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1

CLARK, P. "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit." Journal of Design History 11, no. 1 (January 1, 1998): 105–6. http://dx.doi.org/10.1093/jdh/11.1.105.

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2

Wessels, Andries. "Compromising Genre in Agatha Christie’s South African Detective Novel, The Man in the Brown Suit." Journal of Literary Studies 33, no. 1 (January 2, 2017): 1–23. http://dx.doi.org/10.1080/02564718.2017.1290376.

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3

Pochukalin, A. Ye, S. V. Pryima, and O. V. Rizun. "DIACHRONIC DEVELOPMENT OF LOCAL LINES AND RELATED GROUPS OF BROWN CARPATIAN CATTLE FOR GENERATIONS." Animal Breeding and Genetics 59 (May 4, 2020): 142–59. http://dx.doi.org/10.31073/abg.59.16.

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In domestic theory of breeding line breeding takes the leading place, because it uses the valuable genetic material of the bull’s leaders. Numerous studies have continuously monitored the economically beneficial traits of animals of different lines, both within breeding herds and in the general breed population. The Brown Carpathian cattle of the combined direction of productivity were officially recognized as breed and, accordingly, had all components of the breed structure (local lines and families). It should be noted that this breed has disappeared taking into account the fact that there has been no active (breeding) population since 2011. The purpose of the study is the schematic location of the bulls of the Brown Carpathian breed lines in generations, as well as the characterization of line extensions indicating the production of mothers. The material of the study was the State Books of Breeding Animals of eight volumes (1948, 1968, 1972, 1975, 1978, 1983, 1987 and 1992). Catalogs of dairy breed bulls for 1985–1988 were also used to evaluate the bull’s lines and groups. Since 1972 (the time of the official recognition of the breed) and until now (in the form of genetic material that is concentrated in cryobanks) the Brown Carpathian breed has the following local lines and related groups: Pishty 10 KAZ-67, Malchyka 3 KAZ-145, Shoni 6 KAZ-81, Fitsko 33 KAZ-107, Yury 32–Iuvelira 273, Kaplara 43 KAZ-9, Sokola 553 KAZ-182, Siroho 1759 KAZ-70, Bondi 101 KAZ-25 and Muki 100 KAZ-22 and Valsa 1205 KAZ-171. The total number of bulls under study is 535 heads, including the 1st generation – 109 heads, the II generation – 111 goals, III generation – 126 goals, IV generation – 99 goals, V generation – 65 goals, VI generation – 24 goals. and VII generation – 1 head. The investigated bulls were born during 1939… 1990 years. The related group of bull Bondi 101 KAZ-25 in the genealogical structure of the Brown Carpathian breed did not spread. The main reason was the small number of bulls. The bull was born in 1948 in the collective farm. Lenin of Mukachevo district of Zakarpattia region. Kappa’s 43 KAZ-9 local line. The ancestor of the line was born in 1944 and came from bull Shoni 2 and Montsii (8–300–4800–3.84). The live weight at the age of Kaplar 43 was 920 kg at the age of 11 with 82 points for the exterior. Local line of Malchyka 3 KAZ-145. The line's founder was born in 1948 and belonged to the collective farm. Dimitrov Mukachevo district of Zakarpattia region. Its origin is unknown. The Sokol’s 553 KAZ-182 local line. The founder of the line was born in 1949 and belonged to the collective farm "For a new life" of the Irshava district of Zakarpattia region. Its high live weight (5 years 840 kg) and body dimensions (height at the withers 145 cm, oblique torso length 180 cm, girth of the breast 220 and pestle 21 cm) ensured the animal’s mass. The related group of bull Muki 100 KAZ-22. The founder of the factory line was born in 1949 and had a brown suit and belonged to the collective farm. Chapayev. It was born of the Malyny 719, which received 4922 kg of milk for the fourth lactation and the bull Buki 220 of the Brown Swiss breed. The related group of bull Siroho 1759 ZCP-70. The founder of the bull Siryi 1759 was born in 1962 year. The live weight of 920 kg bull at the age of 5 years with 85,5 points for the exterior. The local line of Fitsko 33 KAZ-107. Bull Fitsko 33 has brown suit, was born in 1948, and belonged Zakarpattia Regional Agricultural Research Station. In the 12 years of its live weight was 840 kg. The local line of Pishty 10 KAZ-67. Pishty 10, the line's ancestor, was born in 1947 and was brown. He was born to a high-yielding cow Senesha 10, from which 2 lactations received 6240 kg milk of 3.7% fat, and bull Shandora 1. The Shoni 6 KAZ-81 local line is one of the leading in the Brown Carpathian breed. The ancestor of the line was born in 1949 from cow Fania 171, which for the 4th lactation yielded 4800 kg of milk with a fat content of 3.7% and the Fidelio bull of the Brown Swiss breed. The local line of the Yuri 32 KAZ-8-Yuvelira 273 KAZ-162 is the most numerous and branched in the Brown Carpathian breed. The ancestor of the lineage bull Yura 32 was born in 1943 from the cow of Cavia 517, from which for the 2nd lactation received 3014 kg with a fat content of 3.75%. Its live weight at 4 years was 850 kg. The related group of bull Valsa 1205 KAZ-171. The founder of Valsa 1205 was born in 1961 years. At 2 years of age, it had a live weight of 545 kg and a high exterior rating of 90.5 points. It came from Venetsia 564 (3–299–4416–3,6) and the Brown Swiss bull Iltis 7623. The genealogical structure of line breeding and related groups is presented covering the period of the birth of the bulls during 1939 ... 1990 and has 535 goals. During this time, local lines were tested and related groups were formed. The production lines of Pishta 10, Fitzko 33, Shoni 6 and Yury 32-Yuvelira 273, were the most numerous, and the number of bulls in each exceeded 70 goals. Less numerous (›6 goals) were the related groups of the Bondi 101 and Valsa 1205. Each group related to the ancestor has its twigs and branches.
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4

Haddock, John. "Cutout Man in Suit on Board." Iowa Journal of Literary Studies 11, no. 1 (1991): 140. http://dx.doi.org/10.17077/0743-2747.1372.

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5

Wilson, Clare. "Mind-controlled suit helps man walk again." New Scientist 244, no. 3251 (October 2019): 14. http://dx.doi.org/10.1016/s0262-4079(19)31899-8.

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6

Takis takis is a London-b. "‘The apotheosis of man, the forgotten peacock’." Scene 2, no. 1 (October 1, 2014): 169–74. http://dx.doi.org/10.1386/scene.2.1-2.169_1.

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The interdisciplinary practice-based research project, ‘The apotheosis of man, the forgotten peacock; from deconstruction to reconstruction to re-proposal of the male suit’, through a series of workshops and an interactive performance installation, aims to challenge the persisting conventional tradition of designing and wearing the male suit, proposing alternative perspectives by researcher – performance designer. The investigation focuses on the tools and means of processing the male suit in practice. It explores how to overcome conventions, generate artistic ideas, and how to apply this to something wearable. This visual essay demonstrates how the outcomes of three workshops fed on the creation of the experimental research driven suits. In all the workshops the participants were set the task to create a series of male garments by questioning and reinterpreting the notion of the masculinity and by using concepts and methods representative of deconstruction. Every participant designed and made a male garment by recycling a male suit jacket. The first presented workshop took place in May 2007, at the University of the Arts Bucharest, Romania and the participants were the second-year fashion design students. The second took place in September 2013 at the ‘World Stage Design Exhibition’, as part of the ‘Costume in Action series – Upcycling Costume: DeReconstructing Masculinity’. The participants were a mixture of student and professional international performance designers. The final two pages demonstrate the Plus Series suits, based on the addition of design elements to the suit.
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Bolonkin, Alexander. "Man in Outer Space Without a Special Space Suit." American Journal of Engineering and Applied Sciences 2, no. 4 (April 1, 2009): 573–79. http://dx.doi.org/10.3844/ajeassp.2009.573.579.

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8

Lees-Maffei, Grace. "The Man in the White Suit, Alexander Mackendrick (1951)." Design and Culture 1, no. 2 (July 2009): 223–25. http://dx.doi.org/10.2752/175470709x12450568847893.

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9

Xibo, Tian. "Symbolism in Young Good Man Brown." International Journal of English Literature and Social Sciences 6, no. 1 (2021): 397–401. http://dx.doi.org/10.22161/ijels.61.50.

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10

Morgan, Ashley. "The suit maketh the man: Masculinity and social class inKingsman: The Secret Service(Vaughn, 2014)." Clothing Cultures 5, no. 3 (December 1, 2018): 359–76. http://dx.doi.org/10.1386/cc.5.3.359_1.

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This article outlines the ways in which suits are synonymous with masculinity examining the, sometimes paradoxical, nature of suits worn by men of all social classes, and for different reasons. For example, hegemonic men wear suits in a bid to convey power, arguably, by rendering the wearers uniform in appearance so that the focus is on what hegemonic men might say and do, rather than how they might look. Moreover, the uniformity of suits is a means by which men of a lower social class demonstrate aspiration to a higher social class and might affect hegemonic power through wearing them. While much has been written about masculinity and suits, with many authors agreeing that the bespoke suit is at the pinnacle of the hierarchy of men’s clothing, yet there is a little attention paid to the way in which the bespoke suit is represented in media or popular culture. This article examines the role of clothing of the main characters in the filmKingsman: The Secret Service(2014) with a particular focus on the contribution that the bespoke suit makes to the masculinity of the bodies of the individuals within the film. Principally, the bespoke suit elevates the body of the wearer from quotidian to tailored, the fitting of which allows for better representation of a man’s body. It will explore representation of middle-class masculinity, hegemony and embodiment in the film, addressing the idea of whether wearing a bespoke suit can help a man transcend the boundaries of ‘chav’ masculinity, which is depicted as male subordination, and rise into middle-class hegemonic masculinity through the character of Gary ‘Eggsy’ Unwin (Taron Egerton).
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11

Wilson, Ronaldo V. "The Brown Boy Loves the White Man." Callaloo 27, no. 4 (2004): 1045–46. http://dx.doi.org/10.1353/cal.2004.0192.

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12

Mirfazaelian, Hadi, and Atousa Akhgar. "A man with black–brown nasal discharge." British Journal of Hospital Medicine 79, no. 12 (December 2, 2018): 715. http://dx.doi.org/10.12968/hmed.2018.79.12.715.

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13

Bishop, Amanda B., Arni K. Kristjansson, and Mary S. Stone. "Man with generalized, pruritic, violaceous-brown macules." Journal of the American Academy of Dermatology 55, no. 3 (September 2006): 553–56. http://dx.doi.org/10.1016/j.jaad.2006.03.017.

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14

Jones, Jordy. "A Martyr in the Archive: The Life and Afterlife of Harvey Milk's Suit." Somatechnics 1, no. 2 (September 2011): 372–87. http://dx.doi.org/10.3366/soma.2011.0025.

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This paper analyzes the history of a visible, visceral artifact of a violent event. What was Milk's message, and how is it still deployed through the relics of his life? Harvey Milk argued for gay rights and for the full inclusion of gay bodies into the body politic. People can be pictures and Milk's assassination was an act of iconoclasm. The suit he was wearing at the time of his assassination now resides in the archives of The International Museum of GLBT History. In its journey from the tailor to the shop, through the closet, the legislative chamber, the evidence room, to the box under the surviving lover's bed and finally to the archive, the suit picked up meaning. In exhibition, as part of Saint Harvey: The Life and Afterlife of a Modern Gay Martyr it acquired more. Its original owner, the assassin and the curators are all contributing authors. Reading audiences complete the act of historical inscription. The visitor to the shrine of ‘Saint Harvey’ stands in for the assassin, stands in for the murdered man, stands where an artist would, and stands in dialog with the shroud. Milk the man was a man, but Milk the martyr is a myth. The suit is a relic, the reliquary not a closet but an archive. Objects can be articulate. The suit, produced reverently for an exhibition, a year-long saint's day, speaks.
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Pugno, Nicola Maria. "Gecko Inspired Suit Could Have you Climbing the Wall." Advances in Science and Technology 58 (September 2008): 66–71. http://dx.doi.org/10.4028/www.scientific.net/ast.58.66.

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Theoretical van der Walls gloves could generate an adhesion force comparable to the body weight of ∼500 men. Even if such a strength remains practically unrealistic (and undesired, in order to achieve an easy detachment), due to the presence of contact defects, e.g. roughness and dust particles, its huge value suggests the feasibility of Spiderman gloves. The scaling-up procedure, from a spider to a man, is expected to decrease the safety factor (body weight over adhesion force) and adhesion strength, that however could remain sufficient for supporting a man. Scientists are developing fascinating new biomimetic materials, e.g. gecko-inspired. Here we complementary face the problem of the structure rather than of the material, designing and fabricating a first prototype of Spiderman gloves, capable of supporting ∼10 kilograms each, thanks to new Adhesive Optimization Laws.
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Spector, Bert. "The Man in the Gray Flannel Suit in the executive suite." Journal of Management History 14, no. 1 (January 11, 2008): 87–104. http://dx.doi.org/10.1108/17511340810845507.

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17

Smyth, J. E. "The Organization Woman behind The Man in the Gray Flannel Suit." Camera Obscura: Feminism, Culture, and Media Studies 27, no. 2 (2012): 61–91. http://dx.doi.org/10.1215/02705346-1597213.

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Jordan, Jennifer. "Sterling Brown: A Race Man in the 1960s." Callaloo 21, no. 4 (1998): 888–94. http://dx.doi.org/10.1353/cal.1998.0226.

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19

Bharati, A., A. S. Alkali, N. Leonard, and N. J. E. Wilson. "Multiple red-brown papules in an elderly man." Clinical and Experimental Dermatology 32, no. 6 (November 2007): 771–72. http://dx.doi.org/10.1111/j.1365-2230.2007.02441.x.

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Martinez, Alberto R. M., Ingrid Faber, Carlos Roberto Martins Jr, Raphael F. Casseb, Anamarli Nucci, Marcondes C. França Jr, and Hélio A. G. Teive. "Derek Denny-Brown: the man behind the ganglia." Arquivos de Neuro-Psiquiatria 75, no. 2 (February 2017): 127–29. http://dx.doi.org/10.1590/0004-282x20160190.

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ABSTRACT The authors present an historical review about the main contributions of Professor Derek Denny-Brown to neurology. Some of his achievements include the first description of sensory neuronopathies, and some of the essential textbooks on the function and anatomy of the basal ganglia. In 2016, on the 35th anniversary of his death, modern neurologists are still strongly influenced by his legacy.
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Khachemoune, Amor, Marianna L. Blyumin, and C. Lisa Kauffman. "Man with generalized brown-red macules and papules." Journal of the American Academy of Dermatology 51, no. 5 (November 2004): 854–57. http://dx.doi.org/10.1016/j.jaad.2004.08.023.

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22

Jurca, C. "The Sanctimonious Suburbanite: Sloan Wilson's The Man in the Gray Flannel Suit." American Literary History 11, no. 1 (January 1, 1999): 82–106. http://dx.doi.org/10.1093/alh/11.1.82.

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23

Mao, Michael A., John R. Hoyt, and Mark A. Nyman. "46-Year-Old Man With Fatigue and Brown Urine." Mayo Clinic Proceedings 86, no. 3 (March 2011): e16-e19. http://dx.doi.org/10.4065/mcp.2010.0197.

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Chapman, Lance W., Jennifer L. Hsiao, Peter Sarantopoulos, and Melvin W. Chiu. "Reddish-Brown Nodules and Papules in an Elderly Man." JAMA Dermatology 149, no. 10 (October 1, 2013): 1229. http://dx.doi.org/10.1001/jamadermatol.2013.4040.

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Rambukkana, Nathan. "The zombie in the grey flannel suit: Romero’s classic Dead trilogy and metaphors of mass subjectivity." Horror Studies 12, no. 1 (March 1, 2021): 27–44. http://dx.doi.org/10.1386/host_00027_1.

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This article explores the relationship between zombies and ‘mass subjectivity’ through examining the motifs, as well as the critical and scholarly reception, of Romero’s classic Dead movies and their successors. Contrasting the ‘fast zombies’ of later films, Romero’s zombies are withered and decayed versions of everyday people: tattered and frayed at the edges, their colours muted, their skin and clothing rendered in greyed-out tones. They are the mundane dead, animated. Romero’s filmic horror taps an uncanny rendering of the everyday. Gardens, streets and malls are made strange by the homogeneous mob progressing in endless lines, murmuring incoherencies and striving to just be. We can locate the visual character of the zombie within a genealogy of metaphors of mass subjectivity such as the man of the crowd, the badaud figure, constantly searching for a place, but symbolically disarticulated. By considering the sometimes comic, sometimes tragic and often horrific Romero zombie in a lineage of visual and literary figures linked to mass subjectivities – the man in the suit, the monstrous man, the man of the crowd, the badaud – this article answers the question: What does thinking about the relationship between the Romero zombie and mass subjectivity enable us to do, think or observe?
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Nedergaard, Jan, Tore Bengtsson, and Barbara Cannon. "Unexpected evidence for active brown adipose tissue in adult humans." American Journal of Physiology-Endocrinology and Metabolism 293, no. 2 (August 2007): E444—E452. http://dx.doi.org/10.1152/ajpendo.00691.2006.

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The contention that brown adipose tissue is absent in adult man has meant that processes attributed to active brown adipose tissue in experimental animals (mainly rodents), i.e., classical nonshivering thermogenesis, adaptive adrenergic thermogenesis, diet-induced thermogenesis, and antiobesity, should be either absent or attributed to alternative (unknown) mechanisms in man. However, serendipidously, as a consequence of the use of fluorodeoxyglucose positron emission tomography (FDG PET) to trace tumor metastasis, observations that may change that notion have recently been made. These tomography scans have visualized symmetrical areas of increased tracer uptake in the upper parts of the human body; these areas of uptake correspond to brown adipose tissue. We examine here the published observations from a viewpoint of human physiology. The human depots are somewhat differently located from those in rodents, the main depots being found in the supraclavicular and the neck regions with some additional paravertebral, mediastinal, para-aortic, and suprarenal localizations (but no interscapular). Brown adipose tissue activity in man is acutely cold induced and is stimulated via the sympathetic nervous system. The prevalence of active brown adipose tissue in normal adult man can be only indirectly estimated, but it would seem that the prevalence of active brown adipose tissue in the population may be at least in the range of some tens of percent. We conclude that a substantial fraction of adult humans possess active brown adipose tissue that thus has the potential to be of metabolic significance for normal human physiology as well as to become pharmaceutically activated in efforts to combat obesity.
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Fröbert, Ole, Kjeld Christensen, Åsa Fahlman, Sven Brunberg, Johan Josefsson, Eva Särndahl, Jon E. Swenson, and Jon M. Arnemo. "Platelet function in brown bear (Ursus arctos) compared to man." Thrombosis Journal 8, no. 1 (2010): 11. http://dx.doi.org/10.1186/1477-9560-8-11.

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Gray, Mary W. "The Man Who Knew Infinity A film by Matt Brown." Mathematical Intelligencer 39, no. 4 (November 9, 2017): 70–71. http://dx.doi.org/10.1007/s00283-017-9749-3.

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Heath, A. C. G. "Interception of the brown dog tick,Rhipicephalus sanguineus, infesting man." New Zealand Veterinary Journal 34, no. 5 (May 1986): 76. http://dx.doi.org/10.1080/00480169.1986.35301.

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Martz, Jeffrey W. "A Review of “Barnum Brown: The Man Who DiscoveredTyrannosaurus Rex”." Journal of Vertebrate Paleontology 31, no. 3 (May 2011): 722. http://dx.doi.org/10.1080/02724634.2011.557673.

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Huttunen, Pirkko, and Marja-Leena Kortelainen. "Long-term alcohol consumption and brown adipose tissue in man." European Journal of Applied Physiology and Occupational Physiology 60, no. 6 (1990): 418–24. http://dx.doi.org/10.1007/bf00705030.

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Madu, Victory C., Heather Carnahan, Robert Brown, Kerri-Ann Ennis, Kaitlyn S. Tymko, Darryl M. G. Hurrie, Gerren K. McDonald, Stephen M. Cornish, and Gordon G. Giesbrecht. "Skin Cooling on Breath-Hold Duration and Predicted Emergency Air Supply Duration During Immersion." Aerospace Medicine and Human Performance 91, no. 7 (July 1, 2020): 578–85. http://dx.doi.org/10.3357/amhp.5433.2020.

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PURPOSE: This study was intended to determine the effect of skin cooling on breath-hold duration and predicted emergency air supply duration during immersion.METHODS: While wearing a helicopter transport suit with a dive mask, 12 subjects (29 ± 10 yr, 78 ± 14 kg, 177 ± 7 cm, 2 women) were studied in 8 and 20°C water. Subjects performed a maximum breath-hold, then breathed for 90 s (through a mouthpiece connected to room air) in five skin-exposure conditions. The first trial was out of water for Control (suit zipped, hood on, mask off). Four submersion conditions included exposure of the: Partial Face (hood and mask on); Face (hood on, mask off); Head (hood and mask off); and Whole Body (suit unzipped, hood and mask off).RESULTS: Decreasing temperature and increasing skin exposure reduced breath-hold time (to as low as 10 ± 4 s), generally increased minute ventilation (up to 40 ± 15 L · min−1), and decreased predicted endurance time (PET) of a 55-L helicopter underwater emergency breathing apparatus. In 8°C water, PET decreased from 2 min 39 s (Partial Face) to 1 min 11 s (Whole Body).CONCLUSION: The most significant factor increasing breath-hold and predicted survival time was zipping up the suit. Face masks and suit hoods increased thermal comfort. Therefore, wearing the suits zipped with hoods on and, if possible, donning the dive mask prior to crashing, may increase survivability. The results have important applications for the education and preparation of helicopter occupants. Thermal protective suits and dive masks should be provided.Madu VC, Carnahan H, Brown R, Ennis K-A, Tymko KS, Hurrie DMG, McDonald GK, Cornish SM, Giesbrecht GG. Skin cooling on breath-hold duration and predicted emergency air supply duration during immersion. Aerosp Med Hum Perform. 2020; 91(7):578–585.
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Hoey, Brian A. "Grey Suit or Brown Carhartt: Narrative Transition, Relocation, and Reorientation in the Lives of Corporate Refugees." Journal of Anthropological Research 62, no. 3 (October 2006): 347–71. http://dx.doi.org/10.3998/jar.0521004.0062.303.

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Allison, Tanine. "More than a Man in a Monkey Suit: Andy Serkis, Motion Capture, and Digital Realism." Quarterly Review of Film and Video 28, no. 4 (July 2011): 325–41. http://dx.doi.org/10.1080/10509208.2010.500947.

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Tillett, Kristi. "“Free That Brown Eyed Man”: The United States v. Chuck Berry." Safundi 13, no. 3-4 (July 2012): 339–56. http://dx.doi.org/10.1080/17533171.2012.715419.

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Cunningham, S., P. Leslie, D. Hopwood, P. Illingworth, R. T. Jung, D. G. Nicholls, N. Peden, J. Rafael, and E. Rial. "The characterization and energetic potential of brown adipose tissue in man." Clinical Science 69, no. 3 (September 1, 1985): 343–48. http://dx.doi.org/10.1042/cs0690343.

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1. In adult man, brown fat can be detected in perinephric fat depots by visual inspection, electron microscopy and nucleotide binding to the tissue-specific uncoupling protein. 2. The 32 kDa uncoupling protein is functionally active, showing a nucleotide-sensitive conductance to protons and an uncoupling response to fatty acids. 3. The amount of uncoupling protein in human mitochondria is equivalent to that in a partially cold-adapted guinea pig, indicating some potential for thermogenesis. 4. Respiratory capacity measurements indicate that the total perinephric fat in adult man can only account for one-fivehundredth of the whole-body response to infused noradrenaline. Thus, although brown fat has been found to be quantitatively important in animal studies, considerable caution must be exercised in extrapolating its significance to adult man.
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Gangi, Ashley. "Charles Walker Brown / Captain Williams: Another Source for The Confidence-Man?" Leviathan 22, no. 3 (2020): 129–30. http://dx.doi.org/10.1353/lvn.2020.0041.

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Murgatroyd, Peter. "Digital adventures in a Pacific Island Paradise." Legal Information Management 4, no. 1 (March 2004): 5–9. http://dx.doi.org/10.1017/s1472669603001002.

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In a previous life I was a yuppie. Double breasted suit, briefcase and a state-of-the-art-library with views across the harbour from the top floor of a glass tower in downtown Auckland. I worked hard and played even harder. My time was charged in ten minute units and I can still remember the middle initial of every partner in the firm. So how on earth did I end up trading my well polished lace-ups for flip flops and the beloved kiwi Sauvignon Blanc for a dirty brown liquid called kava?
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Earls, Averill. "Solicitor Brown and His Boy." Historical Reflections/Réflexions Historiques 46, no. 1 (March 1, 2020): 79–94. http://dx.doi.org/10.3167/hrrh.2020.460106.

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In 1941, State Solicitor for Kildare Ronald Brown was charged with fourteen counts of gross indecency. The court records and his unusual life before and after the trial suggest that there is a story worth examining. In independent Ireland, the state was particularly concerned with adult same-sex desiring men corrupting teen boys. Brown’s government position, his lover’s age, and their intergenerational relationship all shaped the outcomes of this case. Although gross indecency cases ruined the lives of the implicated, including Solicitor Brown and his alleged lover Leslie Price, a close reading of the case material reveals a deep affection between a late adolescent boy and an adult man that would otherwise be invisible in a forcibly closeted mid-century Ireland.
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Hartmann, Moritz. "Review Essay: “Lost In Disordered Clouds: Transnational Legal Pluralism and the Regulation of Global Asymmetries” - Mireille Delmas-Marty's Ordering Pluralism (2009)." German Law Journal 11, no. 9 (September 2010): 1025–37. http://dx.doi.org/10.1017/s2071832200020071.

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AbstractWritten in a transitional period between the two World Wars and taking place during the Austro-Hungarian monarchy's last days before World War I, Austrian author Robert Musil's novel, “The Man Without Qualities” considers the societal need of preserving order in times of political disorder by tracing the story of Ulrich, the “man without qualities”. Claiming that “if all that high-speed business doesn't suit us, let's do something else!”, the novel's main character emphasizes the emerging challenge of social cohesion in times of political transformation: between the collisions of public power and private autonomy; a nation-state past and an international future; and collective action and individual capacity.
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LOO, JOACHIM SAY CHYE. "FROM PLASTICS TO ADVANCED POLYMER IMPLANTS: THE ESSENTIALS OF POLYMER CHEMISTRY." COSMOS 04, no. 01 (May 2008): 1–15. http://dx.doi.org/10.1142/s0219607708000263.

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Man has been using plastics for thousands of years, and some of the earlier uses of plastics include spoons, buttons and combs. Today, plastics are used for a myriad of applications, such as for aerospace, microelectronics and water purification. With polymer chemistry, man has been able to alter the properties of plastics or polymers to suit almost any application. Their properties can also be tailored for use as advanced biomedical implants in the human body. An example of such a polymer is the biocompatible lactide/glycolide polyesters. These biodegradable polymers are currently used as sutures, drug delivery systems, temporary implants and even as scaffolds for tissue engineering.
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Jones, Robert A. "The scientist as artist: a study of The Man in the White Suit and some related British film comedies of the postwar period (1945-1970)." Public Understanding of Science 7, no. 2 (April 1998): 135–47. http://dx.doi.org/10.1177/096366259800700203.

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The Man in the White Suit is perhaps the major representation of a scientist in mainstream British films of the postwar period. The film was immensely popular at the time of its release in 1951 and continues to be influential today. This paper, which is part of an ongoing study of the image of scientists presented by the cinema during this period, analyzes The Man in the White Suit by comparing it with another film of the period, The Horse's Mouth, which presents an image of an artist, and two related film comedies. Many similarities can be seen between the characters of the scientists and the artists presented in these films. The reason for this, and the origin of the artist stereotype in the Romantic period of the early nineteenth century, are discussed. It is concluded that the stereotype of the artist is used as a model for the scientist because of the lack of familiarity with the nature of scientific creativity; artists and scientists may be treated similarly because both are seen as existing outside of the British class system. The question of whether the apparent innocence of the scientist in these films is seen as admirable or reprehensible is also discussed.
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Sprecher, Danielle. "Demob Suits: One Uniform for Another? Burtons and the Leeds Multiple Tailors' Production of Men's Demobilization Tailoring after the Second World War." Costume 54, no. 1 (March 2020): 108–30. http://dx.doi.org/10.3366/cost.2020.0145.

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This article focuses on the key role played by the Leeds multiple tailors in the production of tailoring for British servicemen demobilized after the Second World War. The government provided each man demobilized with a full outfit of clothing, including underwear, shoes, hat, coat and tailored wool suit — the latter commonly described as a ‘demob’ suit. The article explores the significance of demob suits and how they were received by the men who had to wear them, highlighting men's concern about what they wore. The public rhetoric around the provision of demob suits will be considered within the context of the government restrictions on clothing of the 1940s and the way the suits were produced. The article argues that men's experience of the made-to-measure system of tailoring by the Leeds multiples influenced many servicemen's expectations about what constituted acceptable tailoring, fashion and standards of dress for their demob suits.
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Louth, Andrew. "Holiness and Sanctity in the Early Church." Studies in Church History 47 (2011): 1–18. http://dx.doi.org/10.1017/s0424208400000814.

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In 1971 Peter Brown published his justly famous article, ‘The Rise and Function of the Holy Man in Late Antiquity’. It is no exaggeration to say that this article — and the host of articles and books that succeeded it — have transformed the way we think about saints and their cult in late antiquity. This change is part of a wider transformation of the study of the world of early Christianity, a change that has much to do with the changing, not to say declining, place of Christianity in Western society. The very words Peter Brown used in the title of his article are emblematic of this changed perspective: holy, man, late antiquity. Others have noted the change of words from what one might have expected, or from what one would have expected a few decades, even years, earlier. Averil Cameron spoke of Peter Brown ‘rightly avoiding the term “saint”, for in this early period there were no formal processes of sanctification, and no official bestowal of sainthood’. Put like that, it seems obvious why Brown talked about the ‘holy man’. I want to suggest that the nature of the change involved is much less easy to track down, and furthermore that awareness of the specific suggestions implicit in Brown’s choice of words will enable us to contemplate the world of late antiquity from the perspective Brown was largely inaugurating, while not losing the other perspectives that were implicit in the language and concepts laid aside.
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Howard, Danielle A. D. "The (Afro) Future of Henry Box Brown." TDR: The Drama Review 65, no. 3 (September 2021): 125–42. http://dx.doi.org/10.1017/s1054204321000356.

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Henry Box Brown, a Black man born into slavery in the American South, devised an unforeseen yet ingenious plan to achieve emancipation: he was shipped to the North in a cramped, wooden box. The first testament of Brown’s escape was not his emergence from his box, but instead his voice responding to the box’s addressee. Later, Brown reenacts his original escape in Victorian England and becomes “The King of All Mesmerizers” by envisioning an alien future for himself, much like musician and philosopher-poet Sun Ra.
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Norberg, Anna-Maija. ""Man kan inte bara gympa sig igenom ämnet"." Educare - vetenskapliga skrifter, no. 3 (June 28, 2021): 181–213. http://dx.doi.org/10.24834/educare.2021.3.8.

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This article investigates how five teachers in Physical Education and Health (PEH) draw on different discourses of legitimation and delegitimation of writing practices in PEH. The data consist of transcripts of audio recordings of interviews with the five teachers. Firstly, the recordings were analyzed using van Leeuwen’s (2007) legitimation framework. Secondly, the lexical choices were analyzed to identify different discourses of writing (Ivanič, 2004). Results show that a social practices discourse dominates in the data analyzed, most commonly realized through a rationalization type of legitimation. Students’ linguistic difficulties or unwillingness to write in PEH, i.e. writing with obstacles, is another discourse of writing found in the data. Overall, the teachers tend to legitimate writing practices but report on students’ delegitimation of the same practices, which teachers need to manage. The use of texts is legitimated as practical, timesaving and a recognized tool for instruction and assessment. Writing practices and the use of texts can contribute to the raise the status of PEH and reach long-term goals in PEH and for students’ learning at large. On the other hand, writing and text practices steal time from the core content in PEH and may not suit students who are successful in other parts of PEH.
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Stein-Hölkeskamp, Elke. "Sarah Brown Ferrario: Historical Agency and the ‘Great Man’ in Classical Greece." Gnomon 90, no. 1 (2018): 49–52. http://dx.doi.org/10.17104/0017-1417-2018-1-49.

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Lee, P., K. K. Y. Ho, P. Lee, J. R. Greenfield, K. K. Y. Ho, and J. R. Greenfield. "Hot fat in a cool man: infrared thermography and brown adipose tissue." Diabetes, Obesity and Metabolism 13, no. 1 (November 28, 2010): 92–93. http://dx.doi.org/10.1111/j.1463-1326.2010.01318.x.

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Parwaiz, Abdullah. "Odysseus Reborn: Parallelism between Odysseus and The Postmodern Man." SMART MOVES JOURNAL IJELLH 8, no. 12 (December 31, 2020): 21–40. http://dx.doi.org/10.24113/ijellh.v8i12.10856.

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The mythical character of Odysseus has been a recurring figure since his first introductions, in the Great Greek writer, Homer's works around 700 BCE, in the, 'Illiad', and, 'Odyssey'. He has been invoked over the ages to suit the means of the said eras, trans-morphing the character of the Classical Greek Hero to meet the desired ends of the poets, authors and periods. The aim of the paper is to deconstruct the works where he has been mentioned and thus in turn construct the character itself. This will be done through the famous works he has been mentioned in, such as Virgil's 'Aeneid', Dante's 'Inferno', Horkheimer and Adorno's 'Dialectic of the Enlightenment'. In doing so, the paper shall establish the grounds for Odysseus to come out as a character that suits all ages for a good reason. Furthermore, a Psychoanalytical analysis and study shall establish his relevance and stand in the Postmodern age that we live in, which shall aim to decentralise popular notions, moving away from the modernist experimentation towards the postmodern appreciation of the classical character as one, who at the true core had been formed with such intricacy that writers have been forced to adapt him in their works, time and again.
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Lu, Li Teh, and I. Cheng Chang. "Carbon Footprint Inventory, Estimation and Analysis System in a RC Building Materials." Advanced Materials Research 496 (March 2012): 150–53. http://dx.doi.org/10.4028/www.scientific.net/amr.496.150.

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The construction industry is one part of economic development critical to a nation’s infrastructure. However, there is significant man-made “Greenhouse Gas (GHG)” generated during the construction industry’s any Life Cycle (LC).We tailor actions to suit local circumstance and made a systematically preliminary investigation of an inventory, estimation and analysis system currently available in estimation of carbon footprints of an ordinary RC building in Taiwan. There are about 60% of carbon footprints derived from production or usage of high carbon emission building material steel bars.
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