Relevant bibliographies by topics / The marrow of tradition

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The marrow of tradition'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "The marrow of tradition"

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Bufkin. "Beyond "Bitter": Chesnutt's The Marrow of Tradition." American Literary Realism 46, no. 3 (2014): 230. http://dx.doi.org/10.5406/amerlitereal.46.3.0230.

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Hussein Ithawi, Hind Naji. "Violence/Accommodation Binary in Chesnutt’s The Marrow of Tradition." Arab World English Journal For Translation and Literary Studies 5, no. 2 (2021): 49–61. http://dx.doi.org/10.24093/awejtls/vol5no2.4.

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The present paper examines the divergent attitudes of black characters toward racism in Charles W. Chesnutt’s The Marrow of Traditions (1901). Chesnutt wrote his novel to reflect his opinions on how African Americans should act to improve their situation. To situate the study within the historical and cultural context of Marrow, Black intellectuals’ views, namely Washington and Du Bois, about the complicated problem of ‘color’ were explored. To analyze the contrasting views and actions of Chesnutt’s black characters, the paper uses the lens of postcolonial theory. Although Marrow is not set within a colonial context, postcolonial theoretical frameworks can be used as models to re-read this novel because they deal with intersections of races, classes, cultures, and the oppressor/ oppressed relationship. The paper concludes that Chesnutt has entertained the possibility of a hybrid or third race— as referred to within postcolonial framework—that may succeed where both races (pure white and black) have failed.
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Choi, Sodam. "Revisiting Mark Twain’s Vision: Charles Chesnutt’s The Marrow of Tradition." Hankuk University of Foreign Studies Literature Studies 72 (November 30, 2018): 73–94. http://dx.doi.org/10.22344/fls.2018.72.73.

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Kilgore, J. M. "The Cakewalk of Capital in Charles Chesnutt's The Marrow of Tradition." American Literature 84, no. 1 (2012): 61–87. http://dx.doi.org/10.1215/00029831-1540950.

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George, Marjorie, and Richard S. Pressman. "Confronting the Shadow: Psycho-Political Repression in Chesnutt's: The Marrow of Tradition." Phylon (1960-) 48, no. 4 (1987): 287. http://dx.doi.org/10.2307/274486.

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Rinehart, Nicholas T. "Vernacular Soliloquy, Theatrical Gesture, and Embodied Consciousness in The Marrow of Tradition." MELUS 43, no. 2 (2018): 1–28. http://dx.doi.org/10.1093/melus/mly008.

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Ianovici, G. ""A Living Death": Gothic Signification and the Nadir in The Marrow of Tradition." MELUS: Multi-Ethnic Literature of the United States 27, no. 4 (2002): 33–58. http://dx.doi.org/10.2307/3250619.

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Roe, Jae H. "Keeping an "Old Wound" Alive: The Marrow of Tradition and the Legacy of Wilmington." African American Review 33, no. 2 (1999): 231. http://dx.doi.org/10.2307/2901276.

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Fraser, Gordon. "Circulation and Resistance: The Marrow of Tradition and the 1900 New Orleans Race Riot." J19: The Journal of Nineteenth-Century Americanists 1, no. 2 (2013): 363–85. http://dx.doi.org/10.1353/jnc.2013.0040.

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Mariano, Trinyan. "The Law of Torts and the Logic of Lynching in Charles Chesnutt's The Marrow of Tradition." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 559–74. http://dx.doi.org/10.1632/pmla.2013.128.3.559.

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Tort law, which governs civil wrongs, coalesced during the late nineteenth century as courts became increasingly willing to compensate injured people. Its history, however, has been told without reference to issues of race or compensation for slavery and its aftermath. In the novel The Marrow of Tradition (1901), Charles Chesnutt stretches tort discourse by using its principle of corrective justice to theorize liability for racial injustice and so discovers what law suppresses—the problem of collateral consequences when responsibility is made a function of race. Not only does corrective justice reach an operational limit when the enormity of the wrong exceeds the ability to pay, but using race to assess liability aligns corrective justice with the logic behind the southern practice of lynching. Recovering Chesnutt's use of tort challenges the dominance of contract law as the framework for reading Marrow and revises our historical understanding of the significance of reparations.
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Dissertations / Theses on the topic "The marrow of tradition"

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Van, Doodewaard William Edward. "The Marrow controversy and seceder tradition : Marrow theology in the Associate Presbytery and Associate Synod Secession Churches of Scotland (1733-1799)." Thesis, University of the Highlands and Islands, 2009. https://pure.uhi.ac.uk/portal/en/studentthesis/the-marrow-controversy-and-seceder-tradition(c9727dca-3879-4196-9f79-fcb79e329855).html.

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Edward Fisher’s <i>The Marrow of Modern Divinity</i>, first published in 1645 in England, was republished in Scotland in 1718 by Church of Scotland minister James Hog, quickly becoming the focal point of what would be known as the Marrow controversy.  Rival parties developed within the Church of Scotland, the smaller of which were the supporters of <i>The Marrow</i>, or the Marrow brethren.  In the context of the controversy over the book they formulated a defence of it, with particular reference to the doctrines of the atonement, saving faith, and the gospel offer: this was the Scottish expression of Marrow theology. Leading figures among the Marrow brethren included Thomas Boston, Ebenezer Riccaltoun, and Ebenezer Erskine.  In 1733, little more than a decade later, Ebenezer Erskine and several other Church of Scotland ministers separated from the church over the issue of patronage, forming the Associate Presbytery, the beginning of a new Scottish Presbyterian and Reformed denomination.  Historians and theologians, particularly in the 20<sup>th</sup> century, have suggested that Marrow theology was characteristic of the Secession church movement; however, no thorough examination and analysis of existing historical evidence (ecclesiastical documents and the published sermons and theological writings of Secession ministers and theologians) supporting or challenging this claim have been made. This dissertation, based on research conducted through the years 2006-2009, argues there is evidence for both a general or thematic continuity of Marrow theology as expressed in the context of the Scottish Marrow controversy, and, at points, for direct historical dependence on the published works and distinctive theology and language used by the Marrow brethren.
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Kanzler, Katja. "'Race' and Realism - Vision, Textuality, and Charles Chesnutt’s The Marrow of Tradition." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-163998.

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In this article, I read Charles Chesnutt’s The Marrow of Tradition (1901) against the background of realism to unravel the novel’s distinct critique of racial discourse. I argue that realism’s characteristic technique of appealing to the visible to establish the reality and realness of its fictions enables the novel to trace a similar operation in the discourse of race. My focus rests on the novel’s treatment of two pairs of characters that challenge the visual confidence of both realism and race, pairs that exemplify what Samira Kawash has called 'interracial twins:' sets of characters whose parties 'actually,' ostensibly belong to different 'races,' yet whom the text presents as strikingly similar in their appearance. In its characterization of and narratives surrounding these 'twins,' the novel exposes the techniques by which racial discourse naturalizes itself and unmasks race as a textual construct, generated by stories and documents that dangerously sustain a reality of their own<br>Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich
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Kanzler, Katja. "'Race' and Realism - Vision, Textuality, and Charles Chesnutt’s The Marrow of Tradition." De Gruyter, 2009. https://tud.qucosa.de/id/qucosa%3A28632.

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In this article, I read Charles Chesnutt’s The Marrow of Tradition (1901) against the background of realism to unravel the novel’s distinct critique of racial discourse. I argue that realism’s characteristic technique of appealing to the visible to establish the reality and realness of its fictions enables the novel to trace a similar operation in the discourse of race. My focus rests on the novel’s treatment of two pairs of characters that challenge the visual confidence of both realism and race, pairs that exemplify what Samira Kawash has called 'interracial twins:' sets of characters whose parties 'actually,' ostensibly belong to different 'races,' yet whom the text presents as strikingly similar in their appearance. In its characterization of and narratives surrounding these 'twins,' the novel exposes the techniques by which racial discourse naturalizes itself and unmasks race as a textual construct, generated by stories and documents that dangerously sustain a reality of their own.<br>Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.
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VanDoodewaard, William. "The Marrow controversy and seceder tradition : marrow theology in the Associate Presbytery and Associate Synod Secession Churches of Scotland (1733-1799) /." Available from the University of Aberdeen Library and Historic Collections Digital Resources. Online version available for University member only until Jan. 29, 2010, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26468.

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Veach, Tammy F. "Suppression, repression, and expression : Black anger in Huckleberry Finn, Pudd'nhead Wilson, and The marrow of tradition /." View online, 1988. http://repository.eiu.edu/theses/docs/32211998882540.pdf.

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Campbell, Corinna Siobhan. "Personalizing Tradition: Surinamese Maroon Music and Dance in Contemporary Urban Practice." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10490.

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Through comparing the repertoires, presentational characteristics, and rehearsal procedures of Surinamese Maroon culture-based performance groups within Paramaribo, I outline the concept of personalizing tradition. This is based on the premise that differing social and performative practices lead to different understandings of the same performance genre, and that culture-based collectives, like those discussed here, mobilize tradition in order to fulfill a variety of social needs and aspirations. Their personalizing practices lead to embodied understandings of a variety of concepts, among them tradition, culture, professionalism, and cosmopolitanism. Through learning and presenting this composite of physical significations, performers generate visual and sonic representations of Maroon cosmopolitanism, thereby articulating aspects of the lived realities of Maroons whose life experiences diverge from the most commonly circulated characterizations of Maroon society—namely a population isolated from (or even incapable of comprehending) cosmopolitan and national technologies, aesthetic forms, and knowledge systems. Borrowing from jazz discourse, I posit that satisfaction and social poetic proficiencies arise from performers’ adeptness at playing the changes, in other words their capacities to understand the changing social circumstances in which they are acting and selecting expressive gestures that compliment those circumstances. The concept of playing the changes helps initiate a turn away from assessments of right or wrong ("real" or "made up") and focus instead on the ability to portray oneself to one’s best advantage, come what may. Finally, I demonstrate the advantages of pursuing an integrated approach to performance analysis, in which the study of musical and choreographic elements of performance are examined in combination.<br>Music
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Rose, Marion [Verfasser]. "Die UnVollendete: Tradition in praktisch-theologischer Neuinszenierung - eine wissenschaftstheoretische Note / Marion Rose." Paderborn : Universitätsbibliothek, 2018. http://d-nb.info/1172807914/34.

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Singleton, Keir. "Black Eurocentric Savior: A Study of the Colonization and the Subsequent Creation of the Black Eurocentric Savior in William Shakespeare’s The Tempest, Aphra Behn’s Oroonoko, and Charles Chesnutt’s “Dave’s Neckliss” and The Marrow of Tradition." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2019. http://digitalcommons.auctr.edu/cauetds/163.

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Colonization adversely impacts the psychological health of the colonized. To heal psychologically, economically, and culturally and break chains of colonization in a post-colonial society, the colonized must be grounded in understanding and embrace of their cultural and historical heritage. This embrace and remembrance of the ancestors will inspire and create a spiritual and mental revolution. Prominent literary works from 16th to 20th century, such as Charles Chesnutt’s The Marrow of Tradition and "Dave’s Neckliss", William Shakespeare’s "The Tempest" and Aphra Behn’s Oroonoko, explore the psychological and cultural demise of people of African descent due to colonization and racial oppression. While these works give voice to spiritual leaders, ancestors, and bondaged individuals who strive to overcome and survive adverse circumstances Eurocentric society has imposed upon them, these texts also explore characters who kneel at the altar of White hegemony and embrace Whiteness as the Ark of God, even to the characters’ and their community’s safety and well-being. These I term Black Eurocentric Saviors, characters who sacrifice themselves and their community for safety and saving of Whites. Through application of French West Indian psychiatrist Frantz Fanon's theories of colonization which posits that imposed psychological domination of the colonized by Europeans cultivated the belief in White superiority and the subsequent desire for White approval and blessings by any means necessary, including worshipping Whiteness, betraying other persons of African descent, and/or willing to kill self or other Blacks for both the continued prosperity of White societies and gained prosperity for self. Chesnutt, Shakespeare, and Behn depict oppressed people who (un)consciously appear to embrace with open arms historical narratives and cultural traditions that relegate them to second-class citizens and are thus unable to nurture mythical origins and pride in their ancestral history and legacy. When they seek to conjure their African ancestors, they do so, not for their freedom or elevation, but for betterment of White society. Through the application of Fanon's theories on colonization to select literary works of Chesnutt, Shakespeare, and Behn's, this dissertation asserts that the diasporic African’s embrace of White superiority resulted and continues today in both real life and literature.
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Galbreath, Lynn K. "Rethinking space and time : Pueblo oral tradition and the written word in Leslie Marmon Silko's Ceremony /." View online, 1994. http://repository.eiu.edu/theses/docs/32211998776736.pdf.

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Karlstrom, Sigrid. "Three Women Composers and Their Works for Viola and Piano| Marion Bauer, Miriam Gideon, and Vivian Fine and the Trajectory of Female Tradition in American Music." Thesis, University of Hartford, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10982811.

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<p> The lives and careers of the three women composers Marion Bauer (1882-1955), Miriam Gideon (1906-1996), and Vivian Fine (1913-2000) spanned more than a century. Each wrote works for viola and piano, including Bauer's Sonata for Viola and Piano, op. 22, Gideon's Sonata for Viola and Piano, and Fine's <i> Lieder for Viola and Piano.</i> Together, these composers' careers encompass a number of important trends in the professional development of the twentieth century woman composer in the United States. </p><p> Women composers were hindered in their advancement and acknowledgement for a number of reasons. One of these was a lack of "female tradition", the absence of an existing community of successful women composers to look to as examples. Another was the "female affiliation complex", the idea that female professionals struggle to look toward their predecessors as models because the female tradition is devalued. First, this document will explore the lives and influences of Marion Bauer, Miriam Gideon, and Vivian Fine, aiming to contribute to a better understanding of how "female tradition" and the "female affiliation complex" affected these composers' lives. Second, each work for viola and piano will undergo theoretical analysis focusing on goal-directed linearity. Goal-directed linearity is an issue of interest to performers and will encourage a deeper understanding of the works in question, fostering their further performance and dissemination.</p><p>
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Books on the topic "The marrow of tradition"

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Chesnutt, Charles Waddell. The marrow of tradition. Transaction Publishers, 1999.

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1961-, Bentley Nancy, and Gunning Sandra, eds. The marrow of tradition. Palgrave, 2002.

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Chesnutt, Charles Waddell. The marrow of tradition. Bedford/St. Martin's, 2002.

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J, Sundquist Eric, ed. The marrow of tradition. Penguin Books, 1993.

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The marrow of tradition. Modern Library, 2001.

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The marrow of tradition. Dover Publications, 2003.

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Werner, Sollors, ed. The marrow of tradition: Authoritative text, contexts, criticism. W. W. Norton & Co., 2012.

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The Marrow controversy and seceder tradition: Atonement, saving faith, and the Gospel offer in Scotland (1718-1799). Reformation Heritage Books, 2011.

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Chia, Mantak. Bone marrow Nei Kung: Taoist ways to improve your health by rejuvenating your bone marrow and blood. Healing Tao Bks., 1989.

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Chia, Mantak. Bone marrow nei kung: Taoist way to improve your health by rejuvenating your bone marrow and blood. Healing Tao Books, 1988.

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Book chapters on the topic "The marrow of tradition"

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Sandru, Adrian Razvan. "Marion und die phänomenologische Tradition." In Übermaß und Widerstand. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62568-2_2.

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Sandru, Adrian Razvan. "Marion und die metaphysische Tradition." In Übermaß und Widerstand. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62568-2_1.

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Gonçalves, Clara Germana. "“Breaking the cage”: Tradition and innovation in Marcos Novak’s architecture-music relationship." In Tradition and Innovation. CRC Press, 2021. http://dx.doi.org/10.1201/9780429297786-25.

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Franco Harnache, Andrés. "“Mostrar, no decir”: The Influence of and Resistance Against Workshop Poetics on the Hispanic Literary Field." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_14.

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AbstractUntil recently, due to the Romantic imaginary of the artist-as-genius, the Hispanic literary tradition has been wary of a literary advice industry or academic programs of creative writing. This wariness hindered the professionalization of Hispanic authors, but at the same time it kept Hispanic literature out of anglicized uniformity which permitted, by the mid-twentieth century, a reinterpretation of western literature by writers such as Gabriel García Márquez, Jorge Luis Borges, and Mario Vargas Llosa. Nonetheless since the early 2000s a series of MFA programs in creative writing, first in the United States, but more recently in Latin America and Spain, have been changing Hispanic literature. These programs, with syllabi imported from the Anglophone canons, have influenced a new generation of writers who mirror the English savoir-faire and reject their own literary traditions, which were more experimental, less rooted in realism, and even somewhat baroque. There is, however, also resistance in the field, where workshop-inspired developments coincide with a return to a more Hispanic tradition of innovation.
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O’Malley, Dennis P. "Bone Marrow." In Essentials of Anatomic Pathology. Humana Press, 2006. http://dx.doi.org/10.1007/978-1-60327-173-8_11.

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Bain, B. J. "Bone marrow." In Reporting Histopathology Sections. Springer US, 1997. http://dx.doi.org/10.1007/978-1-4899-7132-6_17.

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Storb, R. "Marrow Transplantation." In Current Topics in Microbiology and Immunology. Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-76912-2_13.

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Westra, William H., Timothy H. Phelps, Ralph H. Hruban, and Christina Isacson. "Bone Marrow." In Surgical Pathology Dissection. Springer New York, 2003. http://dx.doi.org/10.1007/0-387-21747-9_44.

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Hruban, Ralph H., William H. Westra, Timothy H. Phelps, and Christina Isacson. "Bone Marrow." In Surgical Pathology Dissection. Springer New York, 1996. http://dx.doi.org/10.1007/978-1-4757-2548-3_40.

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Dorion, R. Patrick, and Xiaohong Zhang. "Bone Marrow." In Handbook of Practical Immunohistochemistry. Springer New York, 2015. http://dx.doi.org/10.1007/978-1-4939-1578-1_31.

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Conference papers on the topic "The marrow of tradition"

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Cárdenas Oñate, Marisol. "MAROON SUBVERSIVE AESTHETIC: BASTING OF METAPHORICAL AFFECTIVE MEMORY." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-129.

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Holmes, Benjamin, and Lijie Grace Zhang. "Enhanced Human Bone Marrow Mesenchymal Stem Cell Functions in 3D Bioprinted Biologically Inspired Osteochondral Construct." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-66118.

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Cartilage defects, which are caused by a variety of reasons such as traumatic injuries, osteoarthritis, or osteoporosis, represent common and severe clinical problems. Each year, over 6 million people visit hospitals in the U.S. for various knee, wrist, and ankle problems. As modern medicine advances, new and novel methodologies have been explored and developed in order to solve and improve current medical problems. One of the areas of investigation that has thus far proven to be very promising is tissue engineering. Since cartilage matrix is nanocomposite, the goal of the current work is to use nanomaterials and nano/microfabrication methods to create novel biologically inspired tissue engineered osteochondral scaffolds for facilitating human bone marrow mesenchymal stem cell (MSC) differentiation. 3D printed polymer constructs were designed to mimic the osteochondral region of articulate joint, and to have enhanced mechanical characteristics when compared to traditional designs. Fabricated scaffolds were also subject to surface modification, both with a chemically functionalized acetylated collagen coating and through absorption via poly-L-lysine coated carbon nanotubes. In vitro proliferation results demonstrated not only that incorporation of the biomimetic carbon nanotubes and poly L-lysine coating and acetylated collagen can induce more proliferation of MSCs than controls, but that more controlled and biomimetically designed features also enhance proliferation of MSCs.
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Sokol, Vilhelmina, Yuta Sugiura, Kai Kunze, and Masahiko Inami. "Enhanced tradition." In the 2015 ACM International Joint Conference. ACM Press, 2015. http://dx.doi.org/10.1145/2800835.2801668.

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"IMTC Tradition." In 2007 IEEE Instrumentation & Measurement Technology Conference. IEEE, 2007. http://dx.doi.org/10.1109/imtc.2007.379303.

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Xufeng, Tian, and Yan Hao. "Research on Probabilistic Safety Assessment (PSA) Method of Safety Class Distributed Control System (DCS) in Nuclear Power Plant Based on Fuzzy Markov Process." In 2020 International Conference on Nuclear Engineering collocated with the ASME 2020 Power Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/icone2020-16835.

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Abstract Safety class DCS (Distributed Control System) in nuclear power plant is characterized by multi-state interaction, complex function and unknown fault mechanism, which limits the use of tradition PSA (Probabilistic Safety Assessment) method such as event tree and fault tree. An improved dynamic probabilistic security simulation method is proposed based on fuzzy Markov process to quantitative evaluation the risk of Safety class DCS in nuclear power plant, which resolved the failure uncertainty problem without in-depth understanding of failure mechanism. Firstly, the fuzzy fault tree reliability evaluation model is established based on fuzzy theory and FTA (Fault Tree Analysis), which describes the probability and degree of failure with fuzzy number. Then, the fuzzy fault tree is transformed into fuzzy Markov chain, this model is described mathematically, and the reliability indexes are simulated and analyzed with Monte Carlo simulation method, the change of system safety performance in long-term operation is obtained. Finally, the scientificity and effectiveness is verified by the example of redundant analog output module of safety class DCS in nuclear plant.
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Siewiorek, Daniel P. "Tradition and change." In the 1995 workshop. ACM Press, 1995. http://dx.doi.org/10.1145/1275143.1275144.

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Shcherbina, Lubov Stepanovna, Tatiana Tihonovna Fedoseenko, Alla Mikhailovna Berko, and Olesya Nikolaevna Kosmina. "Russian tradition parenting." In 5th International research and practice conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-114237.

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Chiachiri Filho, Antonio Roberto, and Rodrigo Antunes Morais. "TRADITION, INNOVATION AND TIME." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-035.

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Nelson, Theodor Holm. "Structure, tradition and possibility." In the fourteenth ACM conference. ACM Press, 2003. http://dx.doi.org/10.1145/900051.900053.

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Fratila, Mariana. "FLAMENCO - TRADITION AND INNOVATION." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s14.035.

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Reports on the topic "The marrow of tradition"

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Her, Nou. Hmong Tradition. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-565.

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Ahrens, David A. Christianity's Contribution to Just War Tradition. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada363087.

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Gong, Ted E. China: Tradition, Nationalism and Just War. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada363908.

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Pfaff, Tony. Peacekeeping and the Just War Tradition. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada391358.

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Csajko, Karen. Hugo Grotius and the liberal tradition. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5595.

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Larkin, Ariana Kayla. Los Alamos National Laboratory's Innovation Tradition. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1392829.

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de Vore, L. FY2009 Highlights A Tradition of Excellence Continues. Office of Scientific and Technical Information (OSTI), 2009. http://dx.doi.org/10.2172/1130037.

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Pickle, Sarah. Home Economics Archive: Research, Tradition and History. Ithaka S+R, 2015. http://dx.doi.org/10.18665/sr.22668.

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Setterholm, Michelle. National Marrow Donor Program. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada484375.

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Setterholm, Michelle. National Marrow Donor Program. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada484658.

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