Academic literature on the topic 'The Joy Luck Club'

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Journal articles on the topic "The Joy Luck Club"

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Fong, Yem Siu, and Amy Tan. "The Joy Luck Club." Frontiers: A Journal of Women Studies 11, no. 2/3 (1990): 122. http://dx.doi.org/10.2307/3346838.

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Nevins, A., and R. Fong. "The Joy Luck Club." Gerontologist 35, no. 2 (April 1, 1995): 284–85. http://dx.doi.org/10.1093/geront/35.2.284a.

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Igeleke, Ebony, Maya Marie, Kristina Huddleston, and Stephen Fife. "The Joy Luck Club." Journal of Feminist Family Therapy 22, no. 3 (August 24, 2010): 236–41. http://dx.doi.org/10.1080/08952833.2010.499757.

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Yeh, Nick (Chi-Shu). "Watching Joy Luck Club: Theorizing the Anachronism." International Journal of the Humanities: Annual Review 8, no. 2 (2010): 311–20. http://dx.doi.org/10.18848/1447-9508/cgp/v08i02/42859.

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Conceison, Claire A. "Translating Collaboration: "The Joy Luck Club" and Intercultural Theatre." TDR (1988-) 39, no. 3 (1995): 151. http://dx.doi.org/10.2307/1146470.

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Shear, Walter. "Generational Differences and the Diaspora inThe Joy Luck Club." Critique: Studies in Contemporary Fiction 34, no. 3 (April 1993): 193–99. http://dx.doi.org/10.1080/00111619.1993.9933826.

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Zhou, Geng. "The Eco-discourse Analysis of The Joy Luck Club." English Literature and Language Review, no. 56 (June 15, 2019): 103–10. http://dx.doi.org/10.32861/ellr.56.103.110.

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This paper spotlights one of the most influential Chinese American novels, ‘The Joy Luck Club’. Broadly adhering to the principles and orientations of Eco-discourse analysis and using Halliday’s systemic-functional grammar as a framework of analysis, this study uncovers ideologies pointing to an asymmetrical power structure between the mother and the daughter and discusses the underlying Chinese philosophy of mother, which helps daughter find her genuine identity. This paper concludes with revealing the true contradiction behind the conflict of mother-daughter, i.e., the two distinct value systems, and expect people to think and act ecologically, promoting the development of eastern eco-ideology.
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Yi, Liu. "The Voice of a Feminist: The Joy Luck Club." Comparative Literature: East & West 5, no. 1 (March 2003): 217–25. http://dx.doi.org/10.1080/25723618.2003.12015649.

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Yin, Jing. "Constructing the Other: A Critical Reading ofThe Joy Luck Club." Howard Journal of Communications 16, no. 3 (July 2005): 149–75. http://dx.doi.org/10.1080/10646170500207899.

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Gao, Zheng. "Chinese Elements in The Joy Luck Club and Conceptual Blending." OALib 08, no. 02 (2021): 1–15. http://dx.doi.org/10.4236/oalib.1107139.

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Dissertations / Theses on the topic "The Joy Luck Club"

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Golchin, Simin. "The Process of Identity Formation in Amy Tan's The Joy Luck Club : Amy Tan´s The Joy Luck Club." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-10648.

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Like most ethnic and multicultural narratives, Amy Tan’s The Joy Luck Club revolves around the development of an identity in which immigrant experience and all the questions of ethno- cultural identity that attend to it play central roles. The aim of this essay is to investigate the process of identity formation of the second-generation Chinese immigrant daughters who encounter Chinese culture at home while having the immediate experience of living in America, with a focus on the cultural, language and generational gaps that exist between the Chinese mothers and their American- born daughters. This study is guided by a theoretical framework that combines postcolonial theory and a number of established theories of identity construction including the concept of hybrid identity in order to analyze and explore the American-born daughters’ identity creation. Based on this analysis, this paper presents evidence that an identity formation process that involves cultural hybridization has occurred and the outcome of this identity formation is that of a hybrid identity.
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Shultz, Rebekah Elizabeth. "The role of Taoism in the social construction of identity in The Joy Luck Club." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2060.

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Balakireva, Victoria. "The Mah Jong Game of Life : Storytelling, Identity and Orientalist Discourse in Amy Tan’s The Joy Luck Club." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-45260.

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This project examines the connection between the representations of Chinese American women and the Orientalist discourse, as depicted in Amy Tan’s The Joy Luck Club. Using a deconstructive and intersectional approach, the project focuses on four interconnected constituents that regulate the novel’s main structural and thematic elements: Narrative Structure; Mother-Daughter Relationships; Language, Writing and Identity; and Feminist Affirmations. The project’s aim is to understand the logic of the novel’s representation by juxtaposing and analyzing the contrasting arguments within each of the sections. Though somewhat inconclusive, this project addresses the ambiguity of Tan’s work in hopes of expanding the critical understanding of the novel.
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Hathaway, Rosemary Virginia. "Apart and a part : constructing identity in Maxine Hong Kingston's The Woman Warrior and Amy Tan's The Joy Luck Club." Connect to resource, 1991. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1261056219.

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Curton, Carman C. "Women Becoming: a Feminist Critical Analysis of Mother-Daughter Relationships in Amy Tan's "The Joy Luck Club" and "The Kitchen God's Wife"." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500230/.

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This analysis of Tan's first two novels reveals that her female characters suffer from the strains critics like Amy Ling say result from the double paradox of filling the roles of mother or daughter as minority women in a white, male society. Recognizing this double paradox offers Tan's characters, and her readers, the opportunity to resolve the conflicts between mothers and daughters in The Joy Luck Club. Using the theories of psychologist Kathie Carlson helps readers understand how the protagonist of The Kitchen God's Wife resolves similar conflicts with her daughter and her own mother by seeking support from a mythic mother-figure, a Goddess of her own making.
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Chen, Yongjiang. "From alienation to connection: the theme of alienation analyzed from a socialist feminist perspective in Amy Tan’s The Joy Luck Club." Thesis, Högskolan Dalarna, Engelska, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:du-16867.

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Wong, Ching-lun Helen. "Twice marginalized: women's identities in a foreign land: an analysis of Jean Rhys's Wide Sargasso Sea and AmyTan's the Joy Luck Club." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31583994.

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Wong, Ching-lun Helen. "Twice marginalized women's identities in a foreign land: an analysis of Jean Rhys's Wide Sargasso Sea and Amy Tan's the Joy Luck Club /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31583994.

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Colón, Camille I. "Mother-daughter relationships in La casa de los espíritus and the Joy Luck Club an attempt to subvert patriarchal society in the quest for identity /." Diss., Connect to the thesis, 2004. http://thesis.haverford.edu/77/01/2004ColonC.pdf.

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Su, Suocai. "Inventing transnational Chinese American identities in Amy Tan's The Joy Luck Club, Shirley Geok-lin Lim's Among the white moon faces, and Shawn Hsu Wong's American knees." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1301632.

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My dissertation investigates how Chinese American writers invent transnational Chinese American identities in the 1980s and 1990s. In particular, I focus on Amy Tan's The JoyLuck Club (1989), Shirley Geok-lin Lim's Among the White Moon Faces: An Asian American Memoir of Homelands (1996), and Shawn Hsu Wong's American Knees(1995). 1 argue that Tan, Lim, and Wong challenge the conventional ideas of a singular, pure, and fixed identity but instead create Chinese American identities in the post-1965 era as multiple, hybrid, and constantly changing to accommodate to an open, diverse, and multicultural America. Specifically, in Tan's work, by describing both the conflicts and connections between the Chinese mothers and their American horn daughters, she represents a group of Chinese American women who transcend their cultural, generational, and linguistic differences to achieve an identity that connects the West with the East. In Lim's work, by portraying the domestic and international movements of herself as an immigrant, she reveals the long and painful process of negotiating multiple cultures and identities that enables her to change from a Chinese Malaysian to a new Asian American woman. In Wong's work, by focusing on how the fourth- and fifthgeneration of Chinese and/or Asian American men and women negotiate racial, ethnic, gender, and sexual identities, Wong meditates on what the term Asian American means in the new age. Together the three works reflect the range, diversity, and invention of contemporary Chinese American identities by Chinese American writers in the new era.
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Books on the topic "The Joy Luck Club"

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The Joy Luck Club. New York: Putnam's, 1989.

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Tan, Amy. The Joy Luck Club. [Waterville, Me.]: Wheeler Pub., 2005.

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Tan, Amy. The Joy Luck Club. Cambridge: Cambridge University Press, 1995.

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Tan, Amy. The Joy Luck Club. New York: Ivy Books, 1990.

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Tan, Amy. The Joy Luck Club. London: Random House Publishing Group, 2008.

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Tan, Amy. The Joy Luck Club. London: Heinemann, 1989.

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Tan, Amy, Ronald Bass, Tsai Chin, and Wayne Wang. The Joy Luck Club. Burbank, CA: Hollywood Pictures Home Entertainment : Distributed by Buena Vista Home Entertainment, 2002.

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The Joy Luck Club. New York: Ivy Books, 1990.

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Amy, Tan, ed. The Joy Luck Club. New York: Dramatists Play Service, 2009.

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Tan, Amy. The joy luck club. New York: Ivy Books, 1989.

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Book chapters on the topic "The Joy Luck Club"

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Tan, Amy. "The Joy Luck Club." In A World of Difference, 37–61. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-11037-4_3.

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Birkle, Carmen. "Tan, Amy: The Joy Luck Club." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18753-1.

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Chandra, Giti. "Immigration and Identity: Maxine Hong Kingston’s The Woman Warrior and Amy Tan’s The Joy Luck Club." In Narrating Violence, Constructing Collective Identities, 73–104. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230233904_5.

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Bolsmann, Chris, and Dilwyn Porter. "‘Joy the Corinthians are coming!’ The Corinthian Football Club on tour in Canada and the United States." In English Gentlemen and World Soccer, 101–16. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: Routledge studies in modern British history: Routledge, 2018. http://dx.doi.org/10.4324/9781315579757-6.

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"Love, Loss and Forgiveness in Amy Tan’s The Joy Luck Club." In Webbing Vicissitudes of Forgiveness, 103–10. BRILL, 2014. http://dx.doi.org/10.1163/9781848882775_010.

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"BECOMING CHINESE: RACIAL AMBIGUITY IN AMY TAN’S THE JOY LUCK CLUB." In Literature and Racial Ambiguity, 93–115. Brill | Rodopi, 2002. http://dx.doi.org/10.1163/9789004334229_006.

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"Constructing the Other: A Critical Reading of The Joy Luck Club." In The Global Intercultural Communication Reader, 143–62. Routledge, 2007. http://dx.doi.org/10.4324/9780203934982-19.

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"Differences between Chinese and Western ethics based on The Joy Luck Club." In Education Management and Management Science, 513–16. CRC Press, 2015. http://dx.doi.org/10.1201/b18636-117.

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"A Reader’s Guide to Amy: Tan’s The Joy Luck Club: Molly H.Isham." In The Asian Pacific American Heritage, 454–79. Routledge, 2012. http://dx.doi.org/10.4324/9780203344590-54.

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"Emotion Work: The Joy Luck Club and the Limits of the Emotion System." In Film Structure and the Emotion System, 138–50. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511497759.009.

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Conference papers on the topic "The Joy Luck Club"

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Wan, Yongkun. "On Chinese Cultural Symbols in The Joy Luck Club." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.135.

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He, Yanan. "Regrettable Pursuits: Dual Narrative Voice in the Joy Luck Club." In 2014 International Conference on Education, Management and Computing Technology (ICEMCT-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icemct-14.2014.15.

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Xiangliu, Chen. "DIFFERENCES BETWEEN CHINESE AND WESTERN ETHICS BASED ON THE JOY LUCK CLUB." In International Symposium on Multidisciplinary Inclusive Education, Management and Legal Services (ISMIEMLS). Volkson Press, 2018. http://dx.doi.org/10.26480/ismiemls.01.2018.54.56.

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Guo, Huiqin. "Differences of Marital View between China and America in The Joy Luck Club under Cultural Dimensions Theory." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.206.

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Duan, Jieqiong. "Study on Cultural Identity from the Comparison Between "A House for Mr. Biswas" and "The Joy Luck Club"." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.117.

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Tang, Xue. "Exploring the Cultural Differences Between the US and China in “The Joy Luck Club” Through the Lens of Family Values." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.125.

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Zhang, Wei, and Wenhui Dou. "Study on Translator’s Subjectivity in the Light of Steiner’s Fourfold Translation Motion: A Case Study of the Aggression on Cheng Naishan’s Chinese Version of the Joy Luck Club." In 5th International Symposium on Social Science (ISSS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200312.007.

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