Journal articles: 'The Last judgment'

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Heilbron, J. L. "Comment: A Last Judgment." Isis 108, no. 1 (March 2017): 122–23. http://dx.doi.org/10.1086/691401.

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Shrimplin, Valerie. "Hell in Michelangelo's "Last Judgment"." Artibus et Historiae 15, no. 30 (1994): 83. http://dx.doi.org/10.2307/1483475.

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Godfrey, Aaron W. "Book Review: Michelangelo's Last Judgment." Forum Italicum: A Journal of Italian Studies 40, no. 2 (September 2006): 578–80. http://dx.doi.org/10.1177/001458580604000226.

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Kunc, François. "The Judgment as Revelation." Pólemos 15, no. 1 (April 1, 2021): 5–14. http://dx.doi.org/10.1515/pol-2021-2003.

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Abstract The judge’s judgment is intended to be the definitive means of quelling controversy – the last word. While judgments have always been open to question by various means, the current social and political environment is especially prone to challenging the judgments of courts. This paper will consider the judgment through the lens of ideas about text, truth and legitimacy to explore the pressure such challenges can place on the capacity of law to hold the line in times of uncertainty.

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Shrimplin, Valerie, and Bernadine Barnes. "Michelangelo's Last Judgment: The Renaissance Response." Sixteenth Century Journal 29, no. 4 (1998): 1201. http://dx.doi.org/10.2307/2543423.

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O'Malley, John. "Art, Trent, and Michelangelo’s “Last Judgment”." Religions 3, no. 2 (April 25, 2012): 344–56. http://dx.doi.org/10.3390/rel3020344.

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Turner, John. "MICHELANGELO'S BLACKS IN "THE LAST JUDGMENT"." Source: Notes in the History of Art 33, no. 1 (October 2013): 8–15. http://dx.doi.org/10.1086/sou.33.1.23595748.

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Bloesch, Donald G. "The Last Things: Resurrection, Judgment, Glory." Pro Ecclesia: A Journal of Catholic and Evangelical Theology 14, no. 3 (August 2005): 372–73. http://dx.doi.org/10.1177/106385120501400309.

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Edmondson, George. "Response: Last Judgment on the Neighbor." Exemplaria 32, no. 3 (July 2, 2020): 269–81. http://dx.doi.org/10.1080/10412573.2020.1854999.

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AMIT. "A Rabbinic Satire on the Last Judgment." Journal of Biblical Literature 129, no. 4 (2010): 679. http://dx.doi.org/10.2307/25765961.

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Shrimplin, Valerie, and Loren Partridge. "Michelangelo: The Last Judgment. A Glorious Restoration." Sixteenth Century Journal 29, no. 2 (1998): 503. http://dx.doi.org/10.2307/2544528.

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Pozzilli, P. "Blessed with exophthalmos in Michelangelo's Last Judgment." QJM 96, no. 9 (August 18, 2003): 688–90. http://dx.doi.org/10.1093/qjmed/hcg095.

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13

Lasater, Kathie. "Clinical judgment: The last frontier for evaluation." Nurse Education in Practice 11, no. 2 (March 2011): 86–92. http://dx.doi.org/10.1016/j.nepr.2010.11.013.

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Lulin, Zhou, Ethel Yiranbon, and Henry Asante Antwi. "Complementarity of Clinician Judgment and Evidence Based Models in Medical Decision Making: Antecedents, Prospects, and Challenges." BioMed Research International 2016 (2016): 1–11. http://dx.doi.org/10.1155/2016/1425693.

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Early accounts of the development of modern medicine suggest that the clinical skills, scientific competence, and doctors’ judgment were the main impetus for treatment decision, diagnosis, prognosis, therapy assessment, and medical progress. Yet, clinician judgment has its own critics and is sometimes harshly described as notoriously fallacious and an irrational and unfathomable black box with little transparency. With the rise of contemporary medical research, the reputation of clinician judgment has undergone significant reformation in the last century as its fallacious aspects are increasingly emphasized relative to the evidence based options. Within the last decade, however, medical forecasting literature has seen tremendous change and new understanding is emerging on best ways of sharing medical information to complement the evidence based medicine practices. This review revisits and highlights the core debate on clinical judgments and its interrelations with evidence based medicine. It outlines the key empirical results of clinician judgments relative to evidence based models and identifies its key strengths and prospects, the key limitations and conditions for the effective use of clinician judgment, and the extent to which it can be optimized and professionalized for medical use.

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Shrimplin-Evangelidis, Valerie. "Sun-Symbolism and Cosmology in Michelangelo's Last Judgment." Sixteenth Century Journal 21, no. 4 (1990): 607. http://dx.doi.org/10.2307/2542189.

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Manca, Joseph. "SIN, SADOMASOCHISM, AND SALVATION IN MICHELANGELO'S "LAST JUDGMENT"." Source: Notes in the History of Art 13, no. 3 (April 1994): 20–26. http://dx.doi.org/10.1086/sou.13.3.23204892.

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Cavell, Leslie Joan. "RESTORING THE INTEGRITY OF MÂCON'S LAST JUDGMENT PORTAL." Source: Notes in the History of Art 25, no. 3 (April 2006): 9–15. http://dx.doi.org/10.1086/sou.25.3.23208000.

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Barnes, Bernadine. "Metaphorical Painting: Michelangelo, Dante, and the Last Judgment." Art Bulletin 77, no. 1 (March 1995): 64. http://dx.doi.org/10.2307/3046080.

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Takagi, Hisato, Masao Niwa, Yusuke Mizuno, Shin-nosuke Goto, and Takuya Umemoto. "The Last Judgment upon abdominal aortic aneurysm screening." International Journal of Cardiology 167, no. 5 (September 2013): 2331–32. http://dx.doi.org/10.1016/j.ijcard.2012.11.011.

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Reed, John R. "Paying Up: The Last Judgment and Forgiveness of Debts." Victorian Literature and Culture 20 (March 1992): 55. http://dx.doi.org/10.1017/s1060150300005118.

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Gertsman, Elina. "THE BERLIN "DANCE OF DEATH" AS THE "LAST JUDGMENT"." Source: Notes in the History of Art 24, no. 3 (April 2005): 10–20. http://dx.doi.org/10.1086/sou.24.3.23207935.

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Simons, Patricia. "ENVY AND THE OTHER VICES IN MICHELANGELO'S "LAST JUDGMENT"." Source: Notes in the History of Art 33, no. 2 (January 2014): 13–20. http://dx.doi.org/10.1086/sou.33.2.23611169.

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Maizuls, Mikhail. "Mountain Last Judgment and Rural Apocalypse: Patterns of Imagery." Kritika: Explorations in Russian and Eurasian History 12, no. 4 (2011): 983–91. http://dx.doi.org/10.1353/kri.2011.0050.

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McLellan, Dugald. "Michelangelo's Last Judgment: The Renaissance Response (review)." Parergon 16, no. 2 (1999): 166–69. http://dx.doi.org/10.1353/pgn.1999.0037.

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PENCHEVA, Zhana. "THE EAST AND “THE LAST JUDGMENT” IN THE BULGARIAN ORTHODOX ART." Ezikov Svyat (Orbis Linguarum) 18, no. 1 (March 27, 2020): 125–31. http://dx.doi.org/10.37708/ezs.swu.v18i1.15.

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e paper deals with two similar symbols – “The Judgment of the Soul” in the art of Ancient Egypt and “Weighing the Souls” from the scene “The Last Judgment” in the Bulgarian Orthodox art. They are part of the eschatological understanding of the afterlife. These symbols were analyzed and the paths of their movement were traced. The visual image of the supreme check of every deceased is the weighing of the heart and the judgment of God Osiris. It is related to spell 125 of the Book of the Dead. The article analyzes the iconography of this scene, which was widely used during the New Kingdom in Ancient Egypt. The “Judgment of the soul” of Ancient Egypt was probably transmitted by the Jews in Asia, and later entered the Christian iconography of the composition “The Last Judgment”. The formation of the iconographic image type in Byzantine and Western European art was traced. During the Bulgarian Renaissance, “Weighing of Souls” became a major motif and was interpreted by a number of painters in Southwestern Bulgaria. Images in the temples of Blagoevgrad, Rila, Bistritsa, Selishte, Dobarsko, Teshovo, Zlatolist, Dolen and others have been preserved. The analysis of the iconographic images makes it possible to summarize the results which show a number of similar elements in the two scenes. Such are the holy characters God Anubis and Archangel Michael, the two exits for the soul of man - eternal life or eternal torment. The long life of the symbol under consideration leads to the conclusion about the continuity of the moral evaluation of human earthly affairs.

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Peters, Julie Stone. "Staging the Last Judgment in the Trial of Charles I." Representations 143, no. 1 (2018): 1–35. http://dx.doi.org/10.1525/rep.2018.143.1.1.

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The trial of Charles I (said mid-seventeenth-century radical Protestants) was “a Resemblance and Representation of the great day of Judgement.” Situating the trial in its theological and iconographic context, viewing it as an expression of broader Puritan performance culture, this essay offers a close reading of its staging, arguing that we should view the assertion that the trial resembled Judgment Day not as an abstract theological aspiration but as a concrete description of the trial’s visual, spatial, and dramatic representation of the Last Judgment.

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Flynn, Maureen. "Mimesis of the Last Judgment: The Spanish Auto de fe." Sixteenth Century Journal 22, no. 2 (1991): 281. http://dx.doi.org/10.2307/2542736.

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Barnes, Bernadine. "Skin, Bones, and Dust: Self-Portraits in Michelangelo's "Last Judgment"." Sixteenth Century Journal 35, no. 4 (December 1, 2004): 969. http://dx.doi.org/10.2307/20477136.

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Shrimplin, Valerie. "Michelangelo and Copernicus: A Note on the Sistine Last Judgment." Journal for the History of Astronomy 31, no. 2 (May 2000): 156–60. http://dx.doi.org/10.1177/002182860003100205.

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FOSS, NICOLAI J., and PETER G. KLEIN. "Introduction to a forum on the judgment-based approach to entrepreneurship: accomplishments, challenges, new directions." Journal of Institutional Economics 11, no. 3 (April 29, 2015): 585–99. http://dx.doi.org/10.1017/s1744137415000168.

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AbstractOver the last three decades entrepreneurship has become a hot topic in economics and management. Much of the entrepreneurship research literature has built upon insights of economists such as Schumpeter, Knight, and Kirzner, each of whom has inspired a distinct strand of entrepreneurship theory and application. Schumpeterian innovation and Kirznerian alertness are the best-known concepts of entrepreneurship, but a newer research stream is building on Knight's idea of entrepreneurship as judgmental decision-making under uncertainty. What we call the judgment-based view models entrepreneurs as owning, controlling, and combining heterogeneous assets, which differ in their attributes, and deploying these assets within a firm to produce goods and services in anticipation of economic profit. This Forum presents three papers that develop, extend, and challenge the judgment-based view of entrepreneurship, focusing on the foundations of judgment, the processes of entrepreneurial resource assembly, and the relationship between the judgment-based view and other theories of economic organization.

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31

Footring, Ralph. "Terminator 2, Judgment Day." Psychiatric Bulletin 15, no. 12 (December 1991): 796–97. http://dx.doi.org/10.1192/pb.15.12.796.

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Scientific Editor, British Journal of PsychiatryHow would you feel about a sequel to One Flew Over the Cuckoo's Nest, set in the present? I am writing about the next best thing: Terminator 2, subtitled Judgment Day, sequel to the 1984 film Terminator, both starring Arnold Schwarzenegger in the eponymous role. Terminator 2, reputedly the most expensive film ever made, was released last August. Guild, its distributor, expect the film (certificate 15) in the UK to gross £17 million and to be seen by 6 million people, with a similar audience when it is released on video.

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Droit-Volet, Sylvie, Natalia Martinelli, Michaël Dambrun, Guillaume T. Vallet, and Fanny Lorandi. "The Retrospective and Present Judgment of the Passage of Time in the Elderly." Timing & Time Perception 9, no. 4 (May 17, 2021): 335–52. http://dx.doi.org/10.1163/22134468-bja10031.

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Abstract This study examined the judgment of the passage of time in elderly people living in retirement homes, focusing on the passage of time experienced in the present and that judged retrospectively for short periods (last day, week, month) and longer periods of life (last year, now compared with five years ago, as we get older). Participants’ cognitive abilities and feelings of happiness were also assessed among other dimensions. Results showed no significant relationship between these three forms of judgment of the passage of time, except between the judgment of the passage of time for the present and for the day. In addition, the level of happiness was a significant predictor of both the momentary judgment of the passage of time and the retrospective judgment of the passage of time for shorter periods. In contrast, the individual differences in cognitive abilities better explained differences in the retrospective judgment of the passage of time for longer periods. As discussed, the different forms of judgment of the passage of time are therefore based on different cognitive mechanisms.

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33

Heyen, Heye. "Het laatste oordeel ‐ een onderwerp in recente preken?" NTT Journal for Theology and the Study of Religion 65, no. 4 (November 18, 2011): 321–34. http://dx.doi.org/10.5117/ntt2011.65.321.heye.

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This article traces what is said about the last judgment in recent sermons. In most of the sermons this is simply nothing. In the sermons of the ministers who do talk about it, the following three motives can be identified: the problems of modern man with this topic, the warning of an upcoming judgment after death, and the critique on the notion of the last judgment from a standpoint of apocatastasis. There appears to be the following split: ministers announcing the judgment after death do not care about the problems of modern man with this, while ministers who are engaged with the problems of modern man do not realise that a part of their listeners still fear hell and eternal damnation.

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Smit, Gea. "De actualisering van het geloof in een laatste oordeel in het existentiële perspectief van Rudolf Bultmann." NTT Journal for Theology and the Study of Religion 65, no. 4 (November 18, 2011): 293–306. http://dx.doi.org/10.5117/ntt2011.65.293.smit.

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In the New Testament, the belief that the last judgment would arrive soon was paired with an ethical appeal to change one’s attitude or way of life. However, with the expectation of an imminent judgment fading, this connection weakened. This paper investigates whether the existential theology of Rudolf Bultmann offers an inter-pretation that manages to actualise belief in a last judgment for the present day. Bultmann interprets the core meaning of judgment to be that God, with the coming of Jesus Christ into the world, opens the possibility for a new form of true existence for every individual who submits to it. This conception indeed implies an existential importance of the belief in an eschatological judgment for human life in the present. However, a more exact interpretation of the rather abstract notion of this form of true existence seems hard to describe and therefore leaves the question somewhat open.

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O'Meara, Gregory J. "Book Review: The Last Judgment: Christian Ethics in a Legal Culture." Theological Studies 74, no. 2 (May 2013): 509–10. http://dx.doi.org/10.1177/004056391307400229.

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Baulch, David M. "Reflective aesthetics and the last judgment: Blake's sublime and Kant's thirdcritique." European Romantic Review 12, no. 2 (March 2001): 198–205. http://dx.doi.org/10.1080/10509580108570135.

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de Campos, Deivis, Tais Malysz, João Antonio Bonatto-Costa, Geraldo Pereira Jotz, Lino Pinto de Oliveira Junior, and Andrea Oxley da Rocha. "Michelangelo, the Last Judgment fresco, Saint Bartholomew and the Golden Ratio." Clinical Anatomy 28, no. 8 (September 2, 2015): 967–71. http://dx.doi.org/10.1002/ca.22612.

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Rolfe, Sarah Melanie. "Michelangelo Reading Landino? The "Devil" in Michelangelo's Last Judgment." Quaderni d'italianistica 30, no. 2 (June 1, 2009): 19–38. http://dx.doi.org/10.33137/q.i..v30i2.11901.

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In lieu of Satan, the Hell scene in Michelangelo's Last Judgment features Charon and Minos, two key figures present in Dante’s Inferno. These figures were given an interesting psychological interpretation in the well circulated fifteenth-century commentary on Dante's Commedia by Cristoforo Landino. This article compares Landino's allegoresis of the two figures and a selection of Michelangelo's poetry, as well as the artist's drawings for and relationship to the young nobleman Tommaso de' Cavalieri, to suggest the hypothesis that Michelangelo's Minos and Charon were intended to symbolize the psychological experience of damnation and, more specifically, the dynamic interplay of conscience, free will, choice and volition.

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Savage, Roger W. H. "Thought and Political Judgment." Études Ricoeuriennes / Ricoeur Studies 12, no. 2 (December 15, 2021): 120–37. http://dx.doi.org/10.5195/errs.2021.543.

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Hannah Arendt’s claim that thinking is the last defense against the moral outrages of criminal political regimes sets the problematic of good and evil in relief. Human freedom, Paul Ricœur reminds us, is responsible for evil. The avowal of the evil of violence is thus the condition of our consciousness of the freedom to act anew.Aesthetic experience’s lateral transposition onto the planes of ethics and politics highlights our capacity to respond to exigencies in apposite ways. Exemplary representations of the good, the right, and the justexpress a desire for being. Eros is accordingly the law of every work, word, deed, or act that answers to a difficulty, challenge, or crisis. Bound to living experiences, thought attains its true height through interrogating, demystifying, and vacating frozen norms, standards, and mores. Judgment actualizes thought’s liberating effects in answer to the demands of the situations in which we find ourselves.

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Григорак, А. К. "Newest Historiographic Studies of the Ukrainian Icon-Painting of The Last Judgment." Grani 22, no. 3 (May 10, 2019): 5–11. http://dx.doi.org/10.15421/171926.

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The analysis of features of iconography, stylistics, coloring and manner of execution of compositions of the Last Judgment is devoted to many scientific works. Despite this, the issue of the peculiarities of symbolism and source potential of the Stranger Judgment icons remains inexhaustible. The article is devoted to the analysis of the latest scientific research of the XXI century. Dedicated to the Ukrainian iconography of the Last Judgment. The main achievements and discoveries in the Work of Researchers are described for the development of the research of the Contemporary Issues in the historical and artistic key words. The potential of Ukrainian iconography research is also determined in the article. Studying the historiographical aspect of the research of Ukrainian icons, the specificity of approaches and areas of analysis of iconographic samples as historical sources by historians and art historians of the XXI century is traced. Historiography of the plot of the Last Judgment of the modern age is presented by the works of several authors: Ivan Himki, Lilya Berezhnoy, Marty Fedak, Lyudmila Milyaeva, etc. Analyzing this topic, we should mention that the literature of the nineteenth and twentieth centuries more focuses on aesthetic, especially on the artistic meaning of icons. Actually, the iconography of this period is formed -first as a branch of history and archeology, and from the end of the nineteenth century, as a branch of art studies. Studies of the twentieth century have some disadvantages caused by the influence of the Soviet period, in which there was no place for the icon just as a spiritual sanctuary, as sources of religious outlook of society. Particularly, this was due to the Marxist-Leninist “methodology”, that is, the approach to the icon as a painting, without taking into account its symbolic significance. With the restoration of Ukraine’s political independence at the end of the ХХ century the anti-religious propaganda was stopped and the community began to return to the spiritual origins, one of which is Christianity, including its components to which icons also belong to the Orthodox tradition. And precisely because of the great importance of the Ukrainian icon painting of the Last Judgment, there are scientific works of the 21st century that make it possible to look at the icon with completely different approach.

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Ambos, Kai. "The First Judgment of the International Criminal Court (Prosecutor v. Lubanga): A Comprehensive Analysis of the Legal Issues." International Criminal Law Review 12, no. 2 (2012): 115–53. http://dx.doi.org/10.1163/157181212x639644.

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On 14 March 2012, Trial Chamber I (hereinafter ‘the Chamber’) of the International Criminal Court (‘ICC’ or ‘the Court’) delivered the long awaited first judgment of the Court (‘the judgment’). This comment focuses exclusively on the legal issues dealt with in the judgment but pretends to do this comprehensively. It critically analyses the following five subject matters with the respective legal issues: definition and participation of victims; presentation and evaluation of evidence; nature of the armed conflict; war crime of recruitment and use of children under fifteen years (Article 8(2)(e)(vii) ICC Statute); and, last but not least, co-perpetration as the relevant mode of responsibility, including the mental element (Articles 25, 30). While this article follows the order of the judgment for the reader’s convenience and to better represent the judgment’s argumentative sequence, the length and depth of the inquiry into each subject matter and the respective issues depend on their importance for the future case law of the Court and the persuasiveness of the Chamber’s own treatment of the issue. The article concludes with some general remarks on aspects of drafting, presentation and referencing.

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Callan, Eamonn. "Last Word." Review of Politics 58, no. 1 (1996): 49–51. http://dx.doi.org/10.1017/s0034670500051652.

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What are the virtues that befit citizens of a liberal democracy? What moral constraints should the state respect in its sponsorship of political education? In “Political Liberalism and Political Education” I gave a partial answer to the first question; apart from a solitary footnote, I ignored the second. Yet some of my Rawls-inspired remarks about the connection between the burdens of judgment and toleration blurred the distinction between the two questions. That is unfortunate because the distinction matters.Suppose we answer the first question correctly. We might still be tempted to pursue the ends of political education with Jacobin ferocity, laying waste to all that impedes our righteous cause. That course is subject to overwhelming moral criticism. Liberals must care about freedom of conscience and not just about the freedom of the virtuous liberal conscience. Alternatively, a correct answer to the second question might coincide with a certain blindness to the importance of the first or with a tendency to confound what is properly tolerated in a liberal democracy with what is rightly deemed virtuous. Liberals cannot afford to be indifferent to the virtues that are distinctive of the liberal conscience or to neglect the educational practices that would nourish them. If a self-defeating cultural aggressiveness is the vice of some who are fixated by the first question, an equally destructive cultural complacency is the besetting sin of those who take the second question seriously without having a credible answer to the first.

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Marinis, Vasileios. "Joseph Bryennios and eschatological theology in Late Byzantium." Byzantine and Modern Greek Studies 44, no. 2 (October 2020): 259–75. http://dx.doi.org/10.1017/byz.2020.5.

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The Last Judgment, the extraordinary conclusion to Christ's parousia, played a consequential role in Byzantine religious culture. However, the scarcity of biblical information and the lack of an official council-sanctioned theology of the afterlife resulted in the creation of varying and sometimes contradictory narratives. The most systematic treatment of questions pertaining to the Last Judgment is by Joseph Bryennios (d. c. 1430/1), a theologian and court preacher, in a series of two sermons. This paper offers a detailed investigation of Bryennios’ eschatological thought and discusses its sources and its importance as ‘official’ theology in the last decades of the empire.

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Losee, Joy E., Karen Z. Naufel, Lawrence Locker, and Gregory D. Webster. "Weather Warning Uncertainty: High Severity Influences Judgment Bias." Weather, Climate, and Society 9, no. 3 (May 10, 2017): 441–54. http://dx.doi.org/10.1175/wcas-d-16-0071.1.

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Abstract Information about hurricanes changes as the storm approaches land. Additionally, people tend to think that severe events are more likely to occur even if the probability of that event occurring is the same as a less severe event. Thus, holding probability constant, this research tested the influence of severity on storm judgments in the context of updates about the approaching storm’s severity. In two studies, participants watched one of four (experiment 1) or one of five (experiment 2) sequences of updating hurricane warnings. The position of category 1 and category 5 hurricane warnings in the sequences varied (e.g., category 1 first and category 5 last, or category 5 first and category 1 last). After the videos, participants made judgments about the approaching storm. In experiment 1, participants generally overestimated the threat of the storm if they saw a category 5 hurricane warning in any position. Experiment 2, designed to test whether experiment 1 results were due to a contrast effect, revealed a similar pattern to experiment 1. Overall, when participants saw a category 5 hurricane warning, they anchored to severity regardless of updates that the storm had decreased in severity. Importantly, however, the extent of anchoring to severity depended on the type of judgment participants made. In terms of policy, the study proposes that weather warning agencies focus on message content at least as much as they focus on message accuracy.

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Henderson, Duncan. "The Devil's Law Cases." Ecclesiastical Law Journal 15, no. 1 (December 13, 2012): 28–58. http://dx.doi.org/10.1017/s0956618x12000786.

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There exists a substantial body of legal and historical research on the case of Fendall v Wilson, in which the Privy Council famously ‘dismissed Hell with costs’. However, the case has never been examined in the context of Anglican debate over Hell and the Last Judgment in the second half of the nineteenth century. Despite its remarkable parallels with Fendall, Jenkins v Cook has been forgotten by most modern lawyers and has never been examined in parallel with Fendall. This article analyses the parts of the two cases that deal with Hell, the Last Judgment, and the Devil in the context of mid-nineteenth-century Anglican doctrinal litigation, and of the controversy over Hell in general and Essays and Reviews in particular. It also reconstructs some of the important factual elements of Jenkins that were not recorded in the first instance or appellate judgments. The contextual analysis of the judgments and unrecorded facts shows some surprising and evasive judicial responses to the doctrinal questions of whether Hell and the Devil exist and if so in what form. The article suggests that religious politics, rather than ecclesiastical jurisprudence, are the likelier cause of those responses. The article provides a historical contribution to the growing body of research and comment on the interplay of law and religion, in particular exemplifying some of the difficulties that arise when issues of religious doctrine are brought before purportedly secular courts.

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Nelson, Robert S. "A Byzantine Painter in Trecento Genoa: The Last Judgment at S. Lorenzo." Art Bulletin 67, no. 4 (December 1985): 548. http://dx.doi.org/10.2307/3050844.

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Anastasiia, Grygorak. "Sinners and criminals in Ukrainian justice and iconography of the “Last Judgment”." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History 1, no. 29 (November 29, 2019): 155–64. http://dx.doi.org/10.32626/2309-2254.2019-29.155-164.

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Ballirano, P. "Mineralogical characterization of the blue pigment of Michelangelo's fresco "The Last Judgment"." American Mineralogist 91, no. 7 (July 1, 2006): 997–1005. http://dx.doi.org/10.2138/am.2006.2117.

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CRANSTON, SIR ROSS. "FINAL JUDGMENT. THE LAST LAW LORDS AND THE SUPREME COURTby ALAN PATERSON." Journal of Law and Society 41, no. 4 (November 27, 2014): 652–57. http://dx.doi.org/10.1111/j.1467-6478.2014.00690.x.

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Lane, Barbara G. "The Patron and the Pirate: The Mystery of Memling's Gdansk Last Judgment." Art Bulletin 73, no. 4 (December 1991): 623. http://dx.doi.org/10.2307/3045833.

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Journal articles on the topic 'The Last judgment'

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