Relevant bibliographies by topics / The new garde (Television program)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The new garde (Television program)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "The new garde (Television program)"

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Stack, Lois Berg, and Gleason Gray. "Master Gardener's Public Demonstration Garden Offers Success beyond Educating the Public." HortScience 30, no. 4 (1995): 903C—903. http://dx.doi.org/10.21273/hortsci.30.4.903c.

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The Penobscot County (Maine) Master Gardeners (MGs) initiated a demonstration garden in 1994, on a 0.75-acre plot at the Univ. of Maine's sustainable agriculture farm. In addition to producing public education through on-site events, newspaper articles and weekly television broadcasts, the garden is the venue for these program successes. 1) New MGs see the garden as an on-going volunteer project and 2) grow as gardeners by working in the garden. 3) The Garden helps develop the camaraderie that begins among MGs during their training. 4) Advanced training is easily accomplished in the garden. 5)
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Bonnicksen, Andrea L. "Book Reviews: Gordon and Suzuki - It's a Matter of SurvivalAnita Gordon and David Suzuki Cambridge: Harvard University Press, 1991, 278 pp. US$19.95 cloth. ISBN 0-674-46970-4. Harvard University Press, 79 Garden St., Cambridge, MA 02138, USA." Politics and the Life Sciences 11, no. 2 (1992): 285–86. http://dx.doi.org/10.1017/s0730938400015380.

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PrécisIn 1989 the Canadian Broadcasting Corporation aired a five-part radio series, “It's a Matter of Survival.” Anita Gordon was the originator and executive producer of the series. David Suzuki is Professor of Zoology at the University of British Columbia and the host of “The Nature of Things,” a science television program. This book grew out of the radio series and is described on the jacket cover by Edward O. Wilson as “the best piece of extended environmental journalism I've seen to date.” Cited in the end notes are publications in the popular press (e.g., The New York Times) and CBC inte
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Strizhkova, Nataliya A. "The Institutional Component in the Thinking and the First Reforms in Artistic Culture of Russian Avant-garde Artists." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 28, no. 2 (2022): 121–36. http://dx.doi.org/10.15826/izv1.2022.28.2.032.

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The paper aims to carry out a historical and cultural examination of the insufficiently studied social practice experience of Russian avant-garde artists: their innovative activities leading towards radical institutional modernization of artistic culture in the early years of Soviet power. An institution-and-system approach laid the methodological groundwork for the analysis since it is the phenomenon of the institute that integrates and regularizes various components of artistic culture: artistic consciousness, social subjects, their artistic practices and relationships, strategic and specifi
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Natalia, El Chris. "ETHICS IN CHILD PROGRAM IMPRESSIONS ON TELEVISION." Emerging Markets : Business and Management Studies Journal 3, no. 1 (2018): 28–37. http://dx.doi.org/10.33555/ijembm.v3i1.68.

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Although nowadays the new media comes to exist in the society, the conventional media like television is still be a part of Indonesian society, especially is the areas that is untouched by the internet. Television still has its own audience. Television is obliged to perform its functions in providing information, educate, entertain, control and also as a social adhesive. Children as one of television audiences always get more attention because children are the next generation who are very easily influenced by this audiovisual media. Children are the easiest figure to imitate what they see on t
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Hussein Saado, Kovan, and Ebtisam Ismaeil Qadr. "Media encounters: Models of TV program adaptation to digital platforms." Journal of University of Raparin 12, no. 2 (2025): 397–421. https://doi.org/10.26750/vol(12).no(2).paper19.

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This paper aims to articulate the media evolution on how the old media species compete with new ones to adapt to the new conditions of the media ecology, in an ecosystem, when new media species emerge, old species try to adopt to the new paradigm. In this case, how Television deals with the new media environment? What are the main methods that television has to deal with to adopt to the new condition of media environments? in what ways, television has to alter programming and distribution strategies and practices to follow the new media species characteristics. The Television adaptation in the
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Kim, Hee-young. "Raoul Hausmann’s Optophone and Nam June Paik’s Electronic Television: Expanding Communication." Center for Asia and Diaspora 13, no. 2 (2023): 100–125. http://dx.doi.org/10.15519/dcc.2023.08.13.2.100.

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Nam June Paik’s major contribution in art has been highlighted on his use of television broadcasting information and images. His work shown on television screen is considered to have magnified the aesthetic quality of electronic images, thereby broadening the scope of visual art. Instead of the aesthetic novelty in his art, this paper pays particular attention to Paik’s creative use of invisible electronic signs in his experiments with electronic television. From a media archaeological point of view, it investigates the techno-epistemic relation between Berlin Dadaist Raoul Hausmann’s optophon
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Eaton, B. Carol. "Prime-Time Stereotyping on the New Television Networks." Journalism & Mass Communication Quarterly 74, no. 4 (1997): 859–72. http://dx.doi.org/10.1177/107769909707400413.

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This content analysis examines portrayals of women in prime-time promotional announcements broadcast on five television networks (ABC, NBC, CBS, FOX, and UPN) during one week in 1995. Findings supported the hypotheses that (1) women are underrepresented in all television networks' promotional announcements, and that (2) stereotypical portrayals of women in these announcements varied due to the television network's target audience. Specifically, television program promotional announcements on networks that seek a younger male audience contained more stereotypical female characters than other ne
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Ryan, Maureen. "Logics of Lifestyle and the Rise of Scripps Networks, 1994–2010." Feminist Media Histories 1, no. 2 (2015): 37–63. http://dx.doi.org/10.1525/fmh.2015.1.2.037.

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This article examines the “turn to lifestyle” in the longstanding genres of how-to and domestic advice programming, which began in 1994 with the launch of Home & Garden Television (HGTV) and the Food Network. It frames lifestyle's spread across the growing cable television system in the late 1990s and 2000s as the result of industrial conditions that favored the growth and consolidation of cable networks, as well as growing cultural interest in “lifestyle” as a consumerist form of identity. In this context, a turn to lifestyle in programming offered the new networks HGTV and Food Network a
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Yakusheva, Viktoriya Vladimirovna, and Victoria Yakusheva. "The mediabrend is urgency of the development in new economicalconditions." Journal of Flm Arts and Film Studies 2, no. 1 (2010): 120–29. http://dx.doi.org/10.17816/vgik21120-129.

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The article analyzes the main trends of the development of Russia's television during the financial crisis. The structure of broadcasting is shown in terms of branding and a unique method of developing a television brand is suggested. The author considers this technology as one of the strategic measures, maintaining a stable position on the media market. The article analyses the television brand "What? Were? When?», because this program is very famous in the cognitive-game content. The practical application of the technology of forming a television brand is illustrated on the stage of creative
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ČIERNA, ALENA. "ELECTROACOUSTIC MUSIC AND THE SLOVAK MUSICAL AVANT-GARDE IN THE 1960S." AD ALTA: 11/01 11, no. 1 (2021): 59–64. http://dx.doi.org/10.33543/11015964.

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In the 1960s, the development of music in Slovakia was marked by prominent generational and stylistic confrontations of the compositional poetries of the previous generations of composers and the just emerging one. In the composers’ community, an initiative was gaining a foothold that reassessed the practices, norms, and achievements of the previous developmental stages of Slovak music and looked for new points of departure. In certain stages of the given period, the first graduates of the Academy of Performing Arts (Ilja Zeljenka, Juraj Pospíšil, Pavol Šimai, Ladislav Kupkovič, Peter Kolman,
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Dissertations / Theses on the topic "The new garde (Television program)"

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Sadler, Joel A., and Mika A. Tomczak. "Designing episode content for Design Squad, a new educational engineering children's television program : the human powered water pump as a design challenge." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/36704.

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Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2006.<br>Includes bibliographical references (p. 53).<br>In recent years, problems have emerged in the realm of engineering and engineering education in the United States. Technology literacy is low, there are insufficient numbers of engineering students, and there are misconceptions surrounding the engineering profession. To remedy these problems, WGBH Boston and MIT have created a reality-style engineering-based television program for 9- to 13-year-old children, entitled Design Squad. One episode of the sh
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Jonker, Francois. "The men in our living room : masculinities and the struggle for a 'new' South African hegemony in 'Egoli: place of gold' 1994." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96873.

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Thesis (MA)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: In this study I analyse the 1994 episodes of the popular soap opera Egoli: Place of Gold that coincide with the so-called ‘birth’ of the New South Africa. This moment in media history is characterised by a heightened sense of anticipation surrounding Egoli as the first local soap opera created by Franz Marx at the pinnacle of his career for the relatively new – and only – independent broadcaster in the country, M-Net. Because of the reliance of this genre on perceived realism, Egoli offers a historically significant televisual me
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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insi
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Chang, Chih Chieh. "Foxification a new global phenomenon of television news program /." 2005. http://wwwlib.umi.com/dissertations/fullcit/1427807.

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Thesis (M.A.)--State University of New York at Buffalo, 2005.<br>Title from PDF title page (viewed on Feb. 1, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Junhao Hung. Includes bibliographical references.
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Tully, Meg E. (Margaret E. ). "The season of the vagina : a third-wave feminist analysis of the television series New girl and Girls." 2013. http://liblink.bsu.edu/uhtbin/catkey/1713808.

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This thesis examines two of the female-driven sitcoms from the 2011-2012 season, New Girl and Girls. I analyze both series from a third-wave feminist perspective, looking at how each series portrays its respective lead character, Jess and Hannah, and how each series portrays funny women in general. Through these analyses, I ultimately argue that Jess on New Girl represents a much more promising feminist icon than Hannah on Girls. This is mainly because Jess is driven by self-love and self-confidence while Hannah is so defined by her self-hatred that she becomes difficult for viewers to relate.
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Huang, Chih-Wei, and 黃治偉. "The report of a digital Television program production with the case of Formosa Television produced“Digital New Life”." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/37448264121240641479.

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碩士<br>世新大學<br>廣播電視電影學研究所(含碩專班)<br>94<br>In July 2004, Taiwan launched digital terrestrial television broadcasting that lead Taiwan television industry to diversified operation. The hardware of digital TV (DTV) transmission was established, but we still produce TV programs by traditional analogue ways. Hence, DTV programs should be produced more that can help audiences understand the value of DTV. The video clip project-“New Digital Life” which sponsor by Government Informant Office provided producers DTV programs producing environment to study DTV content production. The project help advance D
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Blažková, Michaela. "V zajetí televize. Aktéři, televizní žánry a programy v USA a Československu ve 2. polovině 20. století." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-389860.

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ÚSTAV HOSPODÁŘSKÝCH A SOCIÁLNÍCH DĚJIN ANOTACE DIZERTAČNÍ PRÁCE V zajetí televize Aktéři, televizní žánry a programy v USA a Československu v 2. polovině 20. století CAPTURED BY TELEVISION ACTORS, TELEVISION GENRES AND PROGRAM IN THE US AND CZECHOSLOVAKIA IN THE SECOND HALF OF THE 20TH CENTURY Mgr. Michaela Blažková Vedoucí dizertační práce: Doc. PhDr. Michal Pullmann, Ph.D. Praha 2018 Summary Against the backdrop of political, economic and cultural changes, changes have been taking place in the United States of America in the 1950s, even at the level of whole society. One of the crucial chang
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Books on the topic "The new garde (Television program)"

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Chan, Patterson, ed. The Louisiana new garde: From the television series, Great chefs, the new garde. Great Chefs Pub., 1994.

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Makeieff, Macha. Au chic Deschiens: Essai de panoplies, garde-robe, attirails vestimentaires des années 80-90. Seuil, 1997.

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Carrazé, Alain. The Avengers companion. Titan, 1997.

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Rogers, Dave. The complete Avengers: Everything you ever wanted to know about the Avenger and the New Avengers. Boxtree, 1989.

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Crosdale, Darren. Dawson's Creek: The all new official companion. Ebury, 2001.

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O'Connor, Martha. The real housewives get personal: Orange County, New York, Atlanta, New Jersey. Chronicle Books, 2010.

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Morris, Holly. Adventure divas: Searching the globe for a new kind of heroine. Villard, 2005.

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Irwin, Walter. The best of Trek #13: A brand new collection for star trek fans. New American Library, 1988.

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1966-, Rigelsford Adrian, ed. Calling the Shots: Directing the New Series of Doctor Who. Reynolds & Hearn, 2007.

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Donn, Cortez, and Wilson Leah, eds. Investigating CSI: Inside the crime labs of Las Vegas, Miami, and New York. BenBella Books, 2006.

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Book chapters on the topic "The new garde (Television program)"

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ten Kate, Warner, Arno Schoenmakers, Nick de Jong, Helen Charman, and Pete Matthews. "trigg&link a new dimension in television program making." In Multimedia Applications, Services and Techniques — ECMAST '97. Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0037344.

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Sokolova, Olga, and Vladimir Feshchenko. "Eugene Jolas and the Revolution of Language." In Music, the Avant-Garde, and Counterculture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_7.

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AbstractThe chapter examines the concept of universal language of the American-French avant-garde poet, literary critic, and publisher Eugene Jolas. Universal language was a project aimed at an “interracial synthesis” of all the languages “being spoken in America today.” In this conception, Jolas goes beyond multilingualism as an integration of languages to a transformation of the very basis of language. Central to this transformation is Jolas’s theory of the universal language as a “mantic compost,” that is constantly changing and developing at all linguistic levels. The study focuses on such
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Masschelein, Anneleen. "Introduction: Literary Advice from Quill to Keyboard." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_1.

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AbstractThis chapter presents a brief history of the dominant, Anglo-American literary advice tradition from the nineteenth century to the present as well as a state of the art of the existing scholarship on literary advice. We focus on several key moments for literary advice in the USA and in the UK: Edgar Allan Poe’s “Philosophy of Composition” (1846), the debate between Sir Walter Besant and Henry James surrounding “The Art of Fiction” (1884), the era of the handbook (1880s–1930s), the “program era” (McGurl 2009) and postwar literary advice, the rise of the “advice author” in the 1980s and
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Comiskey, Andrea, and Jonah Horwitz. "Fractured Flickers (1963–64), Camp, and Cinema’s Ab/usable Past." In Camp TV of the 1960s. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197650745.003.0003.

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Abstract The 1960s television series Fractured Flickers reworked older footage, mostly from silent films, to create new, absurdist replacement narratives and comic montages. Produced by Jay Ward, the show shared the antic, allusive humor of other Ward series, which themselves featured frequent references to silent cinema. Flickers belongs to a submerged history of Hollywood reusing and lampooning silents. One of several midcentury TV programs that brought silent films to the attention of a new generation, Flickers aroused the ire of critics and actors and became a byword for the abuse of cinem
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Zolten, Jerry. "“Loves Me Like a Rock”." In Great God A'Mighty! The Dixie Hummingbirds, 2nd ed. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190071493.003.0008.

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Abstract As rock ‘n’ roll evolved into the 1960s, gospel vocalizing and stagecraft continued to influence solo artists and vocal harmony groups that evolved from doo-wop to soul and Motown: Ray Charles, James Brown, Wilson Pickett, Aretha Franklin, the Miracles, the Temptations. The Dixie Hummingbirds and black gospel itself evolved against the backdrop of generational rebellion, civil rights unrest, war protest, and assassinations. The trend shifted from quartets to soloists and choirs, the gospel fan base broadening as the music became appreciated both as an art and as roots music form. Pres
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Fuller-Seeley, Kathryn H. "Jack Benny’s Turn Towards Television." In Jack Benny and the Golden Age of American Radio Comedy. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520295049.003.0010.

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The new medium of television was to cause Jack Benny much consternation in how to best adapt his iconic radio program after 18 years to the new visual medium. Benny fretted and delayed his entry into New York City-based TV broadcasting until October 1950, meantime remaining radio’s top comic. But industrial pressures to switch networks (in Benny’s momentous move to CBS) and move to television, while trimming radio production budgets, and chasing audiences flocking to TV, pressed Benny to act. Benny struggled against critical expectations, and critical disdain, to find a way to merge the best o
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Broughton, Mark. "The Go-Between’s Picturesque." In Spaces. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789048563265_ch05.

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The prominence of the country estate as a setting in British cinema suggests that it would be fruitful to consider the aesthetic history of the landscape garden on screen, yet this is still an under-researched area. This chapter is concerned with location and setting in The Go-Between, tracing the genesis of its screen landscapes, from L.P. Hartley’s novel and contemporaneous debates about stately homes, through Joseph Losey’s development of a new approach to filming the country estate, to the production of the film itself and the use of Melton Constable Hall, Norfolk as a location. It explore
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Noam, Eli. "A Model for the Analysis of Broadcast Structures." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0004.

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Abstract Given the heated rhetoric surrounding broadcasting and new electronic media, it is surprising how few analytic tools exist for an evaluation of media structure and its change. A television set is enshrined in almost every home, and households allocate extraordinary portions of their disposable time to its viewing. Few disagree that television is a major factor in modern society, with a pervasive influence on politics, culture, economics, and social affairs. Economists, however, have taken little interest in the study of the medium, particularly in the more theoretical aspects of progr
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Jankowski, Gene F., and David C. Fuchs. "Television and Its Critics." In Television Today and Tomorrow. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195074871.003.0006.

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Abstract The most prestigious gathering in television is the annual convention of the National Association of Broadcasters. Everybody who is anybody goes-the station owners, the general managers, the program directors, the news directors, the sales managers, the top executives of the networks, the program producers, the hardware makers, the top advertising people, the station representative organizations, the trade groups, the regulators, the lawyers for everybody, the consultants for everybody, the press, and everyone who counts from Washington, New York, and Los Angeles, the three power cent
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Prata, Alcina. "Interactive Television Research Opportunities." In Encyclopedia of Multimedia Technology and Networking, Second Edition. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-014-1.ch103.

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There is no doubt that interactive TV (iTV), which may be defined as a TV system that allows the viewer to interact with an application that is delivered simultaneously, via a digital network, in addition to the traditional TV signal (Perera, 2002), will replace traditional passive TV viewing habits. In fact, this technology enables a wide range of new interactive services, applications, and features that are becoming increasingly successful. In regard to interactive services, we have the traditional iTV service (which implies interacting with an application that is simultaneously broadcasted
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Conference papers on the topic "The new garde (Television program)"

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Nikolajević, Snežana. "Dragutin Gostuški’s Television Narrative." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.303n.

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The selection of music combined with the text about music is very important for the effect on the viewer of the television music programs. The interaction between music and text turns into an action towards the viewer, and that action is, in fact, the essence of the television medium. The words about music hold great importance, almost like the music itself, and their mutual influence leads to a new quality – to a new television music form. To achieve the most suitable effect and the highest range from that combination requires great erudition, skilful use of various elements and their connect
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Pernisa Júnior, Carlos, Marcelo F. Moreno, Stanley Cunha Teixeira, and Cristiane Turnes Montezano. "Possibilities for the New Viewer / Interactor Journey in TV 3.0." In Anais Estendidos do Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/webmedia_estendido.2023.236167.

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This study, conducted within the Digital Media Laboratory (LMD) at the Federal University of Juiz de Fora (UFJF), explores the potential transformations in the viewer / interactor’s journey in the context of TV 3.0. Within this article, we analyze key aspects of this evolving journey and its broader implications for the future of TV consumption. Our investigation delves into several critical considerations, including the potential disruption of established television norms, the need to address viewers’ challenges and desires, the possibility of departing from traditional programming schedules,
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Başaran, Meltem. "An Investigation on the Netflix Platform in the Context of Flow Theory." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.025.

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Today, with the development of technology, many developments and changes have been experienced in mass media. In the traditional period, content could only be accessed from sources such as television, newspapers, magazines, and radio, while the digital platforms that emerged with the era of the so-called new media enabled people to acquire the content they wanted at any time. Netflix, one of these digital platforms, is a video streaming service that offers on-demand access to individuals. Netflix, which first started selling DVD subscriptions by mail in 1998, has turned into a platform that se
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Montezano, Cristiane Turnes, Carlos Pernisa Júnior, and Marcelo F. Moreno. "Uma análise de plataformas de streaming e as possibilidades para um guia de programação na TV 3.0." In Anais Estendidos do Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/webmedia_estendido.2024.244578.

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This study explores the presence and role of the Electronic Program Guide (EPG) in streaming platforms, aiming to understand how the next-generation television, known as TV 3.0, might adapt to content organization. With the advent of TV 3.0, new requirements emerge, such as app-driven navigation and the integration of OTA (over-the-air) and OTT (over-the-top) content, necessitating significant transformations in the viewer experience. We believe that streaming platforms offer an initial model that can guide these changes, bringing the TV 3.0 interface closer to the established format of curren
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Marzot, Nicola. "The Cyclicality of the Anthropic Space in Urban Morphology: an architectural perspective." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.4812.

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This paper intends to offer a systematic reflection on the significance of “cyclicality” in the processual development of the anthropic space, ranging from the territorial to the architectural scale. The reflection will essentially focus on those theoretical contributions emerging from the disciplinary field of architecture and urban design. Among them, three outstanding research positions can be clearly listed over the last century and will therefore be analyzed in-depth: Saverio Muratori’s definition of “Storia Operante”; John Habraken’s system of “Support and infill” and the Re_Cycle Italy
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Cohen Zilka, Gila. "The Elements Way: Empowering Parents, Educators, and Mentors in the Age of New Media." In InSITE 2017: Informing Science + IT Education Conferences: Vietnam. Informing Science Institute, 2017. http://dx.doi.org/10.28945/3701.

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[This Proceedings paper was revised and published in the journal Issues in Informing Science and Information Technology] Aim/Purpose: This study was designed to examine the effectiveness of mentor’s work with immigrant children and adolescents at risk, using the Elements Way. Background: The New Media offers our “screen kids” a lot of information, many behavioral models, and a new type of social communication. The Elements Way is an educational method designed to enhance openness, development, breakthroughs, goal achievement, and transformation in the age of media and social networks. Methodol
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Schauer, Raymond H., and Leah K. Richter. "Breaking Ground for a New 3,000 Ton Per Day Waste to Energy Facility." In 20th Annual North American Waste-to-Energy Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/nawtec20-7040.

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Created in 1978, the Solid Waste Authority of Palm Beach County (Authority) has developed an “award winning” solid waste management system that includes the following facilities to service the residents and businesses in Palm Beach County, Florida: • North County Resource Recovery Facility (NCRRF); • Residential and Commercial Recovered Materials Processing Facility; • Six Transfer Stations; • Class I Landfill; • Class III Landfill; • Biosolids Processing Facility; • Ferrous Processing Facility; • Woody Waste Recycling Facility; • Composting Facility; and • Two Household Hazardous Waste Facili
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Marinković, Miloš. "Dragutin Gostuški’s Ballet Rummy: From the Award of the Croatian National Theatre to the Premiere at the Music Biennale Zagreb." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.211m.

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One of the most significant works in the opus of Dragutin Gostuški as a composer is Rummy – A Fantastic Ballet Scene (1955). The ballet’s plot is based on the universal theme of the relationship between a woman and a man, and the music, although of neo-Romantic provenance, reveals some of the composer’s modernistic compositional techniques. After winning an award in a competition announced for new drama, opera, and ballet works on the occasion of the centenary of the Croatian National Theatre (1961), this ballet premiered two years later at the Music Biennale Zagreb (MBZ), an international fes
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Shamsunder, Saritha, Kavita Agarwal, Archana Mishra, and Sunita Malik. "Sample survey of cancer awareness in health care workers." In 16th Annual International Conference RGCON. Thieme Medical and Scientific Publishers Private Ltd., 2016. http://dx.doi.org/10.1055/s-0039-1685266.

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Objective: To see the awareness about cancer in women among ASHA workers. Place of Study: Awareness Sessions at Safdarjung Hospital, New Delhi. Background: ASHA workers are the first point of contact for women in the community &amp; bridge the back between the hospital and women. They have been instrumental in the success of the family planning programme &amp; polio eradication program in India. Materials and Methods: A questionnaire about educational status, awareness about breast &amp; cervical cancer statistics, methods of screening and diagnosis was distributed to Accredited Social Health
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Reports on the topic "The new garde (Television program)"

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Meade, Roger Allen. Empire: New Mexico's First Television Program. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1332210.

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Katumbi, Lara, Salome Njambi, Anushka Ghosh, Shilvaan Patel, and Nicolas Bottan. Estimating the impact of educational television on literacy, gender, and SEL. Busara, 2024. http://dx.doi.org/10.62372/gkqn1155.

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This paper presents evidence from a large randomized controlled trial (RCT) in Kenya, investigating the effects of watching a new children’s educational TV show at home. One novel aspect of the show is that, besides being instructional, it focuses on changing children’s mindsets about reading, gender attitudes, and socioemotional learning. We recruited 4,300 children from 346 public schools. Students in randomly selected treatment schools received encouragement to watch the publicly broadcasted TV show. We sent parents biweekly SMS reminders about the time and channel the TV show aired. Studen
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