Log in

Relevant bibliographies by topics / The Monk by Matthew Lewis / Dissertations / Theses

To see the other types of publications on this topic, follow the link: The Monk by Matthew Lewis.

Dissertations / Theses on the topic 'The Monk by Matthew Lewis'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 23 dissertations / theses for your research on the topic 'The Monk by Matthew Lewis.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Fennell, Jarad. "REPRESENTATIONS OF THE CATHOLIC INQUISITION IN TWO EIGHTEENTH-CENTURY GOTHIC NOVELS: PUNISHMENT AND REHABILITATION IN MATTHEW LE." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4324.

Full text

Abstract:

The purpose of this thesis is to determine how guilt and shame act as engines of social control in two Gothic narratives of the 1790s, how they tie into the terror and horror modes of the genre, and how they give rise to two distinct narrative models, one centered on punishment and the other on rehabilitation. The premise of the paper is that both Matthew G. Lewis's The Monk and Ann Radcliffe's The Italian harness radically different emotional responses, one that demands the punishment of the aberrant individual and the other that reveres the reformative power of domestic felicity. The purpose

APA, Harvard, Vancouver, ISO, and other styles

2

Nasri, Chourouq. "L'héroi͏̈ne gothique chez Ann Radcliffe et Matthew Lewis dans The mysteryies [mysteries] of Udolpho, The monk et The Italian." Paris 3, 2003. http://www.theses.fr/2003PA030153.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Kearley, Miranda S. "Traumatic desire in three gothic texts : The Monk, Dracula, and Lost." Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1096.

Full text

Abstract:

This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>English Literature

APA, Harvard, Vancouver, ISO, and other styles

4

Gao, Dodo Yun. "Terror' and 'horror' in the 'masculine' and 'feminine' Gothic : Matthew Lewis's The Monk ( 1796) and Ann Radcliffe's The Italian (1797)." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586630.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hallberg, Therese. ""Awful apprehension" och "sickening realization" : Om begreppen "terror" och "horror" i den gotiska litteraturen." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-22834.

Full text

Abstract:

Gothic literature has a tradition of dealing with dark subjects, themes and motifs, as well as depicting fear in different shapes and forms. Dani Cavallaro describes dark fiction in terms of the "aesthetic of the unwelcome". The philosopher Edmund Burke separates the beautiful from the sublime and writes that everything that is capable of producing a terror of pain and death is a source of the sublime. In her essay "On the Supernatural in Poetry", Ann Radcliffe draws a clear line between the concepts of terror and horror and distinguished them as fundamentally different. In this essay, I defin

APA, Harvard, Vancouver, ISO, and other styles

6

Jacobson, Laura Anne. "Exploring the perverse body the Monk and Melmoth the Wanderer /." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/641.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Leblanc, Virginie. "Désirs d'enfance : le corps et ses avatars chez Lewis Carroll et James Matthew Barrie : les Alice et Peter Pan." Paris 10, 2005. http://www.theses.fr/2005PA100043.

Full text

Abstract:

Dans les Alice et Peter Pan, Lewis Carroll et James Matthew Barrie reconstituent leur objet de désir, étudient le corps en métamorphose, le développement du monstrueux, jusqu’à l’altération des enveloppes corporelles de leurs enfants rêvés qui se fragmentent et créent des doubles. Les auteurs, mus par leur désir de soumission, imposent au lecteur une vision unique de leurs œuvres, manipulent le héros en tentant de diriger la progression de sa vie et en mettant inlassablement en scène sa mort. Alice et Peter s’évertuent à accéder à l’incorporel pour oublier matérialité et mortalité, et leurs cr

APA, Harvard, Vancouver, ISO, and other styles

8

Hause, Marie. "The figure of the nun and the gothic construction of femininity in Matthew Lewis's The Monk, Ann Radcliffe's The Italian, and Charlotte Brontë's Villette /." Full-text of dissertation on the Internet (759.23 KB), 2010. http://www.lib.jmu.edu/general/etd/2010/masters/hauseme/hauseme_masters_04-28-2010.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Panopoulou, Maria. "Reconsidering the relationship between early Gothic literature and the Greek classics : the cases of William Beckford and Matthew G. Lewis." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7733/.

Full text

Abstract:

The view that Gothic literature emerged as a reaction against the prominence of the Greek classics, and that, as a result, it bears no trace of their influence, is a commonplace in Gothic studies. This thesis re-examines this view, arguing that the Gothic and the Classical were not in opposition to one another, and that Greek tragic poetry and myth should be counted among the literary sources that inspired early Gothic writers. The discussion is organised in three parts. Part I focuses on evidence which suggests that the Gothic and the Hellenic were closely associated in the minds of several B

APA, Harvard, Vancouver, ISO, and other styles

10

Lewis, Matthew [Verfasser], and Michael [Akademischer Betreuer] Lanzer. "An investigation into the pre-erythrocytic immune responses that modulate Plasmodium berghei immunopathology and protect against experimental cererbal malaria / Matthew Lewis ; Betreuer: Michael Lanzer." Heidelberg : Universitätsbibliothek Heidelberg, 2013. http://d-nb.info/1177381176/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Marnieri, Maria Teresa. "Critical and iconographic reinterpretations of three early gothic novels. Classical, medieval, and renaissance influences in William Beckford’s Vathek, Ann Radcliffe’s romance of the forest and Matthew G. Lewis’s the Monk." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399574.

Full text

Abstract:

El propósito de esta disertación doctoral es lo de investigar y comprender de mejor manera las influencias múltiples que, juntas al desarrollo y a la divulgación de la traducción literaria (puestas de relieve por Stuart Gillespie y David Hopkins), tuvieron un papel importante en el ascenso de las primeras novelas góticas al final del siglo dieciocho. Considerando que este trabajo está profundamente influenciado e inspirado por la crítica literaria reconocida a nivel internacional sobre la literatura gótica, esta investigación evita asumir perspectivas criticas típicas del siglo veinte y

APA, Harvard, Vancouver, ISO, and other styles

12

Bennion, Anna Katharine. "It's Alive! The Gothic (Dis)Embodiment of the Logic of Networks." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd2198.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Prokisch, Peter. "Fanatics, Hypocrites, Christians - Katholiken als stereotype Romanfiguren bei Richardson, Lewis, Radcliffe und Maturin : Vorformen, Darstellung und Funktion /." Hamburg : Kovač, 2005. http://swbplus.bsz-bw.de/bsz121555038cov.htm.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Bégué, Anne-Lise. "Géographie de l'enfance dans Alice's Adventures in Wonderland (1865) de Lewis Carroll, Le Avventure di Pinocchio (1883) de Carlo Collodi, Peter Pan (1911) de James Matthew Barrie, et Le Petit Prince (1943) d'Antoine de Saint-Exupéry." Thesis, Le Mans, 2017. http://www.theses.fr/2017LEMA3007.

Full text

Abstract:

Cette thèse intitulée « Géographies de l’'enfance dans Alice's Adventures in Wonderland [1865] de Lewis Carroll, Le Avventure di Pinocchio [1883] de Carlo Collodi, Peter Pan [1911] de James Matthew Barrie et Le Petit Prince [1943] d'Antoine de Saint-Exupéry » s'intéresse, à partir d'une étude sur le traitement spatial, aux notions d'espace, de lieu et de monde de l’'enfance. Il s’'agit en effet d'aborder ces quatre ouvrages de littérature enfantine, non pas sous l'angle du personnage, mais sur la relation entre la géographie mise en place dans la narration et leur succès visible encore aujourd

APA, Harvard, Vancouver, ISO, and other styles

15

Oestreich, Kate Faber. "Fashioning Chastity: British Marriage Plots and the Tailoring of Desire, 1789-1928." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1216224246.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Craig, Steven. "'Our Gothic bard' : Shakespeare and appropriation, 1764-1800." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3067.

Full text

Abstract:

In recent years, Gothic literary studies have increasingly acknowledged the role played by Shakespeare in authorial acts of appropriation. Such acknowledgement is most prominently stated in Gothic Shakespeares (eds. Drakakis and Townshend, 2008) and Shakespearean Gothic (eds. Desmet and Williams, 2009), both of which base their analyses of the Shakespeare-Gothic intersection on the premise that Shakespearean quotations, characters and events are valuable objects in their own right which mediate on behalf of the 'present' concerns of the agents of textual appropriation. In light of this scholar

APA, Harvard, Vancouver, ISO, and other styles

17

Jeffrey, Johnson Kirstin Elizabeth. "Rooted in all its story, more is meant than meets the ear : a study of the relational and revelational nature of George MacDonald's mythopoeic art." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1887.

Full text

Abstract:

Scholars and storytellers alike have deemed George MacDonald a great mythopoeic writer, an exemplar of the art. Examination of this accolade by those who first applied it to him proves it profoundly theological: for them a mythopoeic tale was a relational medium through which transformation might occur, transcending boundaries of time and space. The implications challenge much contemporary critical study of MacDonald, for they demand that his literary life and his theological life cannot be divorced if either is to be adequately assessed. Yet they prove consistent with the critical methodology

APA, Harvard, Vancouver, ISO, and other styles

18

Lassoued, Nesrine. "Transgression in Matthew Lewis's The Monk and the Fragmentation of the Self." Thèse, 2014. http://hdl.handle.net/1866/11048.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Tsai, Meng-Hsun, and 蔡孟勳. "Conflict and Compromise: The Religious, Moral and Historical Dilemmas Represented in Matthew G. Lewis’ Novel The Monk." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/16842242713090754423.

Full text

Abstract:

碩士<br>國立成功大學<br>外國語文學系碩博士班<br>92<br>Abstract 　　Matthew Lewis’s The Monk focuses on the process of Ambrosio’s moral and sexual fall from a holy saint of Madrid to an outrageous criminal. Among the causes of his rapid corruption, the conflict between the continent life of religion and human instinctual sexual desire is the main one. Because of the seclusion from the world outside the monastery and the Catholic idolatry, in Ambrosio’s world, there is only one type of femininity which he regards as true and acceptable, that is, the ideal type of the sacred Virgin Mary. Hence, the Virgin Mary natur

APA, Harvard, Vancouver, ISO, and other styles

20

Messier, Vartan P. "Canons of transgression : shock, scandal, and subversion from Matthew Lewis' The Monk to Bret Easton Ellis' American psycho /." 2004. http://grad.uprm.edu/tesis/messiervartan.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Yi, Hsuan-Wen, and 易宣妏. "The Door in Matthew Lewis’s The Monk." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/bf73k2.

Full text

Abstract:

碩士<br>國立政治大學<br>英國語文學系<br>107<br>A door is a common object in daily life, so much so that its significance is not immediately obvious to us. This probably explains why, as far as I know, no scholars of Gothic fiction have ever scrutinised the role doors play in Matthew Lewis’s The Monk, even though this novel obsessively draws readers’ attention to them. This dissertation seeks to rectify this critical oversight and to explain why we need to pay attention to doors in The Monk. The first chapter of this dissertation explores the issues of boundaries and control that the existence of a door nec

APA, Harvard, Vancouver, ISO, and other styles

22

Chen, Chang-ching, and 陳昌慶. "Anti-Catholic Ideology and Anti-patriarchal Ideology in Matthew G. Lewis’s The Monk." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/78141062452781395517.

Full text

Abstract:

碩士<br>國立中正大學<br>外國語文研究所<br>101<br>The Gothic novel is traditionally considered to be a genre of literature that combines elements of horror and romance. The reader expects to meet characters like demons, villains, bandits, or some supernatural events as s/he reads a Gothic novel. Labeled as a Gothic masterpiece, Matthew G. Lewis’s The Monk has long been regarded as a novel filled with supernatural events, graphic violence, vivid sexuality, and necromancy. In addition to these Gothic attributes, some ideologies in fact are deeply embedded in the novel. Ambrosio’s downfall reveals anti-Catholic

APA, Harvard, Vancouver, ISO, and other styles

23

Chenglun, Hsieh, and 謝政倫. "The Line of Flight of a Desiring Machine: the Schizoanalysis of Matthew Lewis’s The Monk." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/sf345j.

Full text

Abstract:

碩士<br>國立彰化師範大學<br>英語學系<br>102<br>Abstract This thesis, The Line of Flight of a Desiring Machine: the Schizoanalysis of Matthew Lewis’s The Monk, maintains that the author of The Monk, M. G. Lewis, belongs to the Nietzschian cultural physicians, who offer an alternative insight to the world. In the late 18th century, including Lewis, a bunch of Gothic novel writers can be regarded as the contemporary cultural physicians, who contradict the rationality dominated classicism in their own ways, and cope with the omnipresent ideological domination, which defines normalcy and Oedipalizes the dominate

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!