Relevant bibliographies by topics / The multiplex cinema

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'The multiplex cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'The multiplex cinema.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "The multiplex cinema"

Collins, Alan, Chris Hand, and Andrew Ryder. "The Lure of the Multiplex? The Interplay of Time, Distance, and Cinema Attendance." Environment and Planning A: Economy and Space 37, no. 3 (March 2005): 483–501. http://dx.doi.org/10.1068/a3756.

Full text

Abstract:

Models of cinema demand have tended to employ aggregate data and focus on price and income as key variables. Surprisingly, the effects of travel time and location have not been formally investigated. The authors do so, following developments in the environmental economics literature, by presenting estimates of individual travel cost models for multiplex and nonmultiplex cinemas. A key finding is that travel time has a significant negative effect on nonmultiplex cinema trips, but that this does not hold for multiplex trips; reasons for this are advanced. In the case of multiplex cinema trips, a range of phenomena relating to minimising time-cost uncertainty are shown to be significant. The authors also contribute to an explanation for the ‘overscreening’ phenomenon observed in the United Kingdom and the USA, which has led to the closure of some relatively recently built multiplexes.

APA, Harvard, Vancouver, ISO, and other styles

Hanson, Stuart. "‘Entering the age of the hypermarket cinema’: The First Five Years of the Multiplex in the UK." Journal of British Cinema and Television 14, no. 4 (October 2017): 485–503. http://dx.doi.org/10.3366/jbctv.2017.0390.

Full text

Abstract:

During the first five years of its development from the opening of The Point in Milton Keynes in 1985, multiplex cinemas radically changed the previous exhibition landscape, modernising the business of cinema exhibition and shifting the site of film consumption to new, out-of-town shopping and leisure centres. This article considers certain key developments in that initial period of the multiplex cinema's introduction into the UK, with particular emphasis on three aspects of its diffusion: the importance of regeneration and enterprise, the multiplex's role in stimulating associated leisure and commercial developments, and its relationship to out-of-town and regional shopping developments. In order to illustrate these themes, the article will consider the opening of four complexes: The Cannon in Salford Quays, and the AMC multiplexes in Telford in Shropshire, in Sheffield and in Dudley Merry Hill in the West Midlands.

APA, Harvard, Vancouver, ISO, and other styles

Hames, Peter, and John Cunningham. "Hungarian Cinema from Coffee House to Multiplex." Slavic and East European Journal 49, no. 3 (October 1, 2005): 526. http://dx.doi.org/10.2307/20058330.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Park, Young-Seo, and Sungil Ham. "Spatial analysis of various multiplex cinema types." Frontiers of Architectural Research 5, no. 1 (March 2016): 63–73. http://dx.doi.org/10.1016/j.foar.2015.11.001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Devasundaram, Ashvin. "Cyber Buccaneers, Public and Pirate Spheres: The Phenomenon of Bittorrent Downloads in the Transforming Terrain of Indian Cinema." Media International Australia 152, no. 1 (August 2014): 108–18. http://dx.doi.org/10.1177/1329878x1415200112.

Full text

Abstract:

The polemic circumscribing the rise and regulation of new independent Indian cinema is a compelling example of vicissitudes in India's public sphere. This article locates a growing access to new independent Indian films through pirate spheres, reflected in the burgeoning popularity of BitTorrent websites, particularly among young, urban Indians, disenchanted by inaccessibility due to regulations and multiplex cinemas' expensive ticket-pricing system. It precipitates deeper discourses of ‘migrating’ cinema audiences, an ambivalent state of film and internet regulation, and civil resistance, exemplified in the recent Madras High Court volte face, unblocking banned BitTorrent websites. This article invokes interviews with independent filmmakers also utilising the paradigm of independent Bengali film Gandu (2010) – purportedly denied a release for its graphic sexual content, and yet widely accessed via BitTorrent and YouTube. Ultimately, this study examines the discursive ramifications of new independent Indian cinema in a metamorphosing Indian cinema sphere.

APA, Harvard, Vancouver, ISO, and other styles

Tsukernikov, Ilya, and Alexandr Fadeev. "RESULTS OF A SERIES OF ACOUSTIC MEASUREMENTS OF NOISE PENETRATING THROUGH THE PARTITION BETWEEN TWO CINEMAS." Akustika 32 (March 1, 2019): 195–200. http://dx.doi.org/10.36336/akustika201932195.

Full text

Abstract:

The number of cinemas has increased over the past 10 - 15 years in Russia. The main part of new cinemas is multiplex cinemas in the shopping and entertainment malls. It is mean that in multiplex two cinemas may show the movies at the same time. The problem of airborne sound isolating by a partition/slab between two multiplex cinemas halls is considered. The analysis of the regulatory and technical documents (the International Standard, and the national documents of the Russian Federation, as well as the corporative standards of international cameramen) is done. The levels of penetrating noise through a partition between two cinemas halls are measured for two cinemas. The discrepancy between the estimated sound insulation parameters and the requirements of the current regulatory documents are shown. A series of field measurements of acoustic parameters is carried out. The discrepancy of the airborne sound insulation parameters by partition is shown. The case of one-number estimation of airborne of sound isolation in the law frequency range is considered. The influence of acoustic finishing on the levels of penetrating noise from one cinema hall to another is estimated.

APA, Harvard, Vancouver, ISO, and other styles

Geistefeldt, Helmut. "Combined Prestress at Longspan Slabstructures for Multiplex Cinema." IABSE Symposium Report 86, no. 5 (January 1, 2002): 8–14. http://dx.doi.org/10.2749/222137802815776504.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Athique, Adrian. "From cinema hall to multiplex: A public history." South Asian Popular Culture 9, no. 2 (July 2011): 147–60. http://dx.doi.org/10.1080/14746681003798037.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Athique, Adrian Mabbott, and Douglas Hill. "Multiplex Cinemas and Urban Redevelopment in India." Media International Australia 124, no. 1 (August 2007): 108–18. http://dx.doi.org/10.1177/1329878x0712400111.

Full text

Abstract:

The aim of this article is to introduce the phenomenon of the multiplex theatre as it is being played out within the complex urban geographies of metropolitan India. Since its inception a decade ago, the multiplex cinema in the subcontinent has become an intrinsic component of a new leisure infrastructure configured around the notion of a ‘consuming class’ keen to take its place amongst a ‘global middle class’. The dramatic growth in multiplex cinemas, projected to grow in numbers by 300 per cent over the next three years, has been greatly encouraged by urban planning and taxation policies designed to encourage new commercial and residential developments arising out of urban regeneration programmes and the growth of satellite conurbations. This article makes the case that, while the multiplex is an example of flagship architecture employed in the ‘globalisation ‘of the urban environment, the demand for such facilities is also a logical extension of the long-running contest over public spaces between different segments of the urban population in Indian cities.

APA, Harvard, Vancouver, ISO, and other styles

Lee, Seung-min. "A Study of User Experience of Multiplex Cinema App." Journal of Digital Contents Society 20, no. 8 (September 30, 2019): 1799–807. http://dx.doi.org/10.9728/dcs.2019.20.9.1799.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "The multiplex cinema"

Hanson, Stuart. "Contemporary developments in cinema exhibition." Thesis, De Montfort University, 2014. http://hdl.handle.net/2086/11105.

Full text

Abstract:

The work offered for this PhD by Published Works charts the history of cinema exhibition in Britain from the late 1950s to the present. At the start of this period, cinemagoing as a form of public entertainment entered a long period of decline that was only arrested with the development and growth of multiplex cinemas in the 1980s and 1990s. Despite these changes, the feature film itself remained a culturally and commercially valuable artefact, though increasingly this meant the Hollywood film. Whilst due consideration is afforded to the technological changes in cinemas and the cinema apparatus, my work places the development of cinemagoing in a broad social, economic, cultural and political context, and explains how these issues impact upon on-going developments. In the late 1950s, cinemagoing declined partly in response to changing leisure habits, demographic shifts, the growth of consumer culture, television, and the widespread adoption of new broadcast technologies like home video and satellite. The multiplex returned feature films to cinemas, but was a definitively American commercial form closely associated with new forms of leisure and out-of-town retailing. There are also parallels between the context for development of the multiplex in the USA – suburbanisation, shopping malls and reliance on the motorcar – and developments in Britain in the last 30 years. To this end there is a specific emphasis on the development of the multiplex cinema as part of a wider narrative about the re-positioning of cinemagoing as a collective, public form of visual entertainment, in the period from the mid-1980s, in the context of some dramatic changes in the transient nature of capitalism and urban planning. From the early 1990s onwards there was a growing anxiety about the impact of out-of-town developments on Britain’s urban centres, and a concomitant and renewed emphasis on the importance of the urban core rather than the edge. Thus, the key to understanding the evolution of cinema exhibition today is to pay particular attention to urban planning as inherently ideological, shifting and changing in line with broader political, economic and social considerations.

APA, Harvard, Vancouver, ISO, and other styles

Van, Dyk Stephanie. "Re-interpretation of the cinema." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112443.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Stefani, Eduardo Baider. "A geografia dos cinemas no lazer paulistano contemporâneo: redes e territorialidades dos cinemas de arte e \'multiplex\'." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-04022010-151528/.

Full text

Abstract:

O trabalho ora apresentado constrói uma interpretação da geografia das salas de cinema contemporâneas do município de São Paulo. Desde seu estabelecimento enquanto equipamento de lazer e cultura, o cinema desempenhou fundamental papel na produção e reprodução do espaço urbano paulistano, engendrando, em diferentes momentos, distintos significados sociais e diversas formas de sociabilidades. Em anos recentes, especialmente no decorrer das décadas de 1990 e 2000, o mercado exibidor cinematográfico paulistano foi modelado por pelo menos dois equipamentos, deveras distintos entre si: os cinemas multiplex, comumente localizado em shopping-centers, pertencentes a grandes redes empresariais, e os cinemas voltados para uma programação alternativa ou de arte, via de regra instalados em vias públicas ou em galerias, fomentando uma apropriação do espaço que podemos alcunhar de territorialidade. Considerando tal constructo social, o objetivo primordial foi analisar o significado das salas de cinema, as ações e apropriações desenvolvidas por seus freqüentadores, na e para a (re)produção do espaço urbano paulistano a partir da década de 1990, elaborando, para tanto, uma compreensão teórico-conceitual embasada nas concepções de redes geográficas e nas territorialidades decorrentes de apropriações espaciais.. A proposta epistemológica foi criar um amalgama complexo, que não mitigasse nem a relevância dos fatores culturais, interpretativos e apropriativos, causa e conseqüência dos cinemas, tampouco desconsiderasse a estruturação e as motivações econômicas dos agentes que coordenam a organização destes equipamentos. Crê-se, nesse sentido, que o trabalho, apresentando e refletindo acerca de um dos mais importantes elementos de lazer e cultura existentes no município de São Paulo, possa subsidiar uma crítica densificada de fenômenos e processos responsáveis, em grande medida, pela produção do espaço urbano contemporâneo e seus significados sociais.
The work for now presented builds an interpretation of the geography of the contemporary movie theaters of the municipal district of São Paulo. From the establishment of the movie theaters while leisure equipment and culture, this element played fundamental part in the production and reproduction of the São Paulo urban space, engendering, in different moments, different social meanings and several forms of sociabilities. In recent years, especially in elapsing of the decades of 1990 and 2000, the market cinematographic from São Paulo exhibitor was modeled for at least two equipments, really different amongst themselves: the multiplex movie theaters, commonly located in shopping centers, belonging to great business nets, and the movie theaters especialized in alternative programming or of art, rule installed in public roads or in galleries, fomenting an appropriation of the space that we can name of territoriality. Considering such a social product, the primordial objective went to analyze the meaning of the movie theaters, the actions and appropriations developed by their visitors, in the and for the (re)production of the from São Paulo urban space starting from the decade of 1990, elaborating, for so much, a theoretical-conceptual understanding based in the conceptions of geographical nets and in the current territories and space appropriations. The theoretical proposal went to create one amalgamates complex, that it didn\'t mitigate nor the relevance of the factors cultural, interpretative and of appropriation, it causes and consequence of the movie theaters, either disrespected the structuring and the agents\' economical motivations that coordinate the organization of these equipments. It is believed, in that sense, that the work, presenting and contemplating concerning one of the most important leisure elements and existent culture in the municipal district of São Paulo, it can subsidize a dense critic of phenomena and responsible processes, in great measure, for the production of the contemporary urban space and their social meanings.

APA, Harvard, Vancouver, ISO, and other styles

Jurgelaitytė, Žydrūnė. "Kino teatro lankomumo svyravimai Europos Sąjungoje 1990-2007 m." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20140626_181357-25099.

Full text

Abstract:

KINO TEATRO LANKOMUMO SVYRAVIMAI EUROPOS SĄJUNGOJE 1990 - 2007 m. Santrauka Nuo 1990 metų prasidėjo kino teatro lankomumo atgimimas, užbaigęs ankstesnį tris dešimtmečius trukusį kino teatro lankomumo mažėjimą. Naujieji amerikietiško tipo kino teatrai – multipleksai – turintys 8 ir daugiau kino sales bei rodantys įspūdingus, finansiniu požiūriu itin sėkmingus filmus, sugrąžino auditoriją į kino teatrus. Bet jau 2001 metais pagal kino teatrų skaičių Europos Sąjungos 15 šalių kino rinka, charakterizuojama kaip galutinai įsotinta ir kurios neįmanoma plėsti vien tik plečiant kino teatrų tinklą. Didžiausias kino teatro lankomumo augimo potencialas stebimas Europos Sąjungos naujosiose šalyse, kur į kino rinkas iki šiol investuota santykinai mažai. Čia palyginus mažas kino ekranų skaičius, tenkantis šalies gyventojams bei mažas kasmetinis apsilankymų skaičius, tenkantis vienam gyventojui. Darbe nustatomos priežastys, sukėlusios kino teatro lankomumo svyravimus, iš kurių pagrindine laikoma – multipleksų plėtra. Darbe teigiama, kad šalyse, kuriose mažiausiai išvystyti multipleksai, yra mažiausias kino teatrų lankomumas. Šis darbas, vertinant jo praktinę reikšmę, turėtų būti aktualus vystantiems kino verslą ir visiems besidomintiems kinu, kino istorija, kino teatrų auditorijos pasikeitimu, multipleksų atsiradimu ir jų įtaka formuojant vartojimo įpročius.
FLUCTUATIONS IN CINEMA ATTENDANCE (EU, 1990 – 2007) Summary Since 1990 cinema attendance began to revive after having declined over a 30-year period. The arrival of American-style multiplexes – new cinemas with eight or more screens demonstrating blockbuster films – had successfully attracted audiences back to the cinema. Since 2001 in terms of the number of cinemas, EU 15 countries cinema market was already described as fundamentally saturated and can no longer be expanded by building new cinemas. The greatest potential lies with new EU countries that untill now have seen less intensive investment. Here cinema markets have low screen densities, which are currently accompanied by low admission – per capita ratios. This paper examines the reasons of fluctuations in cinema attendance and considers the impact of the multiplex development. In terms of practical meaning, this paper should be relevant to cinema business developers and all others being intersted in cinema, cinema history, changes in cinema audiences, rise of multiplex and its impact on consumer habbits.

APA, Harvard, Vancouver, ISO, and other styles

Acar, Filho Nelson. "Método para gerenciamento de estratégias em ambiente de inovação disruptiva usando sistemas dinâmicos: o caso da implantação do cinema digital no Brasil." reponame:Repositório Institucional do FGV, 2013. http://hdl.handle.net/10438/10737.

Full text

Abstract:

Submitted by Nelson Acar Filho (nelson.acar@gvmail.br) on 2013-04-12T20:07:32Z No. of bitstreams: 1 Projeto Final Defesa BIBLIOTECA.pdf: 3038064 bytes, checksum: 4ab58ccd2ec6fe80a5424efc447fb4c6 (MD5)
Approved for entry into archive by Vera Lúcia Mourão (vera.mourao@fgv.br) on 2013-04-12T20:10:52Z (GMT) No. of bitstreams: 1 Projeto Final Defesa BIBLIOTECA.pdf: 3038064 bytes, checksum: 4ab58ccd2ec6fe80a5424efc447fb4c6 (MD5)
Made available in DSpace on 2013-04-12T20:11:11Z (GMT). No. of bitstreams: 1 Projeto Final Defesa BIBLIOTECA.pdf: 3038064 bytes, checksum: 4ab58ccd2ec6fe80a5424efc447fb4c6 (MD5) Previous issue date: 2013-03-13
Uma das grandes preocupações da academia na área de Estratégia Empresarial é a evolução das teorias das inovações disruptivas versus inovações incrementais. Dentro destas discussões encaixam-se as teorias que estruturam a linha das inovações tecnológicas versus as inovações que alteram os modelos de negócios. Mais complexo é o estudo das inovações que alteram tanto as tecnologias quanto os modelos de negócios não só de algumas empresas, mas de toda uma cadeia produtiva. Esta dissertação propõe um método de antecipação das consequências que sofrerão todos os agentes de uma cadeia produtiva sob efeito de inovações disruptivas. Para lidar com a complexidade desta antevisão usamos o instrumental de sistemas dinâmicos e o pensamento sistêmico. Como estudo de caso, estamos analisamos a implantação do cinema digital no Brasil, a qual afeta toda a cadeia do áudio visual no país. No nosso referencial teórico sobre inovação utilizamos um encadeamento, não totalmente linear cronologicamente, de teorias composto pelos os conceitos de diversificação, descontinuidades tecnológicas, descontinuidades estratégicas, inovações disruptivas, modelos duais, reações organizacionais, organizações ambidestras, verticalização versus integração das cadeias produtivas e harmonização de modelos mentais. A presente dissertação discorre sobre estes fundamentos teóricos e usa o caso da implantação do Cinema Digital no Brasil como verificação empírica. A exibição digital está apresentando indícios de ser uma inovação disruptiva que altera tanto padrões tecnológicos como os modelos de negócios dos exibidores sendo, portanto, um campo adequado de verificação e extensão da teoria. Através do exame das estratégias possíveis das redes de exibidores de cinema no atual momento da digitalização no Brasil mostramos como elas podem vencer mais facilmente os desafios decorrentes do processo, aperfeiçoar os resultados econômicos e financeiros, minimizando o tempo de sua concretização e se tornarem ambidestras isto é, se prepararem para enfrentar um processo no qual muitas outras inovações ainda vão ocorrer estando, no momento, nas suas fases de gestação. A estrutura da dissertação foi construída com um maior detalhamento no início de sua parte metodológica pela utilização do instrumental sistêmico para facilitar o entendimento do projeto. Muita da literatura sobre inovações, descontinuidades e disrupções já se utilizava de uma forma de pensar sistêmica sem colocá-la sob este formato. Quando isto ocorreu de forma significativa em uma teoria importante para os nossos propósitos fizemos sua “tradução” para a simbologia sistêmica. Dentro deste objetivo, fazemos, já no capítulo 3, uma breve explanação sobre a forma de pensar em Sistemas Dinâmicos, a identificação de “loops” causais, de “delays” (atrasos) e das principais mudanças plausíveis ao longo do tempo. A seguir, no capítulo 4 fazemos uma revisão da teoria das inovações disruptivas, e no capítulo 5 mostramos como a implantação do cinema digital se encaixa nesta teoria e de como a cadeia inteira do audiovisual está sendo afetada de forma sistêmica, cuja complexidade pode ser manejada pela construção do mapa causal que relaciona as estratégias de todos os seus agentes ao longo do tempo. Este mapa causal é usado para antecipar comportamentos estratégicos dos componentes da cadeia audiovisual sob ambiente disruptivo. No capítulo 6, como contribuição teórica, propomos que esta forma de organizar a complexidade seja um processo perene a ser utilizado no mapeamento e previsão de outras mudanças em ambientes de inovações disruptivas aceleradas além de elencar recomendações estratégicas para a transformação das cadeias de exibição brasileiras em organizações ambidestras com capacidade de competir eficientemente com as cadeias internacionais que chegaram e ainda estão chegando ao país e que já são responsáveis hoje por aproximadamente 45% da receita de bilheteria de cinema no país. No capítulo 7 mostramos sugestões de aplicação do método a outras cadeias produtivas que estão no meio de processos disruptivos, as vantagens de sua adoção, limitações e aperfeiçoamentos futuros.

APA, Harvard, Vancouver, ISO, and other styles

Brown, James, and katsuben@internode on net. "South Korean Film Since 1986: The Domestic and Regional Formulation of East Asias Most Recent Commercial Entertainment Cinema." Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.

Full text

Abstract:

This thesis investigates the historically composed political and economic contexts that contributed to the late 1990s commercial renaissance of Korean national cinema and that have sustained the popularity of Korean films among local and regional audiences ever since. Unlike existing approaches to the topic, which emphasise the textual characteristics of national film production, this thesis considers relations between film production, distribution, exhibition, and ancillary markets, as well as Korean cinemas engagement with international cinemas such as Hollywood, Hong Kong, China and Japan. I argue that following the relaxation of restrictive film policy towards the importation and distribution of foreign films between 1986 and 1988, the subsequent failure of the domestic film industry to compete against international competition precipitated a remarkable shift in consensus regarding the industrys structure and functions. Due to the loss of distribution rights to foreign films and the rapid decline in ticket sales for Korean films, the continued economic viability of local film companies was under enormous threat by the early 1990s. The government reacted by permitting conglomerates to seize control of the industry and pursue vertical and horizontal integration. During the rest of the decade, Korean cinema was transformed from an art cinema to a commercial entertainment cinema. The 1997/98 economic crisis led to the exit of conglomerate finance, but streamlined film companies were able to withstand the monetary meltdown, continue the domestic revitalisation, and, since the late 1990s, build media empires based on the expansion of Korean cinema throughout the Asian region.

APA, Harvard, Vancouver, ISO, and other styles

Fournier, Caroline. "La prolifération des versions multiples dans le cinéma en Espagne de 1955 à 1967." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030011.

Full text

Abstract:

La prolifération des versions multiples dans le cinéma en Espagne de 1955 à 1967 résulted’une situation complexe, qui trouve son origine dans les conditions de production et dedistribution, dans une législation qui ne cesse d’évoluer pour mieux contrôler le domaine, et aussidans l’émergence de voix discordantes au sein de la création.Le premier facteur déterminant est la mise en place de structures administratives decontrôle, dont la censure se révèle l’instrument le plus direct, mais qui ne doit pas faire oublier laportée des autres mécanismes d’autorisation et de protection économique : il s’agit d’imposer aucinéma les cadres de l’idéologie du régime franquiste et de l’Église. Il ne faut cependant pas sousestimerl’importance de l’industrie dans cette pratique systématique : les formes de production,de distribution, de diffusion, l’émergence de nouveaux courants et les difficultés techniques jouentelles aussi un rôle essentiel.Après une analyse générale de ces facteurs étroitement liés entre eux, un éventail de neufétudes de cas dresse un portrait de la pluralité filmique dans une Espagne qui traverse unepériode d’espoir et de velléités d’ouverture. À travers l’approfondissement de la genèsecompliquée de films représentatifs des principaux genres et courants ainsi que des différentesétapes qui jalonnent l’histoire du cinéma espagnol de 1955 à 1967, il apparaît quel’interdépendance de l’État et de l’industrie constitue le terrain propice à l’existence systématiquede variantes voulues ou imposées
The proliferation of multiple versions in cinema in Spain from 1955 to 1967 is due to a complexsituation originating from the conditions of production and distribution, a legislation that constantlyevolved in order to control the sector more efficiently and the emergence of dissenting voices amongcreators themselves.The first decisive factor is the setting up of administrative organs of control, among whichcensorship proves to be the most straightforward instrument, although other significant mechanismssuch as licensing or protectionism are equally important: their aim is to impose upon cinema theideology of the Franco regime and Catholic Church. However, the role of the industry in this systematicpractice should not be underestimated: a significant part is played by the forms of production,distribution and diffusion, the emergence of new trends and also technical difficulties.After a general analysis of these closely interconnected factors, a sample of nine case studiesprovides a portrait of film plurality in Spain as it is undergoing a period of hope and timid opening.Through an in‐depth study of the complicated creation of films representative of the main genres andcurrents as well as the different stages in the history of Spanish cinema from 1955 to 1967, it appearsthat the interdependency of the State and the industry is the breeding ground for a systematic use ofmultiple versions, whether deliberate or imposed

APA, Harvard, Vancouver, ISO, and other styles

Delgado, Benjamin Fernando. "The Cinema is Dead. Long Live the Cinema: A Multiple Case Study of the Connection Between Community and Transitional Cinemas." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1372777410.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Mesana, Virginie. "Étude comparative entre deux espaces de réception cinématographique: Cinéma multiplexe et e-cinéma." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27714.

Full text

Abstract:

Devant la prolifération des dispositifs et des technologies de la représentation et de la diffusion, le cinéma se manifeste à travers une diversité de supports pour véhiculer les contenus audiovisuels. Le téléchargement des films via Internet sur un écran personnel, qu'il s'agisse d'un téléviseur ou d'un ordinateur, dans la sphère domestique représente, entre autres, une des étapes importantes dans l'évolution du cinéma vers des dispositifs autres que traditionnels. Aujourd'hui, cette pratique émergeante de visionnement de films peut être qualifié de e-cinéma. Cette étude de réception s'articule autour des questions suivantes: en quoi l'expérience du e-cinéma est-elle différente de l'expérience cinématographique en salle? Et le terme spectateur est-il encore justifié pour caractériser un individu ayant des pratiques de visionnement aussi variées? Face à l'ambivalence des pratiques culturelles de réception cinématographique, les notions de spectateur ou même de public rencontrent des limites conceptuelles non négligeables, laissant la place à une redéfinition de cet individu récepteur-décodeur de l'image.

APA, Harvard, Vancouver, ISO, and other styles

Persegueiro, Karoline Gessiane [UNESP]. "Inteligências Múltiplas e a educação especial: um debate sobre cinema e educação." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/144460.

Full text

Abstract:

Submitted by KAROLINE GESSIANE PERSEGUEIRO null (karolinepersegueiro@hotmail.com) on 2016-10-21T22:01:39Z No. of bitstreams: 1 Trabalho_Final.pdf: 4152120 bytes, checksum: f6ffaaf8a14631bf9205f14e2d02a77e (MD5)
Approved for entry into archive by Juliano Benedito Ferreira (julianoferreira@reitoria.unesp.br) on 2016-10-27T17:38:23Z (GMT) No. of bitstreams: 1 persegueiro_kg_me_rcla.pdf: 4152120 bytes, checksum: f6ffaaf8a14631bf9205f14e2d02a77e (MD5)
Made available in DSpace on 2016-10-27T17:38:23Z (GMT). No. of bitstreams: 1 persegueiro_kg_me_rcla.pdf: 4152120 bytes, checksum: f6ffaaf8a14631bf9205f14e2d02a77e (MD5) Previous issue date: 2016-08-31
O presente trabalho tem como objetivo pesquisar em uma escola de educação especial se o cinema pode desenvolver algumas das Inteligências Múltiplas? A teoria das inteligências múltiplas foi desenvolvida pelo psicólogo Howard Gardner (1983) e questiona o conceito de inteligência como uma única faculdade intelectual. Parte do princípio que o ser humano pode apresentar mais de uma inteligência e desempenhar habilidades e competências em diversas áreas de conhecimento. Para o desenvolvimento dessa pesquisa foram selecionados 14 alunos deficientes intelectuais leves para participar de um grupo. Esta pesquisa foi realizada na Associação de Pais e Amigos dos Excepcionais (APAE), na cidade de Rio Claro. A proposta da pesquisa é compreender o estudo das Inteligências Múltiplas e a contribuição que o cinema pode desempenhar aos alunos deficientes intelectuais. Pautados nesse princípio, destaca-se a importância do cineasta francês Alain Bergala que tem inspirado educadores, pois discute possibilidades metodológicas para a utilização de filmes dentro da escola que visam trabalhar o cinema como arte e como hipótese de alteridade. A partir dessas concepções, foram desenvolvidas com o grupo de alunos na APAE atividades de exibição de filmes. A escolha desses filmes aconteceram por meio de uma seleção com alguns critérios. Os filmes selecionados possuem personagens deficientes intelectuais e são filmes que podem representar conteúdos relevantes para o aprendizado desses alunos. Por isso foram selecionados cinco filmes e temáticas para serem discutidas com o grupo. Os filmes selecionados e as temáticas foram: Simples como Amar, que discute as relações amorosas/sexualidade/constituição familiar, De porta em porta que discute trabalho / autonomia e independência, Meu nome é rádio que discute discriminação e o preconceito, o quarto filme escolhido Colegas para discutir a importância dos vínculos sociais (a amizade) e O guardião de Memórias, que aborda o tema da rejeição familiar e preconceito sobre o deficiente intelectual/ Síndrome de Down. A metodologia utilizada é a pesquisa de intervenção, sendo desenvolvidas atividades práticas com os alunos. Desta forma, a pesquisa visa discutir a teoria das Inteligências Múltiplas na área da educação especial e o cinema por meio da perspectiva de Alain Bergala.
This study aims to search for a special education school if cinema can develop some of Multiple Intelligences? The theory of multiple intelligences was developed by psychologist Howard Gardner (1983), which questions the concept of intelligence as a unique human faculty. It assumes that a human being can have more of an intelligence and play skills and expertise in various fields of knowledge. For the development of this survey were selected 14 mild intellectual disabled students to participate in a group. This research was conducted in the Association of Parents and Friends of Exceptional (APAE) in the city of Rio Claro. The purpose of the research is to understand the study of Multiple Intelligences and the contribution that cinema can play in intellectual disabled students. Our hypothesis is that teachers working in APAE understand the film only as an entertainment, disregarding other ways, such as: language, art and learning. As asks Silva (2007, p.52), "Does the movie is just fun without any educational value?". Guided by this principle, we highlight the importance of French filmmaker Alain Bergala that has inspired educators, it discusses methodological possibilities for the use of film in school aimed at working cinema as art and as otherness hypothesis. From these concepts were developed with the group of students in APAE film screenings activities. The choice of these films took place through a selection of some criteria. The selected films have intellectual disabilities are characters and films that may represent relevant content for the learning of these students. So we selected five films and themes to be discussed with the group. The selected films and the themes were: Simple as Amar, discussing love relationships / sexuality / family constitution, Door to door discussing work / autonomy and independence, my name is radio discussing discrimination and prejudice, the chosen room movie colleagues to discuss the importance of social ties (friendship) and The Memoirs of guardian, which addresses the issue of family rejection and prejudice on the intellectual disabled / Down Syndrome. The methodology used is the intervention research, being developed practical activities with the students. Thus, the research aims to discuss the theory of Multiple Intelligences in the field of special education and film by Alain Bergala perspective.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "The multiplex cinema"

Klinger, Barbara. Beyond the multiplex: Cinema, new technologies, and the home. Berkeley: University of California Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Beyond the multiplex: Cinema, new technologies, and the home. Berkeley, CA: University of California Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Beyond the multiplex: Cinema, new technologies, and the home. Berkeley: University of California Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Ellero, Roberto. Dove va il cinema: Critica e mercato nell'era dei multiplex. Roma: Bulzoni, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Calzini, Mario. Cento anni di cinema al cinema: Storia dei cinematografi, dalla saletta dei Lumière ai multiplex. Roma: Gestioni editoriali Agis, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Hanson, Stuart. The moment of multiplex: The changing place(s) of cinema in British society and culture 1945 to 1998. Birmingham: University of Birmingham, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

N. S. R. T. Vane. The multiplex cinema in London: can current planning policy support market demands and the objectives of sustainability for these modern leisure developments in the capital?. Oxford: Oxford Brookes University, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Diane, Carson, Dittmar Linda 1938-, and Welsch Janice R, eds. Multiple voices in feminist film criticism. Minneapolis: University of Minnesota Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Il cinema del multiple self: Lynch/Cronenberg : Mulholland drive/La promessa dell'assassino. Bologna: InEdition, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

McGuinness, Dean A. An assessment of three Dublin cinemas in terms of relative customer-perceived service quality: A comparative of multiplexes with a city-centre cinema. Dublin: University College Dublin, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "The multiplex cinema"

Given, Jock. "The Multiplex Era." In American–Australian Cinema, 227–52. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66676-1_11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Lee, Vivian P. Y. "The Hong Kong Multiplex: An Unfolding Narrative." In Hong Kong Cinema Since 1997, 211–17. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230245433_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Hoof, Florian. "Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)Stability of the Multiplex Market." In The State of Post-Cinema, 149–63. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52939-8_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Fossati, Giovanna. "Multiple Originals." In A Companion to Early Cinema, 550–67. Oxford, UK: Blackwell Publishing Ltd., 2012. http://dx.doi.org/10.1002/9781118274453.ch28.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Buonanno, Milly. "Italian TV Drama: The Multiple Forms of European Influence." In European Cinema and Television, 195–213. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137356888_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Kosmopoulos, Athanassios, and Stavros Katsoulis. "An Innovative Evacuation System for Multiplex Cinemas." In Pedestrian and Evacuation Dynamics 2012, 135–41. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-02447-9_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Pizzato, Mark. "Phantom Limbs, Unconscious Zombies, and Multiple Selves." In Ghosts of Theatre and Cinema in the Brain, 55–66. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983299_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Casselton, Lorna A., and Ursula Kües. "The Origin of Multiple Mating Types in the Model Mushrooms Coprinopsis cinerea and Schizophyllum commune." In Sex in Fungi, 283–300. Washington, DC, USA: ASM Press, 2014. http://dx.doi.org/10.1128/9781555815837.ch17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Shi, Wenzhe, Xiahai Zhuang, Haiyan Wang, Simon Duckett, Declan Oregan, Philip Edwards, Sebastien Ourselin, and Daniel Rueckert. "Automatic Segmentation of Different Pathologies from Cardiac Cine MRI Using Registration and Multiple Component EM Estimation." In Functional Imaging and Modeling of the Heart, 163–70. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-21028-0_21.

Full text

APA, Harvard, Vancouver, ISO, and other styles

"From Accented Cinema to Multiplex Cinema." In Convergence Media History, 15–25. Routledge, 2009. http://dx.doi.org/10.4324/9780203883433-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "The multiplex cinema"

"Single-Screen Cinema to Multiplex: The Cinema going Experience of Turkish and Russian Societies." In International Conference on Research in Humanities and Social Sciences. Acavent, 2018. http://dx.doi.org/10.33422/icrhs.2018.12.02.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Ottobre, Roberto Daniel, Marcelo Ottobre, Agustín Arias, María Pérez Maraviglia, and Oscar Cañadas. "Multiplex cinema halls: Design and construction of six halls in the city of Mar del Plata." In 22nd International Congress on Acoustics: Acoustics for the 21st Century. Acoustical Society of America, 2016. http://dx.doi.org/10.1121/2.0000482.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Dogra, Sudip, Saustav Ghosh, Ritwik Ray, Debharshi Bhattacharya, and Subir Kumar Sarkar. "A new scheme for management of cinema multiplex system in a cost effective way by using RFID." In 2010 International Conference on Wireless Communication and Sensor Computing (ICWCSC). IEEE, 2010. http://dx.doi.org/10.1109/icwcsc.2010.5415910.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Baruffa, Giuseppe, Paolo Micanti, Fabrizio Frescura, and Saverio Cacopardi. "Digital cinema delivery using frequency multiplexed DVB-T signals." In 2009 6th International Symposium on Wireless Communication Systems (ISWCS 2009). IEEE, 2009. http://dx.doi.org/10.1109/iswcs.2009.5285297.

Full text

APA, Harvard, Vancouver, ISO, and other styles

SILVA, BRENER NEVES, ANA PAULA VIEIRA DE ABREU, and CAROENE NEVES SILVA. "O USO DAS MÍDIAS AUDIOVISUAIS NO PROCESSO DE ENSINO-APRENDIZAGEM." In Brazilian Congress. brazco, 2020. http://dx.doi.org/10.51162/brc.dev2020-00037.

Full text

Abstract:

As tecnologias da informacao e comunicacao (TIC) estao cada vez mais presentes no cotidiano das pessoas, desde elementos rotineiros aos ambientes academicos na transmissao de informacoes visuais, como o cinema e o audiovisual, que participam da construcao de multiplos sentidos diarios na vida em sociedade, especialmente em espacos educativos que vao desde a educacao basica ate o ensino superior. E fato que o audiovisual possui um papel fundamental na construcao de novos conhecimentos e pode aproximar professores e alunos de um senso critico cognitivo, tendo o discente a capacidade de associar criticamente as diversas realidades, meios de convivio ou grupos sociais as imagens pedagogicamente trabalhadas dentro da sala de aula. No entanto, apesar das vantagens que esse recurso oportuniza, faz-se necessario que o professor saiba claramente seus objetivos quanto ao seu uso. Portanto, objetiva-se compreender o processo de dinamizacao que o cinema e o video podem trazer para o processo de ensino e aprendizagem nos espacos educativos, os desafios e perspectivas e, a partir disso, refletir a importancia das TICs em sala de aula no mundo atual.,

APA, Harvard, Vancouver, ISO, and other styles

Beder, Christian, and Dietmar Gängler. "Multiple use of aspheres in cine lenses." In Optical Systems Design, edited by Laurent Mazuray, Rolf Wartmann, Andrew Wood, Jean-Luc Tissot, and Jeffrey M. Raynor. SPIE, 2008. http://dx.doi.org/10.1117/12.797187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Chatterjee, Rajdeep, and Madhabananda Das. "A Novel Physics Inspired Multi-objective Optimization Algorithm: Multiple Objective Gravitational Optimization." In 2015 International Conference on Computational Intelligence & Networks (CINE). IEEE, 2015. http://dx.doi.org/10.1109/cine.2015.16.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Rao, Abhiram, and Prahlad G. Menon. "4D Mitral Valve Motion Analysis Using Multi-Plane Cine Cardiac MRI Reconstructions for Functional Classification of Patients With Mitral Regurgitation." In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-39910.

Full text

Abstract:

Mitral regurgitation (MR) is a common consequence of ventricular remodeling in heart failure (HF) patients with systolic dysfunction and is associated with diminished survival rates. Characterization of patient-specific anatomy and function of the regurgitant mitral valve (MV) can enhance surgical decision making in terms of medical device choice and deployment strategy for minimally invasive endovascular approaches for MV repair. As a first step toward pre-operative planning for MV repair, we examine the feasibility of using cardiac magnetic resonance (CMR) images acquired in multiple orientations to resolve leaflet function and timing. In this study, MV motion of a HF patient with ischemic heart disease exhibiting both adverse ventricular remodeling and MR was compared pre-operatively against a normal control from the Sunnybrook cardiac database, starting with manually segmented 2D MV contours from cine CMR images acquired in multiple orientations. We find that MV motion analysis from CMR imaging is feasible and anatomical reconstruction using oriented segmentations from a combination of imaging slices acquired in multiple orientations can help overcome inherent limitations of CMR image data in terms of resolving small anatomical features, owing to finite slice-thicknesses and partial volume effects.

APA, Harvard, Vancouver, ISO, and other styles

Riesener, Michael, Christian Doelle, Sebastian Schloesser, and Guenther Schuh. "Prototype Design in Agile Product Development Processes for Technical Systems." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-97008.

Full text

Abstract:

Abstract Agile development processes such as Scrum have been successfully applied in the software industry for many years. Based on experience, industrial practitioners indicate three predominant benefits of agile development processes compared to traditional software development processes. First of all, development results better fit customers’ and other stakeholders’ needs. That is because they are intensively involved in the development process by receiving, applying and assessing functional software increments in a defined cadence throughout the development process. Secondly, agile development processes better cope with unexpected changes in the development process due to the built-in process flexibility. Lastly, development speed has significantly increased in most of the agile software development projects, resulting in a shorter time-to-market. Especially in the context of radical innovations for technical systems, manufacturing companies are striving for approaches to optimize their development processes in a similar direction. Traditional plan-oriented development approaches such as VDI 2221 or Cooper’s Stage-Gate Process turn out to be insufficiently customer oriented, too inflexible and project duration is usually too long to reach an adequate time-to-market. For that reason, a large community in academia and industrial practice is developing and implementing approaches to adapt agile software development practices for the development of technical systems. However, a current study in industrial practice reveals that out of 23 objectives, that are expected when introducing agile development processes to technical systems, the three objectives mentioned above, show the largest negative deviations from expected benefit to realized benefit. Therefore, the overall goal of this research is to address these gaps by developing an explicit methodological approach for an agile development of technical systems. It turns out, that mainly the role of prototyping and the way product specifications are handled during the development process change significantly in the course of introducing agility to development of technical systems. Agile practitioners strive to not necessarily define product specifications comprehensively upfront, as it is postulated in plan-oriented development processes. In contrast, product specifications, which are of major importance to the overall development project, are specified and validated with customers and other stakeholders in early prototypes. Therefore, prototypes are realized in a defined cadence throughout the development process to gradually specify and validate the product. However, the way product specifications are prioritized and selected in the development of technical systems has to differ substantially from the general way Scrum or other existing agile development processes propose. That is because technical systems are characterized by multiple technical interrelations, resulting in informational dependencies for the development process. For that reason, a prioritization along criteria such as customer value, development effort and risk seems too narrow in the context of technical systems. In fact, the prioritization of product specifications has to consider both, the value being generated by their realization as well as the informational dependencies towards other specifications. Furthermore, when designing a prototype, time constraints need to be particularly considered due to lead times in parts delivery and prototype production. Therefore, this paper introduces a methodology to prioritize and select technical design parameters in agile development processes. The methodology can be applied in the cyclical sprint planning that aims at defining the scope of the next prototype to be developed. As outlined above, the major paradigms of value generation, informational dependencies as well as lead-time and effort are crucial when adapting agile for technical systems and are consequently implemented in the methodology. These paradigms are operationalized to explicitly address the mentioned major objectives of agile development processes, which are currently showing are large gap between expected benefit and realized benefit in industrial practice. The methodology is applied to the real development process of an RGB laser light source for digital cinema projectors, which is summarized as a case study in the paper. Insights from this application are equally discussed as the resulting next steps in further developing and aligning the methodology to the needs of industrial practice.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!