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Journal articles on the topic 'The Liverpool scene'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Xakimova, Maqsadxon Dilshodbekovna. "THE LIVERPOOL SCENE." Results of National Scientific Research 1, no. 1 (2022): 153–57. https://doi.org/10.5281/zenodo.6481455.

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<em>The Liverpool Scene made three more LPs for RCA without compromising their fashion, in spite of the fact that Peel was not included in their generation. But when the 1960s finished, so did the design for blending verse with pop or shake music, and the Liverpool Scene part up. Person individuals proceeded to appear on Peel's appears within the early 1970s; there were two sessions by Adrian Henri and Andy Roberts in 1972, and LPs by Grimms, a bigger band which incl

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McGarry, John, Emily Ratsep, Lorenzo Ressel, et al. "Introducing forensic entomology in cases of suspected animal neglect." Veterinary Record 182, no. 5 (2017): 139. http://dx.doi.org/10.1136/vr.104158.

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Cases of arthropod-infested, abandoned or abused animals are sometimes brought to the attention of veterinarians by animal welfare authorities, with the requirement for a full postmortem examination towards criminal or civil proceedings. In these situations, entomology is an important support tool for the pathologists’ investigation since the presence of arthropod life cycle stages serve as reliable forensic markers, especially for blowflies which form the first waves of activity following death. In the present study, 70 cadavers from a total of 544 referred to the Institute of Veterinary Scie

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Keeler, Richard K., and Michel Lefebvre. "Alan Astbury. 27 November 1934—21 July 2014." Biographical Memoirs of Fellows of the Royal Society 66 (January 9, 2019): 7–23. http://dx.doi.org/10.1098/rsbm.2016.0010.

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Alan Astbury worked in the area of accelerator based subatomic physics. Increasing beam energies, intensities and types of available accelerated beams opened scientific windows to new phenomena throughout his career. Exploiting these new beams required new techniques and the use of the latest technology. Alan was always at the forefront of putting these components together into the experiments needed to confirm or reject the latest theoretical advances or clarify conflicting experimental observations. Following his PhD using the synchrocyclotron at the University of Liverpool and a postdoctora

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Noble, Adam J., Suzanne M. Mason, Laura J. Bonnett, et al. "Supporting the ambulance service to safely convey fewer patients to hospital by developing a risk prediction tool: Risk of Adverse Outcomes after a Suspected Seizure (RADOSS)—protocol for the mixed-methods observational RADOSS project." BMJ Open 12, no. 11 (2022): e069156. http://dx.doi.org/10.1136/bmjopen-2022-069156.

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IntroductionAmbulances services are asked to further reduce avoidable conveyances to emergency departments (EDs). Risk of Adverse Outcomes after a Suspected Seizure seeks to support this by: (1) clarifying the risks of conveyance and non-conveyance, and (2) developing a risk prediction tool for clinicians to use ‘on scene’ to estimate the benefits an individual would receive if conveyed to ED and risks if not.Methods and analysisMixed-methods, multi-work package (WP) project. For WP1 and WP2 we shall use an existing linked data set that tracks urgent and emergency care (UEC) use of persons ser

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Homan, Shane. "Losing the local: Sydney and the Oz Rock tradition." Popular Music 19, no. 1 (2000): 31–49. http://dx.doi.org/10.1017/s0261143000000040.

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In a tiny inner city pubThe amps were getting stackedLeads were getting wound upIt was full of pissed Anzacs‘Got no more gigs for Tuesday nights’ said the barman to the star,‘We're putting pokies in the lounge and strippers in the bar’The star, he raised his fingers and said ‘fuck this fucking hole’But to his roadie said ‘it's the death of rock and roll’‘There ain't no single place left to play amplified guitarEvery place is servin' long blacks if they're not already tapas bars(TISM (This Is Serious Mum), ‘The Last Australian Guitar Hero’, 1998)Introduction: local music-makingA number of recen

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Alexander, Hay. "Phew – What a blizzard! Black metal and the UK popular press." Metal Music Studies 4, no. 2 (2018): 329–41. https://doi.org/10.1386/mms.4.2.329_1.

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The second wave of black metal, with its most notorious moments emanating from the Oslo-centred scene of the early 1990s, was somewhat inevitably a media phenomenon in its native Norway, as the extensive television and newspaper coverage of the time demonstrates. Here the mores and certainties of social democratic Norway were turned upside down in a fashion every bit as inverted as the crosses that loom large in the sub-genre’s iconography. Yet while church arson, murder and a provocative mix of paganism, Satanism and even fascism provided ‘good box office’ in Norway, as some

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Millea, James. "Rave Racing." Journal of Sound and Music in Games 4, no. 1 (2023): 72–90. http://dx.doi.org/10.1525/jsmg.2023.4.1.72.

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In the origin story of futuristic racing game WipEout (Psygnosis, 1995), co-creator Nick Burcombe talks about turning down the game audio in Super Mario Kart (Nintendo, 1992) and substituting it for his own electronic dance music. Burcombe, who was himself a keen participant in the Liverpool rave scene, argues that people who went clubbing in the 1990s were always looking for new forms of interactive entertainment. WipEout, where players take control of anti-gravity ships and race them to the electronic dance music tracks of artists like Cold Storage, The Chemical Brothers, The Prodigy, and Or

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Syska, Rafał. "Lisandro Alonso – luki filmowego realizmu." Kwartalnik Filmowy, no. 75-76 (December 31, 2011): 177–90. https://doi.org/10.36744/kf.2896.

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Tematem eseju jest twórczość argentyńskiego reżysera Lisandra Alonso, autora takich filmów jak: La Libertad, Los Muertos, Fantasma i Liverpool. Autor artykułu analizuje specyfikę filmowego stylu artysty, koncentrując się na różnorodnych formach ekranowego realizmu. Najpierw stara się prześledzić potencjalnych protoplastów Alonsa, konfrontując poetykę argentyńskiego twórcy z modelami realizmu typowymi dla Roberta Bressona, Béli Tarra i Chantal Akerman. Twierdzi, że reżyser aktualizuje Bressonowską koncepcję kinematografu, czyli wizję premélièsowskiego filmu, pozbawionego konwencjonalnej emocjon

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Vujović, Miroslav, and Jasna Vuković. "Yours ever... ili ko je bila Ketrin Braun? Istraživanja praistorijske Vinče i britanski uticaji za vreme i posle I svetskog rata." Issues in Ethnology and Anthropology 11, no. 3 (2016): 809. http://dx.doi.org/10.21301/eap.v11i3.8.

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As the 110th anniversary of the beginning of the excavations at Vinča is nearing, the question arises as to how much we really know about the role and motives of a number of British subjects who in various ways played decisive roles in the research and the international affirmation of this important Late Neolithic site. It is possible, on the basis of archives and personal correspondence of Miloje M. Vasić, to view the investigations of Vinča in the wider context of political and military relations, influencing the general situation in the Kingdom of The Serbs, Croats and Slovenes, later Yugos

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10

Anderson, Bob. "Other Voices: Hidden Histories of Liverpool's Music Scenes, 1930s–1970s. By Michael Brocken. Farnham and Burlington: Ashgate, 2010. 268 pp. ISBN 978-0-754-66793-3." Popular Music 30, no. 2 (2011): 285–86. http://dx.doi.org/10.1017/s0261143011000092.

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Anderson, Richard. "‘It felt very underground’: Uncovering the characteristics and meanings of the underground within Liverpool’s club culture scenes." DIY, Alternative Cultures & Society, October 15, 2024. http://dx.doi.org/10.1177/27538702241290333.

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This article examines the concept of the term underground and its association with a range of dance music parties and venues that emerged in Liverpool, UK between 2008 and 2023. Drawing on a critical review of literature relating to the term, underground is positioned as a cultural signifier exhibiting three core characteristics: (1) as secretive resistance; (2) as a countercultural antithesis to mainstream; and (3) as a social imaginary. Using ethnographic material from scene practitioner interviews (n = 35) and an online survey of clubbers (n = 194), the article analyses discourses towards t

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12

Francisco, André. "A paisagem enquanto elemento narrativo em Liverpool (2008) de Lisandro Alonso." AVANCA | CINEMA, October 25, 2021, 166–73. http://dx.doi.org/10.37390/avancacinema.2021.a227.

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In cinema, landscape allows for two different understandings: firstly, in its literal form, in other words, as the background of the narrative action. Secondly, its background status can be raised to a character status in the narrative, through metonymies and metaphors. Therefore, this tension between the cinematic landscape as background and as character is, purely in filmic terms, what characterizes the dynamics of the landscape, especially in narrative cinema. (Lefebvre 2006, 29) According to Filipa Rosário and Iván Álvarez, the landscape as “character” appears when the action loses its nar

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"4.N. Round table: Policy options for fixing the global and European health and care workforce-crisis." European Journal of Public Health 33, Supplement_2 (2023). http://dx.doi.org/10.1093/eurpub/ckad160.260.

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Abstract Globally and within Europe, health systems are plagued by health and care workforce (HCWF) shortages, regional maldistribution, and skill-gaps. Insufficient training pipelines for health and care workers (HCW), attrition, discouraging working conditions and, in Europe, the demographics are contributing factors to the HCWF-crisis. This situation has been aggravated by the impact of COVID-19 and its immense burden on HCW's resulting in a further thinning of the HCWF. Despite these challenges, there are also many lessons to be learned from the various COVID-19 health systems responses in

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14

Mercieca, Paul Dominic. "‘Southern’ Northern Soul: Changing Senses of Direction, Place, Space, Identity and Time." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1361.

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Music from Another Time – One Perth Night in 2009The following extract is taken from fieldwork notes from research into the enduring Northern Soul dance scene in Perth, Western Australia.It’s 9.30 and I’m walking towards the Hyde Park Hotel on a warm May night. I stop to talk to Jenny, from London, who tells me about her 1970s trip to India and teenage visits to soul clubs in Soho. I enter a cavernous low-ceilinged hall, which used to be a jazz venue and will be a Dan Murphy’s bottle shop before the year ends. South West Soul organiser Tommy, wearing 34-inch baggy trousers, gives me a Northern

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15

McGrath, James. "Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City." Popular Music History 4, no. 3 (2011). http://dx.doi.org/10.1558/pomh.v4i3.335.

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16

Dransart, Penelope. "Behind the Scenes in Museum Collecting: The Destinies of Henry Wellcome’s Pre-Hispanic Textiles." Zea Books, 2024. http://dx.doi.org/10.32873/unl.dc.zea.1626.

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In this article, I explore the sale of pre-Hispanic textiles from Andean countries, especially Peru, demonstrating networks between collectors, auction houses and researchers. Sir Henry S. Wellcome (1856-1936) was a North American pharmaceutical entrepreneur. After transferring his commercial interests to London in 1880, he bought textiles and other antiquities at auctions. I outline the activities of Wellcome staff in registering the textiles in Wellcome’s store at Willesden, London. Textiles which preserve Wellcome labels now in the Museum of Archaeology and Anthropology, University of Cambr

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17

Jones, Ben. "Football Casuals, Fanzines, and Acid House: Working Class Subcultures, Emotional Communities, and Popular Individualism in 1980s and 1990s England." Twentieth Century British History, February 15, 2023. http://dx.doi.org/10.1093/tcbh/hwad010.

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Abstract This article illuminates the dynamics of two of the most significant yet neglected youth subcultures of the late twentieth century: football’s casual culture and the acid house scene. Through the lens of two influential fanzines, Liverpool’s The End and London’s Boy’s Own I make a series of arguments about the relationship between ‘popular individualism’, emotion, and working-class communities. I argue that while conceptualizing the fanzines as ‘emotional communities’ can yield important insights about the role of feelings such as nostalgia in bonding people together, gendered sensibi

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Rimbaud, Robin. "Scan and Deliver." M/C Journal 8, no. 4 (2005). http://dx.doi.org/10.5204/mcj.2390.

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   As I sit here, the radio announcer announces a feature on the forthcoming Big Brother series, another chance to engage in this collective shared experience, another opportunity to revel in your very own voyeuristic impulse, what once was private is now made public.   Curiously it’s almost fifteen years ago since I released the first Scanner recordings Scanner 1 [1992] and Scanner 2 [1993] featuring the intercepted cellular phone conversations of unsuspecting talkers, which I edited into minimalist musical settings as if they were instruments, bringing into focu

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Irwin, Kathleen, and Jeff Morton. "Pianos: Playing, Value, and Augmentation." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.728.

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In rejoinder to a New York Times’s article claiming, “the value of used pianos, especially uprights, has plummeted … Instead of selling them … , donating them … or just passing them along … , owners are far more likely to discard them” (Walkin), artists Kathleen Irwin (scenography) and Jeff Morton (sound/composition) responded to this ignoble passing with an installation playing with the borders delineating music, theatre, digital technology, and economies of value using two upright red pianos, sound and video projection—and the sensibility of relational aesthetics. The installation was a coll

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20

Ellis, Jack. "Material History: Record Collecting in the Digital Age." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1289.

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IntroductionThe rekindling popularity of the vinyl record and record collecting provide a counternarrative to the ideals of technological progress and supersession, signalling the paradoxical return of a physical music format in the digital realm where “the fetish of newness is at its most aggressive” (Tischleder and Wasserman 7). In this way, the vinyl record provides a disruptive lens through which to question media history as “a history of obsolescence, where new media displace and redefine older media” and explore how “obsolescence resists becoming obsolete” (Tischleder and Wasserman 2). M

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Keogh, Luke. "The First Four Wells: Unconventional Gas in Australia." M/C Journal 16, no. 2 (2013). http://dx.doi.org/10.5204/mcj.617.

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Unconventional energy sources have become increasingly important to the global energy mix. These include coal seam gas, shale gas and shale oil. The unconventional gas industry was pioneered in the United States and embraced following the first oil shock in 1973 (Rogers). As has been the case with many global resources (Hiscock), many of the same companies that worked in the USA carried their experience in this industry to early Australian explorations. Recently the USA has secured significant energy security with the development of unconventional energy deposits such as the Marcellus shale ga

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Woodley, Giselle, and Kelly Jaunzems. "Minimising the Risk." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3088.

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Introduction and Background Sexual choking / strangulation encompasses a range of practices where pressure is applied to the neck to restrict air or blood flow during a sexual encounter. While choking is most commonly associated with the application of hands around a person’s neck, other limbs or ligatures, such as the forearm or rope, may also be used (Herbenick et al., Frequency 3122; Herbenick et al., Prevalence 1059). This article will predominantly use the term “choking” or “sexual choking” to match teen vernacular and public discourse. These terms, however, may be used interchangeably wi

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Morley, Sarah. "The Garden Palace: Building an Early Sydney Icon." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1223.

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IntroductionSydney’s Garden Palace was a magnificent building with a grandeur that dominated the skyline, stretching from the site of the current State Library of New South Wales to the building that now houses the Sydney Conservatorium of Music. The Palace captivated society from its opening in 1879. This article outlines the building of one of Sydney’s early structural icons and how, despite being destroyed by fire after three short years in 1882, it had an enormous impact on the burgeoning colonial community of New South Wales, thus building a physical structure, pride and a suite of memori

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Jones, Steve. "Seeing Sound, Hearing Image." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1763.

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“As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels: The Stage of Literacy Technologies Popular music is firmly rooted within realist practice, or what has been called the "culture of authenticity" associated with modernism. As Lawrence Grossberg notes, the accelleration of the rate of change in modern life caused, in post-war youth culture, an identity crisis or "lived contradiction" that gave rock (particularly) and popular music (generally) a peculiar position in regard to notio

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