Relevant bibliographies by topics / The Painter

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The Painter'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "The Painter"

1

Żakiewicz, Anna. "Witkacy: First of All, a Painter – Searching for an Individual Style." Tekstualia 1, no. 2 (2014): 225–40. http://dx.doi.org/10.5604/01.3001.0013.6125.

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Nowadays, Witkacy is known as a multi-talented artist: painter, photographer, art theoretician, playwright, but also the author of four novels and a philosopher. However, first of all, he was a painter. He painted and drew from early childhood, encouraged by his father Stanisław Witkiewicz, himself a painter, critic and theoretician of art.
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Schaus, Gerald P. "Two Fikellura Vase Painters." Annual of the British School at Athens 81 (November 1986): 251–95. http://dx.doi.org/10.1017/s0068245400020177.

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The two most important Fikellura vase painters are here studied and their works catalogued. The earlier of the two, the Altenburg Painter, was recognized first by R. M. Cook (BSA 34 (1933–4) 1–98), but the number of vases attributed to this painter has greatly increased and now includes some of the earliest Fikellura vases with figure decoration. His career covers most of the third quarter of the sixth century. The second painter, named the Painter of the Running Satyrs, is studied for the first time here. His production spans most of the fourth quarter of the century. Although not very numero
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Travassos, Ana Rita, L. Soares-de-Almeida, and Rui Tato Marinho. "A Medicina na Obra de Amadeo de Souza-Cardoso." Acta Médica Portuguesa 27, no. 2 (2014): 277. http://dx.doi.org/10.20344/amp.5376.

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Amadeo de Souza-Cardoso, one of the pivotal figures of the Portuguese Modernist movement, studied painting and began his work in Paris where he arrived at the age of 19. Interestingly, Amadeo cemented strong friendships with some physicians from his time. The first was Manuel Laranjeiro, physician, poet and essayist, who has been a major influence on his choice of studying visual arts. In 1909, the painter met the dermatologist Paul Alexander and later Dr. Martins, who diagnosed him with a dermatosis, which led the painter to have to interrupt his work. Described as an eczema, which affected h
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Micallef, Martin. "The Use of Zeteo in the Fourth Gospel: A Debate with John Painter's The Quest for the Messiah." Roczniki Teologiczne 67, no. 3 (2020): 5–26. http://dx.doi.org/10.18290/rt.20673-1.

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Użycie zeteo w czwartej ewangelii: debata z The Quest for the Messiah Johna Paintera
 Artykuł jest formą debaty z monografią Johna Paintera The Quest for the Messiah: The History, Literature and Theology of the Johannine Community obszernie podejmującą temat zeteo (poszukiwania) w Ewangelii Jana. W publikacji tej Painter doszedł do wielu cennych rezultatów w próbach ustalenia znaczenia zeteo w Ewangelii Janowej, analizując przedstawione historie poszukiwań i odrzucenia. Artykuł przedstawia, w jakim stopniu Painter zrozumiał historyczne pochodzenie zeteo w stosunku do Sitz im Leben Wspólno
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Altes, Everhard Korthals. "Philip van Dijk, een achttiende-eeuwse Haagse schilderkunsthandelaar met een lokale en internationale clientèle*." Oud Holland - Quarterly for Dutch Art History 116, no. 1 (2003): 34–56. http://dx.doi.org/10.1163/187501703x00260.

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AbstractPhilip van Dijk was an important eighteenth-century painter-dealer. During this period lots of dealers in paintings started out as painters, a combination also found previously in the seventeenth century. Quite a few painters began dealing due to the falling demand for contemporary art in the eighteenth century, and some of them sought new outlets abroad where there were many well-off collectors interested in both contemporary Dutch painters and the masters of the seventeenth century. Van Dijk, too, built up a clientele both locally in The Hague and abroad. Bills and receipts from Joha
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Wansink, Christina J. A. "De decoratieve schilderkunst van Mattheus Terwesten, een Haagse meester uit de achttiende eeuw." Oud Holland - Quarterly for Dutch Art History 104, no. 3-4 (1990): 270–92. http://dx.doi.org/10.1163/187501790x00138.

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AbstractThe painter Mattheus Terwesten, much esteemed in his own day, and highly praised by Van Gool, was born in 1670 in The Hague. He was taught by his older brother Augustinus, Willem Doudyns and Daniel Mytens. In 1695 he travelled by way of Berlin, where Augustinus was court painter, to Rome, where he became a member of the Bentyvueghels, who nicknamed him 'Arend' (eagle). Back in Berlin in 1698, he was commissioned by the Elector to design two ceilings for the palace in Charlottenburg. From 1699 on, apart from a brief sojourn in Berlin as court painter in 1710, he lived in The Hague. Many
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Da Zheng. "Chinese Painting and Cultural Interpretation: Chiang Yee's Travel Writing During the Cold War Era." Prospects 26 (October 2001): 477–504. http://dx.doi.org/10.1017/s0361233300001010.

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On June 11, 1956, Chiang Yee was led into the Sanders Theater of Harvard University, where he began delivering his Phi Beta Kappa oration, entitled “The Chinese Painter”:The word “Chinese” in my title conveys a reference both to the birthplace of the painter and to the type of work to be expected from him; but while that is what I mean, I wish to point out that the word has not the same significance today as it would have had fifty to a hundred years ago. Then a “Chinese” painter was a painter absolutely and exclusively Chinese, differing fundamentally from the painters of all other nations an
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Kurniawan, Rizki. "Ekspresi Kreativitas Fransisco Jose de Goya y Lucientes." JURNAL RUPA 2, no. 2 (2018): 116. http://dx.doi.org/10.25124/rupa.v2i2.1005.

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As a painter who inspired many of his successor painters, Goya's work not only was trapped by his establishment as a palace painter but also transformed from a portrait painter to a painter with a subversive theme in accordance with the social situation that occured at the time. Goya is always trying to challenge his creativity by trying to bring unusual and controversial themes that are sometimes againts the authority of the palace and the church. With the background of the Goya's creativity process that are so diverse, it is very interesting if we can observe how the creativity process came
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Ramón Gaya, Arthur Dixon, and Daniel Simon. "From Painter to Painter." World Literature Today 89, no. 6 (2015): 53. http://dx.doi.org/10.7588/worllitetoda.89.6.0053.

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Miedema, Hessel. "Philips Angels Lof der schilder-konst." Oud Holland - Quarterly for Dutch Art History 103, no. 4 (1989): 181–222. http://dx.doi.org/10.1163/187501789x00167.

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AbstractPhilips Angel's Lof der schilder-const (In Praise of Painting, 1642) is one of the few pieces of writing we have as a source of notions on the theory of painting in the Netherlands. Yet it was not intended as an art-theoretical treatise: Angel read the text at a St. Luke's feast as part of the activities that were being undertaken to acquire guild rights for Leiden painters. In order to assess the value of the theoretical notions on which the paper is based, it is therefore necessary to analyse as far as possible the circumstances of its writing. First the Angel family is examined. Org
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Dissertations / Theses on the topic "The Painter"

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Chae, Elle. "Painter, Painter." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35199.

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In Painter, Painter, Elle Chae explores the home as an unstable, unpredictable environment that is highly sensitive to the traces emanating from the domestic space, including its inhabitants. This body of work examines how the occupant’s interactions can blur the notion of home as a shelter. Using the creative deconstruction as a mode of generating new meanings, Chae’s conceptual juxtaposition and wide range of techniques and surface create reverie scenes that are open to and encourage freedom of interpretations.
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Herbert, Lynley Anne. "Duccio di Buoninsegna icon of painters, or painter of 'icons'? /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 4.69 Mb., 57 p, 2006. http://wwwlib.umi.com/dissertations/fullcit/1435856.

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Cooke, Peter David. "Gustave Moreau, #painter-poet'." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307413.

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Verplanck, Anne Ayer. "Benjamin Trott: Miniature Painter." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625566.

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Jacobi, Carol. "Painter, painting, paint : a reappraisal of the work of William Holman." Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286207.

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Art historians tend to focus on the literary aspects of Hunt's paintings and little is said about their disconcerting appearance. This thesis explores Hunt's attitude to art-making and his artistic practice in order to investigate the relationship between the form of his work and its content. To this end, Hunt's written output is reevaluated. A distinction is made between public texts and private journals and letters. The latter display accelerating concerns about the artistic persona. A sense of religious doubt, weakness and mortality is answered by an alternative self-image which aspires to
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Nisbet, Archibald. "George Clint (1770-1854) : theatrical painter." Thesis, Birkbeck (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271351.

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The thesis treats the theatrical scenes and single figure portraits of actors and actresses en role by George Clint. The development of theatrical scene painting in England during the eighteenth century is traced from its antecedents in The Netherlands and France through to the arrival of Clint. There is a brief review of Clint's career to 1816 when he exhibited his first theatrical scene at the Royal Academy. To define the area in which Clint worked, a chapter explores the theatre of the time. His theatrical scenes are discussed for each of the three phases of his work which I have identified
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Nichols, Thomas. "Tintoretto : the painter and his public." Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306263.

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Spivey, N. J. "The Micali Painter and his followers." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372910.

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Benson, Lisa Virginia. "Hermonax : an early classical vase-painter /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962504.

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Jones, Rachel. "Evolution: The Progress of a Painter." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/655.

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This analysis explores the progression of my work over the past three years of study. My initial pursuits involved ideas that revolved around contemporary feminism, however, with time I expanded upon those ideas by exploring other subjects. I realized the connection in all of my work lies in the use of manipulated found imagery, and the desire to release this imagery from the confines of traditional pictorial space. With this discovery, I became free to utilize any manner of subjects, as the subject matter relied heavily on the finding and re-interpreting of these disparate images into t
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Books on the topic "The Painter"

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López-Rey, José. Velázquez: Painter of painters : the complete works. Taschen, 1997.

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Jacobi, Carol. William Holman Hunt: Painter, painting, paint. Manchester University Press, 2006.

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Lenkiewicz, Rebecca. The painter. Faber and Faber, 2011.

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Canada. Human Resources and Skills Development Canada. Automotive painter. Human Resources and Skills Development Canada, 2005.

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Lasky, Kathryn. First painter. DK Ink, 2000.

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Davenport, Will. The painter. Bantam Books, 2003.

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Canada. Human Resources Partnerships Directorate. Automotive painter. Minister of Supply and Services Canada, 1996.

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French, Vivian. Painter bear. Ted Smart, 1999.

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The painter. Orchard Books, 1995.

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Florian, Douglas. A painter. Greenwillow Books, 1993.

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Book chapters on the topic "The Painter"

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Murry, Natalie. "Customizing Painter." In Digital Forensic Art Techniques. CRC Press, 2018. http://dx.doi.org/10.4324/9781351047166-13.

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Gooch, Jan W. "Journeyman Painter." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_6609.

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Robins, Barbara K. "Word Painter." In Painting Words. Routledge, 2020. http://dx.doi.org/10.4324/9780429242601-12.

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Maagerø, Eva, Ruth Mulvad, and Elise Seip Tønnessen. "Clare Painter." In Women in Social Semiotics and SFL. Routledge, 2021. http://dx.doi.org/10.4324/9780429352270-6.

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Giitersloh, Paris von. "SCHOENBERG THE PAINTER." In Schoenberg and His World, edited by Walter Frisch. Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831937.243.

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Frank, J. Howard, J. Howard Frank, Michael C. Thomas, et al. "Painter, Reginald Henry." In Encyclopedia of Entomology. Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_2726.

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Egges, Arjan. "Finishing the Painter Game." In Building JavaScript Games. Apress, 2014. http://dx.doi.org/10.1007/978-1-4302-6539-9_12.

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Egges, Arjan. "Finishing the Painter Game." In Swift Game Programming for Absolute Beginners. Apress, 2015. http://dx.doi.org/10.1007/978-1-4842-0650-8_11.

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Kumar, Abhishek. "Viewport Navigation in Painter." In Beginning PBR Texturing. Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5899-6_9.

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Peacock, John. "The Nobly Negligent Painter." In Picturing Courtiers and Nobles from Castiglione to Van Dyck. Routledge, 2020. http://dx.doi.org/10.4324/9781003009993-5.

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Conference papers on the topic "The Painter"

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Kasao, Atsushi, and Kazunori Miyata. "Algorithmic painter." In ACM SIGGRAPH 2004 Posters. ACM Press, 2004. http://dx.doi.org/10.1145/1186415.1186443.

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Hawkes, Rycharde. "The painter." In ACM SIGGRAPH 2004 Computer animation festival. ACM Press, 2004. http://dx.doi.org/10.1145/1186015.1186090.

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Cao, Xiang. "Wonder painter." In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2018. http://dx.doi.org/10.1145/3229227.3229228.

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Colley, Ashley, Aki Leinonen, Meri-Tuulia Forsman, and Jonna Häkkilä. "EMS Painter." In TEI '18: Twelfth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2018. http://dx.doi.org/10.1145/3173225.3173279.

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Zhao, Mingtian, and Song-Chun Zhu. "Sisley the abstract painter." In the 8th International Symposium. ACM Press, 2010. http://dx.doi.org/10.1145/1809939.1809951.

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Choi, Suk Kyoung, and Steve DiPaola. "How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity." In Electronic Visualisation and the Arts (EVA 2013). BCS Learning & Development, 2013. http://dx.doi.org/10.14236/ewic/eva2013.28.

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Levy, Erez, Omid David, and Nathan S. Netanyahu. "Painter classification using genetic algorithms." In 2013 IEEE Congress on Evolutionary Computation (CEC). IEEE, 2013. http://dx.doi.org/10.1109/cec.2013.6557938.

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Miti Ruchanurucks, Shunsuke Kudoh, Koichi Ogawara, Takaaki Shiratori, and Katsushi Ikeuchi. "Robot painter: from object to trajectory." In 2007 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2007. http://dx.doi.org/10.1109/iros.2007.4399010.

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"FINE ARTS EDUTAINMENT - The Amateur Painter." In International Conference on Computer Graphics Theory and Applications. SciTePress - Science and and Technology Publications, 2008. http://dx.doi.org/10.5220/0001094002620267.

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McDaniel, Jerry W., and Ileana Costea. "Romanian flavor of an American painter." In the 39th American Romanian Academy of Arts and Sciences Congress. ARA Publisher, 2015. http://dx.doi.org/10.14510/39ara2015.3928.

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Reports on the topic "The Painter"

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Salveson, M. W. Painter Street Overcrossing: Linear-elastic finite element dynamic analysis. Office of Scientific and Technical Information (OSTI), 1991. http://dx.doi.org/10.2172/5123335.

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Galenson, David. Was Jackson Pollock the Greatest Modern American Painter? A Quantitative Investigation. National Bureau of Economic Research, 2002. http://dx.doi.org/10.3386/w8830.

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Heuze, F. E., and R. P. Swift. Seismic refraction studies at the Painter Street bridge site, Rio Dell, California. Office of Scientific and Technical Information (OSTI), 1991. http://dx.doi.org/10.2172/6168308.

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Peters, Eddie. Painter's Wilderness. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6417.

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Ames A. Grisanti, Charlene R. Crocker, and Robert R. Jensen. LASER CLEANING OF CONTAMINATED PAINTED SURFACES. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/761740.

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Mitler, Henri E. Painted stairwell fires in high-rise buildings. National Institute of Standards and Technology, 1999. http://dx.doi.org/10.6028/nist.ir.6293.

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Soukup, R. J., and N. J. Ianno. Conductive paints. Office of Scientific and Technical Information (OSTI), 1992. http://dx.doi.org/10.2172/6905263.

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ARMY SAFETY CENTER FORT RUCKER AL. Spray Paint and Paint Booth Operations. Defense Technical Information Center, 1985. http://dx.doi.org/10.21236/ada382885.

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Ames A. Grisanti, Charlene R. Crocker, and Robert J. Jensen. EM Task 12 - Laser cleaning of Contaminated Painted Surfaces. Office of Scientific and Technical Information (OSTI), 1998. http://dx.doi.org/10.2172/3839.

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Wooden, Carolyn, and Su Kyoung An. Diagonal Paine. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1217.

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