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Dissertations / Theses on the topic 'The Most Original Poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Consult the top 24 dissertations / theses for your research on the topic 'The Most Original Poetry.'

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1

Cookson, Jennifer Colleen. "Topographies (Original writing, Poetry)." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p1425798.

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2

Watts, Bobby M. "Past Providence : a manuscript of original poems /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3115598.

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3

Stricker, Lucas. "A shadow of adequacy original poetry and microfiction /." Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1313909551&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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4

Kerwin, Chelsea E. "Bodies at Their Most Violent." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431004825.

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5

King, Willow. "Yantra: A creative writing thesis (Original writing, Poetry, Creative fiction)." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p1425764.

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6

Blomberg, Sam. "The Appetizer and Other Poems." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1347.

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Thrust into a world of poetry, I’ve grown to embrace the poetic lens. Each topos, each trope, each rhyme, each cliché, each morning morning’s minion, each reduction to a state of almost savage torpor, each nightingale, each ode to an obscure, inanimate object, and every single Stella of the skies holds special significance hidden to the naked eye. Not insamuch as something undiscoverable upon ponderance. Rather, a way to contemplate the physical. The Ah, Sunflower! reaction. That is not to say that poets have a supernatural eyesight to certain beautiful images. My eyes do not see any more dand
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7

Khanyile, Musawenkosi Christopher. "Townships, shacks and suburbs: An original collection of poems." University of the Western Cape, 2018. http://hdl.handle.net/11394/6648.

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Magister Artium - MA<br>My creative writing full master’s thesis, entitled Townships, Shacks and Suburbs, is a collection of poems that explores the role played by place in shaping identity. Poems in this collection seek to examine the interplay between identity and place, particularly the influence that environmental settings or contexts have in shaping how individuals define who they are. The theme of place is divided into three environmental contexts, namely the township, the rural context and the urban context. The poet navigates between these three environmental contexts, observing how ea
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8

Williams, Anthony David Henry. "Contemporary pastoral : Sean O'Brien, Peter Didsbury, Michael Hofmann ; and, Original poetry collection." Thesis, Sheffield Hallam University, 2009. http://shura.shu.ac.uk/20544/.

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Landscape reflects and informs the history which shapes it, the society of which it forms a part, and the culture and identity of its inhabitants. An introduction provides a brief survey of contemporary pastoral poetry, identifying two main strands, the Romantic and the social-pastoral traditions. Further chapters discuss the relations between landscape, society, history and identity in the work of Sean O'Brien, Peter Didsbury and Michael Hofmann. Sean O'Brien's poetry depicts 'marginal' post-industrial locations both as the subjects of historical forces and as idyllic; interrogates received E
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9

Finck, Perry Fred. "Determining the most effective therapy for a client : a literature review with an original pilot study /." View online, 1985. http://repository.eiu.edu/theses/docs/32211130498134.pdf.

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10

Chung, Fiona, and 鍾雅妍. "Reflections on the relations between note and word: original compositions in music and poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29793622.

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11

Byrne, Michel. "Bàrdachd Mhic Iain Dheòrsa : the original poems of George Campbell Hay : an annotated edition." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/10549.

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George Campbell Hay (1915-1984) is acknowledged as one of the towering figures of 20th c. Gaelic poetry, and also respected outwith that linguistic tradition for his work in Scots and English, yet since the appearance of his three poetry collections shortly after the war, the greater part of his work has been unavailable, and its appreciation limited to a handful of Gaelic poems. Even the 1970 anthology which brought his non-Gaelic poems to wider attention has long been out of print, and his master-work - the unfinished long narrative poem Mochtar is Dughall - only emerged from almost forty ye
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12

Poyhonen, Alexander J. "Don Quijote lo Interminable: La Cuestión de los Textos Originales y las Emanaciones a Través de Formas Secundarias de Arte." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/522.

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In chapter 1, I ponder the role of authorship and whether or not an original text can truly exist. Specifically, the claim that Borges has that a copy can be superior to an original. From this, brings me to chapter 2 with the movie Man of la Mancha. In this movie, I highlight some of the pros and cons of a copy. The windmill scene is a negative emanation of the Quixote, while the interaction between people and the presence of women is something the movie truly displays well. In the third chapter, I look at Lost in la Mancha because it demonstrates a failed attempt to translate the Quixote. In
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13

McIntosh, Constance. "Holy Union: The Original Unity of "The Wife's Lament" and "The Husband's Message" in Their Cultural and Ecclesiastical Context." Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/977.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>English
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14

Skutar, Claudia Rachel. "Lunulae." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212087195.

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15

Molberg, Jenny 1985. "Marvels of the Invisible." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801890/.

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This dissertation is comprised of a collection of poems preceded by a critical preface. The preface considers the consumed animal body as a metaphor in contemporary American poetry, specifically in the works of Galway Kinnell, Li Young Lee, and Brigit Pegeen Kelly. The consumption of the mute creature allows the poet to identify the human self in the animal other, and serves as a metaphor for our continuity with the natural world. I revise Owen Barfield’s notion of “original participation,” positing that through imaginative participation, the poet and the reader can identify the animal within
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16

Sandten, Cecile, and Mandy Beck. "Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology." Universitätsverlag Chemnitz, 2020. https://monarch.qucosa.de/id/qucosa%3A72086.

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TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university. TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstra
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17

Sandten, Cecile, and Mandy Beck. "Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology." Universitätsverlag Chemnitz, 2019. https://monarch.qucosa.de/id/qucosa%3A34663.

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TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university. TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstrat
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18

Reilly, Edward. "Deluge : a collection of original poetry with exegesis." Thesis, 2000. https://vuir.vu.edu.au/15453/.

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This thesis consists of two distinct sections. The first section consists of the two books of original poems, the first being The Camden Poems, a set of fifty-two quatorzains. These unthymed sonnets have as their focus the immediate human environment of my life in Geelong and the Western Districts over the past twenty years. In many ways they are celebrations and observations, although some of the poems are critical in their stance. The second book of poems. Deluge, is a collection of twenty-three long poems set in Geelong during the flood of 1995. It utilises two urban myths of drowning to
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19

Yang, Lan-Yi, and 楊嵐伊. "Return to the Original Context: A Study of Bei-Dao''s Poetry." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/06617377301665861370.

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碩士<br>國立中央大學<br>中國文學研究所<br>97<br>Bei-Dao started to write Modern Chinese Poetry since 1970. At the first stage of writing, Bei-Dao intended to create some peaceful pastoral poems. But when he inspired with Existentialism which circulated through underground literary circles, Bei-Dao turned the romantic notions about poetry into the though about changing the Chinese society. In 1973, after writing the poem “Let Me Tell You, World,” Bei-Dao tried to introspect himself and rebel the society through writing. In the following years the poems “An End or a Beginning—for Yu Luoke,” “Declaration—for Yu
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20

Fahy, Sandra Maoliasa. "Writing great hunger Ireland in 1845-50, the "Potato Famine", historiography and original poetry /." 2000. http://wwwlib.umi.com/cr/yorku/fullcit?pMQ67720.

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Thesis (M.A.)--York University, 2000. Graduate Programme in Interdisciplinary Studies.<br>Typescript. Includes bibliographical references (leaves 163-173). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ67720.
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21

Stumpo, Jeffrey David. "Double Helix." Thesis, 2011. http://hdl.handle.net/1969.1/ETD-TAMU-2011-05-9253.

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Double Helix approaches the conjunction of visual poetry and long poetry from two distinct but related viewpoints. The first is a scholarly examination of the techniques used to make a long poem visual or a visual poem long. The second is a production of an original long visual poem exhibiting these techniques. The first part, "The Look of the Long Poem," posits that there are five major techniques which are used in long visual poems: line breaks, imagetexts, white space, page division, and collage and montage. These techniques are grounded in the theoretical work of, among others, Katherine
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22

Simon, Francine. "Shadow sounds : an original collection of poetry and an essay on questions of femaleness and diaspora in Meena Alexander's Illiterate heart." Thesis, 2013. http://hdl.handle.net/10413/11321.

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Shadow Sounds: an Original Collection of Poetry and an Essay on Questions of Femaleness and Diaspora in Meena Alexander’s Illiterate Heart. The thesis comprises two parts: an original collection of poetry entitled Shadow Sounds, and a critical essay exploring the issues of diaspora and femaleness in Meena Alexander‟s Illiterate Heart. Shadow Sounds is a compilation of poems which examines the interrelations of a South African Indian familial structure, the emergence of a strong female sexual identity, and the open, even experimentally processual approach which influences the exploration of lyr
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23

Moolman, Jacobus Philippus. "Autobiography of bone : an original cycle of dramatic poems researching the problematics of reconceptualisation of the formal boundaries between the genres of poetry and drama." Thesis, 2010. http://hdl.handle.net/10413/4662.

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Autobiography of Bone consists of a cycle of original dramatic poems and short poetic dramas which investigate the problematics of a reconceptualisation of the genre-based distinctions between poetry and drama. The work seeks to extend and then map the new territory revealed to me as a result of my experiments with form, and with the consequences that new forms have for content and meaning. The material in the cycle of poems presents and explores a multi-layered and wide-ranging, rather than unitary, response to issues of the body (specifically disability), memory and language. A concluding sc
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24

Weng, Yen-Ling, and 翁燕玲. "The Annotation Turn of the Original Meaning of Poetry── The realms of cultural consciousness, textual view, and elucidation of existence in the annotation paradigm shift of Shi Jing." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/g2a8a5.

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博士<br>國立東華大學<br>中國語文學系<br>101<br>Since the formation of the contemporary annotation paradigm of Shi Jing after in the May Fourth Movement, the annotation of Shi and poem text have been influenced by the fixed view of this annotation paradigm, which is restricted by the perspectives of Western culture and the unique historical situation at that time. The classical annotation of Shi Jing and the textual annotation of poetry both emphasize the original meanings to be conveyed by the writer who wrote for the purpose of self-expression, while denouncing the traditional paradigm of the study of clas
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