Relevant bibliographies by topics / The music theory of al-Andalus

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The music theory of al-Andalus'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "The music theory of al-Andalus"

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Reynaldo, Fernández Manzano. "La teoría musical árabe en el marco de la cultura clásica y medieval The Classical and Medieval Cultural Frameworks of Arab Music Theory." Música Oral del Sur, no. 10 (December 1, 2013): 10–45. https://doi.org/10.5281/zenodo.4635861.

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Resumen: La teoría musical árabe y de al-Andalus se estudia dentro del contexto de la cultura clásica de Grecia y Bizancia así como en el mundo medieval cristiano de occidente. Los mitos, el papel de la música en la educación y las teorías musicales dentro del mundo científico de la época. Se analizan los principales tratadistas así como sus obras y aportaciones.   Abstract: In this article, Arab music theory and that of al-Andalus are set into the wider cultural contexts of Ancient Greece and Byzantium as well as the W
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Sema та Ahmet. "A Significant Person in the History of Music Theory: Allame Quṭb al-Dīn al-Shīrāzī". Eskiyeni, № 46 (20 березня 2022): 245–68. https://doi.org/10.37697/eskiyeni.1050244.

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13th century appears as a period when the theory of music in Islamic civilization was considered as one of the Riyādī (ta‘limī) sciences based on wisdom and expe-rience, and it was restructured in a comparative way with the works written. Quṭb al-Dīn al-Shīrāzī (d. 1311), who was among the first music theorists of the period, dealt with the science of music with theories and calculations that some of which are still in use today and at the same time he was interested in the practical part of music. His work called Durrat al-taj, in which he includes the views of al-Fārābī, Ibn Sīnā and U
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Hegyi, Ottmar. "Henk Heijkoop / Otto Zwartjes (edd.),Muwaššah,Zajal,Kharja: Bibliography of Strophic Poetry and Music from al-Andalus and Their Influence in East and West." Zeitschrift für romanische Philologie (ZrP) 122, no. 4 (2006): 809–11. http://dx.doi.org/10.1515/zrph.2006.809.

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Gökpınar, Yasemin. "Woodwind Instruments in al-Fārābī’s Kitāb al-Mūsīqī al-Kabīr." Journal of Music Archaeology 1 (December 4, 2023): 185–200. http://dx.doi.org/10.1553/jma-001-08.

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Al‑Fārābī (d. 950 CE), the so-called ‘Second Master’ (Aristotle being the First Master), is known for his influential works on philosophy, especially his commentaries on Aristotle, as well as for his works on logic, physics and metaphysics, ethics, and politics. It was on behalf of al‑Karḫī, Caliph ar‑Rāḍī’s (r. 934–940 CE) wazīr, that al‑Fārābī wrote his Grand Book on Music, explaining musical concepts such as rhythm and melody to the wazīr. As a logician and practicing musician, he combined and improved upon different sources, such as Greek musical theory, as well as on the Arabic authors an
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BARONTINI, MICHELE, та TITO M. TONIETTI. "ʿUMAR AL-KHAYYĀM’S CONTRIBUTION TO THE ARABIC MATHEMATICAL THEORY OF MUSIC". Arabic Sciences and Philosophy 20, № 2 (2010): 255–80. http://dx.doi.org/10.1017/s0957423910000032.

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AbstractWe here present the Arabic text, with an English translation, of certain pages dedicated by al-Khayyām to the mathematical theory of music. Our edition is based on a manuscript extant in a library in Manisa (Turkey), and corrects the mistakes found in another transcription. Lastly, we compare the theory of al-Khayyām with other Arabic theories of Music, and with those coming from other traditions.
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Gulzhikhan, Nurysheva, and Tercan Nurfer. "AL-FARABI’S PHILOSOPHY OF MUSIC." Al-Farabi 74, no. 2 (2021): 3–17. http://dx.doi.org/10.48010/2021.2/1999-5911.01.

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Scientists propose to understand the effect of music on the human psyche, knowledge about the soul, science, metaphysics, and spheres. At the center of all these discussions, we assume researchers are not focusing on how music triggers emotions. In this century we live in, most writers agree that this is the most crucial issue. Today’s researchers want to know why music creates strong emotional reactions in people with scientific explanations. Our study aims to find answers to today’s questions between the 9th and 10th centuries, indicated as the golden age of Islamic culture. We aimed to shed
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Mihaylov, Ilia. "THE GREAT MUSIC BOOK OF AL FARAB – A MEDIEVAL MODEL FOR MUSIC THEORETICAL RESEARCH." ANNUAL OF ARTS 117 (October 24, 2024): 241–58. http://dx.doi.org/10.60059/gsu.fnoi.iz.117.241-258.

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The Great Book of Music (Kitab al-Musiqa al-Kabir), by the Golden Age Islamic philosopher al-Farabi, is a X th. century treatise on music in Arabic. It consists of two parts, the first being an introduction in which the definition of melody and its subdivisions, the origin of music, and some acoustic problems are discussed. The second part is devoted to the specifics of musical instruments popular among Arabs, the variety of rhythms, and the composition of melodies. Influenced by Pythagoras' theory of harmonic relationships, Farabi gives us a detailed definition of music, reveals its categorie
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Setiyo, Eko, Titis Rosowulan, Purwanto Purwanto, and Ahmad Mustofa. "Hukum Musik dalam Islam: Analisis Penafsiran Quraish Shihab dalam Tafsir al-Misbah Al Misbah." Jurnal Alwatzikhoebillah : Kajian Islam, Pendidikan, Ekonomi, Humaniora 10, no. 1 (2024): 214–23. http://dx.doi.org/10.37567/alwatzikhoebillah.v10i1.2613.

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Research on music law has become an exciting and in-depth research topic, where researchers try to understand views and approaches to music from various perspectives, both in terms of fiqh, Islamic Sufism, hadith, and the thoughts of Islamic figures. From the research that has been carried out previously, there has not been much research on music that examines the interpretation of al Misbah by Quraish Shihab. The methodology applied is a qualitative approach, which aims to understand and explain specific meanings, phenomena, or ideas, different from quantitative approaches, which focus on sta
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WRIGHT, O. "Al-Kindī's braid." Bulletin of the School of Oriental and African Studies 69, no. 1 (2006): 1–32. http://dx.doi.org/10.1017/s0041977x06000012.

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An attempt is made here to evaluate the various versions that have been put forward for the more complex abstract melodic structures outlined by the Arab philosopher and music theorist al-Kindī (d. c. 874); to propose new interpretations in the context of a re-examination of the source text; and to locate their origin and meaning less within the general mathematical orientation of theory than in the elaboration of a descriptive metaphor.
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Oshanova, N. T. "MATHEMATICAL FOUNDATIONS OF MUSIC BY AL-FARABI." BULLETIN Series of Physics & Mathematical Sciences 71, no. 3 (2020): 24–30. http://dx.doi.org/10.51889/2020-3.1728-7901.03.

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This article discusses the mathematical foundations of al - Farabi music, and suggests the main actions of arithmetic operations with Farabi relations to obtain musical intervals. Farabi drew attention to some problems for the study of musical art. This article provides an extensive understanding of how the three main problems are needed to get the ratio. Musical intervals have different values. You can divide them, multiply them, and listen to them. In music theory, you need to be familiar with the mathematical foundations for working with ratios, as well as arithmetic operations like multipl
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Dissertations / Theses on the topic "The music theory of al-Andalus"

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Martínez, Villar Sofía. "El repertorio para flauta a solo del siglo XVIII al siglo XX. Historia, análisis y proyección." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/158230.

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Esta tesis doctoral es relativa al concepto de repertorio, concretamente a su aplicación y uso en la producción musical para flauta travesera. Se trata de una investigación que pretende cuestionar y justificar el por qué y el cómo dentro de las obras disponibles para ser tocadas algunas han adquirido durante el siglo XX, una supremacía que las ha convertido en obras habituales, mientras otras aparecen en pocas ocasiones o quizá nunca en el repertorio de los intérpretes. A través de esta investigación se pretende establecer si existe o no una fórmula que garantice no solo el éxito de la obras s
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Bill-Vincendon, Alexandra. "La construction d'un objet historique : définition, conceptions et pratiques des instruments de musique en al-Andalus (IIIe/IXe - VIe/XIIe siècle)." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H051.

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La musique d’al-Andalus a fait couler beaucoup d’encre. Différents mythes et constructions historiographiques circulent à son sujet. Pourtant, elle n’a jamais réellement été étudiée dans une perspective historique, alors même qu’elle se situe à la croisée d’enjeux cruciaux pour la société andalousienne. Traces matérielles d’une pratique musicale profane se déroulant dans des contextes festifs et de loisirs, les instruments se trouvent au cœur de nombreuses problématiques comme le contrôle des mœurs par les juristes, la mise en scène du pouvoir politique, les échanges culturels avec l’Orient et
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Balat, Samah Mohamed. "The study of Andalusian “Muwashaḥāt”: a literary and artistic approach"". University of the Western Cape, 2020. http://hdl.handle.net/11394/7267.

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Magister Artium - MA<br>This thesis aims at presenting a comprehensive study, through which more will be learnt about the art of the Andalusian Muwashaḥāt. This is a study of their artistic structure, types, and poetic purposes. The art of the Muwashaḥāt was different in form and rhythm from the classic Arabic poem, because the Muwashaḥāt had multi meters and rhymes, and it relied on the musical rhythm. Besides, the poetic language of the Muwashaḥāt was based on both classical and vernacular Arabic. The Muwashaḥāt was invented by the Andalusian poets to keep pace with the musical develop
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Books on the topic "The music theory of al-Andalus"

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ʻAbbās, Ḥabīb Ẓāhir. Naẓarīyāt al-mūsīqā al-ʻArabīyah. Wizārat al-Thaqāfah wa-al-Iʻlām, Dāʾirat al-funūn al-Mūsīqīyah, Maʻhad al-Dirāsāt al-Naghamīyah al-ʻIrāqī, 1986.

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ʻAbbās, Ḥabīb Ẓāhir. Naẓarīyāt al-mūsīqá al-ʻArabīyah. Wizārat al-Thaqāfah wa-al-Iʻlām, Dāʼirat al-Funūn al-Mūsīqīyah, Maʻhad al-Dirāsāt al-Naghamīyah al-ʻIrāqī, 1986.

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Lahlūb, Rashīd. Dīwān al-maqāmāt al-mūsīqīyah al-ʻArabīyah: Dirāsah taḥlīlīyah lil-sullam al-mūsīqī al-ʻArabī maʻa bayān mufaṣṣal li-majmūʻah min al-maqāmāt al-mūsīqīyah al-ʻArabīyah al-muwaḥḥadah al-mustaʻmalah fī anḥāʼ al-bilād al-ʻArabīyah. Maṭbaʻat Abjad, 2011.

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Lādhiqī, Muḥammad ibn ʻAbd al-Ḥamīd. al- Risālah al-Fatḥīyah (fī al-mūsīqá). al-Majlis al-Waṭanī lil-Thaqāfah wa-al-Funūn wa-al-Ādāb, Qism al-Turāth al-ʻArabī, 1986.

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Muḥammad ibn ʻAbd al-Ḥamīd Lādhiqī. al- Risālah al-fatḥīyah: (fī al-mūsīqā). al-Majlis al-Waṭanī lil-Thaqāfah wa-al-Funūn wa-al-Ādāb, Qism al-Turāth al-ʻArab, 1986.

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ʻAbd al-Muʼmin ibn Yūsuf Urmawī. Kitāb al-Adwār fī al-mūsīqá. al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1986.

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Fārābī. Kitāb al-Mūsīqī al-kabīr. Maʻhad Tārīkh al-ʻUlūm al-ʻArabīyah wa-al-Islāmīyah fī iṭār Jāmiʻat Frānkfūrt, 1998.

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Dubyān, Muḥammad ʻAbd al-Hādī. al-ʻAlāqah bayna al-mūsīqā al-ʻArabīyah wa-al-mūsīqā al-ʻālamīyah ʻabra al-ʻuṣūr. s.n., 1997.

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Dubyān, Muḥammad ʻAbd al-Hādī. al- ʻAlāqah bayna al-mūsīqā al-ʻArabīyah wa-al-mūsīqā al-ʻālamīyah ʻabra al-ʻuṣūr. s.n.], 1997.

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Zakarīyā, Yūsuf, ред. Muʼallafāt al-Kindī al-mūsīqīyah. Manshūrāt al-Jamal, 2009.

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Book chapters on the topic "The music theory of al-Andalus"

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Sawa, George. "Al-Fārābī’s polychord." In Theory and Practice in the Music of the Islamic World. Routledge, 2017. http://dx.doi.org/10.4324/9781315191461-15.

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Sholl, Robert. "5. Artistic Practice as Embodied Learning." In Teaching Music Performance in Higher Education. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0398.07.

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Almost fourty-five years ago, Joseph Kerman proposed the notion of getting out of analysis, in fact a strategy through criticism to broaden its formalist parameters (Kerman, 1980). Kerman’s argument was flawed in many respects as Agawu pointed out; analysis was necessary in his view to teach “undergraduate music theory” and “basic musical literacy,” (Agawu, 2004: 269) something Kerman would not have denied. Yet these debates, and their continuation (Horton 2020; Cavett et al. 2023) have missed something more fundamental, especially as ideological ivory towers and territories needed protection.
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Serrano, Delfina. "Forum Shopping in al-Andalus (II): Discussing Coran V, 42 and 49 (Ibn Ḥazm, Ibn Rushd al-Jadd, Abū Bakr Ibn al-ʽArabī and al-Qurṭubī)." In Law and Religious Minorities in Medieval Societies: Between Theory and Praxis. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.relmin-eb.5.109356.

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Reynolds, Dwight F. "Music theory and performance practices." In The Musical Heritage of Al-Andalus. Routledge, 2020. http://dx.doi.org/10.4324/9780429281655-11.

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Reynolds, Dwight. "Music." In The Literature of Al-Andalus. Cambridge University Press, 2000. http://dx.doi.org/10.1017/chol9780521471596.005.

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Zwartjes, Otto. "Medieval Arabic Theory." In Love Songs from al-Andalus. BRILL, 1997. http://dx.doi.org/10.1163/9789004624252_006.

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Reynolds, Dwight F. "Arab music to 711." In The Musical Heritage of Al-Andalus. Routledge, 2020. http://dx.doi.org/10.4324/9780429281655-4.

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Reynolds, Dwight F. "Music in Iberia to 711." In The Musical Heritage of Al-Andalus. Routledge, 2020. http://dx.doi.org/10.4324/9780429281655-3.

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Reynolds, Dwight F. "Music of the Moriscos (16th–17th c.)." In The Musical Heritage of Al-Andalus. Routledge, 2020. http://dx.doi.org/10.4324/9780429281655-18.

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"Music In Medieval Iberia: Contact, Influence And Hybridization." In Al-Andalus, Sepharad and Medieval Iberia. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004179196.i-276.20.

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Conference papers on the topic "The music theory of al-Andalus"

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Moreira Júnior, Luiz Delando Santos, Guilherme Ribeiro Eulálio Cabral, and Giordano Ribeiro Eulálio Cabral. "Correlating Big Five Primary Personality Dimensions with Musical Preferences." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19433.

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According to J Clement in 2019 an estimated 2.95 billion people were using social media worldwide, with a projection of 3.43 billion in 2023. Social networks increasingly play a fundamental role in the way of expressing our-selves and relating to others, in which it is directly linked to our personality. Several studies relate a persons personality to the most diverse areas, such as predicting political orientation, classifying gender, or even measuring the level of success at work. Wu Youyou, 2015 proposes an algorithm that can allegedly estimate the personality of a Facebook user better than
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Toto, Giusi Antonia, Benedetta Ragni, and Pierpaolo Limone. "Use of Music and Openness in a Group of Teachers-in-Training Receiving a Musical Intervention." In ATEE 2022 Annual Conference. University of Latvia Press, 2023. http://dx.doi.org/10.22364/atee.2022.37.

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The effects of music education on cognitive abilities have raised great interest among scholars of education and learning. According to literature, the use of music in pedagogical practices enhances learning processes with positive impact on the intellectual and social development of students. The main objective of this study was to explore the personal experience with music of teachers-in-training while participating in a musical intervention. The intervention, included both theoretical and practical modules, was delivered during a Digital Storytelling (DST) course. Specifically, our main aim
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Wu, Yue, Anran Qiu, Liuxuan Ruan, Xuejie Li, Jinhao Huang, and Stephen Jia Wang. "DJaytopia: a hybrid intelligent DJ co-remixing system." In 5th International Conference on Human Systems Engineering and Design: Future Trends and Applications (IHSED 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004114.

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Nowadays, musical mixing platforms are featured with programmed interventions and digitized information visualization to support DJ's performance (Montano 2010), however, the visualization is always obscure to the average music consumers (Beamish, Maclean, and Fels 2004). Being a well-performed DJ requires the level of expertise and experience that most average music consumers lack (Cliff 2000), as every audience has a completely different taste in music (Schäfer and Sedlmeier 2010). This study aims at developing an AI / ML-based system to lower the bar for novice DJs and even average music co
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Olărescu, Dumitru. "Folk music in cinematographic formulas." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.11.

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Th e folk music, being a complete sociocultural phenomenon, expresses over the centuries the most diverse emotional-psychic states about the inner wealth of man, his emotional relationships with other people, with society, with his native lands. Th e local documentary fi lm managed to record the images and voices of several popular music performers in order to preserve and capitalize on this art, which contains priceless samples of our spiritual culture, of our identity valences. Several fi lmmakers devoted their fi lms to the creation of popular music performers: Emil Loteanu, Anatol Codru, A
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Orange, Chris. "Reconceptualising Tertiary Contemporary Music Performance Assessment." In Rangahau Horonuku Hou – New Research Landscapes, Unitec/MIT Research Symposium 2021. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2206006.

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Contemporary music performances are typically assessed by criteria such as Musicianship, Accuracy, Technique, Professionalism and Contribution. These measures continue to be used despite low discrimination between them and specific items on the assessment schedules (Thompson &amp; Williamon, 2003). In addition, there is a lack of objective evidence that assessment is truly comprehensive. Greater transparency in domain definition and comprehensiveness may aid understanding of the rubric, and lead to better assessment. This study investigated whether popular-music performance assessment criteria
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Abe, Reika, Kimi Ueda, Hirotake Ishii, and Hiroshi Shimoda. "Design of a programming workshop to update gender bias in engineering among adults." In 13th International Conference on Human Interaction & Emerging Technologies: Artificial Intelligence & Future Applications. AHFE International, 2025. https://doi.org/10.54941/ahfe1005944.

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One of the SDGs where progress has been notably slow in Japan is "Achieving Gender Equality" [1]. In this context, a 2021 survey by OECD [2] pointed out that the percentage of female tertiary entrants into the fields of engineering, manufacturing, and construction in Japan was 16%, the lowest among OECD countries. A survey conducted in Japan also revealed that mechanical engineering and computer science are often perceived as unsuitable occupations for women [3]. One proposed initiative to tackle this issue is encouraging female teenage students to participate in programming workshops. So far,
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Cova Morillo, Miguel Angel De la. "Des-montaje de la maqueta de la propuesta para el Palacio de los Soviets de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.725.

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Resumen: Desde las páginas de L'Esprit Nouveau y al calor del cine, Elie Faure bautizará como "cineplástica" la consecución de imágenes al ritmo de la música, en un discurso paralelo al del método Dalcroze en la danza. Le Corbusier, Albert Jeanneret y Pierre Chenal propondrán dos experiencias fílmicas relacionadas con dicha denominación: "Batir" y "L'Architecture d'aujourd´hui", para las que se realizarán varias maquetas ex-profeso cuyas cualidades estaban pensadas para su visión en la pantalla. Esta especificidad se hará más compleja en el filme del modelo de la propuesta para el Palacio de l
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Honeyfield, Judith, Deborah Sims, and Adam Proverbs. "Teaching Quality Improvement in Pre-Registration Nursing Education: Changing Thinking, Changing Practice." In 2021 ITP Research Symposium. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2205009.

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Quality care and improving health outcomes are cornerstones of healthcare provision, yet quality improvement (QI) preparation and assessment in health-professional education has been found to inadequately prepare graduates for their future roles (Robb et al., 2017). Toi Ohomai Institute of Technology’s Bachelor of Nursing (BN) year three teaching team looked to address this by reviewing and improving QI teaching and assessment modules within a course in the programme. Alongside this redevelopment, research with students was undertaken to investigate the efficacy and outcomes of this work. This
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Montoya, Gustavo, Yixiang Liao, Dirk Lucas, and Eckhard Krepper. "Analysis and Applications of a Two-Fluid Multi-Field Hydrodynamic Model for Churn-Turbulent Flows." In 2013 21st International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/icone21-16297.

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Today Computational Fluid Dynamic (CFD) codes are widely used for industrial applications, mostly in the case of single phase flows in automotive or aircraft engineering, but multiphase flow modeling had gain an increasing importance in the last years. Safety analyses on nuclear power plants require reliable prediction on steam-water flows in case of different accident scenarios. This is particularly true for passive safety systems such as the GEKO component of the KERENA reactor. Here flashing may occur in the riser (Leyer and Wich, 2012). In such case, high gas volume fractions and the churn
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Reports on the topic "The music theory of al-Andalus"

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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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