Relevant bibliographies by topics / The Liverpool scene

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'The Liverpool scene'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "The Liverpool scene"

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Xakimova, Maqsadxon Dilshodbekovna. "THE LIVERPOOL SCENE." Results of National Scientific Research 1, no. 1 (2022): 153–57. https://doi.org/10.5281/zenodo.6481455.

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<em>The Liverpool Scene made three more LPs for RCA without compromising their&nbsp;fashion,&nbsp;in spite of the fact that&nbsp;Peel was not&nbsp;included&nbsp;in their&nbsp;generation. But when the 1960s&nbsp;finished, so did the&nbsp;design&nbsp;for&nbsp;blending&nbsp;verse&nbsp;with pop or&nbsp;shake&nbsp;music, and the Liverpool Scene&nbsp;part&nbsp;up.&nbsp;Person&nbsp;individuals&nbsp;proceeded to&nbsp;appear on Peel&#39;s&nbsp;appears&nbsp;within the&nbsp;early 1970s; there were two sessions by Adrian Henri and Andy Roberts in 1972, and LPs by Grimms, a&nbsp;bigger&nbsp;band which incl
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McGarry, John, Emily Ratsep, Lorenzo Ressel, et al. "Introducing forensic entomology in cases of suspected animal neglect." Veterinary Record 182, no. 5 (2017): 139. http://dx.doi.org/10.1136/vr.104158.

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Cases of arthropod-infested, abandoned or abused animals are sometimes brought to the attention of veterinarians by animal welfare authorities, with the requirement for a full postmortem examination towards criminal or civil proceedings. In these situations, entomology is an important support tool for the pathologists’ investigation since the presence of arthropod life cycle stages serve as reliable forensic markers, especially for blowflies which form the first waves of activity following death. In the present study, 70 cadavers from a total of 544 referred to the Institute of Veterinary Scie
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Keeler, Richard K., and Michel Lefebvre. "Alan Astbury. 27 November 1934—21 July 2014." Biographical Memoirs of Fellows of the Royal Society 66 (January 9, 2019): 7–23. http://dx.doi.org/10.1098/rsbm.2016.0010.

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Alan Astbury worked in the area of accelerator based subatomic physics. Increasing beam energies, intensities and types of available accelerated beams opened scientific windows to new phenomena throughout his career. Exploiting these new beams required new techniques and the use of the latest technology. Alan was always at the forefront of putting these components together into the experiments needed to confirm or reject the latest theoretical advances or clarify conflicting experimental observations. Following his PhD using the synchrocyclotron at the University of Liverpool and a postdoctora
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Noble, Adam J., Suzanne M. Mason, Laura J. Bonnett, et al. "Supporting the ambulance service to safely convey fewer patients to hospital by developing a risk prediction tool: Risk of Adverse Outcomes after a Suspected Seizure (RADOSS)—protocol for the mixed-methods observational RADOSS project." BMJ Open 12, no. 11 (2022): e069156. http://dx.doi.org/10.1136/bmjopen-2022-069156.

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IntroductionAmbulances services are asked to further reduce avoidable conveyances to emergency departments (EDs). Risk of Adverse Outcomes after a Suspected Seizure seeks to support this by: (1) clarifying the risks of conveyance and non-conveyance, and (2) developing a risk prediction tool for clinicians to use ‘on scene’ to estimate the benefits an individual would receive if conveyed to ED and risks if not.Methods and analysisMixed-methods, multi-work package (WP) project. For WP1 and WP2 we shall use an existing linked data set that tracks urgent and emergency care (UEC) use of persons ser
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Homan, Shane. "Losing the local: Sydney and the Oz Rock tradition." Popular Music 19, no. 1 (2000): 31–49. http://dx.doi.org/10.1017/s0261143000000040.

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In a tiny inner city pubThe amps were getting stackedLeads were getting wound upIt was full of pissed Anzacs‘Got no more gigs for Tuesday nights’ said the barman to the star,‘We're putting pokies in the lounge and strippers in the bar’The star, he raised his fingers and said ‘fuck this fucking hole’But to his roadie said ‘it's the death of rock and roll’‘There ain't no single place left to play amplified guitarEvery place is servin' long blacks if they're not already tapas bars(TISM (This Is Serious Mum), ‘The Last Australian Guitar Hero’, 1998)Introduction: local music-makingA number of recen
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Alexander, Hay. "Phew – What a blizzard! Black metal and the UK popular press." Metal Music Studies 4, no. 2 (2018): 329–41. https://doi.org/10.1386/mms.4.2.329_1.

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The second wave of black metal, with its most notorious moments emanating from the Oslo-centred scene of the early 1990s, was somewhat inevitably a media phenomenon in its native Norway, as the extensive television and newspaper coverage of the time demonstrates. Here the mores and certainties of social democratic Norway were turned upside down in a fashion every bit as inverted as the crosses that loom large in the sub-genre&rsquo;s iconography. Yet while church arson, murder and a provocative mix of paganism, Satanism and even fascism provided &lsquo;good box office&rsquo; in Norway, as some
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Millea, James. "Rave Racing." Journal of Sound and Music in Games 4, no. 1 (2023): 72–90. http://dx.doi.org/10.1525/jsmg.2023.4.1.72.

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In the origin story of futuristic racing game WipEout (Psygnosis, 1995), co-creator Nick Burcombe talks about turning down the game audio in Super Mario Kart (Nintendo, 1992) and substituting it for his own electronic dance music. Burcombe, who was himself a keen participant in the Liverpool rave scene, argues that people who went clubbing in the 1990s were always looking for new forms of interactive entertainment. WipEout, where players take control of anti-gravity ships and race them to the electronic dance music tracks of artists like Cold Storage, The Chemical Brothers, The Prodigy, and Or
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Syska, Rafał. "Lisandro Alonso – luki filmowego realizmu." Kwartalnik Filmowy, no. 75-76 (December 31, 2011): 177–90. https://doi.org/10.36744/kf.2896.

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Tematem eseju jest twórczość argentyńskiego reżysera Lisandra Alonso, autora takich filmów jak: La Libertad, Los Muertos, Fantasma i Liverpool. Autor artykułu analizuje specyfikę filmowego stylu artysty, koncentrując się na różnorodnych formach ekranowego realizmu. Najpierw stara się prześledzić potencjalnych protoplastów Alonsa, konfrontując poetykę argentyńskiego twórcy z modelami realizmu typowymi dla Roberta Bressona, Béli Tarra i Chantal Akerman. Twierdzi, że reżyser aktualizuje Bressonowską koncepcję kinematografu, czyli wizję premélièsowskiego filmu, pozbawionego konwencjonalnej emocjon
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Vujović, Miroslav, and Jasna Vuković. "Yours ever... ili ko je bila Ketrin Braun? Istraživanja praistorijske Vinče i britanski uticaji za vreme i posle I svetskog rata." Issues in Ethnology and Anthropology 11, no. 3 (2016): 809. http://dx.doi.org/10.21301/eap.v11i3.8.

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As the 110th anniversary of the beginning of the excavations at Vinča is nearing, the question arises as to how much we really know about the role and motives of a number of British subjects who in various ways played decisive roles in the research and the international affirmation of this important Late Neolithic site. It is possible, on the basis of archives and personal correspondence of Miloje M. Vasić, to view the investigations of Vinča in the wider context of political and military relations, influencing the general situation in the Kingdom of The Serbs, Croats and Slovenes, later Yugos
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Anderson, Bob. "Other Voices: Hidden Histories of Liverpool's Music Scenes, 1930s–1970s. By Michael Brocken. Farnham and Burlington: Ashgate, 2010. 268 pp. ISBN 978-0-754-66793-3." Popular Music 30, no. 2 (2011): 285–86. http://dx.doi.org/10.1017/s0261143011000092.

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Dissertations / Theses on the topic "The Liverpool scene"

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Taylor, Helen Louise. "Adrian Henri and the Merseybeat movement : performance, poetry, and public in the Liverpool scene in the 1960s." Thesis, Royal Holloway, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590669.

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The thesis focuses on the Merseybeat movement and its manifestations in Liverpool in the 19605, with particular emphasis on the work of Adrian Henri. The Merseybeat movement - centred upon Adrian Henri, Roger McGough, and Brian Patten - was a site-specific confluence of the alternative avant-garde and the British populist tradition of art, and deserves exploration as both a literary and a cultural phenomenon. The thesis argues that the dismissal of Merseybeat as 'pop poetry' has come from using the wrong critical tools: it is better viewed as a 'total art' movement, encompassing not only poetr
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Hedges, Susan. ""You're my best friend" : a consideration of country music, sounds, scenes and communities in Liverpool." Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/2028961/.

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This research thesis is a study of the Country music scene on Merseyside, carried out within a popular music studies framework. This Country scene was once considered by some to be the largest such scene in Europe, but after well over half a century, it now appears to be in terminal decline. This research examines the relationship between the music, the participants and the processes of the scene in order to understand how it developed, how it was sustained, and what might have been the circumstances, which contributed to its eventual decline. The research covers a wide variety of inter-discip
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Books on the topic "The Liverpool scene"

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Cope, Julian. Head-on: Memories of the Liverpool punk-scene, & the story of the Teardrop Explodes (1976-82). 3rd ed. Head Heritage, 1995.

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Cope, Julian. Head-on: Memories of the Liverpool punk-scene, & the story of the Teardrop Explodes (1976-82). Magog Books, 1994.

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Cope, Julian. Head-on: Memories of the Liverpool punk-scene, & the story of the Teardrop Explodes (1976-82). Magog Books, 1994.

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Schwartze, Klaus. The scouse phenomenon: The scrapbook of the new Liverpool rock scene : from Deaf School to Frankie Goes to Hollywood. Druckerei und Verlag Bitsch GmbH, 1987.

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Liverpool Conference on Drug Policy (1995). Drug policy in the 90's: The changing scene : a series of papers, presented in response to the government white paper "Tacking drugs together", at the Liverpool Conference on Drug Policy, Liverpool John Moores University, June 1995. Centre for Drugs Studies, Liverpool John Moores University, 1996.

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Brocken, Michael. Other voices: Hidden histories of Liverpool's popular music scenes, 1930s-1970s. Ashgate, 2010.

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7

Edward, Lucie-Smith. The Liverpool Scene. Peter Smith Pub Inc, 1990.

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Nera, Bernardino, and Annalisa Talamo. Liverpool Scene: English Poetry in the Sixties. GRIN Verlag GmbH, 2015.

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Beatles in Liverpool: The Stories, the Scene, and the Path to Stardom. Omnibus Press, 2014.

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Skaff, Sheila. Studying Ida. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325628.001.0001.

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Paweł Pawlikowski's 2013 film Ida was exceptionally warmly received in the United States, culminating in the Academy Award for Film Not in the English Language, but it was not without controversy. This book's introduction to the film explains the historical setting, including the violence that took place in the Polish countryside during World War II and was not exposed for sixty years, and provides political and cultural analysis to aid the reader in understanding the film's setting and narrative. The book also touches on the influence of the film on current events in Poland, where censorship
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Book chapters on the topic "The Liverpool scene"

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Townsend, Pete. "Jazz Scene, Liverpool Scene:." In Gladsongs and Gatherings. Liverpool University Press, 2001. http://dx.doi.org/10.2307/j.ctt5vjdfd.18.

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Townsend, Pete. "Jazz Scene, Liverpool Scene." In Gladsongs and Gatherings. Liverpool University Press, 2001. http://dx.doi.org/10.5949/liverpool/9780853237273.003.0015.

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Cohen, Sara. "Scene and Personae." In Rock Culture in Liverpool. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198161783.003.0002.

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Abstract It is difficult to describe and characterize a city, particularly one as complex and varied as Liverpool. For the media, Liverpool has been a newsworthy place, a provider of headlines, a colorful backdrop to inner-city decline, scene of numerous soap operas, documentaries, and socially relevant plays. It is famous for its football teams and supporters, its rock bands and other performance arts (poets, playwrights, comedians), and for passionate politics.
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Carr, Jeremy. "Setting the Scene." In Repulsion. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859326.003.0005.

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In terms of its jarring camera movement, its multilayered sound design, its canted angles and intense close-ups, special effects, skewed subjectivity, and even its use of conventional shock cuts and transitions, Repulsion is one of the more audaciously stylish of Polanski’s films. A sullen camera will hold on Carol as she lies down or sits and stares, the relative inaction triggering the sensation of impending discord while the stress on concentrated stillness and silence induces a slow burn decline into madness. Polanski’s camera wanders in meditative tracks and pans and scenes end in slow fa
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Bernfeld, Tirtsah Levie. "Setting the Scene." In Poverty and Welfare Among the Portuguese Jews in Early Modern Amsterdam. Liverpool University Press, 2012. http://dx.doi.org/10.3828/liverpool/9781904113577.003.0001.

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This chapter provides a background of the arrival of the Portuguese Jews in Amsterdam in the 1850s and how they created out of nothing a Jewish community that quickly became renowned across the world. The former Conversos, including those of the Portuguese community of early modern Amsterdam, have been called the first modern Jews. As New Christians, they gained a reputation for immense wealth, elegance, and aristocratic style that commanded respect in their new domicile. It is less widely known that the new immigrants from the Iberian peninsula also included paupers, or that some of the immig
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Dawson, Clive. "I Walked with a Zombie." In I Walked With a Zombie. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781837645169.003.0004.

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A scene-by-scene analysis of the finished film, which also references a broad range of historical and academic studies of the audio-visual text. The examination covers every aspect of the production, including the script, the casting and performances, the direction and other technical aspects, and the editing and post-production. Particular emphasis is given to earlier scripted versions of the filmed scenes, and scenes that were truncated or deleted entirely during the editing process. Simultaneously, historical newspaper and journal articles are cited to contextualise the backdrop to the prod
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Westwood, Emma. "‘Insects don’t have politics.’ The Fly scene-by-scene: Act Three." In The Fly. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325420.003.0008.

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This chapter explores the scenes of Act Three of David Cronenberg's The Fly (1986). When Veronica arrives at the warehouse, the degeneration of Seth is apparent: Seth walks on sticks like an old man whose hips and knees have given out; his skin has deteriorated further, his hair is stringy, and his clothing dirty and streaked with that milky ooze. Brundlefly's instincts are now his own, and he does not even realise he is displaying them. Despite the gravity of Seth's situation, he remains true to his human character and never stops being a scientist. The chapter then looks at the deleted scene
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Prideaux, Desirée. "The Scene of the Crime." In Sleuthing Miss Marple. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800854642.003.0002.

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Chapter One explores the social and historical context in which Christie lived and wrote. It charts shifts in popular representations of the feminine ideal as it transitioned from the Angel in the Home, to the Amazons of the war effort, to the ‘surplus women’ of postwar Britain. This opens a window onto the ideologies and social influences that shaped women as readers, writers, and even as characters in golden age crime fiction. Relevant to later chapters are discussions about marriage, changing ideas about working women, and stereotypical representations of women. The life and ‘crimes’ of Aga
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Davis, Mary, and John Foster. "Setting the Scene 1880–1920." In UNITE History Volume 1 (1880-1931). Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859715.003.0001.

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This chapter discusses the militancy of the period, staring with the Great Dock Strike of 1881and the expansion of ‘new unionism’ to unskilled workers. It examines the mass militancy of the ‘great unrest’, its continuation during WW1 and the impact of the Russian Revolution. This, and the employers’ counter-offensive, set the scene for the impetus to initiate trade union alliances (the Triple Alliance of transport, rail and coal unions), and TU amalgamations. The chapter also looks at political responses resulting ultimately in the foundation of the Labour Party and the Communist Party.
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Robertson, Kate. "An Inventory of Images: Assembling an Elliptical Narrative." In Trouble Every Day. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859241.003.0002.

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This detailed study of the film breaks down the key scenes in the film in chronological order, with a focus on close visual analysis. It delves into the narrative and stylistic choices being made in each scene as they are woven together into an elliptical plot, uncovering layers of meaning in the visceral and tactile images
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