapun rumusan masalah dalam penelitian ini yaitu; 1) Bagaimana konsep mahabbah Qays selaku tokoh utama dalam novel dengan melihat konsep mahabbah yang ditunjukkannya. Dalam penelitian ini, peneliti menggunakan teori mahabbah Erich Fromm sebagai tolak ukur untuk melihat konsep mahabbah tokoh Qays. Selanjutnya, peneliti menggunakan teori psikologii Erich Fromm sebagai media dalam menarik perilaku mahabbah tokoh Qays dalam novel Layla Majnun Layla Majnun ? 2) Bagaimana konsep mahabbah Qays selaku tokoh utama Novel Layla Majnun jika dilihat dalam kajian psikologi sastra? Tujuannya adalah untuk melihat lebih lanjut, psikologi tokoh dalam novel Layla Majnun . Metode penelitian yang digunakan dalam penelitian ini adalah penelitian perpustakaan atau penelitian kepustakaan, yang artinya penelitian ini menggunakan buku-buku sebagai sumber data utama. Sumber primer yang digunakan dalam penelitian ini adalah novel Qays bin Mulawah Majnun Layla atau Layla Majnun. Teknik data yang digunakan dalam penelitian ini adalah teknik dokumentasi, yaitu dalam mengumpulkan data peneliti menggunakan dokumen-dokumen sebagai sumber untuk mendapatkan data. Teknik analisis data yang digunakan dalam penelitian ini adalah teknik analisis wacana. Hasil dari penelitian ini menunjukkan bahwa konsep mahabbah yang ditunjukkan oleh tokoh Qays sepanjang alur kisah novel tersebut merupakan kecintaan yang cenderung egois, serta pernyataan individu yang sudah liberal jika dilihat dari kajian psikologi sastra.
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Majstorovic, Gorica. "Inventing Indigenism: Francisco Laso's Image of Modern Peru by Natalia Majluf (review)." Journal of Global South Studies 40, no. 2 (2023): 461–64. http://dx.doi.org/10.1353/gss.2023.a917379.
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TÜRKMENOĞLU, Ömer, and Zümra AZİZOĞLU. "THE FIRST OPERA OF THE TURKISH WORLD "LEYLI AND MAJNUN’’." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (2021): 305–20. http://dx.doi.org/10.46291/zfwt/130216.
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The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" by Azerbaijani composer Üzeyir Hacıbeyli. According to many sources, "Leyli and Majnun" is described as the first opera of the Turkish world and the Islamic world, and the east. The most important feature of this opera is the masterful synthesis of classical western music and folk music. The opera, which was composed for the first time in this way, influenced the east with its staging and ensured that the art of opera was adopted by the public. The great composer Uzeyir Hajibeyli was born in the city of Shusha in Azerbaijan, which was developed in the field of literature and music and called the "natural conservatory." He developed his existing talent here and built it on solid foundations. He was interested in music and literature, wrote many books, articles, and was a writer for newspapers. The subject of the opera Leyli and Majnun is taken from Fuzuli's "Leyli and Majnun" poetry of the same name. At the age of 13, the composer decided to write this opera, influenced by the theater show "At the tomb of Majnun Leyli'' which he watched in Shusha, his home city. He started working on opera in 1907 when he was only 22 years old. By bringing a different perspective to opera, he used the tonal structure of western music with 'mugham,' also known as Azerbaijani folk music. This type of opera is also called "Mugam Opera.'' The opera, which was composed and performed despite the conditions of the period, preserved its originality by combining two cultures and was performed many times in other countries. Operas from the Turkish world are rarely staged in our country, and there is a need for such an article because the opera "Leyli and Majnun" has not been staged much in Turkey and there are very few theses, articles, and books about it. In this study; Different titles have been created such as the history of Azerbaijan opera, the life of Uzeyir Hajibeyli, the composer's process of creating the opera, and the content of the opera Leyli and Majnun. Keywords: Leyli and Majnun, Uzeyir Hajibeyli, Turkish World, Opera
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Abdulhakimova, Yulduz. "Compositional Structure of Navai and Fuzuli's Epic Poems." Golden scripts 3, no. 4 (2021): 76–91. http://dx.doi.org/10.52773/tsuull.gold.2021.4/tfsf2926.
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The article discusses the emergence of the legend of Layli and Majnun in the form of epics in Turkish and Persian literature, which was passed from language to language among the Arab peoples. The idea that the Majnun is a historical figure or a fabricated character is supported by the views of scholars. The two great epics in Turkish literature, Alisher Navoi and Muhammad Fuzuli's "Layli and Majnun" are compared. As a result, of our comparisons, opinions and conclusions about the weight, genre, composition, individuality of the protagonist and events of both epics are expressed. The similarities and differences between the two artists' approaches to the topic will be analyzed.
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Rofikoh, Siti. "Perilaku Tokoh Utama Dalam Novel Layla Majnun Karya Nizami Ganjavi." ATAVISME 18, no. 1 (2015): 107–17. http://dx.doi.org/10.24257/atavisme.v18i1.37.107-117.
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Penelitian ini bertujuan untuk mendeskripsikan perilaku taksadar dan sadar tokoh utama dalam novel Layla Majnun dengan pendekatan fenomenologi Hugenholtz. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Berdasarkan hasil analisis dan pembahasan diperoleh simpulan sebagai berikut: (1) bentuk perilaku tidak sadar tokoh utama dalam novel Layla Majnun meliputi perasaan kesendirian, ketiadaan minat dan perasaan bersalah; (2) bentuk perilaku sadar tokoh utama dalam novel Layla Majnun dilakukan dengan melibatkan indera, yakni melihat, mendengar, dan beradaptasi. 
 
 Abstract:
 This research aims to describe conscious and unconscious behavior of main characters in the novel Layla Majnun. The study was based on Hugenhotz phenomenological approach. The method used in this research was descriptive qualitative. Based on the analysis and discussion, it can be concluded as follows: (1) forms of unconscious behavior of the main characters include the feelings of loneliness, disinterest, and guilt; (2) forms of conscious behavior of the main characters involve the senses of seeing, hearing, and adapting. 
 
 Key Words: phenomenology; unconscious behavior; conscious behavior
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Sapitri, Pepi, and Wini Tarmini. "Kritik Sosial Melalui Unsur Stile dalam Novel Majnun karya Anton Kurnia." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 7, no. 2 (2023): 141–49. http://dx.doi.org/10.30998/jh.v7i2.1947.
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Penelitian ini bertujuan untuk menyajikan kritik sosial melalui unsur-unsur stile dalam novel Majnun karya Anton Kurnia dengan mengidentifikasi data seperti kutipan dan narasi dalam novel. Penelitian ini menggunakan metode deskriptif kualitatif dengan pendekatan gaya. Penelitian ini menggunakan teknik literatur, serta teknik membaca dan mencatat. Prosedur pengumpulan data yang dilakukan dalam penelitian ini adalah pengumpulan data, analisis data, pelaksanaan deskripsi data, dan interpretasi data. Hasil interpretasi data mengenai kritik sosial melalui unsur-unsur stile dalam novel Majnun karya Anton Kurnia berupa 3 data aspek ekonomi dengan 3 data tersebut di antaranya ironi-sarkasme, 7 aspek politik dengan 7 data tersebut meliputi ironi-sarkasme, dan 22 data sosial budaya dengan 3 data termasuk hiperbola, 2 data termasuk litotes, dan 17 data termasuk ironi-sarkasme.Kata kunci: Kritik Sastra; Kritik Sosial; Gaya bahasa; Novel Majnun.
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Maftuna OCHILOVA. "ALISHER NAVOIYNING “LAYLI VA MAJNUN” VA “LISON UT-TAYR” ASARLARIDA SABR TALQINI." UzMU xabarlari 1, no. 1.3.1 (2025): 302–4. https://doi.org/10.69617/nuuz.v1i1.3.1.6957.
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Maqolada Alisher Navoiyning “Layli va Majnun” va “Lison ut-tayr” dostonlarida “sabr” tushunchasining talqini yoritilgan. Shuningdek, yuqoridagi ikki asardan parchalar keltirilgan va adabiy-badiiy, ilmiy tahlil qilingan. Ta‘kidlanishicha, “Layli va Majnun” dostonida ishq uchun yaralganligini anglagan qahramonlar o‘zgalarga sabr tilashni burchi deb biladi. “Lison ut-tayr” dostonida esa, qushlar yetti vodiyni bosib Alloh jamoliga erishish azob-uqubatni yengish uchun sabr-qanoatli bo‘lib o‘zlari istagan maqsadga – Alloh jamoliga erishadilar
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Abdulhakimova, Yulduz. "Alisher Navoiy va Muhammad Fuzuliy “Layli va Majnun” dostonlari muqaddimalarining qiyosiy tahlili." Узбекистан: язык и культура, no. 1 (May 29, 2023): 61–83. http://dx.doi.org/10.47689/ulac-vol1-iss1-y2023-pp61-83.
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Maqolada turkiy adabiyotda mavjud ikki yirik asar – Alisher Navoiy va Muhammad Fuzuliyning “Layli va Majnun” dostonlari qiyoslandi. Qiyoslar natijasida dostonlarning vazni, janri, kompozitsiyasiga xos xususiyatlar, qahramonlar tasviri va voqealar ifodasidagi o‘ziga xoslik masalasi tadqiq etilib, har ikki ijodkorning mavzuga yondashishdagi o‘xshash va farqli tomonlari aniqlangan. Layli va Majnun haqidagi afsonaning doston shaklida forsiy va turkiy adabiyotga kirib kelishi masalasi ko‘rib chiqilgan. Majnunning tarixiy shaxs yoki to‘qima obraz ekanligi haqidagi olimlarning fikrlari o‘rganilib tahlil qilindi.
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Abdurahmonovna, Turdiyeva Maftuna. "Episodic Characters in Alisher Navoi’s Layli And Majnun Epic." American Journal of Philological Sciences 5, no. 5 (2025): 163–64. https://doi.org/10.37547/ajps/volume05issue05-43.
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In Alisher Navoi’s Layli and Majnun epic poem, he enriched the system of existing characters typical of the khamsa tradition by introducing supporting figures such as Layli’s nurse, Layli’s two maidservants, a physician, Zayd, a shepherd, Navfal’s daughter, a gazelle beloved by Majnun, and a dog. These characters played unique roles in the development of the plot and in revealing the emotional states of the main protagonists. This article analyzes these episodic characters.
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Hanabergh, Verónica Uribe. "Review: Inventing Indigenism: Francisco Laso’s Image of Modern Peru, by Natalia Majluf." Latin American and Latinx Visual Culture 5, no. 2 (2023): 149–50. http://dx.doi.org/10.1525/lavc.2023.5.2.149.
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Re Elirina, Natasya Aulia, and Onok Yayang Pamungkas. "Anton Kurnia’s Novel Majnun: The Dynamics of Social Criticism in the New Order Era." European Journal of Arts, Humanities and Social Sciences 2, no. 3 (2025): 44–57. https://doi.org/10.59324/ejahss.2025.2(3).04.
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This research aims to reveal the social problems criticized in the novel Majnun by Anton Kurnia and explain the relevance of social criticism in the novel Majnun by Anton Kurnia in daily life. This research uses a hermeneutic method. The data collection techniques carried out by the author are reading, recording and classifying techniques according to categories. The data analysis technique is that the author conducts in-depth literacy so that he is able to produce research results. The results of the study show that in the novel Majnun by Anton Kurnia there are social problems that occur, these problems include political/government problems, economic, social, cultural, religious, gender inequality, morality and family disorganization. These problems are a reflection of life during the New Era. The novel provides an overview or glimpse of the social situation at that time, there were many social events that could be criticized. In the novel Majnun by Anton Kurnia, it highlights many things that are relevant to today's life. The problems raised in the novel are still very relevant to life today. Relevant things such as bribery and embezzlement are still there, the economic gap in Indonesia is still very high, human morals and behavior at will, the underdevelopment of women who are considered weak by men, the fading of traditional culture, a person's distrust of religion, the existence of ethnic and religious discrimination in Indonesia, environmental damage caused by global warming and industrial activities and the amount of violence against children who are caused by parental pressure. The implications of social criticism in the novel Majnun by Anton Kurnia are awareness of the importance of justice, respect for differences, support freedom of speech, demand transparency from political parties and provide empathy to victims of injustice.
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Re, Elirina Natasya Aulia, and Onok Yayang Pamungkas. "Anton Kurnia's Novel Majnun: The Dynamics of Social Criticism in the New Order Era." European Journal of Arts, Humanities and Social Sciences 2, no. 3 (2025): 44–57. https://doi.org/10.59324/ejahss.2025.2(3).04.
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This research aims to reveal the social problems criticized in the novel <em>Majnun</em> by Anton Kurnia and explain the relevance of social criticism in the novel <em>Majnun</em> by Anton Kurnia in daily life. This research uses a hermeneutic method. The data collection techniques carried out by the author are reading, recording and classifying techniques according to categories. The data analysis technique is that the author conducts in-depth literacy so that he is able to produce research results. The results of the study show that in the novel Majnun by Anton Kurnia there are social problems that occur, these problems include political/government problems, economic, social, cultural, religious, gender inequality, morality and family disorganization. These problems are a reflection of life during the New Era. The novel provides an overview or glimpse of the social situation at that time, there were many social events that could be criticized. In the novel Majnun by Anton Kurnia, it highlights many things that are relevant to today's life. The problems raised in the novel are still very relevant to life today. Relevant things such as bribery and embezzlement are still there, the economic gap in Indonesia is still very high, human morals and behavior at will, the underdevelopment of women who are considered weak by men, the fading of traditional culture, a person's distrust of religion, the existence of ethnic and religious discrimination in Indonesia, environmental damage caused by global warming and industrial activities and the amount of violence against children who are caused by parental pressure. The implications of social criticism in the novel <em>Majnun</em> by Anton Kurnia are awareness of the importance of justice, respect for differences, support freedom of speech, demand transparency from political parties and provide empathy to victims of injustice.
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Humaira, Megan Asri. "LAYLA MAJNUN: LITERATURE PSYCHOLOGICAL STUDY." Indonesian Journal of Social Research (IJSR) 1, no. 1 (2019): 30–36. http://dx.doi.org/10.30997/ijsr.v1i1.8.
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Novel works usually raise various phenomena that occur in the community. These interesting works can influence the soul of the reader so that they can dive in and appear to be present in the story. In literary psychology,novel is Laila Majnun's very appropriate to study because it can see the psychological phenomenon experienced by the main character of the story, Layla and Majnun. The method used in this research is descriptive qualitative method. Representation of human behavior seen through the figures Majnun, Layla, and Syed Omri who experienced chronic frustration, so that ended in death.
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Sedarat, Roger. "Nezami Ganjavi. Layli and Majnun." Translation Review 111, no. 1 (2021): 75–80. http://dx.doi.org/10.1080/07374836.2021.1988477.
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Feizabadi, Azin. "Chronicles from Majnun until Layla." ARTMargins 3, no. 1 (2014): 81–86. http://dx.doi.org/10.1162/artm_a_00072.
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Chronicles from Majnun until Layla is a film project structured in three stages: 1.) The Museum of Modern Iranian History (2011–2013), 2.) Layla and Majnun (in preparation), and 3.) The Film (in preparation). Each stage bears its own approach, format, and mode of presentation. The first two stages are conceived as preparation for the third and final stage: the merging moment, which will be in the form of a feature-length, hybrid fiction/documentary film. The film depicts a couple, lovers, visiting a virtual museum of modern Iranian history. The lovers appear both as themselves and as “Layla and Majnun,” characters adapted from a classical Middle Eastern love tale. As they walk the museum, the couple engages in dialogue about their individual and collective stories, memories, dreams, rages, and desires. The lovers' affairs and conversations interact with the representations of the major historical moments of Iran being documented in the museum. In Stage 1, through the museum's architectural design and references to an official Iranian narrative taken from a high-school textbook, the various historical periods of Iran get transformed into Kairos (the Now), contradicting Chronos and scientific and analytical historiography.
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Nuruddin, Betty Mauli Rosa Bustam, Achmad Syarifudin, Mohamad Sarip, Chakam Failasuf, and Syarfuni. "Love for God: Intertextuality in Nizami Ganjavi's Leyli o Majnun and the Quran." Dirasat: Human and Social Sciences 52, no. 1 (2024): 259–71. http://dx.doi.org/10.35516/hum.v52i1.4540.
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Objectives: This study aimed to show the threads of the intertextuality that bind texts of Nizam Ganjavi’s Leyli o Majnun and the Quran together. Methods: This study used the qualitative approach. The study’s data was collected via identifying and categorizing the texts related to Allah’s love in Leyli o Majnun. Data was analyzed relying on the poetics of Julia Kristeva’s theory of intertextuality. Results: The study results showed that the Islamic values discussed in Leyli o Majnun fall into three different categories: Shari’a, ethics and doctrine. The results also showed that those Islamic values are derived from the Quranic verses. Conclusions: This study implicitly alludes to the notion that the Islamic values integrated in the body of the text are meant to show the greatness of Allah’s love. The study also recommends that the kind of love among humans portrayed in the text is nothing compared to the love that Allah reciprocates with His worshippers
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Alix, Florian. "L’afropolitanisme au féminin : une déterritorialisation des lieux communs ?" Études littéraires africaines, no. 44 (April 10, 2018): 113–27. http://dx.doi.org/10.7202/1051542ar.
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L’afropolitanisme apparaît comme un contre-discours visant les représentations sociales et médiatiques des Africains. Il produit cependant une autre image qui peut à son tour relever du stéréotype. Les romans étudiés, Americanah de Chimamanda Ngozi Adichie, We Need New Names de NoViolet Bulawayo, Ghana Must Go de Taiye Selasi et Behold the Dreamers d’Imbolo Mbue, confèrent une nouvelle complexité à ces images. En effet, les romancières construisent leurs personnages non seulement comme des migrants, mais aussi en fonction de leur genre. À l’intersection de ces deux caractéristiques, ils doivent trouver leur place : l’espace devient un enjeu majeur des romans, complexifié par cette double détermination des personnages. Ainsi, loin de faire de la multiplicité des espaces traversés une somme d’expériences enrichissantes, ces écrivaines la présentent plutôt comme le résultat d’une incomplétude, d’un manque fondamental. La construction de la narration nourrit ainsi une réflexion sur le rapport de l’individu au groupe.
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Abdurakhmonova, Mukhayyo. "TO THE QUESTION OF THE SOURCE OF DAKHNI POET MUHAMMAD SHARIF AJIZ'S MASNAVI "LAILA MAJNUN"." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 25 (2022): 157–62. https://doi.org/10.5281/zenodo.7393701.
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<em>The article discussed how Muhammad Sharif Ajiz sings of pure and sublime love, which ennobles and exalts a person in his masnavi "Leyla and Majnun". It is being told that it is so powerful that a person, for the sake of his love and beloved, does not stop at any difficulties and obstacles. The bright feeling of Leyla and Majnun is strangled and trampled, insulted and humiliated in a feudal society, one of the main laws and moral norms of which is an unshakable principle: wealth is above all.</em>
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Yusupova, Dilnavoz. "Alisher Navoiy va Lorendeli Hamdiy “Layli va Majnun” dostonlarining qiyosiy tahlili." Узбекистан: язык и культура 1, no. 2 (2023): 4–13. http://dx.doi.org/10.47689/ulac-vol1-iss2-y2022-pp4-13.
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Usmonli turk adabiyotida “Layli va Majnun” dostonlarini yozgan shoirlarning soni 20 dan ortadi. Ular orasida Lorendeli Hamdiyning 1542 yilda yaratilgan “Layli va Majnun” dostoni o‘ziga xos o‘ringa ega. Doston forsiy xamsanavislar dostonlariga javoban yozilibgina qolmay, “Doston- ning yozilish sababi” bobida Hamdiy o‘zbek ijodkori Alisher Navoiyning nomini ham tilga oladi. Hamdiyning ushbu dostoni adabiyotshunoslikda forsigo‘y salaflari: Nizomiy, Dehlaviy va Jomiylarning dostonlari bilan qiyosan o‘rganilgan, lekin Alisher Navoiyning “Layli va Majnun” dostoni bilan maxsus muqoyasa etilmagan. Har ikki dostonning syujet xususiyatlari, qahramonlar tasviri va voqealar rivojida mushtarakliklar ko‘zga tashlanadi. Lekin kompozitsion qurilish, janriy tarkib va dostonlarda qo‘llanilgan vazn nuqtai nazaridan farqlar ko‘zga tashlanadi. Alisher Navoiy dostoni 38 bob, 3623 baytdan iborat bo‘lsa, Lorendeli Hamdiyning masnaviysi hajman anchagina katta: 5441 baytdan iborat. Hamdiy o‘z dostonini faqat masnaviyda yozib qolmay, uning tarkibiga g‘azal, qasida kabi janrlarni ham kiritgan. Alisher Navoiy esa, turkiy tilda ilk “Xamsa”ni yaratgani uchun xamsanavislikning barcha an’analarini to‘la saqlab qolgan. Hamdiy dos- tonini tadqiq qilish asnosida unda Alisher Navoiyning “Farhod va Shirin” dostoniga o‘xshash jihatlar ham borligi ma’lum bo‘ldi.
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Samosir, Rebekka Basa Natalia, Theresia Marini Simanjuntak, Katri Helen Lumban Batu, Kristiani Dewi Zai, and Fachri Yunanda, S.S., M.Hum.,. "Figurative languages in novel: A comparative study between Layla Majnun and Romeo and Juliet Novels." ELT (English Language Teaching Prima Journal) 2, no. 2 (2021): 31–38. http://dx.doi.org/10.34012/eltp.v2i2.1741.
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Abstract :
 Layla Majnun is one of the works of Nizami and Romeo and Juliet is one of the works of William Shakespeare. both novels are romance tradegy novels. Romance tragedy novels usually use a lot of figurative language to beautify the language. This study aims to describe some of the types of figurative language in the novel Layla Majnun, to describe some of the types of figurative language in the novel Romeo and Juliet, to describe the comparison of the types of figurative languages found in novel Layla Majnun and novel Romeo and Juliet. The data obtained for this study are qualitative data. This means, the data are not in the forms of numeric. The data were discourse, such as dialogues, descriptions, ideas or perspectives. The main data of the study are taken from the tragedy novels. The collected data are mostly in the forms of discourse and dialogues taken from the novels as the writers of the novels often apply figurative languages to express their ideas. There are several figurative languages in the discourse and dialogues obtained from the novels which could be interpreted by using Pragmatics theory to identify the meaning behind them. The results of this study indicate that there are similarities and differences in figurative languages in the two novels. The similarities between the two novels are Personification, Metaphore, Hyperbole, and Simile. The differences between the two novels are: Parable, Embodiment, Cynicism, Repetitive, and Irony.
 Keywords : Figurative Language, Comparative Study, Layla Majnun Novel, Romeo and Juliet Novel.
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Stróżyńska, Beata. "THE LOVE STORY OF LAYLA AND MAJNUN AS A SOURCE OF INSPIRATION FOR THE CREATION OF THE FIRST OPERA IN THE MUSLIM WORLD." Notes Muzyczny 2, no. 18 (2022): 49–78. http://dx.doi.org/10.5604/01.3001.0016.1106.
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The story of the unlucky love of Layla and Majnun has stimulated the imagination of artists for almost fifteen hundred years, serving as an inspiration for a growing number of works of art. But it is not merely a simple story of young people who were in love but who were not meant to be together due to the girl’s parents’ objection, which caused the young man to lose himself in his obsessive and self-destructive feelings. The tale of the crazy poet Majnun and his beloved girl also has a deeper meaning to it as it constitutes a pattern for searching one’s own spiritual path resulting from the necessity to renounce simple human desires. The last decades have brought numerous multi-cultural projects based on the story of Layla and Majnun, which proves unflagging interest in this 7th century Bedouin tale; new operas about them have been written as well. This article presents the story of the unlucky poet as the source of inspiration for the creation of the first opera in the world of Islam. It briefly discusses the importance of Bedouin poetry from the first millennium AD, including the story of Layla and Majnun, in the context of the development of classical Arabic poetry, it also signals its impact on the European culture. Apart from that, it presents the composer and the circumstances in which the first operatic work ever created in the Muslim world – the work being part of the mugham trend – was written.
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Tavares, Elizabeth E. "Romeo & Juliet / Layla & Majnun." Shakespeare Bulletin 36, no. 2 (2018): 340–45. http://dx.doi.org/10.1353/shb.2018.0030.
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Sulaiman, Tahseen. "Human Values in Majnun Laila's Poetry." College Of Basic Education Research Journal 18, no. 4 (2022): 62–94. http://dx.doi.org/10.33899/berj.2022.176426.
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Bidouze, Frédéric, and Claude Mengès Mironneau. "Le lit de justice en image et en décor, un peintre « galant » pour un règne majeur." Parlement[s], Revue d'histoire politique 15, no. 1 (2011): 136. http://dx.doi.org/10.3917/parl.015.0136.
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DOLGUSHINA, MARINA. "CROSS-CULTURAL CONNECTIONS IN BRIGHT SHENG'S OPERA THE SONG OF MAJNUN." Культурный код, no. 2023-1 (2023): 100–111. http://dx.doi.org/10.36945/2658-3852-2023-1-100-111.
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The article is devoted to the opera The Song of Majnun by Bright Sheng, the modern American composer of Chinese origin. This one-act opera was composed in 1992 and premiered in Chicago. In Russian musicology, this work is being studied for the first time. The authors analyze the history of the creation of the opera, the plot, composition, dramaturgy, and the specifics of the musical style. They pay special attention to the search for cross-cultural connections - the interaction of elements of Eastern (Persian, Chinese, Tibetan) and Western European cultures. The libretto of the opera is based on the plot of an ancient Persian legend. The composition of the opera was influenced by the art of the Persian book miniature of the 13th century. For the musical themes of the main characters Majnun and Laila, folk songs of ethnic Tibetans from the Chinese province of Qinghai were used. Many opera melodies are composed with the use of pentatonic scale. The orchestration uses techniques typical for Beijing Opera Orchestra. Conclusions are drawn about the peculiarities of combining elements of Chinese folklore and European composing technique of the 20th century. The importance of the opera The Song of Majnun for the further work of Bright Sheng is noted.
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Langlois, Luc. "Le savoir comme image de l’Absolu dans la philosophie de la religion de Fichte (1804-1806)." Dossier 72, no. 1 (2017): 21–33. http://dx.doi.org/10.7202/1038537ar.
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Dans L’initiation à la vie bienheureuse (1806), qui est son écrit majeur sur la philosophie de la religion, Fichte, dans le sillage de la Doctrine de la science 1804/II, insiste (en réplique à Schelling) sur la corrélation de l’Absolu et de sa manifestation, de l’Absolu et de sa révélation dans le savoir. L’inspiration johannique de son propos (« Au commencement était le Verbe ») s’accorde non seulement avec la prémisse de la philosophie transcendantale de la corrélation de l’être et du savoir, mais la radicalise dans une philosophie de l’Absolu qui fait du savoir véritable, de la Doctrine de la science elle-même, la condition d’une authentique vie en Dieu.
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Vəliyeva, Sevinc. "UZEYIR HAJIBEYLY’S STORIES AS A MEANS OF UPBRINGING." Scientific Works 92, no. 3 (2025): 27–30. https://doi.org/10.69682/arti.2025.92(3).27-30.
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Uzeyir Hajibayly worked fruitfully as an outstanding composer, writer, playwright, translator, journalist and public figure. He lived an extremely meaningful life and laid the foundations of opera art in Azerbaijan, as well as in the Islamic world. Uzeyir bey is the author of the operas "Leyli and Majnun", "Shah Abbas and Khurshid Banu", "Asli and Kerem", "Harun and Leyla", "Rustam and Sohrab", "Koroghlu". "Leyli and Majnun" is his first opera, and the opera "Koroghlu" is a masterpiece of the outstanding composer. In addition to valuable operas, Uzeyir bey Hajibayly wrote musical comedies "Not That, but This", "Arshin Mal Alan", "Husband and Wife", as well as many short stories, feuilletons, articles and novellas. The article discusses the stories of Uzeyir Hajibeyli as an educational resource.
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Alashbayev, Yerlan. "Nazira Tradition and “Leyla and Majnun” Love Poem in the Kazakh Literature." Global Journal of Arts Education 6, no. 2 (2016): 39. http://dx.doi.org/10.18844/gjae.v6i2.556.
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Many works of the eastern poets were devoted to love theme. The most spread “Leyla and Majnun” is a love story originated in Arabic, later significantly expanded to Persian and got its fictional peak in Turkic literature. Poets frequently wrote on this theme. The actual reason is “nazira, nazirashylyk” tradition which is the source of love tradition. Poets wrote their poem lines in Arabic aruz style. That nazira tradition took its continuation in Kazakh steppes in the end of XIX century and in the beginning of the XX century but not exactly in its poem style . It is obvious from the Kazakh writers’ works that the object of written literature was love poems and were written in rhymes. Love poems did not leave the Kazakh poems indifferently. That’s why, poets tried to introduce the eastern poem to Kazakh nation. Kazakh poets were good as eastern poets in terms of the above mentioned theme. After that new works with different styles peculiar to poets were coming out in the literature. This article deals with nazira tradition in the Kazakh literature and “Leyla and Majnun” poem which is written in nazira tradition. Along with it, we try to evaluate the role of nazira tradition as the witness of historical events. Keywords: Kazakh literature, nazira tradition, Leyla, Majnun, love poem ;
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ÇAPAN, Pervin. "Thematically Love In Fuzûlî’s Leyla And Majnun." Journal of Turkish Studies Volume 4 Issue 7, no. 4 (2009): 221–38. http://dx.doi.org/10.7827/turkishstudies.906.
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Jafari, Sajad, Julien C. Sprott, and S. Mohammad Reza Hashemi Golpayegani. "Layla and Majnun: a complex love story." Nonlinear Dynamics 83, no. 1-2 (2015): 615–22. http://dx.doi.org/10.1007/s11071-015-2351-3.
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Binnatova, Almaz Ulvi, and Abdulhakimova Yulduz G’ofur Qizi. "THE COMPARISION OF INTRODUCTORY CHAPTERS ALISHER NAVAI AND MUHAMMAD FUZULI EPICS “LAYLI AND MAJNUN”." American Journal Of Philological Sciences 03, no. 04 (2023): 54–59. http://dx.doi.org/10.37547/ajps/volume03issue04-09.
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In the article, the introductory chapters of Alisher Navoi and Muhammad Fuzuli's epics "Layli and Majnun" are analyzed. These chapters were compared based on the similar and different perspectives of the authors.
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Antasari, Armi, and Ririn Martuti. "ANALISIS STILISTIKA ROMAN LAILA DAN MAJNUN KARYA NIZAMI GANJAVI SADURAN SHOLEH GISYMAR." Jurnal Ilmiah Hospitality 11, no. 2 (2022): 1379–94. http://dx.doi.org/10.47492/jih.v11i2.2385.
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Penelitian ini bertujuan untuk mendeskripsikan hubungan pemakaian diksi dengan efek yang ditimbulkan terhadap pemajasan dan pencitraan serta sudut pandang penceritaan dan alur penceritaan yang digunakan dalam roman Laila dan Majnun karya Nizami Ganjavi saduran Sholeh Gisymar. Dalam penelitian ini, peneliti menggunakan metode deskriptif dengan tujuan untuk mendeskripsikan roman Laila dan Majnun dalam kajian stilistika. Berdasarkan hasil penelitian, disimpulkan bahwa pemilihan diksi yang sebenarnya kebanyakan bermakna lugas. Majas yang ditimbulkan adalah majas simile, personifikasi, hiperbola, erotesis, alusi, repetisi, dan metafora, sedangkan pencitraan yang ditimbulkan dari hubungan diksi dan gaya bahasa yang terdapat dalam roman tersebut adalah citraan pengelihatan, pendengaran, penciuman, perasaan, gerak, dan rabaan. Gaya penceritaan yang digunakan dalam roman ini yaitu selalu menggunakan alur maju yang disisipi flash back pada bagian tengah cerita. Untuk penggunaan sudut pandang, roman ini selalu menggunakan sudut pandang orang pertama pelaku utama dan sudut pandang orang ketiga.
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Ma'arif, Moh Syamsul, and Nurul Lailia. "ANALISIS SOSIOLINGUISTIK BILINGUALISME DALAM FILM LAYLA MAJNUN KARYA MONTY TIWA." Jurnal PENEROKA 2, no. 2 (2022): 214–33. http://dx.doi.org/10.30739/peneroka.v2i2.1567.
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Bilingualisme yaitu kemampuan seseorang menggunakan lebih dari dua bahasa. Nilai moral ialah suatu materi atau gagasan mengenai ajaran tentang baik dan buruknya perbuatan dan kelakuan yang ingin disampaikan oleh pembuat film kepada penontonnya. Tujuan penelitian ini untuk mendeskripsikan wujud bilingualisme dalam novel Layla Majnun karya Monty Tiwa. Metode penelitian ini adalah metode deskriptif kualitatif. Jenis penelitian yang digunakan adalah observasi deskriptif. Teknik pengumpulan data yang dipakai dalam penelitian ini adalah teknik simak, teknik rekam, dan teknik catat. Dalam penelitian ini keabsahan datanya diperiksa dengan teknik triangulasi. Teknik analisis data menggunakan model Miles dan Huberman yaitu pengumpulan data, reduksi data, penyajian data dan kesimpulan dan verifikasi data. Hasil dari penelitian ini yaitu wujud bilingualisme berupa tuturan yang dilakukan oleh para tokoh yang ada dalam film tersebut. Berdasarkan penelitian Bilingualisme yang ditemukan oleh peneliti dalam film Layla Majnun karya Monty Tiwa terdapat 16 tuturan data.
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Xasanova, Nargiza Zokirovna. "SAID AHMAD IJODIDA "QORAKO"Z MAJNUN" HIKOYASINING O"RNI." O'qituvchi 3, no. 7 (2022): 44–46. https://doi.org/10.5281/zenodo.6387382.
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Mazkur maqolada yurtimizning sevimli yozuvchilaridan biri bo’lmish Said Ahmad ijodining mazmuniy jihatlari, go’yalari haqida fikr-mulohazlar yurutilgan. Shuningdek, yozuvchining ijodidagi Qorako’z Majnun hikoyasining mazmun-mohiyati haqida batafsil ma’lumot berilgan.