Relevant bibliographies by topics / The Metamorphosis (Die Verwandlung)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The Metamorphosis (Die Verwandlung)'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "The Metamorphosis (Die Verwandlung)"

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Barker, Andrew. "Giant Bug or Monstrous Vermin? Translating Kafka's Die Verwandlung in its Cultural, Social, and Biological Contexts." Translation and Literature 30, no. 2 (July 2021): 198–208. http://dx.doi.org/10.3366/tal.2021.0463.

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Since it would have been feasible for Kafka to call his story ‘Die Metamorphose’, the article first considers why most translators render Die Verwandlung as (The) Metamorphosis and not literally as The Transformation. Given the widespread impact of Darwinism and Social Darwinism when Kafka wrote the work in 1912, particular attention is paid to socio-biological factors that may have influenced his choice of title. The article further considers the possible impact of Yiddish theatre and Nietzschean philosophy upon Kafka's decision. It then examines how translators have tackled the story's opening sentence, given the difficulties of rendering the phrase ‘ungeheures Ungeziefer’ (literally ‘monstrous vermin’) in a way that does justice to the sentence's original structure and vocabulary. Finally, the article offers a possible solution to this problem.
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Kempf, Franz R., and Friedmann Harzer. "Erzahlte Verwandlung: Eine Poetik epischer Metamorphosen." German Studies Review 25, no. 1 (February 2002): 157. http://dx.doi.org/10.2307/1433286.

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Meiffert, Torsten. "Verwandlung durch Begegnung - Metamorphose und Mediation." perspektive mediation 16, no. 2 (2019): 82. http://dx.doi.org/10.33196/pm201902008201.

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GILLIAM, BRYAN. "Ariadne, Daphne and the problem of Verwandlung." Cambridge Opera Journal 15, no. 1 (March 2003): 67–81. http://dx.doi.org/10.1017/s0954586703000673.

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The theme of transformation (Verwandlung) plays a significant role in the work of Richard Strauss, from his Tod und Verklärung (1889) to his Metamorphosen (1945). This article examines two Strauss operas where transformation is a central aspect of the libretto: Ariadne auf Naxos (1912/16), libretto by Hugo von Hofmannsthal, and Daphne (1937), libretto by Joseph Gregor. Though each opera focuses on transformation, this concept is interpreted and realized in entirely different ways. For Hofmannsthal, Verwandlung is a journey outward to a new level of existence, attaining a new sense of humanity. For Gregor, transformation is an inward movement, joining nature, and becoming divine in the German-Romantic sense of the term.
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Schmitz-Emans, Monika. "Metamorphose und Metempsychose. Zwei konkurrierende Modelle von Verwandlung im Spiegel der Gegenwartsliteratur." arcadia - International Journal for Literary Studies 40, no. 2 (January 2006): 390–413. http://dx.doi.org/10.1515/arca.2006.40.2.390.

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Karb, Johanna Lea. "Neurodermitis und Berührung." Psychoanalytische Familientherapie 19, no. 2 (November 2018): 83–105. http://dx.doi.org/10.30820/8218.05.

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Dieser Artikel beschäftigt sich mit dem Krankheitsbild der Neurodermitis, der Symbolik ihrer Symptomatik und der Bedeutung von Berührung in diesem Zusammenhang. Bereits perinatal wird die Haut als wichtigstes Sinnesorgan verstanden. Die Haut als Grenzorgan und »Spiegel der Seele« zeichnet innere Reaktionen und Konflikte auf der Körper-Oberfläche ab und kommuniziert diese damit an die Außenwelt. Innerhalb eines (kranken) Familiensystems können Patient*innen als Symptomträger*innen verstanden werden. Richter (2012) schreibt, dass alle Mitglieder einer Familie mit den wechselseitigen unbewussten Wünschen und Fantasien der anderen konfrontiert sind – so entsteht ein »multipolarer unbewusster Dialog«, der die jeweiligen Rollen der einzelnen Familienmitglieder sowie die Familiendynamik beeinflusst und mitbestimmt (S. 21). Anhand von zwei Fallvignetten werden zunächst verinnerlichte infantile Beziehungsmuster und die damit zusammenhängenden Familiendynamiken verdeutlicht. Anschließend wird in einem Exkurs Die Verwandlung Franz Kafkas und die Metamorphose des Hauptprotagonisten Gregor Samsas im Hinblick auf ihre symbolische Bedeutung, ihren Zusammenhang mit dem Thema Hautund Hautaffekte und die sich inszenierende unbewusste Familiendynamik beleuchtet.
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Schreiber, Michael. "Franziska Küenzlen,Verwandlungen eines Esels. Apuleius' Metamorphoses im frühen 16. Jahrhundert." Zeitschrift für romanische Philologie (ZrP) 123, no. 1 (March 2007): 126–28. http://dx.doi.org/10.1515/zrph.2007.126.

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Russo, Peter. "Radikale Verwandlung." return 8, no. 3 (June 2021): 58–59. http://dx.doi.org/10.1007/s41964-021-0739-y.

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Schlippe, Arist von. "Über die Verwandlung der Empörung." Familiendynamik 45, no. 1 (January 2020): 87. http://dx.doi.org/10.21706/fd-45-1-87.

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Lorenz, Dagmar C. G., and Friederike Eigler. "Elias Canetti. Verwandlung. Identitat. Machtausubung." German Quarterly 63, no. 2 (1990): 327. http://dx.doi.org/10.2307/406381.

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Dissertations / Theses on the topic "The Metamorphosis (Die Verwandlung)"

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Zogmayer, Karin. "- das Rätsel sie sollen lassen stan : von Elias Canettis "Verwandlung" /." Wien : Lit, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3069670&prov=M&dok_var=1&dok_ext=htm.

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Thabane, Mathaabe. "The challenges of German-English literary translation: an exploration of Franz Kafka's Das Urteil (The Judgment) and Die Verwandlung (The Metamorphosis)." Thesis, Rhodes University, 2016. http://hdl.handle.net/10962/d1021181.

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This thesis conducts a study of literary translation using selected texts by Franz Kafka as translated from German into English in the mid-twentieth century and in the early twenty-first century. This study entails a three-fold orientation, namely: to show the extent of the impact of socio-historical, political and cultural factors on both the translation process and translation product; secondly, it demonstrates the fact that a merging of theoretical principles and practical methods is necessary and possible for the study of literary translations; thirdly, it answers the questions of why the same literary works continue to be retranslated and why every generation of Kafka scholars and readers will need their own translations of his works. This research, furthermore, proposes that the position of literary translation should be elevated since this kind of translation can reveal more about the cultural and linguistic intricacies of the translation process. Seeking to contribute to the broader framework of the translation studies discipline, this thesis also makes a case for translators to reveal their translation process, in the form of notes or prefaces, in order to allow for informed studies of translations. Finally, the research at hand proposes some considerations for further study into literary translations and shows new trends in the sub-field of literary translation which will undoubtedly shift its current nature and call for theoretical and practical applications for more classes of languages.
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Offermann, Ursula. "Lebendige Kommunikation die Verwandlung des Odysseus in Homers Odyssee als kognitiv-emotives Hörerkonzept." München Iudicium, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2897341&prov=M&dok_var=1&dok_ext=htm.

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Noacco, Cristina. "La métamorphose dans la littérature française des XIIe et XIIIe siècles /." Rennes : Presses Univ. de Rennes, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016391147&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA.

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Thiel, Anneke. "Midas : Mythos und Verwandlung /." Heidelberg : Universitätsverl. C. Winter, 2000. http://catalogue.bnf.fr/ark:/12148/cb39922763w.

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Isitt, Paul Richard. "Metamorphosis." Thesis, Bangor University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429841.

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Chang, Ching-Yuan. "Metamorphosis /." Online version of thesis, 1991. http://hdl.handle.net/1850/11626.

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Pereira, Guilherme Manuel Ferreira Cid Pereira. "Metamorphosis." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2019. http://hdl.handle.net/10400.5/19994.

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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Urbanismo apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
Este Projecto Final de Mestrado, cujo tema é Metamorphosis: Re-uso do Património edificado como meio para a transformação urbana, pretende olhar para a cidade construída, com destaque para o património arquitectónico obsoleto, como potencial momento de transição na evolução dos territórios, encarando desse modo as preexistências como uma oportunidade para reinventar a cidade. Da necessidade de aplicar estas ideias, Setúbal surge como sendo um território representativo destes fenómenos onde a obsolescência e a ruína de estruturas edificadas que caracterizam esta realidade, conferem um potencial de abordagem no âmbito da transformação dos tecidos urbanos. É o caso de grande parte das fortificações militares Seiscentistas desta cidade. Pretende-se então, a partir deste ponto pensar a evolução da cidade de Setúbal, tendo como ponto de referência estas preexistências, dando assim sentido a uma narrativa urbana de re-uso e transformação. Deste modo, a importância do tema deste projecto final de mestrado, prende-se com a vontade de valorizar a história e a memória dos territórios sem que por um lado os tecidos urbanos permaneçam cristalizados no tempo ou por oposição a vontade de intervir se sobreponha à identidade desse património. Assim, na sequência da identificação de um fenómeno específico no quadro urbanístico e histórico da cidade de Setúbal, a proposta sugere que estas ruínas do património militar sejam parte integrante do sistema de espaços públicos e que associadas a programas culturais, promovam o usufruto de todos, partindo de uma premissa de, não só preservar o património, como lhe dar um sentido de oportunidade e continuidade.
ABSTRACT:This Master's Final Project, whose theme is Metamorphosis: Re-use of the built heritage as a means of urban transformation, aims to look at the built city, with emphasis on the obsolete architectural heritage, as a potential moment of transition in the evolution of the territories, facing the preexistences as an opportunity to reinvent the city. From the need to apply these ideas, Setúbal emerges as a representative territory of these phenomena where the obsolescence and ruin of built structures that characterize this reality, give a potential of approach in the context of the transformation of urban fabrics. This is the case for much of the 16th century military fortifications of this city. From this point, it’s intended to think about the evolution of the city of Setúbal, having as reference these preexistences, thus giving meaning to an urban narrative of reuse and transformation. Thus, the importance of the theme of this final master's project is related to the desire to value the history and memory of the territories without, on the one hand, the urban tissues remaining crystallized in time or, in opposition, the will to intervene to override identity of this heritage. Following the identification of a specific phenomenon in the urban and historical context of the city of Setúbal, the proposal suggests that these ruins of the military heritage be an integral part of the system of public spaces. In addition, it is expected that, associated with cultural programs, it promotes the enjoyment of all, starting from a premise of not only preserving the heritage, but also giving it a sense of opportunity and continuity.
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Correia, Laura Sofia Dias Lisboa. "Metamorphosis." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2020. http://hdl.handle.net/10400.5/20490.

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Dissertação de Mestrado Integrado em Arquitetura, apresentada na Faculdade de Arquitetura da Universidade de Lisboa, com a especialização em Urbanismo para obtenção de grau de Mestre.
Setúbal nasce da fusão do mar com o rio e da sua ligação com a terra. Porém, o seu processo evolutivo e durante toda a sua transformação ao longo do tempo, essa ligação vai desvanecendo e a cidade de Setúbal vai abandonando o rio Sado. Esta constatação faz com que exista uma difícil articulação entre o rio e, sobretudo, o núcleo antigo da cidade. Partindo deste motto, o que se pretende com esta proposta é recuperar uma relação estrutural que se perdeu entre o rio e a cidade, a partir da desmaterialização da sua margem actual, reinterpretando-a através da sua memória. Deste modo, propõe-se a criação de uma nova margem, de um deslimite que una de volta o rio à cidade de Setúbal, a partir de pré-existências em decadência e actualmente abandonadas, tais como, o Baluarte do Livramento, o cais 3, o Bairro das Fontainhas, o Bairro da Bela Vista, o Terminal Marítimo do Sado e a Central Termoeléctrica de Setúbal. Neste sentido propõe-se uma nova imagem para a cidade que se constrói, destruindo, e que radica na noção de ruína contemporânea e que preserva na sua essência a evidência da história desta cidade. A proposta tem por objectivo construir uma coesão baseada num novo nexo para os vestígios não acreditados a partir de uma re-significação destes fragmentos industriais, fundamentada na sua memória.
ABSTRACT: Setubal arises from the fusion of the Sea with the River and their connection to the Land. However, due to its evolutionary process and transformations over time, such connection is being dimed, and the city of Setubal is leaving the Sado River behind. This reckoning leads to a difficult articulation between the river and, particularly, the old core of the city. With this understanding, the scope of this proposal intends to reclaim the structural relationship that has been lost between the river and the city, through the dematerialization of its current margin, re-interpreting it through its memory. What is projected is the creation of a new margin, for a de-limit that unites the river back to the city of Setubal, from pre-existing decadent structures currently at abandonment, such as Baluarte do Livramento, cais 3, Bairro das Fontainhas, Bairro da Bela Vista, Terminal Marítimo do Sado and the Central Termoeléctrica de Setúbal. As a result, it is proposed a new image for the city, that builds by destroying, and that lays on the notion of a contemporary ruin – preserving its essence and displaying the story of this city. The presented proposal aims to build a cohesion founded on a new nexus for the unaccredited traces, through a re-signification of these industrial fragments based on their memory.
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Barata, Cristiana Augusto. "Metamorphosis." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2020. http://hdl.handle.net/10400.5/20507.

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Dissertação de Mestrado Integrado em Arquitetura, apresentada na Faculdade de Arquitetura da Universidade de Lisboa, com a especialização em Urbanismo para obtenção de grau de Mestre.
A relação cidade-rio revela uma particularidade importante na identidade e crescimento de um território ribeirinho. Esta condição permite que a cidade se abra à água e com ela construa um espaço simbólico entre o território e a figura humana. Este trabalho formaliza um desejo de transformar o tecido urbano da cidade de Setúbal e a reaproximar ao rio sob a consciência interna da sua identidade e memória. Numa leitura atenta ao território são revelados os suportes sobre o qual a cidade se desenvolveu, expondo uma crescente conquista sobre o rio. Este território conquistado sobre a água apresenta-se hoje como um espaço não consolidado e fragmentado, resultado do crescimento pouco coeso da cidade e sobretudo das frentes rio que serviam antigas zonas industriais e portuárias. Estas estruturas portuárias desarticuladas com a cidade criam a oportunidade para repensar os tecidos urbanos e relações com o rio. A partir desta referência histórica propõe-se uma reflexão sobre os motivos do progressivo afastamento entre a cidade e o rio. A abordagem ao projeto explora uma visão da cidade, articulando a teoria e a prática, a leitura e o projeto, a partir de um exercício de composição urbana e arquitetónica. A transformação deste território ribeirinho premeia a memória do seu lugar e os vestígios de identidade que ainda imergem sobre o território. O projeto foca a frente de água do Bairro das Fontainhas como objeto de estudo onde se explora a escala e a monumentalização da água. A proposta desenvolve diferentes relações da água com o espaço construído, influenciando o comportamento das pessoas para com o lugar. Aqui constrói-se uma nova existência formal e funcional com a identidade e memória do lugar, concedendo-lhe novas espacialidades capazes de perdurar no tempo. “… a arquitetura é o único meio de que dispomos para conservar vivo um laço com um passado ao qual devemos a nossa identidade e que é constitutivo do nosso ser.” (CHOAY, 2015, pág.. 147)
ABSTRACT: The city-river bond reveals an important facet of the identity and growth of the riverside region. It allows the city to open up to the water and to build a symbolic space between the territory and the human figure. This project formalizes the desire to transform the urban structure of Setúbal and bring it closer to the river under the internal awareness of it’s identity and memory. In a careful analisys, we reveal the suports on which the city has developed, exposing a growing conquest over the river. Nowadays, this piece of land conquered to the water is a fragmented and unconsolidated space, which is a result of the lack of cohesive growth of the city, specialy the port and industrial areas. These port structures disjointed with the city create the opportunity to rethink the urban morfology and their relation with the river. Based on this historical reference, we propose a reflection on the main reasons for the progressive distance between the city and the river along the years. The project approach explores a vision for the city articulating theory and practice, reading and project, based on an exercise in urban and architectural composition. This riverside transformation rewards it’s memory and vestiges of identity barelly immersing on the territory. The project focus on the waterfront area of Bairro das Fontainhas as an object of study where the scale and monumetalization of the water is explored. The proposal develops different relationships between the water and the built space, influencing people’s behavior towards their use of the place. That said, we propose a new formal and funtional existence, built with the identity and memory of the place, grating it new spacialities capable of lasting over time. “… a arquitetura é o único meio de que dispomos para conservar vivo um laço com um passado ao qual devemos a nossa identidade e que é constitutivo do nosso ser.” (CHOAY, 2015, pág.. 147)
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Books on the topic "The Metamorphosis (Die Verwandlung)"

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Poetiken der Verwandlung. Innsbruck: StudienVerlag, 2008.

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Erzählte Verwandlung: Eine Poetik epischer Metamorphosen (Ovid, Kafka, Ransmayr). Tübingen: Niemeyer, 2000.

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Kafka, Franz. Die Verwandlung. Berlin: Handpresse Gutsch, 1988.

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Kafka, Franz. Die Verwandlung. London: Methuen Educational, 1985.

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Kafka, Franz. Die Verwandlung. Frankfurt am Main: Suhrkamp, 1999.

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Kafka, Franz. Die Verwandlung. Leipzig: Stroemfeld Verlag, 2003.

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Kafka, Franz. Die Verwandlung. Zürich: Manesse, c1999., 1999.

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Kafka, Franz. Die Verwandlung. London: Routledge, 1993.

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Kafka, Franz. Metamorphosis. San Diego, CA: ICON Classics, 2005.

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Kafka, Franz. Metamorphosis. San Diego, CA: ICON Classics, 2005.

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Book chapters on the topic "The Metamorphosis (Die Verwandlung)"

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Geschwend, Nesa. "Verwandlung." In Wissenschaft als Erfahrungswissen, 249–58. Wiesbaden: Deutscher Universitätsverlag, 2000. http://dx.doi.org/10.1007/978-3-663-09145-5_15.

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Legnaro, Aldo, and Almut Birenheide. "Die Verwandlung." In Stätten der späten Moderne, 63–68. Wiesbaden: VS Verlag für Sozialwissenschaften, 2005. http://dx.doi.org/10.1007/978-3-322-80905-6_9.

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Djoufack, Patrice. "Die Verwandlung." In Der Selbe und der Andere, 76–130. Wiesbaden: Deutscher Universitätsverlag, 2005. http://dx.doi.org/10.1007/978-3-322-81348-0_7.

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Knoll, Heike. "Die Verwandlung." In Das System Canetti, 156–227. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-04194-4_4.

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Hock, Erich. "Dichterische Verwandlung." In »dort drüben, in Westphalen«, 107–25. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03443-4_6.

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Maggiore, Valeria. "Metamorphosis." In Lecture Notes in Morphogenesis, 319–21. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51324-5_75.

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Younes, Laurent. "Metamorphosis." In Shapes and Diffeomorphisms, 331–45. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-12055-8_13.

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Copland, Ian. "Metamorphosis." In State, Community and Neighbourhood in Princely North India, c. 1900–1950, 66–124. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230005983_3.

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Megahey, Alan. "Metamorphosis." In A School in Africa, 43–59. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230288119_4.

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Otake, Tsuguo. "Metamorphosis." In Eel Biology, 61–74. Tokyo: Springer Japan, 2003. http://dx.doi.org/10.1007/978-4-431-65907-5_5.

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Conference papers on the topic "The Metamorphosis (Die Verwandlung)"

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Villanueva, Benjamin, and Lorna Wong. "Metamorphosis." In the 35th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1294046.1294128.

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Jain, Madhup, Ranjith Kutty, and Raju Dani. "Metamorphosis." In the 1st Asian Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/2371736.2371743.

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Head, Anthony. "Metamorphosis." In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185977.

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Kim, Younghui, Sanghwa Hong, Kyungmee Kim, and Kwanu Park. "Metamorphosis." In TEI '15: Ninth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2677199.2690876.

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Bosshart, Pat, Glen Gibb, Hun-Seok Kim, George Varghese, Nick McKeown, Martin Izzard, Fernando Mujica, and Mark Horowitz. "Forwarding metamorphosis." In SIGCOMM'13: ACM SIGCOMM 2013 Conference. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2486001.2486011.

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Ogawa, Nami, Yuki Ban, Sho Sakurai, Takuji Narumi, Tomohiro Tanikawa, and Michitaka Hirose. "Metamorphosis Hand." In AH '16: Augmented Human International Conference 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2875194.2875246.

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Chen, David T., Andrei State, and David Banks. "Interactive shape metamorphosis." In the 1995 symposium. New York, New York, USA: ACM Press, 1995. http://dx.doi.org/10.1145/199404.199411.

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Cap, Fabienne, Ina Rösiger, and Jonas Kuhn. "A Pilot Experiment on Exploiting Translations for Literary Studies on Kafka's "Verwandlung"." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0706.

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9

Beier, Thaddeus, and Shawn Neely. "Feature-based image metamorphosis." In the 19th annual conference. New York, New York, USA: ACM Press, 1992. http://dx.doi.org/10.1145/133994.134003.

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Demaine, Erik, Martin Demaine, Anna Lubiw, Joseph O'Rourke, and Irena Pashchenko. "Metamorphosis of the cube." In the fifteenth annual symposium. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/304893.304995.

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Reports on the topic "The Metamorphosis (Die Verwandlung)"

1

Shin, Jooyoung. Metamorphosis. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-244.

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2

Andrus, Elena, and Minyoung Suh. Metamorphosis. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1009.

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