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Dissertations / Theses on the topic 'THE NATIONAL CENTRE FOR THE PERFORMING ARTS'

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Published: 24 April 2022

Last updated: 30 July 2025

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1

Richardson, John M. "The Blue Glow From the Back Row: The Impact of New Technologies on the Adolescent Experience of Live Theatre." Thesis, Université d'Ottawa / University of Ottawa, 2010. http://hdl.handle.net/10393/19609.

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This article considers the impact of new technologies on the adolescent experience of live, literary theatre. Drawing together the work of theorists in literacies, new technologies and audience studies, together with brain research, and the results of a focus group of four secondary students who have seen four plays at Canada’s National Arts Centre, it examines the consequences of young people’s immersion in digital culture and the new mindset that often results. The expectation of instant access to data, inter-connectivity, stimulation and control can make it difficult for adolescents to deco

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Durst, Danny. "A Proposal for Securing a Sustainable Future for Blossom Music Center." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1395964878.

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Human, Martie. "Encore - performing arts centre." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-11212003-110815.

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Ngan, Chiu-long Sunny, and 顔昭朗. "Performing arts centre at Quarry Bay." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986729.

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Ngan, Chiu-long Sunny. "Performing arts centre at Quarry Bay." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949159.

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Bansal, Anupam. "Indira Gandhi National Centre for Arts." Kansas State University, 1996. http://hdl.handle.net/2097/36073.

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Macagnano, Marco. "A centre for the performing arts catalyst for urban regeneration /." Pretoria : [s.n.], 2000. http://upetd.up.ac.za/thesis/available/etd-11282005-124553.

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Macagnano, Marco. "A Centre for the Performing Arts: catalyst for urban regeneration." Diss., University of Pretoria, 2005. http://hdl.handle.net/2263/29892.

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Salvokop, the site chosen for this project, is due for some major changes in the next few years. Current development on Freedom Park, the future Gautrain initiative as well as a new drive by the local municipality to integrate the area into the CBD of Pretoria through a major 'Cultural Spine' throught the city make Salvokop a future destination of major interest. The Centre for the Performing Arts seeks to appeal to all facets of South African culture through a medium of expression that all appreciate: the medium of performance art. Specifically speaking, perfromance art applies to music, danc

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Laframboise, Charles. "The autonomy of executive directors of selected national sport governing bodies in performing their duties." Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/5215.

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10

Gunson, Hannah Mahrii. "The Performing Female Body: The National Theatre Frankenstein as Performance Art." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/9096.

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The National Theatre's Frankenstein is not the first time Shelley's novel has been adapted for the stage, but it is the first time a stage adaptation has returned the popular story to its source material's feminist themes. Departing from the iterations that portrayed Victor Frankenstein as a Byronic hero, Nick Dear's adaptation has re-designed Frankenstein to be misogynistic and calloused. His new nature is best observed in the scene wherein Frankenstein presents the Woman-Creature he's built for his first Creature. She is naked, silent, submissive, and viciously dismembered at the end of the

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Antrobus, Richard Roy. "The advent of the 'Festivore' an exploration of South African audience attendance in the performing arts at the National Arts Festival." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002362.

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In South Africa, the performing arts have contributed to enhancing national identity and distinctiveness despite coming up against weak legislation, policy and infrastructure to support their growth and proliferation (Fredericks, 2005: 9). Coupled with a decline in both government and consumer support and the contradictory disparity between valuing the arts and the funding of the arts, theatre companies can no longer rely on the comfort of external subsidies and financial support. In order to be economically viable and sustainable to ensure their survival, there is an increasing demand for the

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McLennan, Lesley. "Competition policy and its impact on the performing arts in Queensland." Thesis, Queensland University of Technology, 2000. https://eprints.qut.edu.au/36342/1/36342_McLennan_2000.pdf.

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National Competition Policy as a cornerstone in the commercialisation and corporatisation of the public services signalled government moving away from an interventionist position by adopting private enterprise and market driven decision making as the preferred model. The impact of this movement on the interface between government and the traditionally subsidised perforrning art..s companies in Queensland is the subject of this research. When the public sector begins to imitate the private sector and government departments call to accountability their agencies, these non-profit service a

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DeGrasse-Johnson, Nicholeen Theresa. "Towards the Construction of a National Dance Education Policy in Jamaica:Public Education Curriculum and Ownership." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/260618.

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Dance<br>Ph.D.<br>I hear and I forget I see and I remember I do and I understand --Confucius (551 - 479 BC) Fundamentally about "doing," Dance is a strong element of Jamaican social and cultural expression. This dissertation is based on the premise that in order to fully educate Jamaica's children and to accomplish "National Outcome 2: World Class Education and Training" of the Jamaican National Development Plan for 2030 (Planning Institute of Jamaica [PIOJ], 2009, p. xvi), Dance should be an integral part of Jamaica's educational curriculum. This study draws on multiple perspectives and sourc

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Thobani, Sitara. "Dancing diaspora, performing nation : Indian classical dance in multicultural London." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:c189d163-b113-408f-9f3b-181c6fd5fbce.

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This thesis examines the performance of Indian classical dance in the contemporary 'diaspora space' (Brah 1996) represented by the city of London. My aim is to analyse whether and how performances of "national" art, assumed to represent an equally "national" culture, change when performed in transnational contexts. Drawing upon theories of postcolonialism, multiculturalism and diaspora, I begin my study with an historical analysis of the reconstructed origins of the dance in the intertwined discourses of British colonialism and Indian nationalism. Using this analysis to ground my ethnography o

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DiGirolamo, Elizabeth Morgan. "The contradiction of the modern Cuban nation the institutionalization of a national hybrid identity, danza moderna, and spaces of blackness in revolutionary performance spheres /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453652.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed July 30, 2008). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 133-136).

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Reeve, Zoë Rose Louise Patricia. "Staged authenticities an exploration of the representations of AmaXhosa culture within the main programme of the National Arts Festival, 2009." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002378.

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This thesis investigates the presentation of AmaXhosa traditional dancing and music on the stages of the National Arts Festival (NAF), Main Programme, of South Africa in 2009. Four productions featuring AmaXhosa traditional dancing and music, as well as a fine art exhibition, are analysed to determine how the AmaXhosa culture is being portrayed, what is considered authentic and how these productions may affect the memory of the AmaXhosa nation. In an attempt to understand the position of these productions within the NAF the South African cultural context as well as the NAF is examined. The pos

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Snowball, Jen. "Towards more accurate measurement of the value of the arts to society: economic impact and willingness to pay studies at the Standard Bank National Arts Festival." Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1002672.

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The accurate measurement of the value of the arts to society is becoming increasingly important in developing countries, like South Africa, where the arts must compete with housing, health, education and the like for public funds. Motivation for the public funding of arts events, like the Standard Bank National Arts Festival in Grahamstown, is usually based on the economic impact, that is, the financial benefits to the region, of such events. The argument is problematic, however, because the primary recipients of such economic benefits are often middle to upper income groups who also attend mo

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Pretorius, Susanna Cornelia. "Visitors' perceived contribution of South African arts festivals to the arts / Susanna Cornelia Pretorius." Thesis, North-West University, 2013. http://hdl.handle.net/10394/9824.

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The primary goal of the study was to determine the contribution of three distinct South African arts festivals to the arts, namely Klein Karoo National Arts Festival (KKNK), Innibos and Vryfees arts festivals as perceived by visitors to the festivals. To achieve this goal, five objectives were formulated. Firstly, to provide a literature overview of the arts phenomena, by exploring the relationship between arts and culture, the arts context, the arts-related tourism product and then the perceived contributions of arts festivals to the arts; secondly, to determine the perceptions that the visit

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Odenwald, Florian. "Der nazistische Kampf gegen das "Undeutsche" in Theater und Film 1920-1945." München : Utz, 2006. http://books.google.com/books?id=cOtkAAAAMAAJ.

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Bragge, Brent Reuben. "Economic impact studies and methodological bias : the case of the National Arts Festival in South Africa." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002702.

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Over the course of the last three decades, it has become popular practice to evaluate tourism events like cultural festivals in financial terms, through the use of economic impact studies. This can be attributed at least in part to the notable growth in the number of festivals being held globally and, as such, a higher level of competition between festivals for the limited funding which is available. Economic impact studies, and the resultant findings, have thus become powerful tools for the lobbying of sponsorship, and it has become increasingly important that the impact calculations be as ac

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Cicėnaitė, Ieva. "Scenos menų centras Kaune." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110623_163320-29886.

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Magistro studijų baigiamajame darbe projektuojamas scenos menų centras Kaune, senamiesčio prieigose, Neries upės pakrantėje. Darbe surinkta ir išanalizuota medžiaga, susijusi su teatrų, scenos menų centrų ir kompleksų projektavimo ypatumais, jų koncepcijomis ir įgyvendinimo rezultatais. Atlikta vietos sąlygų analizė, sukurti konceptualiai skirtingi eskiziniai projekto variantai, parengtas scenos menų centro projektas. Projektuojamas objektas dominuoja krantinės išklotinėje, tampa akcentu žyminčiu miesto centro pradžią. Pagrindinė pastato scena sudaro branduolį, kuris sujungia įprastinį prabang

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Snowball, Jen. "The economic valuation of cultural events in developing countries: combining market and non-market valuation techniques at the South African National Arts Festival." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002703.

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The arts in many countries, but particularly in developing ones, are coming under increasing financial pressure and finding it difficult to justify the increases in government funding needed to maintain and grow the cultural sector. The trend in cultural economics, as well as in other areas, appears to be towards including qualitative valuations, as well as the more traditional quantitative ones. This thesis argues that the value of cultural events should include long term historical qualitative analysis, financial or economic impact and a valuation of the positive externalities provided by cu

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Derambure, Angélique. "L'image et son empreinte dans les mises en scène de Daniel Benoin : Itinéraire et processus de création de la Comédie de Saint-Étienne au Théâtre National de Nice (1975-2010)." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2018.

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Metteur en scène contemporain dont l’itinéraire personnel est une conséquence de la décentralisation théâtrale, Daniel Benoin tire sa force de création du passage de l’image mentale à sa concrétisation dans le spectacle vivant par l’hybridation de savoirs multiples et de techniques artistiques. Cette étude d’un destin particulier dans un rapport holiste avec l’art dramatique permet une théorisation du processus de création dans lequel un regard croisé entre phénoménologie et pragmatique confirme l’hypothèse d’une empreinte matérielle et stylistique. L’approche comparative d’un grand nombre de

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Cano, Ariana Arely. "Performing Stereotypical Tropes on Social Media Sites: How Popular Latina Performers Reinscribe Heteropatriarchy on Instagram." CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/756.

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This research analyzed three Latina social media celebrities’ self-presentations on Instagram and focused on whether or not the content they published potentially challenges or simply perpetuates stereotypical tropes of Latinas found in mainstream media. This qualitative study took an Ideological Critical approach through a textual analysis that was informed by Feminist Theory. More specifically the research focused on: What were Latina social media celebrities self-presentations on Instagram that characterize what a Latina is? How were Latina social media celebrities self-presentations differ

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CALEWICZ, Cezary. "BOOK REVIEW: C.R. Swaminathan (ed. and tran.), Kānvaśatapathabrāhmanam Vol. IV, New Delhi: Indira Gandhi National Centre for the Arts in association with Motilal Banarsidas, 2001, IX +334 Pp. Rs. 600." 名古屋大学大学院文学研究科インド文化学研究室 (Department of Indian Studies, Graduate School of Letters, Nagoya University), 2003. http://hdl.handle.net/2237/19248.

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Mannathoko, Magdeline. "Interpreting the new lower primary art and craft component of the Creative and Performing Arts, the Botswana National Curriculum : case studies of four primary schools in the South Central and Central North Regions : an illuminative evaluation." Thesis, Cardiff Metropolitan University, 2009. http://hdl.handle.net/10369/845.

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This thesis seeks to examine how lower primary school teachers in the South Central and Central North regions of Botswana have met the recommended learning outcomes of art and craft, as a discipline within the Creative and Performing Arts programme that was introduced in 2002. The study took place in four geographically and socio-economically representative schools. The literature review provides insights into history and current practices regarding teaching art and craft in primary education, in Botswana and comparatively throughout the world. The review material conditions the content of the

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Čučka, Pavel. "GENIUS THEATRI, České Budějovice." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2017. http://www.nusl.cz/ntk/nusl-316339.

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České Budějovice struggles with unsuitable spaces for the Theatre and the Philharmonic. It is also confronted with urbanistic challenges of underused public spaces. This diploma thesis sets out to remedy these challenges and offer a possible solution through the design of Platform of live arts – opera and philharmonic halls at Mariánské náměstí. I approach this problematic area with an effort of creating a distinctive feature, that propagates new spatial relationships and changes the existing perception of space. The center of gravity, two performance halls, are placed in the utmost tip of the

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He, Man. "Chinese Play-Making: Cosmopolitan Intellectuals, Transnational Stages, and Modern Drama, 1910s-1940s." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429737192.

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Hassnaoui, Amira. "Stambeli Awakening: Cultural Revival and Musical Amalgam in Post Revolution Tunisia." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149158044999529.

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Zhiltsova, Maria. "Le transfert des ballets de Paris à Saint-Pétersbourg au milieu du XIXe siècle, entre copie et création : le cas de Jules Perrot (1810-1892), chorégraphe français dans l'Empire russe." Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H054.

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Cette thèse cherche à comprendre le phénomène de la circulation des spectacles chorégraphiques de Paris à Saint-Pétersbourg au milieu du XIXe siècle et relève de l’histoire des relations culturelles internationales. La recherche se focalise sur les ballets créés à l’Opéra de Paris et remontés au Grand théâtre de Saint-Pétersbourg par Jules Perrot (1810-1892), danseur et chorégraphe français qui travaille en Russie de 1848 à 1861, et vise à montrer dans quelle mesure les ballets parisiens donnés à Saint-Pétersbourg correspondent à leurs versions originales. Le problème du transfert des spectacl

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De, Oliveira Joao Alves. "La construction idéologique de la culture populaire comme une identité pour le cinema brésilien (1950-1975) : une synthese dialectique entre la chanchada et le cinema novo." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00949721.

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Ce travail porte sur la construction idéologique de la culture populaire dans les comédies brésiliennes, musicales ou pas, et dans le cinéma novo de la période 1950-1975.Il analyse la façon dont ces comédies (la chanchada), influencées par l'idéal d'une nation hétéroclite mais unique instauré par Getúlio Vargas ont représenté la culture populaire comme une idéologie des classes subalternes. Utilisant le concept de carnavalisation, ces films populaires, influencés par la radio, le théâtre de revue et le cirque, mettaient le monde à l'envers en essayant de corriger les injustices sociales dont é

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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insi

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Lin, Huan-Chen, and 林奐晨. "The Correspondence between National Center for Traditional Arts (NCTA) and Indigenous Performing Art." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/58277907499972341824.

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碩士<br>國立東華大學<br>民族藝術研究所<br>96<br>The Correspondence between National Center for Traditional Arts (NCTA) and Indigenous Performing Art Abstract With better economics, rapid growth of technology and information, drastic social change in Taiwan nowadays, the most influence of all is the change of entire cultural environment, therefore Taiwan is filled with cultures from all over the world. It has great impact on traditional culture which represent the epitome of bypass civic life、also the predecessors wisdom and collective memory of foretime livings. These are all valuable cultural treasures

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Lin, Yi-Chian, and 林衣倩. "The Study Student Engagement Fitness Center Satisfaction in the National Taiwan College of Performing Arts." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/7t3ye8.

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碩士<br>臺北市立大學<br>體育學系體育碩士在職專班<br>103<br>The study of the National Taiwan College of Performing Arts freshman to senior students for sampling target, explore the level of satisfaction of National Taiwan College of Performing Arts students engagement in physical fitness centers, using "National Taiwan College of Performing Arts students engagement in a questionnaire fitness center satisfaction "survey the study questionnaire is divided into "demographic variables data" and "satisfactionscale." two parts. The results showed that: The study of the National Taiwan College of Performing Arts freshman

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YU, CHIN-CHUN, and 游金純. "Agenda Setting and Policy Change of Administrative Corporatization:A Case Study of National Performing Arts Center." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/33jcz8.

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博士<br>世新大學<br>行政管理學系<br>106<br>The institutionalization of Administrative Corporation is one of the most important reforms in our government organization history . This reform is in the same direction of those government reforms in the advanced countries. In 2004, the establishment of the National Chiang Kai-Shek Cultural Center has opened up a new pattern and a new feature of the government organization. Moreover, the 2014 National Performing Arts Center extended further this foundation, and has become the first Administrative Corporation that incorporated several performance arts venues that

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CHEN, MAY-LI, and 陳美莉. "The Effect of Encounter Service Quality on Customer Satisfaction - A Case of National Performing Arts Center - National Theater & Concert Hall." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/cc3777.

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碩士<br>中國文化大學<br>企業實務管理數位碩士在職專班<br>105<br>The audience service of the National Theater and Concert Hall is diverse, complex, and critical to the success of organizational performance. However, the contribution of the service to customer satisfaction has been ignored. The purposes of this study is to investigate the effect of audience service on customer satisfaction, and the mediating effect of perceived value on the above relationship. Using convenience sampling method, structured questionnaires are distributed to the audience who purchased tickets from the ticket counter and who attende

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Liu, Gia-Yu, and 劉家渝. "Audience’s Information Search and Membership in Performing Arts—National Chiang Kai-Shek Culleral Center as an Exemplar." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/fw8459.

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Hsu, Mei-Lin, and 許美玲. "The research of mobile service design in performing arts center-Take National Theater & Concert Hall as an example." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/kj4c96.

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碩士<br>國立臺北大學<br>企業管理學系碩士在職專班<br>106<br>Performing art is a collective experience with a group of spectators connecting with the senses, emotions, and thoughts of performers at the particular place. Furthermore, since the performance cannot be repeated due to various factors, every time of show is unique. The performance venues can generally be divided into three parts: performance stage, performance support and service system. Among the service system, the quality of the experiences for the audiences mainly depends on the design of services system including the services of ticket system, and t

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Tseng, Mei-Ching, and 曾美卿. "A Study of Data Warehousing for Performing Arts marketing－ Use the National Chiang Kai-shek Cultural Center as a Case." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/13166767813350141022.

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碩士<br>中國文化大學<br>資訊管理研究所碩士在職專班<br>92<br>The Data Warehouse system provides a data storage and tools for business execu-tives to collect historical data, integrate heterogeneous sources, and then make strategic decision. OLAP (On-Line Analytical Processing) is the tool for the interactive analysis of multidimensional data. This research takes the National Chiang Kai-shek （CKS）Cultural Center as a case study. First, the Data Warehouse model is constructed by integrating and transforming data sources from two operational data management systems: the Programming Ar-rangement System and t

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Wu, Mei-Ching, and 吳美清. "The Role and Function of Performing Arts Library-- a Case Study on the Library of National Chiang Kai-Shek Cultural Center." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/49249137144186798319.

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碩士<br>淡江大學<br>資訊與圖書館學系<br>92<br>Performing arts are fallen into three genres: music, dance and dramas. They are associated with the actions performed before the audience by the players, emphasizing the mutual experiences running between the performers and viewers. Therefore, it becomes the common concern among the performing arts school and the libraries of how to pass on the experiences to the next generations and to upgrade the viewers’ appreciation abilities. This research adopts the Delphi Method to collect both the opinions of the performing arts scholars and readers. It querie

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Tzu-Chii, Huang, and 黃姿綺. "A study on the effectiveness of re-organization: The case of the restructuring of National Theater & Concert Hall, National Performing Arts Center toward an administrative corporation." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/21171047819281175858.

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碩士<br>輔仁大學<br>非營利組織管理碩士學位學程在職專班<br>102<br>With more flexibility, Administrative Corporations are given autonomy as enforcing public affairs on behalf of the government. The rigidity in public administration system can be eliminated by introducing enterprise operation to enhance organizational performance. This dissertation studies the consequential benefits and problems to National Theater & Concert Hall, National (NTCH) Performing Arts Center after reformed to administrative corporation ten years ago. This dissertation uses the case study methodology to discuss the impacts on National Theate

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Lin, Chin-Yi, and 林靜宜. "The Research of Public Corporation on the Performing Arts Institutions in Taiwan - the Example of the National Chiang Kai-Shek Cultural Center." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/23wj42.

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Lin, shi-shung, and 林士雄. "A study of the practicalibity of design concepts-- in the departmental buildings of the Theater Department, Dance Department,and the Performing Arts Center of the National Institute of the Arts." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/41683515053767577212.

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碩士<br>淡江大學<br>建築(工程)學系<br>83<br>The subjects of this research are the departmental buildings of the Dance Department and Theater Department, the Performing Arts Center in the National Institute of the Arts. The relationship between users'' reactions, design concept, and the spaces and facilities are discussed through the users'' behavior in order to provide suggestions to the managers and designers. This study is conducted through questionnaires as a major approach, in order

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Chen, Yi-Lien, and 陳怡璉. "International Cultural Exchanges of Traditional Performing Arts in the National Cultural Policy ──Case studies of Taipei Cultural Center in New York and Taiwan Cultural Center in Paris." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/m4y679.

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碩士<br>國立臺北藝術大學<br>建築與文化資產研究所<br>100<br>With the frequent exchange of different cultures, in addition to upgrading the quality of the arts, Taiwan’s government is dedicated to promoting international cultural exchange. In recent years, our government supports and fosters many outstanding performing arts groups to become one sought after internationally. The overseas cultural centers established by Taiwan’s government support Taiwan''s traditional performing arts groups with local cultural characteristics to perform internationally. Council for Cultural Affairs (referred to as CCA) is

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Connell, Belinda. "The design of a performing arts centre in Pretoria, Tshwane." Thesis, 2011. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1000484.

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Thesis (MTech. degree in Architecture (Professional))--Tshwane University of Technology, 2011.<br>Probably one of the strongest common threads running through the multi-cultural society of South Africa is its passion and love for the public performing arts. The thesis therefore encompasses the design of a Performing Arts Centre in Pretoria. The intention is to use the building and surrounding urban space to promote performing arts activities, where they can be taught, refined and performed. The intent is to provide a building which will not only house the performing arts, but also engage the u

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Sparks, Christopher Duane. "Genius Loci : a cultural centre for the visual and performing arts." Diss., 2009. http://hdl.handle.net/2263/30280.

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The aim of this dissertation is to explore the possibilities of architecture as a sensory phenomenon and to explore how we can experience architectural space through all our senses, and how architecture can influence how we experience our senses in space. The project is located within the cultural node identified within the Nelson Mandela Development Corridor (MDC) and the proposed building is one of a cultural centre for the visual and performing arts. The centre is aimed at creating a heightened awareness and insight into the creative processes of artists and performers for the general publi

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Kan, Pa-Lun, and 簡比倫. "Research of National Theater Concert Hall Performing Arts Library Users' Satisfaction." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/50696301274654755465.

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碩士<br>國立臺灣師範大學<br>圖書資訊學研究所<br>101<br>Times have changed. The global economy has transformed "manufacturing economy" into "serving economy" nowadays. No matter what types of merchandise or service provided, companies and organizations are all trying their best to win customers' hearts. Along with the rising of living standards, customers today are well aware of the importance of service quality. It is significant as well as valuable for enterprises to find out the quality performance of their own from the perspective of customers and feedback the results of the relevant survey to front-line sta

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Yang, Lien Ying, and 楊蓮英. "Research on Motivation Students on National Taiwan College of Performing Arts." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/01656995922840513941.

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碩士<br>臺北巿立體育學院<br>運動科學研究所<br>96<br>Abstract The purpose of the current study was to (a) identify the status of National Taiwan College of Performing Arts Motivation Students; (b) analyzes the school adaptation of National Taiwan College of Performing Arts Motivation Students; (c)compare the difference among selected demographic variables on National Taiwan College of Performing Arts Motivation Students; (a) demographic information sheet; (b) National Taiwan College of Performing Arts of Students Motivation Scale The population of this study was National Taiwan College of Performing Arts of St

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Tu, Tsung Yun, and 涂聰雲. "Strategy marketing for performing arts group's ---national chinese orchestra's international touring concert." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/31652867466050841993.

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碩士<br>國立政治大學<br>經營管理碩士學程(EMBA)<br>96<br>The culture is the life that the nation continues, and its progress is a driving force for the social development. In 1997, Council for Cultural Affairs of Executive Yuan announced “Culture will be the diplomatic theme and the promotion of Taiwan’s culture will be the first important work of international exchange”. After the party alternation in power, the new Government still took “cross-strait cultural exchange” and “international touring and cultural diplomacy” as its cultural policy and administration guiding principle. Through cultural exchange, Ta

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Chen, Tzu-hung, and 陳姿宏. "A Marketing Research on Performing Arts Organization: National Guo-guang Chinese Opera Company." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/04249611967035655639.

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碩士<br>國立政治大學<br>廣告學系<br>94<br>Arts and cultures surpass races、countries and ideologies, communicate people and build the real foundation of world peace. Chinese Opera which contains rich Chinese culture is now the most popular opera in China. 1995, Ministry of Education combined three triphibious Chinese Opera groups into one national Chinese Opera Group—the National GuoGuang Chinese Opera Company. The company tries to set up a creative Taiwanese style for Chinese Opera and prevail these fine arts. To make the excellent Modern Chinese Opera become the behalf of Taiwanese culture, the marketin

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