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Dissertations / Theses on the topic 'The literary avant-garde'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Rausch, Juliana Adele. "The New Journalism as Avant-Garde Art." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/443068.

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English<br>Ph.D.<br>Can journalism be avant-garde? This question arises from the body of work produced by the New Journalists, whose leading figures include Truman Capote, Tom Wolfe, Joan Didion, and Norman Mailer. Today, this question is urgent for considerations of the journalist’s role within a political landscape increasingly hostile to the news media. Yet it is a question that has not been sufficiently explored in the field of literary study. Scholars of literary journalism have identified the features of an experimental journalism, traced its historical origins, and made claims about how

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2

Fisher, Ben. "Alfred Jarry and his literary context." Thesis, Bangor University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.290228.

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Hultsch, Anne. "Winner, Thomas G. The Czech Avant-Garde Literary Movement Between the World Wars." De Gruyter, 2015. https://tud.qucosa.de/id/qucosa%3A71362.

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Thomas G. Winner (1917 in Prag geboren; ab 1939 in den USA; 2004 in Cambridge, Massachusetts gestorben) zählte zu den wichtigsten Vertretern der Semiotik in Amerika, gründete er doch an der Brown University das erste Semiotik-Zentrum der Vereinigten Staaten (Research Center for Semiotic Studies).1 Sein nicht minder großes, mit zunehmendem Alter noch wachsendes Interesse galt der tschechischen Avantgarde und dem Prager Strukturalismus,2 dem er in vorliegender Arbeit nicht nur auf inhaltlicher Ebene, sondern auch von seinem methodologischen Zugang her verpflichtet ist. Davon legt bereits ein kur

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4

Papalas, Mary Laura. "A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211977685.

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5

Payne, Christopher Neil. "Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29518.

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The following paper will deal with the actantial place of memory and history in the works of Ge Fei, a so-called avant-garde writer in China. Analyzing his three major novels published in the nineteen-nineties, as well as an earlier short story, the paper will discuss how Ge Fei renegotiates the status and place of the literary subject as configured through the act of writing, and its close relationship with the medium of memory and history. Contrary to the prevailing opinion, the avant-garde experiment in Ge Fei's works does not intimate the dissipation of the subject, but rather assists in r

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Mark, Alison Katherine Marshall. "Reading between the lines : language, experience and identity in the work of Veronica Forrest-Thomson." Thesis, Birkbeck (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362716.

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Macedo, Ana Gabriela Vilela Pereira de. "Wyndham Lewis's literary work : 1908-1928; Vorticism, Futurism and the poetics of the avant-garde." Thesis, University of Sussex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337442.

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8

Hutton-Williams, Francis Brent. "Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:c6fbe4ba-3908-4e45-a012-00fa766cd1eb.

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This thesis analyses the responses of Irish writers and painters to a phase of national self-assertion that had arguably lost its liberating potential. It shows how the exhaustion of revolutionary pressures in Ireland after independence complicates the ties between creative activity and political activism. Drawing on a wide range of scholarship within political theory, literary criticism and art history, I chart an emerging network of literary and artistic techniques that confronts the representational aesthetics of the nation with strategies of paradox, reversal and renewal. My readings of th

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9

Silvio, Carl. "The institutional production of literary value studies of African-American popular music lyrics and the avant-garde /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2061.

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Thesis (Ph. D.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains iii, 310 p. Includes abstract. Includes bibliographical references (p. 301-310).

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10

Arseniou, Elizabeth. "Between modernism and the avant-garde : literary experimentation in the early 1960s in Greece (the case of the literary magazine Pali [1964-1967])." Thesis, University of Birmingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322999.

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This study is an investigation of the role of the "little magazine" flriAZ, published in the early 1960s in Greece, as well as the work of its contributors. By experimenting with the use or abuse, expansion or minimisation of literary language, the group of flriAZ contributed to the constitution of the Greek 1960s and offered an alternative paradigm of a peripheral Western neo-avant-garde. The first chapter offers a brief account of the political and cultural background to the magazine's publication. The second chapter explores the tradition of the avant-garde "little magazines", the developme

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11

Tuft, Bryna. "This Is Not a Woman: Literary Bodies and Private Selves in the Works of the Chinese Avant-Garde Women Writers." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12934.

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During the period of economic expansion and openness to personal expression and individuality following Deng Xiaoping's reforms, the Chinese avant-garde women writers engaged in a project of resistance to the traditionally appropriated use of the female body, image, and voice. This resistance can be seen in the ways they consciously construct a private space in their fiction. In this dissertation, I argue that this space is created by presenting alternative forms of female sexuality, in contrast to the heterosexual wife and mother, and by adding details of their own personal histories in the

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12

Rondinelli, Maria Francesca. "Histoire littéraire, artistique et culturelle de la naissance des avant-gardes surréalistes en Égypte francophone, des années 1920 aux années 1940." Thesis, Université Grenoble Alpes, 2020. https://thares.univ-grenoble-alpes.fr/2020GRALL007.pdf.

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Dans l'Égypte de la fin des années Trente à l'après-guerre, un groupement de jeunes intellectuels anime le collectif « Art et Liberté/ Al-Fann w-al-Hurryiah » qui, dans les domaines artistique, littéraire, politique, véhicule des messages libertaires, révolutionnaires et égalitaires qui représentent un cas quasiment unique au Moyen Orient. S’inspirant des principes de la Fédération Internationale de l’Art Révolutionnaire et Indépendant, créée en 1938 par André Breton et Léon Trotski, le groupe réuni autour du polémiste francophone Georges Henein et de l’artiste et théoricien Ramsès Younane fut

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Drigny, Juliette. "Pe/anser la langue : langue littéraire et imaginaire linguistique de l’avant-garde post-structuraliste, 1965-1985." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL019.

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Les écrivains d’avant-garde des années 1970 (P. Guyotat, D. Roche, P. Sollers, C. Prigent...), souvent qualifiés d’illisibles, présentent de nombreux points communs tant dans leur pratique stylistique que dans leurs conceptions du langage. Si le « textualisme » de la seconde moitié des années 1960 ainsi que le « post-modernisme » du début des années 1980 sont bien connus, les expérimentations verbales de 1965-1985 sont peu étudiées dans leur spécificité et leur cohérence. Ce travail, qui s’appuie sur un corpus d’auteurs gravitant autour de trois revues (Tel Quel, Change et TXT) et de textes au

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Schnellbächer, Thomas [Verfasser], and Irmela [Herausgeber] Hijiya-Kirschnereit. "Abe Kobo, Literary Strategist. The Evolution of his Agenda and Rhetoric in the Context of Postwar Japanese Avant-garde and Communist Artist's Movements / Thomas Schnellbächer. Hrsg.: Irmela Hijiya-Kirschnereit." München : Iudicium Verlag GmbH, 2014. http://d-nb.info/107726707X/34.

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Vichnar, David. "L'Avant-postman : James Joyce, L'avant-garde et le postmoderne." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030010.

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La thèse, intitulée « L’Avant-Postman: James Joyce, L’Avant-Garde et le Postmoderne », s’efforce de construire une généalogie littéraire post-joycienne, centrée sur les notions de l’avant-garde joycienne et de l’expérimentation littéraire, et prend les deux dernières œuvres de Joyce, Ulysses et Finnegans Wake, pour points de départ des avant-gardes d’après la seconde guerre mondiale, une époque généralement appelée « postmoderne », en Grande-Bretagne, aux États-Unis, et en France.L’Introduction identifie la notion d’une avant-garde joycienne à l'exploration, par Joyce, de la matérialité du lan

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Gemme, Pascal. "De L'écho des jeunes au Nigog, pour une préhistoire de l'avant-garde littéraire au Québec, 1890-1920." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0027/MQ35680.pdf.

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Fugmann, Nicole Elisabeth. "The poetics of critical space and postmodernity : critique, aesthetics, and cultural memory: a comparative study of critique and the sublime across literary theory, continental philosophy, literature and the Avant-Garde in the visual arts." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367446.

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De, Pieri Damiano. "Aux origines du surréalisme (1917-1924). "Un nouveau temps du verbe être"." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA107.

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Cette thèse se propose de reconsidérer la naissance du surréalisme dans la période entre 1917 et la publication du Manifeste du surréalisme en 1924. La première partie se concentre sur les années 1917-1918 et montre comment Aragon, Breton et Soupault ont tissé leurs réseaux pour s'insérer dans le champ littéraire avant de créer la revue Littérature. En même temps le désir et la nécessité de publier pour atteindre la légitimité entrent en conflit avec un esprit de groupe et des exigences différentes révélant une délicate stratégie entre adhésion et subversion. Le prétexte d'un essai sur le lyri

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Febvre-Flory, Marie-Cecile. "Le cubisme des poètes : étude des relations complexes entre la peinture cubiste et le langage : Apollinaire, Cendrars, Cocteau, Jacob, Reverdy." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0079.

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Cette étude aborde les relations intersémiotiques qui se sont nouées entre la peinture cubiste et les poètes qui fréquentaient les artistes de ce mouvement. La proximité de leurs questionnements montre que, en dépit du fait que l’histoire littéraire française ne reconnaisse pas de mouvement cubiste en poésie, il existe de nombreux points de concordance entre ces deux domaines. En tant que critiques, les poètes ont beaucoup écrit sur le mouvement, dont ils ont entrepris de se faire les défenseurs, même s’ils ont eu des difficultés à rendre compte de la richesse du cubisme. Cette peinture se pré

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Maeyama, Yû. "La Disparition de Georges Perec : la contrainte oulipienne et ses vertus." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC129/document.

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Centrée sur la matérialité de la contrainte littéraire en tant que programme heuristique, cette thèse propose une analyse de cinq thèmes majeurs de La Disparition de Georges Perec : celui du travail « artisanal » régi par des règles conscientes, s’opposant aux explorations dadaïstes et surréalistes du hasard ou de l’inconscient ; celui de la dignité accordée au ludique, voire au « gratuit », dans le droit fil de la pensée pataphysique ; l’introduction volontaire d’erreurs dans l’application de la contrainte, autrement dit du « clinamen », dont il n’est pas juste de faire remonter l’origine, ai

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Attwood, Adam Imbrogno. "Aesthetic literacy through the avant-garde| Establishing an aesthetically responsive curriculum." Thesis, Washington State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3715154.

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<p> The purpose of this exploratory case study is to identify, develop, and posit an aesthetically responsive curriculum theory as a praxis approach for preparing K-8 pre-service teachers in aesthetic literacy throughout their teacher education program. I explore two approaches in the literature that have thus far consisted of the (1) practitioner and (2) theorist models of arts-integration. In this study, these two approaches are fused together as a praxis to posit a solution to the problem of the arts being removed from the curriculum in times of budget cuts. From my analysis of the survey d

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Domingues, Maria Izabel Velazquez. "The role of the "flâneur" in Jack Kerouac's novel On the Road." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2004. http://hdl.handle.net/10183/14983.

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Trata-se de uma leitura crítica do romance On the Road, do escritor norte-americano Jack Kerouac, cujas vida e obra representam a insatisfação social e a manifestação artística de uma geração de poetas e novelistas denominada, nas décadas de 50 e 60, The Beat Generation ou The Beatniks. Esta leitura consiste em uma investigação para estabelecer relações entre a tríade autor-narrador-protagonista na narrativa proposta. Como apoio teórico temos o olhar do filósofo alemão Walter Benjamin. O enfoque escolhido contempla as reflexões de Benjamin sobre autoria, experiência e modernidade; mas, sobretu

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Noguchi, Yu. "La vuelta al mundo en 70 años: itinerario de la poética de Julio Cortázar —Arte, fotografía y tecnología urbana—." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672531.

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El objetivo de esta tesis es entender la totalidad de la poética de Julio Cortázar a través del análisis comparatista, y se desarrolla de acuerdo con los siguientes cuatro ejes: 1) la poética romántica, 2) la tecnología, 3) la tendencia nostálgica de la postguerra, 4) el compromiso político y la Segunda Vanguardia. En lo que concierne al primer eje, se lleva a cabo una revisión del Romanticismo literario a partir de la labor de varios críticos, entre los que destaca Paul de Man. En particular, se analizan tres poemas de Cortázar explícitamente inspirados en «Oda a una urna griega» de Keats,

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Žaklina, Duvnjak Radić. "Естетика новинарске путописне репортаже у међуратној српској књижевности". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=107577&source=NDLTD&language=en.

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Докторска дисертација Естетика новинарске путописне репортаже у међуратној српској књижевности интерпретативним и компаративним методама утврђује постојање естетских интенција у овом жанру, на примеру текстова које су писали водећи писци српске авангарде Милош Црњански, Растко Петровић, Станислав Винавер, као и Раде Драинац и неки други традиционални писци попут Драгише Васића, Станислава Кракова и Григорија Божовића. Наспрам документарно-фактографског (репортажног) нивоа значења путописних репортажа, открива се дубљи, фикционални и поетско-конотативни слој, који их повезује са књижевним систе

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Salter, Tiffany M. "Decolonizing Forms:Linguistic Practice, Experimentation, and U.S. Empire in Asian American and Pacific Islander Literature." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494246148681761.

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Nédélec, Marine. "De l'incohérence à l'humour, Dada et le surréalisme dans le miroir de la presse : réception et diffusion de Dada et du surréalisme par la presse française (1920-1927)." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H084.

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Que reste-t-il encore à examiner de Dada et du surréalisme, quasiment cent ans après leur naissance ? Malgré les multiples études déjà existantes, certainement beaucoup de choses, à commencer par les réactions de leurs contemporains. Car si la réception de Dada, puis surtout du surréalisme, a suscité des analyses, ce vaste champ de recherche demeure encore en grande partie à explorer. Cent vingt-six titres ont été ici consultés parmi la presse française des années vingt, afin d’observer la réception de Dada et du surréalisme. L’analyse des articles a fait émerger des thématiques, qui ont const

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Sarrat, Yoann. "Transgression et littérarité : l’oeuvre de Pierre Guyotat et son influence sur les milieux artistiques et littéraires." Thesis, Université Clermont Auvergne‎ (2017-2020), 2017. http://www.theses.fr/2017CLFAL009/document.

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Cette thèse propose des réflexions autour de l’œuvre de Pierre Guyotat et des réactions qu’elle provoque ou a provoquées chez d’autres artistes, notamment en lien avec son actualité et ses récentes activités de 2013 à 2016. Nous utilisons deux questions théoriques qui, mobilisant différents champs d’étude, permettent d’établir et d’étudier les possibilités multiples propres à cette œuvre et qu’elle suscite : la transgression et la littérarité. D’abord, ce travail analyse le décloisonnement opéré par l’artiste – réfutant la dénomination réductrice d’écrivain – des mots et des topoï de la littér

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Brito, Junior Antonio Barros de. "Obra aberta : teoria da vanguarda literaria nas obras teorico-criticas de Umberto Eco." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270063.

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Orientador: Marcio Seligmann-Silva<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-05T21:15:30Z (GMT). No. of bitstreams: 1 BritoJunior_AntonioBarrosde_M.pdf: 1183590 bytes, checksum: 16676ba4bc4f7572761d10c569f1a4ad (MD5) Previous issue date: 2006<br>Resumo: Esta dissertação lida com os conceitos de obra aberta, vanguarda e kitsch, nas obras teórico-críticas do semiólogo italiano Umberto Eco, com o objetivo de observar como o conceito de obra aberta esclarece e fundamenta uma dialética entre norma e inv

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Mareuge, Agathe. "L'œuvre poétique tardive de Jean Hans Arp (1886-1966)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040229.

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L’étude de l’oeuvre poétique tardive de l’artiste Jean Hans Arp (1886-1966) révèle que l’opposition entre non-sens et sens, au moyen de laquelle est souvent analysé le passage de sa production dada à sa poésie des années cinquante et soixante, n’a pas lieu d’être. L’introduction d’une cohérence aux plans formel et structurel permet au plan sémantique le maintien de la plurivocité et de la contradiction. L’analyse des formes poétiques arpiennes montre l’existence d’une invention et d’une variété formelles intactes dans la production tardives, entre actualisation de formes anciennes et innovatio

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Chang, Pei-Yu, and 張珮郁. "Kandinsky, and Literary Avant-garde in H.D.’s Sea Garden." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/70038377954002617635.

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碩士<br>國立臺灣大學<br>外國語文學研究所<br>99<br>The two paradigms of H.D. study—psychoanalysis and feminism undermine the subversive power understated especially in her early Imagist poetry. It is often considered that Imagism suppresses the develpment of her female poetic voice. In my thesis, I aim to question the inadequecy of placing H.D. merely either in the context of female writing or taking it as a psychoanalytical model. Focusing more on the historcal framework of Modernism, this thesis unfolds the complexity of rereading the desexualized subject in H.D.’s first volume Sea Garden. Instead of reading

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McGuigan, John. ""A salomonic key" : radical art and politics in American literary modernism /." 2002. http://catalog.hathitrust.org/api/volumes/oclc/51088823.html.

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O'Connell, Anne. "The embodiment of culture : medical fantasies in Avant-Garde modernism /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9943100.

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Ternes, Katherine. "The confluence of literary and visual culture : the Mexican avant-garde movements, 1920-1940 /." 2006. http://catalog.hathitrust.org/api/volumes/oclc/83598227.html.

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Potoplyak, Marina. "Between cosmopolitanism and nationalism : print, national identity, and the literary public sphere in the 1920s Petersburg and Buenos Aires." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-772.

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In Russia and Argentina modernism arrived well before the advent of socioeconomic modernization, and found societies with restricted civil liberties, only nascent middle classes, and virtually non-existent public spheres. Despite these factors, within a span of some fifty years, Petersburg and Buenos Aires turned into vibrant literary capitals rivaling London, New York, and Paris as centers of literary modernism. This dissertation offers a new understanding of the period by exposing the critical role of publishers and cultural patrons in this extraordinary cultural advancement. I argue that th

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Stevens, Shelley P. "Curiosity Seekers, Time Travelers, and Avant-Garde Artists: U.S. American Literary and Artistic Responses to the Occupation of Haiti (1915-1934)." 2013. http://scholarworks.gsu.edu/english_diss/114.

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U.S. American literary and creative artists perform the work of developing a discursive response to two critical moments in Haitian history: the Revolution (1791-1804) and the U.S. Marine Occupation (1915 to 1934), inspiring imaginations and imaginary concepts. Revolutionary images of Toussaint Louverture proliferated beyond the boundaries of Haiti illuminating the complicity of colonial powers in maintaining notions of a particularized racial discourse. Frank J. Webb, a free black Philadelphian, engages a scathing critique of Thomas Carlyle’s sage prose “On the Negro Question” (1849) through

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BROUČKOVÁ, Veronika. "Poezie básníků Literární skupiny." Doctoral thesis, 2007. http://www.nusl.cz/ntk/nusl-51282.

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The submitted thesis concentrates on poetry of the Czech art group "Literární skupina", which was established in 1921. This thesis is divided into several chapters, in which the author interprets the poetry of single authors on the basis of several flag features. There are terms and motives of death and life as two inseparable parts of human being, religiousness and religion and shifting of the original meanings, further conception of an individual in terms of community. Another chapter deals with the motive of heart and reflections of sensibility and emotive involvement in interest of creatio

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Vichnar, David. "Avant-Postman: James Joyce, Avantgarda a Postmodernismus." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-326157.

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The thesis, entitled "The Avant-Postman: James Joyce, the Avant-Garde and Postmodernism," attempts to construct a post-Joycean literary genealogy centred around the notions of a Joycean avant-garde and literary experimentation written in its wake. It considers the last two works by Joyce, Ulysses and Finnegans Wake, as points of departure for the post-war literary avant-gardes in Great Britain, the USA, and France, in a period generally called "postmodern." The introduction bases the notion of a Joycean avant-garde upon Joyce's sustained exploration of the materiality of language and upon the

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Febvre-Flory, Marie-Cécile. "Le cubisme des poètes : étude des relations complexes entre la peinture cubiste et le langage : Apollinaire, Cendrars, Cocteau, Jacob, Reverdy." Thesis, 2018. http://www.theses.fr/2018AIXM0079.

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Cette étude aborde les relations intersémiotiques qui se sont nouées entre la peinture cubiste et les poètes qui fréquentaient les artistes de ce mouvement. La proximité de leurs questionnements montre que, en dépit du fait que l’histoire littéraire française ne reconnaisse pas de mouvement cubiste en poésie, il existe de nombreux points de concordance entre ces deux domaines. En tant que critiques, les poètes ont beaucoup écrit sur le mouvement, dont ils ont entrepris de se faire les défenseurs, même s’ils ont eu des difficultés à rendre compte de la richesse du cubisme. Cette peinture se pré

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Malá, Zuzana. "Skrytá avantgarda. Próza české poválečné avantgardy mezi individualismem a kolektivismem." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-330419.

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in English This work focuses on the Czech afterwar avant-garde and its fiction in the wider European context. The main goal of our writing was diversifying literary historical field by integrating genre of short story and its authors into the interpretive frame of the prepoetistic avant-garde. We could intrude a canonic picture of the Czech avant-garde by enriching the interpretive frame of the new genre (short story) and new, often hardly known or forgotten, writers. Last but not least by doing so we were able to questioned and problematized basic oppositions such as expressionism × avant-gar

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Malínek, Vojtěch. "Kapitán generace?Zdeněk Kalista a nejmladší česká literatura v letech 1919 - 1924." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342257.

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The aim of this thesis is to present the literary activities of Zdenek Kalista in 1919- 1924, a period which saw him becoming one of the most prominent figures of the young post- war generation of writers. The research has been primarily based on materials that had been so far ignored or insufficiently reflected (literary remains of Zdenek Kalista, Antonin Matej Pisa, Cestmir Jerabek, Lev Blatny, Jiri Wolker etc., as well as articles from contemporary magazines and daily newspapers) together with Kalista's memoirs. The thesis is divided into five chronologically sorted parts, each reflecting o

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Kupková, Marika. "Z písaře ministerským radou: Působení Jiřího Mařánka v kinematografii čtyricátých a padesátých let." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371279.

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1 Abstract The thesis focuses on the involvement of Jiří Mařánek in the management of the Film Department of the Ministry of Information during the years 1945 - 1948. His ministe- rial engagement is related to the contemporary strengthening of the importance of literary preparation of the film and to the associated state dramaturgical supervision. Jiří Mařánek belongs to the circle of writers connected on one hand through their affiliation with the interwar avant-garde movements, on the other hand by their postwar involve- ment in the power apparatus that ended by the political and economic ch

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Ruggiero, Mauro. "Esoterická tematika v italské literatuře 1. poloviny 20. století." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371287.

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ENG Esotericism and Occultism in the Italian Literature of the Early Twentieth Century The purpose of this research is to bring contribution to the branch of academic studies dedicated to Western Esotericism with aim to clarify the relationship between this literary field and culture in general. Numerous studies were made in this area of research, specifically tackling the influence of Esotericism on modern and contemporary literature. The goal was to show, in particular, the contribution Italian authors had to establishing of esoteric directions in literature, throughout a limited time-span (

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