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Relevant bibliographies by topics / The multiplex cinema

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Journal articles

Academic literature on the topic 'The multiplex cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "The multiplex cinema"

1

Collins, Alan, Chris Hand, and Andrew Ryder. "The Lure of the Multiplex? The Interplay of Time, Distance, and Cinema Attendance." Environment and Planning A: Economy and Space 37, no. 3 (2005): 483–501. http://dx.doi.org/10.1068/a3756.

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Models of cinema demand have tended to employ aggregate data and focus on price and income as key variables. Surprisingly, the effects of travel time and location have not been formally investigated. The authors do so, following developments in the environmental economics literature, by presenting estimates of individual travel cost models for multiplex and nonmultiplex cinemas. A key finding is that travel time has a significant negative effect on nonmultiplex cinema trips, but that this does not hold for multiplex trips; reasons for this are advanced. In the case of multiplex cinema trips, a range of phenomena relating to minimising time-cost uncertainty are shown to be significant. The authors also contribute to an explanation for the ‘overscreening’ phenomenon observed in the United Kingdom and the USA, which has led to the closure of some relatively recently built multiplexes.

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2

Hanson, Stuart. "‘Entering the age of the hypermarket cinema’: The First Five Years of the Multiplex in the UK." Journal of British Cinema and Television 14, no. 4 (2017): 485–503. http://dx.doi.org/10.3366/jbctv.2017.0390.

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During the first five years of its development from the opening of The Point in Milton Keynes in 1985, multiplex cinemas radically changed the previous exhibition landscape, modernising the business of cinema exhibition and shifting the site of film consumption to new, out-of-town shopping and leisure centres. This article considers certain key developments in that initial period of the multiplex cinema's introduction into the UK, with particular emphasis on three aspects of its diffusion: the importance of regeneration and enterprise, the multiplex's role in stimulating associated leisure and commercial developments, and its relationship to out-of-town and regional shopping developments. In order to illustrate these themes, the article will consider the opening of four complexes: The Cannon in Salford Quays, and the AMC multiplexes in Telford in Shropshire, in Sheffield and in Dudley Merry Hill in the West Midlands.

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3

Hames, Peter, and John Cunningham. "Hungarian Cinema from Coffee House to Multiplex." Slavic and East European Journal 49, no. 3 (2005): 526. http://dx.doi.org/10.2307/20058330.

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4

Park, Young-Seo, and Sungil Ham. "Spatial analysis of various multiplex cinema types." Frontiers of Architectural Research 5, no. 1 (2016): 63–73. http://dx.doi.org/10.1016/j.foar.2015.11.001.

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5

Devasundaram, Ashvin. "Cyber Buccaneers, Public and Pirate Spheres: The Phenomenon of Bittorrent Downloads in the Transforming Terrain of Indian Cinema." Media International Australia 152, no. 1 (2014): 108–18. http://dx.doi.org/10.1177/1329878x1415200112.

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The polemic circumscribing the rise and regulation of new independent Indian cinema is a compelling example of vicissitudes in India's public sphere. This article locates a growing access to new independent Indian films through pirate spheres, reflected in the burgeoning popularity of BitTorrent websites, particularly among young, urban Indians, disenchanted by inaccessibility due to regulations and multiplex cinemas' expensive ticket-pricing system. It precipitates deeper discourses of ‘migrating’ cinema audiences, an ambivalent state of film and internet regulation, and civil resistance, exemplified in the recent Madras High Court volte face, unblocking banned BitTorrent websites. This article invokes interviews with independent filmmakers also utilising the paradigm of independent Bengali film Gandu (2010) – purportedly denied a release for its graphic sexual content, and yet widely accessed via BitTorrent and YouTube. Ultimately, this study examines the discursive ramifications of new independent Indian cinema in a metamorphosing Indian cinema sphere.

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6

Tsukernikov, Ilya, and Alexandr Fadeev. "RESULTS OF A SERIES OF ACOUSTIC MEASUREMENTS OF NOISE PENETRATING THROUGH THE PARTITION BETWEEN TWO CINEMAS." Akustika 32 (March 1, 2019): 195–200. http://dx.doi.org/10.36336/akustika201932195.

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The number of cinemas has increased over the past 10 - 15 years in Russia. The main part of new cinemas is multiplex cinemas in the shopping and entertainment malls. It is mean that in multiplex two cinemas may show the movies at the same time. The problem of airborne sound isolating by a partition/slab between two multiplex cinemas halls is considered. The analysis of the regulatory and technical documents (the International Standard, and the national documents of the Russian Federation, as well as the corporative standards of international cameramen) is done. The levels of penetrating noise through a partition between two cinemas halls are measured for two cinemas. The discrepancy between the estimated sound insulation parameters and the requirements of the current regulatory documents are shown. A series of field measurements of acoustic parameters is carried out. The discrepancy of the airborne sound insulation parameters by partition is shown. The case of one-number estimation of airborne of sound isolation in the law frequency range is considered. The influence of acoustic finishing on the levels of penetrating noise from one cinema hall to another is estimated.

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7

Geistefeldt, Helmut. "Combined Prestress at Longspan Slabstructures for Multiplex Cinema." IABSE Symposium Report 86, no. 5 (2002): 8–14. http://dx.doi.org/10.2749/222137802815776504.

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8

Athique, Adrian. "From cinema hall to multiplex: A public history." South Asian Popular Culture 9, no. 2 (2011): 147–60. http://dx.doi.org/10.1080/14746681003798037.

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9

Athique, Adrian Mabbott, and Douglas Hill. "Multiplex Cinemas and Urban Redevelopment in India." Media International Australia 124, no. 1 (2007): 108–18. http://dx.doi.org/10.1177/1329878x0712400111.

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The aim of this article is to introduce the phenomenon of the multiplex theatre as it is being played out within the complex urban geographies of metropolitan India. Since its inception a decade ago, the multiplex cinema in the subcontinent has become an intrinsic component of a new leisure infrastructure configured around the notion of a ‘consuming class’ keen to take its place amongst a ‘global middle class’. The dramatic growth in multiplex cinemas, projected to grow in numbers by 300 per cent over the next three years, has been greatly encouraged by urban planning and taxation policies designed to encourage new commercial and residential developments arising out of urban regeneration programmes and the growth of satellite conurbations. This article makes the case that, while the multiplex is an example of flagship architecture employed in the ‘globalisation ‘of the urban environment, the demand for such facilities is also a logical extension of the long-running contest over public spaces between different segments of the urban population in Indian cities.

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10

Lee, Seung-min. "A Study of User Experience of Multiplex Cinema App." Journal of Digital Contents Society 20, no. 8 (2019): 1799–807. http://dx.doi.org/10.9728/dcs.2019.20.9.1799.

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