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Relevant bibliographies by topics / THE PAHARI MINIATURE PAINTING"

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Academic literature on the topic 'THE PAHARI MINIATURE PAINTING"'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "THE PAHARI MINIATURE PAINTING""

1

Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING”." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3534.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1. Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.

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Dr., (Mrs.) Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING"." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.887559.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1 . Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.

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3

Morris, Rekha, та J. Jain-Neubauer. "The Rāmāyaṇa in Pahari Miniature Painting". Journal of the American Oriental Society 105, № 4 (1985): 789. http://dx.doi.org/10.2307/602781.

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Agrawal, Sujata. "INDIAN MINIATURES (PAHARI PAINTINGS A STUDY OF INDIAN LANDSCAPES, SOCIAL LIFE AND LOVING SONGS OF GEET GOVINDA)." ARTS ACADEMY 2, no. 2 (2022): 119–26. http://dx.doi.org/10.56032/2523-4684.2022.2.2.119.

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The article highlights the history of the Indian miniature as a carrier of unique cultural information. The author considers the artistic miniature not only as a special genre of Indian culture, but also as a means of transmitting social traditions, culture, values, including religious ones. Pahari and Kangra miniatures are considered under the direct influence of the topos, in the context of their historical and chronological development. The author gives a commentary on each miniature, its color painting, highlights the main themes and images, connects local motifs with the history of the co

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Dr Balbinder Kumar. "Prakratik Manviya Pravratti,Rangmay Srashti evam kalatamak samanjasyta maen varn samrenshad Bodh." Knowledgeable Research: A Multidisciplinary Journal 1, no. 1 (2022): 45–50. http://dx.doi.org/10.57067/kr.v1i1.105.

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The tradition of using color in Indian painting has been going on since ancient painting styles. These include Ajanta, Pala, Apabhransh, Mughal, Rajasthani and Pahari styles. In which lines and letters have been used in a very realistic manner and the environment of the picture has been made beautiful, an attempt has also been made to create a three-dimensional effect from the lines. In the journey from Ajanta to Pahari miniature painting, there has been a lot of innovation and development in the varna tradition

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Gupta, Divya, and Dr Om Prakash Mishra. "Love: Emotion Through the Lens of Pahari Miniature." REVIEW JOURNAL PHILOSOPHY & SOCIAL SCIENCE L, no. 1 (2025): 103–9. https://doi.org/10.31995/rjpss.2025.v50i01.014.

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Miniature is a detailed illustration or work done on small surfaces. Its main beauty is fine line, focus on minute details. From manuscripts to miniature paintings, each period has its specific impact and impression on it. Pahari miniature is among them, which was flourished in the hilly region of the Rajput hills of the Himalayas. The religious themes, literary works, and the beautiful landscapes of the hills fascinated Pahari artists, which was visible in their miniature works. Through their art they not only composed the figures and elements but also expressed the emotions through it. The w

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Dr. Balbindra Kumar (Research Scholar). "Traditional method of preparing accessories for Pahari miniatures." Knowledgeable Research: A Multidisciplinary Journal 1, no. 08 (2023): 68–75. http://dx.doi.org/10.57067/kr.v1i08.108.

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In Indian miniature painting the artists use the same techniques and materials. They usually draw on a piece of paper or on a special board. Sometimes they apply a layer of white chalk on the wall before drawing. Then they paint over that layer and start adding color. Every artist has their own way of doing it. Some artists finish one section before moving on to the next, while others add all the colors at once and correct any mistakes later. Before starting, they place the picture upside down on a smooth stone and tap it with a special conch shell or stone. This makes the colors smoother and

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Arora, Rohini. "EMBROIDERED CHOLIES OF PAHARI REGION: A TECHNICAL STUDY." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 41–61. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.68.

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Pahari embroidery was practised in different parts in undivided Punjab and Himachal Pradesh. The surface ornamentation of these articles with respect to design, raw material and technique were beautifully adapted according to their utility. The popular product in embroidery is Chamba rumals locally known as dhaknu or chabbu. In addition, equally fascinating embroidery was seen on household products which were meant for personal use and decoration in single sided stitches. The most startling are cholies from Himachal Pradesh in terms of their construction and designs. The cholies from given mus

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Kaur, Jasminder. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research -GRANTHAALAYAH 5, no. 6 (2017): 18–32. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.1988.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th

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Jasminder, Kaur. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research - Granthaalayah 5, no. 6 (2017): 18–32. https://doi.org/10.5281/zenodo.805871.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th

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Dissertations / Theses on the topic "THE PAHARI MINIATURE PAINTING""

1

Gude, Tushara Bindu. "Between music and history Rāgamālā paintings and European collectors in late eighteenth-century northern India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2023838261&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Helke, Gun-Dagmar. "Johann Esaias Nilson (1721-1788) : Augsburger Miniaturmaler, Kupferstecher, Verleger und Kunstakademiedirektor /." München : Scaneg, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016505480&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Serban, Carrie. "A study of the Ottoman guilds as they are depicted in Turkish miniature paintings /." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=111584.

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This thesis explores the Ottoman guilds during the sixteenth and eighteenth centuries as they are depicted in the miniature paintings contained within two well-known and well-preserved festival albums: the Surname-i Humayun (1582) and the Surname-i Vehbi (1720). These manuscripts describe the events occurring during the festival celebrations for the circumcisions of the sons of Sultan Murad III (r. 1574-95) and Sultan Ahmed III (r. 1703-30) and while they offer an excellent portrait of Ottoman society in general, they are particularly noteworthy for their portrayals of guild processions. Based

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Ghoochani, Ghazaleh. "Le bleu dans la miniature safavide avant Shah Abbas." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040021.

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Ces travaux portent sur plusieurs facettes de l’emploi du bleu dans les miniatures persanes. Ils se fondent sur un corpus constitué de 56 manuscrits à peintures, appartenant à la période qui va de l’accession au trône des Safavides jusqu’au règne de Shah Abbâs (soit de 1501 à 1588), et conservés à la Bibliothèque Nationale de France et à la British Library. Ce travail s’articule autour de deux grands axes. Le premier aborde les questions préliminaires relatives aux matériaux et techniques utilisés pour fabriquer la couleur bleue qui se rencontrent dans la peinture persane du XVIe siècle. Cette

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Shanks, Sarah M. "The Memory Yields: B.F.A. Thesis Exhibition." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1401583720.

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Keresztély, Kata. "Peinture de fiction : une tradition arabe médiévale." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH180/document.

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Dans les ouvrages contemporains traitant des arts visuels dans la tradition artistique 'chrétienne' ou 'occidentale' les analyses des œuvres d'art sont souvent effectuées à l'appui d'une approche interdisciplinaire intégrant les méthodes de recherche et les questionnements des sciences sociales ainsi que d'autres disciplines, comme la littérature. Sur se modèle, je tente d’élaborer une méthode de recherche complexe pour l’appliquer dans l’étude de l’iconographie arabe médiévale. Les sources principales de mon travail sont les manuscrits iconographiés de deux 'bestsellers' de la littérature ara

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Ahmadi, Bahram. "L'enseignement universitaire de la peinture en Iran : problèmes et influences." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10077.

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La peinture « classique » persane a perdu ses caractéristiques en se rapprochant de la peinture occidentale; puis à l'époque Qajar, avec le changement culturel et social, une nouvelle peinture est née tandis que, simultanément, une évolution apparaissait dans son enseignement. Ainsi l'art de la peinture se divise en « art mineur » et « art majeur », dont l'enseignement suit, pour chacun d'eux, un chemin différent. La peinture « réaliste », comme manifestation de l'art majeur, s'est installée à l'école de Ṣanīʿ-al-Molk puis à l'école Dār al-Fonūn pour arriver enfin à l'école de Kamāl-al-Molk qu

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Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.

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Towards a peripatetic practice: negotiating journey through painting investigates painting as a way of comprehending lived experience of travel. The project develops from curiosity about journeys and their potential for bringing the artist into encounters with the world, and proximate to its issues and concerns. Aims of the project focused on peripatetic practice as a means of redirecting a personal experience of rootlessness towards connecting with others, and considering and communicating the complexity of cross-cultural experience through painting. Objectives as such were to investigate thr

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Murphy, Laura L. "The Aesthetics of Anxiety: Making in a Time of Environmental Collapse." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343065382.

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Veiga, Alfredina de Jesus da Cunha. "Estudo arqueométrico de pinturas a óleo sobre cobre dos séculos XVII/XVIII do Museu de Évora." Doctoral thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/17299.

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Este trabalho teve como objetivo o estudo arqueométrico de um grupo de pinturas sobre cobre dos séculos XVII/XVIII pertencentes a uma coleção de cerca de sessenta medalhões do Museu de Évora. O estudo material incidiu sobre dezasseis dos medalhões, que constituem uma amostra representativa do tipo de retratos miniatura que eram pintados na Corte Europeia dos séculos XVII/XVIII, e dos diferentes estados de conservação e restauro existentes nesta coleção. Além da simples observação do seu estado de conservação e das escassas interpretações históricas que lhes são atribuídas, estas peças nunca ti

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Books on the topic "THE PAHARI MINIATURE PAINTING""

1

C, Craven Roy, ed. Ramayana: Pahari paintings. Marg Publications, 1990.

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1923-, Ohri Vishwa Chander, Craven Roy C, and National Centre for the Performing Arts (India), eds. Painters of the pahari schools. Published by Marg Publications on behalf of National Centre for the Performing Art, 1998.

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3

Sharma, O. C. Rasamanjari, the nectarous ocean: Pahari miniature painting. National Pub. House, 2008.

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Miśra, Bhānudatta, ed. Rasamanjari, the nectarous ocean: Pahari miniature painting. National Pub. House, 2008.

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Goswamy, B. N. Pahari masters: Court painters of northern India. Oxford University Press, 1997.

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Moti, Chandra, Jayadeva 12th cent, and Lalit Kala Akademi, eds. Pahari paintings of the Gīta Govinda. Lalit Kalā Akademi, 1991.

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7

Goswamy, B. N. Pahari-Meister: Höfische Malerei aus den Bergen Nord-Indiens. Museum Rietberg, 1990.

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Rao, Digumarti Bhaskara. Pahari miniatures in the Salar Jung Museum. The Museum, 1996.

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9

Siṃha, Rājeśvaraprasāda Nārāyaṇa. Geeta Govind in Basohli painting. 2nd ed. Reliance Pub. House, 1987.

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10

Ohri, Vishwa Chander. On the origins of Pahari painting: Some notes and a discussion. Indian Institute of Advanced Study in association with Indus Pub. Co., New Delhi, 1991.

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Book chapters on the topic "THE PAHARI MINIATURE PAINTING""

1

Nelson, Robert S. "A Thirteenth-Century Byzantine Miniature in the Vatican Library." In Later Byzantine Painting. Routledge, 2024. http://dx.doi.org/10.4324/9781003554134-9.

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Ranjana, Ragini, Monika, Mohammad Shahid, and Mazhar Kamran. "Exploring Adaptability of Miniature Painting to New Media." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-97257-7_16.

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Di Pietrantonio, Natalia. "Pornography and Indian miniature painting: the case of Avadh, India." In South Asian Pornographies. Routledge, 2024. http://dx.doi.org/10.4324/9781003359708-8.

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Crosby, Mark. "A Minute Skirmish: Blake, Hayley and the Art of Miniature Painting." In Blake and Conflict. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230584280_10.

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Legassie, Shayne Aaron. "The Gothic Fly." In Burn after Reading: Vol. 1, Miniature Manifestos for a Post/medieval Studies + Vol. 2, The Future We Want: A Collaboration. punctum books, 2014. https://doi.org/10.21983/p3.0067.1.16.

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Gore Verbinski’s 2002 filmThe Ringis a remake of the popular Japanese horror movieRingu (1998), directed by Hideo Nakata. Both films tell the story of a cursed vide-otape whose viewers die gruesome deaths seven days after they watch it. At the level of both plot and visual style, Verbinski’s departures from Ringuare deeply in-debted to the conventions of the gothic novel, especially as they were mediated by European and American cine-ma. This gothic aesthetic “translates” Ringu into a more familiar Hollywood idiom for the benefit of North Ameri-can viewers. Many of The Ring’s gothic innovation

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"Miniature painting: Ahmadnagar and Bijapur." In Architecture and Art of the Deccan Sultanates. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521563215.007.

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"Miniature painting: Golconda and other centres." In Architecture and Art of the Deccan Sultanates. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521563215.008.

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"Safavid Revival in Persian Miniature Painting." In À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries. BRILL, 2019. http://dx.doi.org/10.1163/9789004412644_004.

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Mansion, L. "Letters Upon the Art of Miniature Painting." In Color and Victorian Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003084976-20.

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Freya Krishna, Mahima. "REFLECTIONS OF MINIATURE PAINTING IN INDIAN CULTURE; A COGNITIVE STUDY." In Research Trends in Language, Literature & Linguistics Volume 3, Book 5. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt5p2ch2.

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Nature is the best known artist. In nature’s creation we see forms, but there is no out-line. The line is created by an artist. Miniature painting is an art of line. Miniature painting formally came to be known as a technique in the 17th Century AD, though it started its ovulation in the 9th century AD on palm leaves. Popularly painted subjects depicted court scenes, mythology and folklore under patronage of Indian maharajas, Indian Miniature painting, took an interesting twist under the colonial patronage from 1860s, with depiction of the common person and their life. Visually there was an am

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Conference papers on the topic "THE PAHARI MINIATURE PAINTING""

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Zaremba, Krzysztof. "Optical fibre lighting system for the miniature painting exposition in the National Museum in Warsaw." In Congress on Optics and Optoelectronics, edited by Leszek R. Jaroszewicz, Brian Culshaw, and Anna G. Mignani. SPIE, 2005. http://dx.doi.org/10.1117/12.623048.

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