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Books on the topic 'The metaphor of hand'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Haefliger, Jürg. Imaginationssysteme: Erkenntnistheoretische, anthropologische, und mentalitätshistorische Aspekte der Metaphorologie Hans Blumenbergs. P. Lang, 1996.

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2

Bajohr, Hannes. History and Metaphor: Hans Blumenberg's Theory of Language. [publisher not identified], 2017.

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3

Julius, Schneider Hans, ed. Metapher, Kognition, künstliche Intelligenz: Hans Julius Schneider (Hrsg.). Fink, 1996.

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4

Lenzen, Hans Georg, and Irmgard Sonnen. Hans Georg Lenzen: Mit leichter Hand : die szenische Metaphorik des Zeichnerischen. [publisher not identified], 2019.

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5

Bachorski, Hans-Jürgen. Bilderwelten: Strategien der Visualisierung in Wissenschaft und Kunst : für Hans-Jürgen Bachorski. WVT, Wissenschaftlicher Verlag Trier, 2006.

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6

van Noppen, Jean-Pierre, ed. Metaphor. John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/lisl.17.

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7

Unwin, Simon. Metaphor. Routledge, 2019. http://dx.doi.org/10.4324/9781315171906.

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8

Veale, Tony, Ekaterina Shutova, and Beata Beigman Klebanov. Metaphor. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-031-02160-2.

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9

Hampe, Beate, ed. Metaphor. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781108182324.

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10

Ritchie, L. David. Metaphor. Cambridge University Press, 2012.

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11

Punter, David. Metaphor. Routledge, 2007.

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12

Gibbs, Raymond W., ed. Mixing Metaphor. John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/milcc.6.

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13

Steen, Gerard J., ed. Visual Metaphor. John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/celcr.18.

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14

Trim, Richard. Metaphor Networks. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287556.

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15

van Noppen, Jean-Pierre, and Edith Hols, eds. Metaphor II. John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/lisl.20.

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16

Simon-Vandenbergen, Anne-Marie, Miriam Taverniers, and Louise J. Ravelli, eds. Grammatical Metaphor. John Benjamins Publishing Company, 2003. http://dx.doi.org/10.1075/cilt.236.

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17

Forceville, Charles J., and Eduardo Urios-Aparisi, eds. Multimodal Metaphor. Mouton de Gruyter, 2009. http://dx.doi.org/10.1515/9783110215366.

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18

Zwicky, Jan. Wisdom & metaphor. Gaspereau Press, 2003.

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19

1955-, Zwicky Jan. Wisdom & metaphor. Gaspereau Press, 2003.

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20

Incorporated, Independent Curators, and John and Mable Ringling Museum of Art., eds. Embedded metaphor. Independent Curators, 1996.

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21

Khine, Myint Swe, ed. Rhizome Metaphor. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9056-4.

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22

1948-, Knowles Murray, ed. Introducing metaphor. Routledge, 2005.

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23

Mundakir, Dinda. Metaphor / monograph. Edited by Afterhours Books. Afterhours Books, 2018.

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24

Ch, Forceville, and Urios-Aparisi Eduardo 1964-, eds. Multimodal metaphor. Mouton de Gruyter, 2009.

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25

Cohen, Ted. Metaphor. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0020.

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Metaphor is one of a variety of uses of language in which what is communicated is not what the words mean literally. It is, therefore, so to speak, a way of speaking of something by talking about something else. Thus, one has said (or written) X and thereby communicated Y. This characteristic of ‘indirectness’ is not alone sufficient to distinguish metaphors from other non-standard uses of language, but there is also a question as to whether metaphors in general are sufficiently similar to one another to permit a single, unified description of them. On one hand, metaphor has been a feature of

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26

Kövecses, Zoltán. Metaphor, Cognition, Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190879228.003.0002.

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The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integra

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27

Petsch, Breanda. Open Hands: A Posture and Metaphor. Independently Published, 2022.

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28

Joseph, Darowski. X-Men and the Mutant Metaphor. Rowman & Littlefield, 2014. https://doi.org/10.5040/9798881818692.

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First appearing in 1963, The Uncanny X-Men had a rough start, lasting until 1970 when the comic book was canceled due to low sales. Following a relaunch in 1975, however, it found new popularity thanks to intricate scripting by Chris Claremont and the artwork of John Byrne. Within a few years, The Uncanny X-Men was one of Marvel Comics’ best-selling series and over the decades it became one of the most successful and popular franchises in comic book history. Spin-off titles, mini-series, multimedia adaptations, and a massively expanded cast of characters followed. One of the reasons for the su

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29

Metapher und Lebenswelt: Hans Blumenbergs Metaphorologie als Lebenswelthermeneutik und ihr religionsphänomenologischer Horizont. Mohr Siebeck, 2000.

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30

Graves, Margaret S. The Intellect of the Hand. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190695910.003.0002.

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This chapter situates the act of making within the intellectual history of the premodern Islamic world. It argues that in this context making was often tacitly—and sometimes explicitly—recognized as a form of thought. Using textual sources drawn from philosophical, theological, and historical traditions, it traces a craft-oriented worldview that maps manual and cerebral processes of making onto the intellectual realm. Looking particularly at architectural design and creation, metaphors of matter and materiality, and the role of makers, this chapter argues that the value of craft and the “think

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31

Metaphorische Konzepte im Deutschen und im Indonesischen: Herz, Leber, Kopf, Auge und Hand. P. Lang, 2008.

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32

Huber, Catherine Whittier, and Lynn C. McCallum. Whole Gospel According to the Universal Theater of God's Kingdom: Any Handy Metaphor Will Do. Wipf & Stock Publishers, 2011.

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33

Huber, Catherine Whittier, and Lynn C. McCallum. Whole Gospel According to the Universal Theater of God's Kingdom: Any Handy Metaphor Will Do. Wipf & Stock Publishers, 2011.

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34

Huber, Catherine Whittier. The Whole Gospel according to the Universal Theater of Gods Kingdom: Any Handy Metaphor Will Do. Wipf & Stock Pub, 2011.

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35

Blumenberg, Hans. History, Metaphors, Fables. Translated by Hannes Bajohr, Florian Fuchs, and Joe Paul Kroll. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501732829.001.0001.

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This book collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. The book demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality, his anthropology, or his studies of literature. The book allows readers to dis

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36

Graves, Margaret S. Material Metaphors. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190695910.003.0005.

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Tracing parallels between material and verbal poetics, this chapter makes particular reference to changing conceptions of metaphor and imagery during the florescence of medieval Arabic literary theory. It uses textual sources as well as artifacts to demonstrate the intertwining of verbal, visual, and material realms. The first section expands an allegorical framework in medieval Arabic and Persian literary criticism that aligns poetry with manual crafts. Following this, two discrete groups of objects in the form of domed buildings are contextualized and considered as materialized metaphors. Fi

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37

Davis, María. Creating Your Own Space. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666990249.

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The relationship between women and houses has always been complex. Many influential writers have used the space of the house to portray women's conflicts with the society of their time. On the one hand, houses can represent a place of physical, psychological and moral restrictions, and on the other, they often serve as a metaphor for economic freedom and social acceptance. This usage is particularly pronounced in works written in the nineteenth and twentieth century, when restrictions on women's roles were changing: "anxieties about space sometimes seem to dominate the literature of both ninet

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38

Donoghue, Denis. Metaphor. 2014.

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39

Grady, Joseph E. Metaphor. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199738632.013.0008.

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40

Parker, Blanford. Metaphor. Edited by Jack Lynch. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199600809.013.39.

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41

Punter, David. Metaphor. Routledge, 2007. http://dx.doi.org/10.4324/9780203965887.

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42

Hawkes, Terence. Metaphor. Routledge, 2017. http://dx.doi.org/10.4324/9781315298092.

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43

Metaphor. Communication & Cognition, 1987.

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44

Reimer, Marga, and Elisabeth Camp. Metaphor. Edited by Ernest Lepore and Barry C. Smith. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199552238.003.0033.

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Metaphor has traditionally been construed as a linguistic phenomenon: as something produced and understood by speakers of natural language. So understood, metaphors are naturally viewed as linguistic expressions of a particular type, or as linguistic expressions used in a particular type of way. This linguistic conception of metaphor is adopted in this article. In doing so, the article does not intend to rule out the possibility of non-linguistic forms of metaphor. Many theorists think that non-linguistic objects (such as paintings or dance performances) or conceptual structures (like love as

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45

Punter, David. Metaphor. Taylor & Francis Group, 2007.

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46

Donoghue, Denis. Metaphor. Harvard University Press, 2014.

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47

Hawkes, Terence. Metaphor. Taylor & Francis Group, 2017.

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48

Punter, David. Metaphor. Taylor & Francis Group, 2007.

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49

Metaphor. Taylor & Francis Group, 2019.

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50

Metaphor. Routledge, 2007.

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