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Journal articles on the topic 'The interior design'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 May 2022

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1

Dagli, Zeynep. "Corporate identity in interior design." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (2016): 318–27. http://dx.doi.org/10.18844/gjhss.v2i1.314.

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2

Maneella, Carmen A. "Interior design." Current Biology 7, no. 10 (1997): R599. http://dx.doi.org/10.1016/s0960-9822(06)00306-x.

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3

Krishnaswamy, Revathi. "Interior Design." Wasafiri 29, no. 1 (2014): 39–44. http://dx.doi.org/10.1080/02690055.2014.861265.

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4

Stoddart, Alison. "Interior design." Nature Materials 11, no. 10 (2012): 829. http://dx.doi.org/10.1038/nmat3445.

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5

Maturakarn, Charlie, and Chumporn Moorapun. "Design Thinking: Interior Architecture and Interior Design in Thailand." Environment-Behaviour Proceedings Journal 2, no. 6 (2017): 71. http://dx.doi.org/10.21834/e-bpj.v2i6.980.

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This research aims to explore the aspects of design thinking of students from two different curricula: Interior Architecture (five years) and Interior Design (four years) to see what different aspects of design thinking. The research method is a survey based on quantitative approach. A questionnaire is developed from Perry scheme of intellectual development and Kolb’s Experiential Learning Theory (ELT) model. Then, both aspects were compared to see the difference. The findings indicate that the pattern of design thinking and learning style from two curricula are different and can be improved t

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6

TEMNIKOVA, Elena A. "METHODOLOGICAL ASPECTS OF INTERIOR DESIGN PROJECT WITHIN THE DISCIPLINE OF “INTERIOR DESIGN”." Urban construction and architecture 6, no. 2 (2016): 75–78. http://dx.doi.org/10.17673/vestnik.2016.02.14.

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Development of discipline Design of interior is a key aspect of learning interior design students and forms the fundamental theoretical knowledge about basic laws and characteristics of the project activities of the interior designer of the practical skills needed for the presentation and implementation of project ideas. The main stages of the project are considered such as: drawing up terms of reference, the composition of the customers portrait, holding of measurements, perform preliminary design, with the possible variability of the images, the performance of working drawings, possession ha

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7

Gardner, Kathleen. "Creativity Levels of Interior Design and Non-interior Design Majors." Journal of Interior Design 16, no. 1 (1990): 53–56. http://dx.doi.org/10.1111/j.1939-1668.1990.tb00029.x.

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8

李, 雅静. "Design Analysis of White Space Technique in Interior Space." Design 05, no. 01 (2020): 1–4. http://dx.doi.org/10.12677/design.2020.51001.

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9

Liu, Yi-Ching. "Evaluation and Preference about Interior Design Works." SIJ Transactions on Computer Science Engineering & its Applications (CSEA) 02, no. 03 (2014): 01–06. http://dx.doi.org/10.9756/sijcsea/v2i3/0203220402.

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10

Avery, T. "Acknowledging Regional Interior Design? Developing Design Practices for Australian Interiors (1880-1900)." Journal of Design History 21, no. 1 (2008): 41–58. http://dx.doi.org/10.1093/jdh/epm041.

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11

Turikova, E., O. Nedoshytko, and A. Akopova. "ARCHITECTURAL DESIGN METHODS OF RENOVATION OF INTERIORS OF HISTORICAL BUILDINGS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 272–80. http://dx.doi.org/10.31650/2519-4208-2020-20-272-280.

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In this article specific examples of historical interiors are identified and characterized, environment-forming factors determining the individuality of the historic interior and its renovation strategy are highlighted; shows the methods of renovation andreprofiling of historical interiors, their selection and testing in real environmental conditions.The historical buildings that make up the golden fund for the development of old cities often carry a bunch of contradictions: their interiors do not alwaysmeet today's requirements for the geometry of interior spaces, their hygiene, lighting, aco

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12

Sari, Sriti Mayang, Poppy Firtatwentyna Nilasari, and Purnama Esa Dora Tedjokoesoemo. "Implementation of Interior Branding in Retail Interior Design." GATR Journal of Management and Marketing Review 7, no. 1 (2022): 13–22. http://dx.doi.org/10.35609/jmmr.2022.7.1(2).

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Objective - The purpose of this research is to discover the ways to implement aspects of interior branding in the interior of commercial and retail spaces. It seeks to articulate how space as an interior branding medium can convey the message of retail owners to visitors through retail interior design. Methodology/Technique - This study uses the descriptive qualitative method with the Tiara Handycraft Store as a case study. Data collection was achieved by conducting interviews with retail managers and visitors, and field observations. The data were analyzed descriptively to elaborate on how to

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13

Sumorok, Aleksandra. "Socrealizm od środka. Design, sztuka wnętrza i modernizacja." Artium Quaestiones, no. 32 (December 15, 2021): 187–227. http://dx.doi.org/10.14746/aq.2021.32.8.

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The article focuses on interior design from the first half of the 1950s. The interior spaces realized at that time in Poland elude unambiguous classifications, both in terms of formal and ideological aspects. I propose to look at the interiors from this time not in terms of style (difficult, complex, hybrid), but in a broader sense, as a political, socio-cultural phenomenon. The interiors were supposed to favor social modernization (assumed in the communist project), especially the idea of promotion and changing class habitus. They precisely modeled new forms of social life (cultural spaces),

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14

Douthitt, Robin A., and Doris E. Hasell. "Correlating Needs of Interior Design Employers with Program Development in Interior Designr." Journal of Interior Design 11, no. 2 (1985): 21–26. http://dx.doi.org/10.1111/j.1939-1668.1985.tb00018.x.

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15

Hashimoto, Keiko. "Shiro Kuramata’s Interior Design." International Journal of Arts Theory and History 12, no. 4 (2017): 21–26. http://dx.doi.org/10.18848/2326-9952/cgp/v12i04/21-26.

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16

Shi, Jing Yuan, and Yan Wang. "On Green Interior Design." Advanced Materials Research 838-841 (November 2013): 2842–45. http://dx.doi.org/10.4028/www.scientific.net/amr.838-841.2842.

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The core concept of the ecological environment is a benign cycle in line with the design of systems, which needs to overcome the difficulties of a few difficult; green design must be the ultimate development of the industry as a strategic goal, only after a long a historical stage of the efforts to achieve the ultimate indoor green design for human dwelling in the land of poetry to the ideal.

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17

Pilatowicz, Grazyna. "Sustainability in Interior Design." Sustainability: The Journal of Record 8, no. 3 (2015): 101–4. http://dx.doi.org/10.1089/sus.2015.28999.

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18

Kriebel, Teresa M., Craig Birdsong, and Donald J. Sherman. "Defining Interior Design Programming." Journal of Interior Design 17, no. 1 (1991): 29–36. http://dx.doi.org/10.1111/j.1939-1668.1991.tb00060.x.

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19

Marshall-Baker, Anna. "Knowledge in Interior Design." Journal of Interior Design 31, no. 1 (2005): xiii—xxi. http://dx.doi.org/10.1111/j.1939-1668.2006.tb00412.x.

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20

Cho, Ji Young. "Interior Design: 1st Place." Journal of Interior Design 33, no. 3 (2008): 68–70. http://dx.doi.org/10.1111/j.1939-1668.2007.tb00552.x.

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21

Wyllie, W. Kevin. "Interior Design: 2nd Place." Journal of Interior Design 33, no. 3 (2008): 71–73. http://dx.doi.org/10.1111/j.1939-1668.2007.tb00553.x.

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22

Pease, Charlotte. "Interior Design, 1st Place." Journal of Interior Design 35, no. 1 (2009): 39–41. http://dx.doi.org/10.1111/j.1939-1668.2009.01028.x.

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23

UNTHANK, MICHAEL, and GERI TRUE. "INTERIOR DESIGN FOR DENTISTRY." Journal of the American Dental Association 130, no. 11 (1999): 1586–90. http://dx.doi.org/10.14219/jada.archive.1999.0097.

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24

Friedemann, Martin. "EXTERIOR AND INTERIOR DESIGN." ATZextra worldwide 16, no. 7 (2011): 12–17. http://dx.doi.org/10.1365/s40111-011-0289-0.

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25

Szuromi, P. "Interior design with nanoparticles." Science 345, no. 6200 (2014): 1017. http://dx.doi.org/10.1126/science.345.6200.1017-h.

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26

Hamilton, Olivia. "Commoning Interior Design Pedagogy." Interiors 9, no. 2 (2018): 122–39. http://dx.doi.org/10.1080/20419112.2019.1565678.

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27

BEARD, G. "Encyclopedia of Interior Design." Journal of Design History 11, no. 1 (1998): 106–7. http://dx.doi.org/10.1093/jdh/11.1.106.

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28

Sparke, P. "Frances Elkins: Interior Design." Journal of Design History 19, no. 3 (2006): 263–66. http://dx.doi.org/10.1093/jdh/epl013.

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29

Gaurav Arora and Anu Rathee. "“IVERY”- Interior Design Website." International Journal for Modern Trends in Science and Technology 6, no. 12 (2021): 514–19. http://dx.doi.org/10.46501/ijmtst061298.

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The complexity of Web sites are increasing and transforming into Web applications that contain business logic, interactivity, transaction handling and states. This phenomenon forces the Web developers to adapt more traditional software engineering techniques to keep the Web applications error free, maintainable, reusable, well documented etc. Many Web developers do not use any engineering techniques at all and design mainly to create as fashionable applications as possible with no regards on the application’s functionality. This results in applications that are hard to maintain and with poor f

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30

Abyzov, Vadym, and Svitlana Kysil. "XXIst century interior design." Środowisko Mieszkaniowe 30 (2020): 82–89. http://dx.doi.org/10.4467/25438700sm.20.009.12212.

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31

Friedman, Margaret, and Debra Friebert. "Marketing interior design services." Services Marketing Quarterly 2, no. 1 (1986): 147–56. http://dx.doi.org/10.1080/15332969.1986.9984835.

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32

Shuminova, N., and T. Tovstik. "MULTISENSORY DESIGN IN INTERIOR." Problems of theory and history of architecture of Ukraine, no. 19 (April 11, 2019): 280–86. http://dx.doi.org/10.31650/2519-4208-2019-19-280-286.

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33

Hadjiyanni, Tasoulla. "Decolonizing interior design education." Journal of Interior Design 45, no. 2 (2020): 3–9. http://dx.doi.org/10.1111/joid.12170.

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34

Hill, Caroline. "Interior Design, 2nd Place." Journal of Interior Design 35, no. 1 (2009): 44–46. http://dx.doi.org/10.1111/j.1939-1668.2009.01030.x.

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35

Tomina, Olha, and Leonid Gook. "TEXTILES IN THE RESIDENTIAL INTERIOR." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 178–82. http://dx.doi.org/10.32347/2519-8661.2021.22-23.178-182.

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The relevance of the study is due to new experience in architectural design, new technologies and types of materials and the need to generalize and systematize them to expand the formative possibilities of textiles in the design of residential interiors. Research in the field of interior textile design was carried out by: T.I. Isayeva, Khabibullina, E.V. Zmanovska and others. The purpose of the study is to identify areas, functions and compositional techniques of textiles in residential interiors. The historical reference of development of textile production is resulted. The structural analysi

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36

Garip, Banu, and Ervin Garip. "Addressing Environmental Design in Interior Architecture Education: Reflections on the Interior Design Studio." Procedia - Social and Behavioral Sciences 51 (2012): 972–79. http://dx.doi.org/10.1016/j.sbspro.2012.08.272.

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37

Littlefield, David. "Creating Interior Atmosphere: mise-en-scène and interior design." Interiors 9, no. 3 (2018): 376–79. http://dx.doi.org/10.1080/20419112.2019.1616925.

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38

宋, 明亮. "Research on CMF Design of Recreational Vehicle Interior Decoration for the Young Old." Design 04, no. 03 (2019): 27–34. http://dx.doi.org/10.12677/design.2019.43007.

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39

Березко, О. В., Р. Я. Галишич та О. П. Черничук. "ОСОБЛИВОСТІ ЗАСТОСУВАННЯ ОПТИЧНИХ ІЛЮЗІЙ В ДИЗАЙНІ ІНТЕР’ЄРІВ". Art and Design, № 1 (3 червня 2020): 57–69. http://dx.doi.org/10.30857/2617-0272.2020.1.4.

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The purpose is to determine the peculiarities of optical illusions usage in interior design. Methodology. The study uses the methods of analysis and systematization of the collected literary and illustrative material, as well as the method of comparative analysis. Results. The paper analyzes the optical illusions used in interior design, namely: art-mimicry, distortion, anamorphosis, art-pareidolia, pseudo gipnosis, ephemeralization, and anti-gravity. Based on the analysis, it is determined that the use of optical illusions in interiors can be conditionally divided into two types in terms of i

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40

Tüfekçioğlu, Dilara. "A Historical Comparative Analysis of European and Asian Interior Spaces Through Cultural Background." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 222–31. http://dx.doi.org/10.18844/prosoc.v4i11.2878.

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Interior design came into existence with the need for housing, and has been developed with respect to several needs. After a certain point of time, the development process led to mulitple branches. Different lifestyles of different communities living in different geographies and cultural differentiation have caused variation in interior design. Throughout the history, culture, by means of its elements, creates different lifestyles in the same period of time, and influences the formation of interiors. The aim of this study is to explore cultural values that play an important role in the process

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41

Hassanein, Hala. "Utilization of “Multiple Kinetic Technology KT” in Interior Architecture Design as Concept of Futuristic Innovation." Academic Research Community publication 2, no. 4 (2019): 331. http://dx.doi.org/10.21625/archive.v2i4.370.

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New trends of interior architectural design aim to maximize available spatial space for flexible and futuristic interiors. Therefore, the design of a facility structure with its fixed and moveable interior components can have a significant impact on human performance leading to efficient interaction with surrounding spatial spaces. Interactive design is constantly proves creating memorable connection and empowering connection with beneficiaries’ participants that can come to life in many forms, one of these many facility structures is implementing the interi

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42

Coutinho, Bárbara. "The Modern Gesamtkunstwerk and its Preservation." Global Design, no. 47 (2012): 10–11. http://dx.doi.org/10.52200/47.a.m5zpgg2v.

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Interior design had a major relevance for Modern Movement and Modern Living. Actually, for the fully understanding and experiencing of Modern spatiality, interior design is determinant. Furthermore, the study of interiors is now marked by an increasing interest, with recent literature that emphasizes interior spaces globally and summons architecture, design and fine arts in an interdisciplinary approach. Despite all this, interior design is still a subject that requests a more in–depth study and a more extended debate in order to improve appreciation, understanding and preservation. Questions

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43

Smede, Shelly D. "Interior Design: Revision as Focus." English Journal 90, no. 1 (2000): 117. http://dx.doi.org/10.2307/821741.

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44

Meng, Yue. "Planting and Interior Environment Design." Applied Mechanics and Materials 209-211 (October 2012): 284–88. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.284.

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Planting is an important element for interior environment design. It can improve air quality and make interior environment more beautiful. Plants of various colors and shapes bring indefinite vigor to the environment we live in. It is of great significance to study the relationship between planting and environment design because of its great impact on environmental artistic effect. This becomes a new research topic of environmental artistic design.

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45

Beecher, Mary Anne, and John Pile. "A History of Interior Design." APT Bulletin 33, no. 1 (2002): 57. http://dx.doi.org/10.2307/1504797.

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46

후이판 and JungKyo Lee. "Apartment Interior Design using Hardwood." Journal of Korea Intitute of Spatial Design 10, no. 6 (2015): 121–31. http://dx.doi.org/10.35216/kisd.2015.10.6.121.

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47

Ulucay, Nilay Ozsavas. "An interior design studio: Colour." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (2018): 18–23. http://dx.doi.org/10.18844/prosoc.v5i6.3691.

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A workshop conducted with students about colour in interior design and methods of colour selection emphasises the importance of colour knowledge and its place in education. This paper contains studio practice and the evaluation of the works that are organised with the interior architecture students in a studio in Turkey. The studio aims to inform and practice the students about colour knowledge and methods of colour selection that has a significant role in the interior architecture profession. The workshop methodology consists of three phases: a pre-study, a presentation of this topic and fina

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48

Patil, Chetan. "Interior Design Using Augmented Reality." International Journal for Research in Applied Science and Engineering Technology 6, no. 3 (2018): 1632–35. http://dx.doi.org/10.22214/ijraset.2018.3252.

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49

Demirpolat, Havva. "Modern Diffusers for Interior Design." Iconarp International J. of Architecture and Planning 7, no. 2 (2019): 626–38. http://dx.doi.org/10.15320/iconarp.2019.101.

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50

Gürel, Meltem Ö., and Joy K. Potthoff. "Interior Design in Architectural Education." International Journal of Art & Design Education 25, no. 2 (2006): 217–30. http://dx.doi.org/10.1111/j.1476-8070.2006.00486.x.

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