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Journal articles on the topic 'THE PAHARI MINIATURE PAINTING"'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING”." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3534.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1. Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.

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Dr., (Mrs.) Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING"." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.887559.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1 . Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.

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Morris, Rekha, та J. Jain-Neubauer. "The Rāmāyaṇa in Pahari Miniature Painting". Journal of the American Oriental Society 105, № 4 (1985): 789. http://dx.doi.org/10.2307/602781.

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4

Agrawal, Sujata. "INDIAN MINIATURES (PAHARI PAINTINGS A STUDY OF INDIAN LANDSCAPES, SOCIAL LIFE AND LOVING SONGS OF GEET GOVINDA)." ARTS ACADEMY 2, no. 2 (2022): 119–26. http://dx.doi.org/10.56032/2523-4684.2022.2.2.119.

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The article highlights the history of the Indian miniature as a carrier of unique cultural information. The author considers the artistic miniature not only as a special genre of Indian culture, but also as a means of transmitting social traditions, culture, values, including religious ones. Pahari and Kangra miniatures are considered under the direct influence of the topos, in the context of their historical and chronological development. The author gives a commentary on each miniature, its color painting, highlights the main themes and images, connects local motifs with the history of the co

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Dr Balbinder Kumar. "Prakratik Manviya Pravratti,Rangmay Srashti evam kalatamak samanjasyta maen varn samrenshad Bodh." Knowledgeable Research: A Multidisciplinary Journal 1, no. 1 (2022): 45–50. http://dx.doi.org/10.57067/kr.v1i1.105.

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The tradition of using color in Indian painting has been going on since ancient painting styles. These include Ajanta, Pala, Apabhransh, Mughal, Rajasthani and Pahari styles. In which lines and letters have been used in a very realistic manner and the environment of the picture has been made beautiful, an attempt has also been made to create a three-dimensional effect from the lines. In the journey from Ajanta to Pahari miniature painting, there has been a lot of innovation and development in the varna tradition

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Gupta, Divya, and Dr Om Prakash Mishra. "Love: Emotion Through the Lens of Pahari Miniature." REVIEW JOURNAL PHILOSOPHY & SOCIAL SCIENCE L, no. 1 (2025): 103–9. https://doi.org/10.31995/rjpss.2025.v50i01.014.

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Miniature is a detailed illustration or work done on small surfaces. Its main beauty is fine line, focus on minute details. From manuscripts to miniature paintings, each period has its specific impact and impression on it. Pahari miniature is among them, which was flourished in the hilly region of the Rajput hills of the Himalayas. The religious themes, literary works, and the beautiful landscapes of the hills fascinated Pahari artists, which was visible in their miniature works. Through their art they not only composed the figures and elements but also expressed the emotions through it. The w

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Dr. Balbindra Kumar (Research Scholar). "Traditional method of preparing accessories for Pahari miniatures." Knowledgeable Research: A Multidisciplinary Journal 1, no. 08 (2023): 68–75. http://dx.doi.org/10.57067/kr.v1i08.108.

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In Indian miniature painting the artists use the same techniques and materials. They usually draw on a piece of paper or on a special board. Sometimes they apply a layer of white chalk on the wall before drawing. Then they paint over that layer and start adding color. Every artist has their own way of doing it. Some artists finish one section before moving on to the next, while others add all the colors at once and correct any mistakes later. Before starting, they place the picture upside down on a smooth stone and tap it with a special conch shell or stone. This makes the colors smoother and

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Arora, Rohini. "EMBROIDERED CHOLIES OF PAHARI REGION: A TECHNICAL STUDY." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 41–61. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.68.

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Pahari embroidery was practised in different parts in undivided Punjab and Himachal Pradesh. The surface ornamentation of these articles with respect to design, raw material and technique were beautifully adapted according to their utility. The popular product in embroidery is Chamba rumals locally known as dhaknu or chabbu. In addition, equally fascinating embroidery was seen on household products which were meant for personal use and decoration in single sided stitches. The most startling are cholies from Himachal Pradesh in terms of their construction and designs. The cholies from given mus

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9

Kaur, Jasminder. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research -GRANTHAALAYAH 5, no. 6 (2017): 18–32. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.1988.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th

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10

Jasminder, Kaur. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research - Granthaalayah 5, no. 6 (2017): 18–32. https://doi.org/10.5281/zenodo.805871.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th

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11

Prakash Mishra, Dr Om, and Divya Gupta. "Women in Pahari Miniature." REVIEW JOURNAL PHILOSOPHY & SOCIAL SCIENCE XLIX, no. 2 (2024): 226–33. https://doi.org/10.31995/rjpss.2024.v49i02.029.

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Miniatures are the highly detailed works that not only fascinate artists but also the viewers. Miniature flourished in different regions and artists gave a specific touch to each miniature style consisting of different characteristics, so as Pahari Miniature was among them. In the Pahari style, artists not only depicted the beauty of hills but also gave importance to Female Indian Beauty. The way females dressed during that period, their style, posture, mood and their importance all are discussed in this research paper.

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Cross, Elsa. "Uma Adore a Shiva. Sur une miniature pahari." Voix et Images 12, no. 1 (1986): 10. http://dx.doi.org/10.7202/200601ar.

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13

Na Ri, Ge Le. "Characteristics of Mongol Figures in Persian Miniature Paintings." Highlights in Art and Design 4, no. 2 (2023): 62–64. http://dx.doi.org/10.54097/hiaad.v4i2.12855.

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Among art categories, Persian miniature paintings have a very high reputation. Persian miniature paintings are also called Iranian miniature paintings. Persian miniature paintings first appeared in illustrations in books. Miniature painting began to have a significant Mongolian style in the 13th century AD. At the same time, it was influenced by Mongolian art and finally reached its peak in the 15th and 16th centuries. Because the Mongols at that time wanted to write "Historical Collection" and other similar types of works, they added some illustrations. This movement effectively promoted the

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Abdulaziz, A.Akbarkhujaev. "TRADITIONAL PRINCIPLES OF MINIATURE ART OF UZBEKISTAN." LOOK TO THE PAST 5, Special issue 1 (2022): 57–61. https://doi.org/10.5281/zenodo.6758083.

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This article discusses the traditional principles of the Uzbek miniature school. In particular, the masters, schools and traditions of miniature art, the necessary styles when creating a miniature, composition, placement, symmetry, asymmetry, rhythm, proportion, module, differential, stylization, etc. are scientifically covered. Implementation of the principles of miniature painting in the art of painting with traditional varnish, the emergence of a new type of art in the creative practice of Uzbek artists - lacquer miniatures.

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15

Inam, Ameed. "Influence of Arts and Crafts on Indian Architecture Styles." Journal of Architecture and Civil Engineering 09, no. 12 (2024): 15–20. https://doi.org/10.35629/8193-09121520.

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The rich tapestry of Indian architecture is profoundly influenced by its diverse art and craft traditions, which have evolved over centuries. This paper explores the symbiotic relationship between arts and crafts and the architectural styles of India, examining their historical significance and contemporary relevance. It delves into traditional forms such as intricate stone carvings, frescoes, woodwork, and metal crafts that have shaped iconic structures, from ancient temples to Mughal palaces. The study further investigates how regional art movements, like the Pahari miniatures and Madhubani

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Rao, K. Mrutyunjaya. "PICTORIAL ELEMENTS OF INDIAN MINIATURE PAINTING." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 15–26. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.62.

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This paper discusses the magnificent contribution of Indian miniature painting as the torch bearer of Indian visual culture for the future generations with transitions and various idioms. It’s Visual imagery raised to paramount importance from the auxiliary position to the religious text. Artist has not imitated from nature but imbibed the spirit of divinity and greater love and passion on Indian culture. Its function is religious as well as decorative. “Horrorvacuue” the desire of filling space is the common characteristics of an Indian is often appears in Indian painting. The articulations o

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Smith, Tara B. M. "Miniature Mindfulness: Finding Spiritual Flow with Warhammer 40,000 Models." Religions 16, no. 2 (2025): 121. https://doi.org/10.3390/rel16020121.

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Warhammer 40,000 (40k) is the world’s most popular miniature wargame. The game is played with miniatures (small-scale figures made of hard plastic or other materials), which have usually been painted by each individual player. These player–painters typically spend hours in deep concentration painting the models. Drawing on interviews and journal entries from a six-month participant study of 14 painters, this paper explores whether miniature painters achieve a flow state, whether this creates a greater feeling of mindfulness, and how painting impacts their overall mental health. Results from th

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18

Banthia, Prashasti, and Kumkum Bharadwaj. "A STUDY OF CULTURAL ADOPTION OF MINIATURE PAINTINGS IN AIR INDIA PUBLICITY POSTERS." ShodhShreejan: Journal of Creative Research Insights 1, no. 1 (2024): 18–23. https://doi.org/10.29121/shodhshreejan.v1.i1.2024.6.

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To study the cultural factors, appealing elements and themes of Indian miniature painting used in different commercial advertising posters of Air India. This objective will be achieved by qualitative analysis of some posters used in advertising campaigns by Air India company ever since from its establishment, in which artist uses Indian miniature paintings as reference to communicate and influence people both nationally and internationally. By medium of this paper it will be easier to make people aware about the cultural and artistic importance of Indian miniature painting and how it helped Ai

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Aytaç, A. "Turkish textiles which have been described in paintings of artist Şevket Dağ." Universum Humanitarium, no. 1 (July 13, 2021): 73–89. http://dx.doi.org/10.25205/2499-9997-2021-1-73-89.

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The perception of painting that started with the Turks, the Gokturks and the Uighurs was expressed mostly in miniature after Islam. There was a false perception that Islam imposed a ban on painting. Therefore, not much painting art was seen in the Ottomans until recently. There are mostly miniature paintings in the Ottomans. The art of painting has developed in the last periods of the Ottoman Empire. One of the most important representatives of that period was Şevket Dağ. She is one of the first graduates of Şevket Dağ Sanayi-i Nefise School. There are no foreign influences in Şevket Dağ's pai

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Səfxan qızı Məhərrəmova, Nigar. "History of Azerbaijani carpets with classical composition." SCIENTIFIC WORK 66, no. 05 (2021): 149–53. http://dx.doi.org/10.36719/2663-4619/66/149-153.

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The article provides information about the historical review of Azerbaijani carpets and examines its stages. The 16th century is characterized as the Golden Age of Azerbaijani history and culture. The carpet weaving of that time combined the subtlety and wonder of miniature painting, the decorative-plan solution of traditional motifs, a magnificent color palette reflecting all the colors and diversity of nature. Key words: carpet, pattern, color, Islam, miniature painting, sufism, seljuk, component

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Pulikova, Lyubov V. "Creation of a Miniature Painting Class as an Artistic Cultural Event." Observatory of Culture 20, no. 4 (2023): 386–95. http://dx.doi.org/10.25281/2072-3156-2023-20-4-386-395.

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The miniature painting class at the Imperial Academy of Arts existed for more than half a century, but no researcher has examined the prerequisites for its formation. Information about the class’s activities is sketchy, and the names and number of students remain unknown. From a review of the historiography on the subject it becomes clear that there are almost no documents devoted to the problem of teaching miniature painting at the Imperial Academy of Arts. Since the reign of Peter the Great, the miniature portrait has gone through several stages: a reward portrait depicting reigning persons

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Bombardier, Alice. "Twentieth-Century Mutations of Persian Miniature Painting:." Beiträge zur islamischen Kunst und Archäologie 5, no. 1 (2017): 149–66. http://dx.doi.org/10.29091/9783954906864/009.

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23

Shukla, Anshuli. "SIGNIFICANT CONTRIBUTION TO THE PAINTING OF COLORS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3672.

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Since prehistoric times, colors have been the mainstay of painting. The role of colors in painting reveals charm and beauty. Generally, nature is a mine of colors. According to scientists, colors originate from sunlight, which combines colors. The combination of colors is visible in many styles under Indian art such as Ajanta style, Pal style, Apabhramsa style, Rajasthani style, Mughal style, Deccan style, Pahari style etc. Similarly, painting of Kerala also plays a special role in the context of painting colors of South Indian states. In which first of all the pictures painted in the cavity t

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Panjwani, Priyanka. "Deconstructing a Janamsakhi Illustration:." Sikh Research Journal 8, no. 1 (2023): 127–43. http://dx.doi.org/10.62307/srj.v8i1.27.

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It is rightly said that “All art is in part about the world in which it emerged.” As part of a North Indian hagiographic manuscript written in the 19th century, the miniature painting analyzed in this essay depicts a miracle of the founder of Sikhism-Guru Nanak. This essay will deconstruct the visual elements in the watercolor painting and link it to different styles of miniature painting of that period. It will also attempt to answer a fundamental question formulated by French art historian and archaeologist Oleg Grabar– can a work of culture be meaningfully understood through the application

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Mikešová, Pavla. "Miniatura důstojníka 8. pěšího pluku rakouské armády. Nová akvizice Národního muzea od Patrizia Kettnera z roku 1836." Acta Musei Nationalis Pragae – Historia 77, no. 1-2 (2023): 5–20. http://dx.doi.org/10.37520/amnph.2023.002.

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The article explores a signed and dated portrait miniature of an officer by the painter Patrizio Kittner (1809–1900) from Brno, which was previously unknown. The aim of the text is to present Kittner’s portrait miniature through formal, stylistic and contextual analysis. The introduction focuses on the forgotten miniature painter’s personality, his artistic background, and his work for commissioners among the Moravian aristocracy and leading industrialists. It then proceeds with a formal description of the portrait miniature, its condition having been carefully assessed after the National Muse

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Ismayilov, J. "CREATIVE ATTITUDE TO MINIATURE AESTHETICS." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 45 (December 5, 2022): 24–27. https://doi.org/10.5281/zenodo.7398769.

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The sixties-eighties stage of Azerbaijani painting, which has an ancient history and rich artistic traditions, was also characterized by appeals to national traditions by artists of different ages. One of such creators was Yuran Mammadov (1934-1984), who lived and created in Nakhchivan. The young artist who studied in Baku and St. Petersburg and is deeply familiar with the traditions of realism, unlike many others, preferred to create paintings with modern themes and different genres with a creative attitude to the miniature style, which has ancient traditions. Yuran Mammadov, who tried himsel

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Cardeira, Ana Mafalda, Stéphane Longelin, Agnès Le Gac, Isabel Nogueira, Maria Luísa Carvalho, and Marta Manso. "Spectroscopic Characterization of a Contemporary Indian Miniature Painting." Applied Spectroscopy 67, no. 12 (2013): 1376–81. http://dx.doi.org/10.1366/13-07147.

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Tanieva, Guldona M., and Anvar G. Tadzhiev. "ART OF MINIATURE IN CENTRAL ASIA AND ITS HISTORICAL DEVELOPMENT." JOURNAL OF LOOK TO THE PAST 4, no. 8 (2021): 66–73. http://dx.doi.org/10.26739/2181-9599-2021-8-9.

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In present research is said about the steps of development of one of the kind of arts such as miniature in Central Asia, its specific aspects Forming of the Central Asian schools of miniature, about the role of the masters of Amir Timur's times and times of his descendantsand their influence on the school of miniatures of such countries as Turkey, Iran, Azerbaydjan in the 16-19 centuries.The article also provides information on students from the famous artists of their time and their works created in their art schools and their own paintings (miniature).Index Terms:Central Asia, fine arts, eas

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Stolyarova, E. G., A. V. Knyazeva, and A. V. Davydov. "ARTISTIC FEATURES OF RUSSIAN VACQUERY MINIATURE CRAFTS IN MODERN DECORATIVE ARTS AND DESIGN." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 94 (2024): 101–6. http://dx.doi.org/10.37313/2413-9645-2024-26-94-101-106.

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This article examines the Russian crafts of lacquer miniature painting in the context of the manifestation of their artistic features in modern decorative and applied arts and design. The authors’ goal is to identify stylistic techniques of Russian varnishes and analyze the possibilities of using authentic characteristics of folk art in the author’s design of design objects and decorative arts. The article presents the general and specific in the visual arts and technologies of Fedoskino, Palekh, Kholuy and Mstera. It has been determined that Fedoskino has the artistic features of realistic oi

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Minissale, Gregory. "Esoteric and exoteric vision in South Asian miniature painting." World Art 11, no. 3 (2021): 255–75. http://dx.doi.org/10.1080/21500894.2021.1911838.

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Joshi, Indu, and Kamal Kishore Kashyap. ""IMPACT OF MINIATURE PAINTING ON CONTEMPORARY ARTISTS OF RAJASTHAN"." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 204–6. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3738.

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Contemporary art which believes in the creation of an unimaginable world by creating new forms of continuous form which has shaped its sensation by mixing multiple modes of expression and has also reduced the distance of art from other experimental disciplines. As a result, the creation of an artwork today has created a new way to express the psychological effects of human beings through pictures by creating musical melodies, perfume fragrances and many other environments.The influence or inspiration of something has always been behind any experiment or work in human life, in the same way, man

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Ayres, Larry M. "An Early Christian Legacy in Italian Romanesque Miniature Painting." Wiener Jahrbuch für Kunstgeschichte 46-47, no. 1 (1994): 37–44. http://dx.doi.org/10.7767/wjk.1994.4647.1.37.

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Baranov, E. F. "Original Technique for Miniature Painting on Opalescent Guilloche Enamel." Secreta Artis 6, no. 3 (2024): 59–67. http://dx.doi.org/10.51236/2618-7140-2023-6-3-58-67.

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Nargiz, Rzayeva. "THE MINIATURE TRADITIONS OF AZERBAIJAN FINE ARTS IN THE 1990s–2000s." Problems of Arts and Culture / İncəsənət və mədəniyyət problemləri 17, no. 3 (2023): 88–94. https://doi.org/10.5281/zenodo.8416433.

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In the 1990s–2000s, it is possible to observe the desire to give modernity to the ancient national artistic traditions in the visual art of Azerbaijan in the painting works of the old, middle and young generation artists of the time. One of the main factors determining this is the continuation of ancient miniature traditions in a new direction in our country since the years of independence. Therefore, 1990–2000 years can be characterized as a new stage of development of miniature style works in Azerbaijani painting. This was done by different generations of artists – Elchin A

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Lavrov, Dmitrii Evgen'evich. "Works of Palekh miniature painters in the field of porcelain decoration (Palekh porcelain)." Человек и культура, no. 4 (April 2022): 114–20. http://dx.doi.org/10.25136/2409-8744.2022.4.37124.

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The article is devoted to the history of the production and painting of artistic porcelain products in the Palekh craft – a little-studied page in the annals of the twentieth century Palekh. The subject of the study is an analysis of the technical and artistic difficulties faced by Palekh artists in mastering the production and painting of porcelain in the 1920s - 1930s, as well as the reasons that, unlike the production and painting of papier–mache, it could not be put on an industrial basis. The purpose of the article is to expand our understanding of the richness of the ways of development

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Junu Maiya Basukala & Sanjeep Maharjan. "Animal Portraiture in the Shah and Rana Era." SIRJANĀ – A Journal Of Arts and Art Education 10, no. 1 (2024): 48–63. http://dx.doi.org/10.3126/sirjana.v10i1.68691.

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In the art history of Nepal, the portrayal of animals was never the primary subject until the late medieval period. But animals were depicted as mount of gods and goddesses incommon practice. Independent animal portraitures are seen for the first time in the Shah period. In the National Art Museum of Bhaktapur, a collection of forty-eight distinct animal portraits has been available. There are two types of animal portraiture: mythical creatures and natural fauna. Mythical beings are śārdūla, simha, śarabha, and vyāla, whereas natural fauna are wild animals available in Nepal. Mythical creature

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Shakirova, Ch T., J. A. Isakov, and A. B. Orifjonov. "The importance of learning miniature painting in fine arts classes." ACADEMICIA: An International Multidisciplinary Research Journal 12, no. 1 (2022): 334–37. http://dx.doi.org/10.5958/2249-7137.2022.00061.1.

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Di Pietrantonio, Natalia. "Pornography and Indian miniature painting: the case of Avadh, India." Porn Studies 7, no. 1 (2019): 36–60. http://dx.doi.org/10.1080/23268743.2018.1532808.

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Zeybekoglu, Senem, and Hossein Sadri. "Miniature as a way of representation in design studio: a case study." Archnet-IJAR: International Journal of Architectural Research 13, no. 2 (2019): 408–24. http://dx.doi.org/10.1108/arch-02-2019-0037.

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Purpose Learning from traditional miniature painting and from recent studies on their modern and creative applications, the purpose of this paper is to identify the key qualifications of miniature and possible ways for using miniature in urban design studios. Following discussions on the pedagogical and professional effects of using miniature in a design studio, the paper introduces De-Urban Design Studio’s philosophy and its experience in employing miniature as a way of representation as the case study. Design/methodology/approach Different from the urban design’s professional role which mate

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Kodode, Ujjwal. "THE PHILOSOPHICAL ROLE OF COLORING IN THE PERSPECTIVE OF RAJASTHANI MINIATURE." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3682.

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In Rajasthan, the interest towards painting and its original form was traditionally prevalent. The credit for reviving Rajasthani traditions and cultures is seen in the traditional painting here, in the depiction of women and the expression of colors. Evidence of this is seen in the lineages and color combinations etched in ancient times in the rock shelters here. There is an initial depiction by Rangay showing the expressions of the then figures. Rajasthani painting certainly occupies an important place in Indian art from the 16th century to the 19th century. The combination of colors is the

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Yuqi ZHANG. "Stylization and individuation: the concept and style of space in Chinese and Persian painting images in Han and Tang Dynasties." Costume and Culture Studies 2, no. 2 (2024): 13–28. http://dx.doi.org/10.6914/ccs.020204.

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During the Han and Tang Dynasties, the exchange of handicraft culture between China and Persia significantly promoted economic development, advanced diplomatic relations, improved the material and cultural life of the people, enriched their spiritual enjoyment, and held a critical position in the history of East-West handicraft cultural exchange. The methods of image composition in Chinese painting and Persian miniature painting differ, yet there are mutual influences. The images reflect the national uniqueness and cultural diversity of both countries due to the differences in functional space

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Nargiza, Khasanova, and Ismatova Shakhrizoda. "EDUCATIONAL TRADITIONS IN NATIONAL MINIATURE PAINTING (On the example of the National Institute of Arts and Design named after Kamoliddin Behzod)." LOOK TO THE PAST 5, no. 9 (2022): 5. https://doi.org/10.5281/zenodo.7026926.

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The article discusses the formation and methods of art education of miniature schools in Uzbekistan and the factors associated with its development. The tradition of miniature art is one of the indicators of incomparable value, and the importance of this art form within the framework of national spirituality is emphasized on the importance of the transformation of form. The issues of the formation of the specialty of miniature and the improvement of the direction in higher art education in Uzbekistan are also covered.

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Mokhtar, Mumtaz, Nurul Huda Mohd Din, Rashidah Salim, and Nurul Izza Ab Aziz. "Art Appreciation on Mughal Miniature Paintings from Islamic Art Museum Malaysia Kuala Lumpur." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 89–96. http://dx.doi.org/10.21834/ebpj.v7isi9.4251.

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This paper discusses the art appreciation on Mughal miniature paintings from Islamic Art Museum Kuala Lumpur. The focus of appreciation is from five miniature painting had been exhibited at IAMM. Namely The exhibition of 14 Dynasties and a Region: The History and Culture of the Muslim World from 8th June until 16th October 2022. The analysis of the artwork is focused on the layout composition, variation of colors and the style The discipline of art history has been pioneered by the west and directly inevitably their formulas are also used in analyzing Islamic works of art.

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Bankov, Mikhail S. "TO THE QUESTION OF SPACE ORGANIZATION OF BOOK ILLUMINATION OF LATE ANTIQUITY AND EARLY MIDDLE AGES (IV – VII CENTURY)." Scientific and analytical journal Burganov House. The space of culture 17, no. 4 (2021): 29–48. http://dx.doi.org/10.36340/2071-6818-2021-17-4-29-48.

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The article focuses on peculiarities of spatial organization of book miniature paintings of late antique and early medieval manuscripts (IV – VII centuries). The author analyses the problem of conveying illusion of depth in illustration in context of gradual transmission from roll to codex, which took place in antique book culture between the II and the V centuries. By analyzing survived fragments of illuminated rolls author displays characteristic features of their spatial organization and observes influence which had tradition of roll illustration on the development of codex. Nevertheless, p

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Nasriddinovich, Narziyev Nuriddin. "The role of drawing science in the art of miniature painting." American Journal Of Social Sciences And Humanity Research 5, no. 3 (2025): 76–77. https://doi.org/10.37547/ajsshr/volume05issue03-20.

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The article discusses the significance of drawing science in the formation and development of the art of miniature. Particular attention is paid to the roles of a linear drawing, a system of proportions and compositional solutions borrowed from drawing treatises, which became the basis of the visual culture of miniatures in various historical periods.

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Darwish, Mahmoud Ahmed. "Two Armenian Bibles with Arabic Influences of miniature painting (Gregor Tatevatsi 1346-1410)." International Journal for Innovation Education and Research 4, no. 8 (2016): 72–100. http://dx.doi.org/10.31686/ijier.vol4.iss8.578.

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About a century ago, Armenian illuminated manuscripts attracted the attention of scholars and lovers of art. Since that time intensive studies of medieval Armenian art had been conducted a unique historical panorama of the art of illumination, embracing more than thirteen centuries has been given.The heritage of a number of miniature schools and their outstanding representatives has been studied; the significance of medieval Armenian painting in the history of world art has been revealed. Although, most of them illuminated, many have not yet been published. Among the best examples of medieval

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Bojakowski, Jacek. "Sight resolution and brain integrative role during painting of miniature portrait." International Journal of Clinical Neurosciences and Mental Health, no. 3(Suppl. 1) (December 23, 2016): S15. http://dx.doi.org/10.21035/ijcnmh.2016.3(suppl.1).s15.

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Stanivuković, Goran. "Portrait Miniature Painting, the Young Man of Shakespeare’sSonnetsand Late Elizabethan Aesthetics." English Studies 95, no. 4 (2014): 367–91. http://dx.doi.org/10.1080/0013838x.2014.908029.

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Abdukhalikov, F. F. "The art of portrait painting in miniature of the Safavid period." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 2-1 (2023): 383–91. http://dx.doi.org/10.37485/1997-4663_2022_2_1_383_391.

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Shachkova, E. V. "Methodological and pedagogical conditions of organization of independent work of students in classes miniature painting." Educational Dimension 26 (December 14, 2009): 384–88. http://dx.doi.org/10.31812/educdim.7050.

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