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Journal articles on the topic 'The Malazan Book of the Fallen (series)'

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1

Marini, Anna Marta. "The Fantasmical Gothic Heterotopia in Rhode Montijo’s Pablo’s Inferno." Camino Real. Estudios de las Hispanidades Norteamericanas 13, no. 16 (2021): 85–101. https://doi.org/10.37536/cr.2021.16.2981.

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Rhode Montijo’s work is characterized by a distinctive blend of diverse elements converging in his “fantasmical world”. As comic book artist, he is the author of the limited series Pablo’s Inferno (1999-2000), narrating a little Mexican American boy’s travel through the underworld. Accompanied by fallen demi-god Quetzal, Pablo embarks in a quest to (re)discover his cultural roots and commit to them. Like most of Montijo’s work, the comic book series holds an intrinsic gothic mode exploiting the playful nature of the comic medium and interrogating Mexican American heritage, by means of absorpti
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Paek, Jung-Sook. "A Study on the Publishing Culture of Comic Books in the Liberation Period Starting with the Korean comic book “Ahyeop Picture Story Book”." Modern Bibiography Review Society 31 (June 30, 2025): 667–717. https://doi.org/10.56640/mbr.2025.31.667.

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In Korea, the social perception of comic books has been rejected in the realm of culture and art to the extent that modifiers such as “rogue,” “cultivation,” “thousand,” “cold,” “back alley culture,” “children’s viewing,” and “quasi-crime” have been added for a long time through the days of military dictatorship. The cause of this perception may be social, but the publishing culture of cartoons is also a factor. Cartoon publishing, which has rapidly grown in the market since the Korean War, has fallen in productivity compared to exploding demand, creating a cartoon production system like a fac
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Brown, Cedric C. "The Story of the Mordaunt Letter-book of 1660 in the Rylands Library." Bulletin of the John Rylands Library 94, no. 2 (2018): 51–71. http://dx.doi.org/10.7227/bjrl.94.2.2.

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This article gives new information on the so-called Letter-book of John, Viscount Mordaunt (Rylands MS GB 133) beyond that in RHS Camden Series LXIX, identifies the likely scribe, and dates the transcription to late 1660. It shows how the large format book was created to record the heroic role played by Mordaunt and his wife Elizabeth (née Carey) in the achievement of Restoration, and how the unfinished state of the textual project adds to our knowledge of the social and political difficulties experienced by Mordaunt, a client of Clarendon. Beyond its historiographical value for understanding
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4

Maltby, Judith. "‘The Good Old Way’: Prayer Book Protestantism in the 1640s and 1650s." Studies in Church History 38 (2004): 233–56. http://dx.doi.org/10.1017/s0424208400015850.

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Between 1640 and 1642 the Church of England collapsed, its leaders reviled and discredited, its structures paralysed, its practices if not yet proscribed, at least inhibited. In the years that followed, yet worse was to befall it. And yet in every year of its persecution after 1646, new shoots sprang up out of the fallen timber: bereft of episcopal leadership, lacking any power of coercion, its observances illegal, anglicanism thrived. As memories of the 1630s faded and were overlaid by the tyrannies of the 1640s … the deeper rhythms of the Kalendar and the ingrained perfections of Cranmer’s l
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Whitehouse, Ruth D. "Siticulosa Apulia revisited." Antiquity 60, no. 228 (1986): 36–44. http://dx.doi.org/10.1017/s0003598x00057604.

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In recognition of the significance of these sites, and those of the classical and medieval periods also revealed by aerial photography, the Apulia Committee was set up under the auspices of the Society of Antiquaries to organize a systematic programme of research. Unhappily this enterprise, begun with great intentions, became an early victim of tragic illness and accident of the chief protagonists and latterly has fallen into the malaise characteristic of old archaeological projects that have lost their initial momentum. All that is available in print is three preliminary reports in ANTIQUITY
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Lamonova, Oksana. "Ecological Projects of Hanna Myronova." Folk art and ethnology, no. 1 (March 30, 2025): 76–80. https://doi.org/10.15407/nte2025.01.076.

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Hanna Myronova (creative pseudonym is Anna Myronova, Eng. – Anna Mironova) is one of the most active modern Ukrainian young artists. She works as a graphic (mainly in the technique of pencil drawing), painter, sculptor, but foremost as an authoress of cohesive artistic projects. In the works of the 2000s the artist has developed actively the topics to which she does not actually return: City, History, Memories/Memory. The Sprouted Past (2010) is the first one among the projects with ecological themes and issues. Then the Grass Shadow project is completed (2012, “Ya Gallery”, Kyiv). Since then
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7

Lazăr Zăvăleanu, Laura. "« Renouvelons l’homme interieur ». Un modele de politique sociale et culturelle : l’humanisme hesychaste." Swedish Journal of Romanian Studies 8, no. 2 (2025): 95–108. https://doi.org/10.35824/sjrs.v8i2.27752.

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This article is part of a cycle of three articles[1] dedicated to Neagoe Basarab and his cultural contribution in the transition from the Middle Ages to the Romanian Renaissance and Humanism, a mutation carried out under the auspices of Hesychasm. Focusing on the Romanian prince’s parenetic book, it comes in the continuation of the study “De l’Hésychasme Politique et Militant à la Renaissance”, published in Annales Universitatis Apulensis: Seria Historica, vol.28/2025, which analyzes Neagoe’s activity as a patron and political and cultural founder and will in turn be continued by a third study
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8

Klink, Edward W. "The Beginning and End of All Things: A Biblical Theology of Creation and New Creation." Perspectives on Science and Christian Faith 76, no. 3 (2024): 231–32. https://doi.org/10.56315/pscf12-24klink.

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THE BEGINNING AND END OF ALL THINGS: A Biblical Theology of Creation and New Creation by Edward W. Klink III. Downers Grove, IL: IVP Academic, 2023. 208 pages, including discussion questions and in-dices. Paperback; $24.00. ISBN: 9780830855223. *Whereas many people tend to associate the doctrine of creation with the origins of the world, Edward Klink is concerned to form a theology of creation that envelops all of scripture. Klink is senior pastor of Hope Church, Roscoe, IL, and formerly on the faculty of Talbot School of Theology, Biola University. *Throughout the introduction and ten chapter
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Iqbal, Basit Kareem. "Religion as Critique: Islamic Critical Thinking from Mecca to the Marketplace." American Journal of Islamic Social Sciences 35, no. 3 (2018): 93–98. http://dx.doi.org/10.35632/ajiss.v35i3.488.

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Christianity was the religion of spirit (and freedom), and critiqued Islam as a religion of flesh (and slavery); later, Christianity was the religion of reason, and critiqued Islam as the religion of fideism; later still, Christianity was the religion of the critique of religion, and critiqued Islam as the most atavistic of religions. Even now, when the West has critiqued its own Chris- tianity enough to be properly secular (because free, rational, and critical), it continues to critique Islam for being not secular enough. In contrast to Christianity or post-Christian secularism, then, and des
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10

Yarema, Nataliya, Pawel Kowalski, Dmytro Marchenko, Yuliia Holubinka, and Ivan Herych. "Development of an interactive memory map of the heroes of the russian-ukrainian war." Geodesy, Cartography, and Aerial Photography, December 2024, 25–32. https://doi.org/10.23939/istcgcap2024.100.025.

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The purpose of this work is to develop a series of interactive maps of the memory of the heroes of the Russian-Ukrainian war, which will provide information about the fallen soldiers in the battle for the independence of Ukraine. Methodology. To compile web maps of the memory of the fallen heroes of the Russian-Ukrainian war, the appropriate ArcGIS-Online software was used. The data was collected from open sources, particularly from the “Book of Memory of the Fallen for Ukraine” and “Memorial. Platform of Memory”. The database was created in MS Excel and exported to the ArcGIS-Online cartograp
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11

Cooper, Maxwell J., and Jason Heath. "A ‘worthy disciple of Galen’, ‘ardent sportsman’ and ‘expert swordsman’: Henry Kipping (1726–1785) apothecary and surgeon at Brighton, England." Journal of Medical Biography, July 27, 2023. http://dx.doi.org/10.1177/09677720231190856.

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Henry Kipping (1726–1785) was an apothecary and surgeon in Brighton, England. Here we present a series of contemporary references to Kipping from newspaper, book, archive and web-based resources. Some relate to his medical practice (resuscitating a ‘drowned’ elderly physician and a fisherman, bleeding a member of parliament who had fallen from his horse and praising a nostrum for the ‘gravel and stone’). Social references include a duel with an army officer whose sword Kipping confiscated. Kipping appears to have been popular, connected with members of Brighton’s high society and passionate ab
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12

Leung, Colette. "The Beautiful and the Cursed by P. Morgan." Deakin Review of Children's Literature 6, no. 1 (2016). http://dx.doi.org/10.20361/g27618.

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Morgan, Page. The Beautiful and the Cursed. Toronto: Doubleday Canada, 2013. Print.This young adult fantasy novel tells the story of a young woman named Ingrid Waverly. Ingrid is a seventeen-year-old living in London, England at the end of the 19th century. She is the daughter of a wealthy man. However, after becoming the heart of a scandal involving a mysterious fire, Ingrid moves with her mother and little sister to Paris, France. Ingrid’s twin brother Grayson has already purchased an old abbey there for the family to settle into. Ingrid’s mother intends to restore the abbey, and turn it int
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Campbell, Sandy. "Timber Wolf by C. Pignat." Deakin Review of Children's Literature 1, no. 4 (2012). http://dx.doi.org/10.20361/g2mg6b.

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Pignat, Caroline. Timber Wolf. Markham, ON: Red Deer Press, 2011.Print. The first book in this series, Greener Pastures, won a Governor General’s Award in 2009. This volume doesn’t meet that bar. When we enter the world of Timber Wolf, it is through the eyes and person of someone who has woken up in the snow at the bottom of a cliff, not knowing who or where he is. He just knows that he is injured and cold. Readers do not know where the character is in time or space, except that he is in a forest. As the story unfolds, the reader learns more as the protagonist gradually remembers and eventuall
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14

Leung, Colette. "The Lovely and the Lost by P. Morgan." Deakin Review of Children's Literature 6, no. 1 (2016). http://dx.doi.org/10.20361/g23g72.

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Morgan, Page. The Lovely and the Lost. Toronto: Doubleday Canada, 2014. Print.This young adult fantasy novel is the second in a trilogy, the first of which is The Beautiful and the Cursed. This story follows three siblings: Grayson, Gabby, and Ingrid Waverly, and their roles in a supernatural world of angels, demons, and gargoyles hidden within the streets of Paris in 1900. In the events of the first novel, sisters Ingrid and Gabby rescued their brother Grayson from kidnap and torture at the hands of the fallen angel Axia. At the same time, they became involved with the Alliance, a secret orde
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15

Middlemost, Renee. "The Simpsons Do the Nineties." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1468.

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Now in its thirtieth season, in 2018, The Simpsons is a popular culture phenomenon. The series is known as much for its social commentary as its humour and celebrity appearances. Nonetheless, The Simpsons’ ratings have declined steadily since the early 2000s, and fans have grown more vocal in their calls for the program’s end. This article provides a case study of episode “That 90s Show” (S19, E11) as a flashpoint that exemplifies fan desires for the series’ conclusion. This episode is one of the most contentious in the program’s history, with online outrage at the retconning of canon and both
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16

Burns, Alex, and Axel Bruns. ""Share" Editorial." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2151.

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Does the arrival of the network society mean we are now a culture of collectors, a society of sharers? We mused about these questions while assembling this M/C Journal issue, which has its genesis in a past event of ‘shared’ confusion. Alex Burns booked into Axel Bruns’s hotel room at the 1998 National Young Writer’s Festival (NYWF) in Newcastle. This ‘identity theft’ soon extended to discussion panels and sessions, where some audience members wondered if the NYWF program had typographical errors. We planned, over café latte at Haddon’s Café, to do a co-session at next year’s festival. By then
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17

Baker, Sarah. "The Walking Dead and Gothic Excess: The Decaying Social Structures of Contagion." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.860.

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The Walking Dead is an American post-apocalyptic horror drama television series based on the comic book series of the same name. In the opening episode, Sheriff’s Deputy Rick Grimes awakens after months in a coma in an abandoned hospital to find a post-apocalyptic world dominated by flesh eating zombies. The cause of the apocalypse is unknown, and Grimes does not know what has happened to his family. The start of the programme is situated around his quest to find his family, and the encounters he has with the many other survivors along the way. The plot of The Walking Dead centres on the survi
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18

Murphy, Ffion, and Richard Nile. "The Many Transformations of Albert Facey." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1132.

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In the last months of his life, 86-year-old Albert Facey became a best-selling author and revered cultural figure following the publication of his autobiography, A Fortunate Life. Released on Anzac Day 1981, it was praised for its “plain, unembellished, utterly sincere and un-self-pitying account of the privations of childhood and youth” (Semmler) and “extremely powerful description of Gallipoli” (Dutton 16). Within weeks, critic Nancy Keesing declared it an “Enduring Classic.” Within six months, it was announced as the winner of two prestigious non-fiction awards, with judges acknowledging Fa
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19

Brien, Donna Lee. "Imagining Mary Dean." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2320.

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“As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels: The Stage of Literacy Technologies In a world where nothing is certain… and even the objectivity of science is qualified by relativity and uncertainty, the single human voice, telling its own story, can seem the only authentic way of rendering consciousness. – David Lodge (“Sense and Sensibility”) Leon Edel expressed the central puzzle of writing biography as “every life takes its own form and a biographer must find the ideal and
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20

Maxwell, Lori, and Kara E. Stooksbury. "No "Country" for Just Old Men." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.71.

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Introduction Presidents “define who Americans are—often by declaring who they aren’t”, and “by their very utterances […] have shaped our sense of who we are as Americans” (Stuckey, front cover). This advocacy of some groups and policies to the exclusion of others has been facilitated in the United States’ political culture by the country music industry. Indeed, President Richard Nixon said of country music that it “radiates a love of this nation—a patriotism,” adding that it “makes America a better country” (Bufwack and Oermann 328). Country music’s ardent support of American military conflict
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Harley, Ross. "Light-Air-Portals: Visual Notes on Differential Mobility." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.132.

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0. IntroductionIf we follow the line of much literature surrounding airports and urban mobility, the emphasis often falls on the fact that these spaces are designed to handle the mega-scale and super-human pace of mass transit. Airports have rightly been associated with velocity, as zones of rapid movement managed by enormous processing systems that guide bodies and things in transit (Pascoe; Pearman; Koolhaas; Gordon; Fuller & Harley). Yet this emphasis tends to ignore the spectrum of tempos and flows that are at play in airport terminals — from stillness to the much exalted hyper-rapidit
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22

Trofimova, Evija, and Sophie Nicholls. "On Walking and Thinking: Two Walks across the Page." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1450.

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IntroductionTwo writers, stuck in our university offices, decide to take our thoughts “for a walk” across the page. Writing from Middlesbrough, United Kingdom, and Auckland, New Zealand, we are separated by 18,000 kilometres and 11 hours, and yet here, on the page, our paths meet. How does walking, imaginary or real, affect our thinking? How do the environments through which we move, and the things we see along the way, influence our writing? What role do rhythm and pace play in the process? We invite you to join us on two short walks that reflect on our shared challenges as writers from two d
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