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1

Davlatov, Soyibnazar. "Spiritual Heritage: Cultural Life and Libraries in the Kokand Khanate." ACUMEN: INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH 1, no. 4 (2024): 296–300. https://doi.org/10.5281/zenodo.14246205.

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In the Kokand Khanate, the development of librarianship and the art of manuscript production flourished under the consistent attention of its rulers. The presence of a designated librarian in the Kokand palace indicates that the rulers maintained exclusive libraries within their palaces. Some Kokand khans showed a profound interest in handwritten books and libraries in general, and information is provided about their patronage of poets and writers
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Shiraishi, Noriyuki. "SEASONAL MIGRATIONS OF THE MONGOL EMPERORS AND THE PERI-URBAN AREA OF KHARAKHORUM." International Journal of Asian Studies 1, no. 1 (2004): 105–19. http://dx.doi.org/10.1017/s1479591404000075.

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A study of the site of Kharakhorum suggests it was a large city with an extensive population. The rulers however did not live here permanently but in seasonal palaces in the environs of the city. I have identified the Spring and Winter Palaces and been able to narrow down the possible sites of the Summer and Autumn Palaces. The Spring Palace (the Qarshi-“Sūrī” of Juvainī, the Gegenchaghan of Rashīd al-Dīn and the Jiajianchahan-dian of Saolin-cheng of the Yuan shi) is located at the site known as Doityn Balgas, and the Winter Palace (the Ong-khin of the Rashīd al-Dīn) I consider to be at the Sh
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Schetnikov, Andrey. "Geometric patterns of the palace of Termez rulers." ΣΧΟΛΗ Ancient Philosophy and the Classical Tradition XVIII, no. 2 (2024): 1083–104. http://dx.doi.org/10.25205/1995-4328-2024-18-2-1083-1104.

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Archaeological expedition of Moscow Museum of Oriental Cultures, which worked in the 1930s at the site of Old Termez, excavated the ruins of a building identified as the Palace of Termez rulers. The interior of this building was decorated with stucco slabs contained various geometric patterns, together giving a rich collection of geometric design of the pre-Mongol era. This article classifies and analyzes the entire set of these patterns, numbering about three dozen. They are compared with geometric patterns of the same era on other architectural monuments of Khorasan.
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Varentsova, Larisa. "The Great rulers of Beloozerskiy fish yard» in the system of the Palace economy of Russia in the 17th century." OOO "Zhurnal "Voprosy Istorii" 2021, no. 01 (2021): 86–93. http://dx.doi.org/10.31166/voprosyistorii202101statyi03.

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The article is devoted to the problem of socio-economic development of the Royal estates in Russia in the XVII century. The article aims to identify the role of the "Great rulers of beloozerskiy fish yard" in the Palace economy. The source based was unpublished and published office documents, memoirs. Special attention is paid to Beloozero as one of the centers of Palace fisheries.
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Stolyarov, Alexander A. "Neermahal — the Jem of Tripura." Oriental Courier, no. 3-4 (2021): 220. http://dx.doi.org/10.18254/s268684310018029-9.

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The publication tells a story about a visit to the summer palace of the last rulers of the Tripura princely state, which is now a remarkable place of interest at the Tripura state in northeastern India. The palace is located on the island in the middle of the Rudrasagar Lake and can only be reached by boat. The current state of the palace is described as an object of cultural and historical heritage, and of a lake, classified as a nature conservation object of international importance. The opinions of experts on the measures to preserve the ecological balance in this part of the state of Tripu
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Kamoliddin, Shamsiddin. "Turks in the Samanid system of government." Uzbekistan: language and culture 3, no. 3 (2024): 100–117. https://doi.org/10.52773/tsuull.uzlc.2024.3/gdys7652.

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During the Samanid rule (9th-10th centuries), the Turks, as in the Abbasid palace in Baghdad, played an important role in the administration of this dynasty from the beginning to the end. During the Samanid period, Turks occupied almost all the main positions in their palace, as well as in other cities and provinces of Khorasan and Transoxiana that were under their control. Defense and law and order were entirely in the hands of the Turks. Many of the Samanid Turkish commanders were major administrative and political figures, many of whom founded their own ruling dynasties and played an import
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Quintana Samayoa, Oscar Antonio. "Ciudades mayas en el norte de Petén, Guatemala: cuatro conjuntos palaciegos." Estudios de Cultura Maya 58 (June 27, 2021): 85–115. http://dx.doi.org/10.19130/iifl.ecm.2021.58.23863.

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Special features in the urban structure of the Central Maya Lowlands are the palace complexes. They function as a symbolic scheme that represents the center of the city and the power of its rulers. In other contributions, the author has studied the urban composition of various Maya cities in Northern Petén. On this occasion, the study of two elements is deepened: first, the palace complexes, and second, the plaza that precedes them. We compare these elements in four cities with similar characteristics of chronology and cultural region: the Central Acropolis of Tikal, and the palace complexes o
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Stellner, František. "Palace Coups in Russia: Comparative Typologization." Vestnik NSU. Series: History, Philology 20, no. 8 (2021): 34–48. http://dx.doi.org/10.25205/1818-7919-2021-20-8-34-48.

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This article considers palace coups as one of the key phenomena of Russian political culture, which intertwined traditions and innovations, accidents and patterns, personal and corporate interests, prudence and adventurism. It analyzes methods and mechanisms by which the Russian autocrats of the late 17th – 18th centuries ascended to the throne. The ways of ascension to the throne were different, but they had one thing in common – compliance with clear rules of succession was very far from ideal, which was significantly different from most European monarchies. In monarchies where inheritance w
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Ahamad, Nurul Alia, Zahari Zubir, Prince Favis Isip, and Nor Hayati Hussain. "Transformation in the Architectural Identity of Palaces." Jurnal Kejuruteraan 31, no. 2 (2019): 309–16. http://dx.doi.org/10.17576/jkukm-2019-31(2)-16.

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The establishment of the first National Palace in Malaya in 1957 reflects the transformation in the identity of palace architecture. Traditional palace architecture has developed from society’s traditional way of life, as well as the materials and techniques of local construction. However, in the 1950s, significant changes could be seen in the lifestyle, politics, economics and many other areas in Malaya due to modernisation. The changes in the political system and people’s values have influenced the traditional palace architecture during the 1950s. This research aims to highlight the palace’s
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Letin, Vyacheslav A. "Historical discourse of Mikhailovsky castle's artistic universe: aspects of power." World of Russian-speaking countries 1, no. 11 (2022): 112–33. http://dx.doi.org/10.20323/2658-7866-2022-1-11-112-133.

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This article examines the historical discourse of Emperor Paul's representational program of power and personality in the context of the artistic universe of his St. Petersburg residence, the Mikhailovsky Castle. This large-scale project, Paul I embodied not only advanced building and decoration technologies of contemporary palace construction, but also the traditions of the sovereign's power and personality representation inherent in the palace discourse. The Mikhailovsky Castle of Emperor Paul I was both the most “expensive” object of palace construction and the most “conceptual”. His symbol
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Lestari, Nia Yunia, Purnama Salura, and Bachtiar Fauzy. "The basic concept of baluwarti Cirebon palace, Study case of Kasepuhan, Kanoman and Kacirebon Palace." ARTEKS : Jurnal Teknik Arsitektur 6, no. 1 (2021): 93–104. http://dx.doi.org/10.30822/arteks.v6i1.626.

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Cirebon is a unique city with 3 palaces, including Kasepuhan, Kanoman, Kacirebonan. The palaces are influenced by the history and culture of the Baluwarti palace, which is believed to have specific concepts in the arrangement and placement of building masses. This study examines the concepts underlying Baluwarti in the 3 Cirebon palaces. This is achieved by first studying the basis of Palace's trust rules used to regulate the mass placing of the palace building. Subsequently, the study uses an architectural anatomical theory consisting of the building site and scope, and the property-compositi
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Muhammad, S. A., and N. M. Rosdi. "Understanding the Socio-cultural Sustainability of Kedah Royalty and the Influences on the Palace’s Architecture." IOP Conference Series: Earth and Environmental Science 1102, no. 1 (2022): 012069. http://dx.doi.org/10.1088/1755-1315/1102/1/012069.

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Socio-culture is a fundamental and common rule of a society that influences, controls, and directs the lives of individuals and societies. As the rulers with the most significant social status in a particular community, the Royals’ socio-culture is more sophisticated than commoners and heavily affected by royal customs and traditions. The royals’ socio-culture then affected the architecture of the palaces, notably the space arrangement, supporting the idea that socio-culture influences the constructed environment. This study aims to explicit the Kedah royalty’s socio-culture characteristics an
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Farram, Steven. "Usi Lan Ai: the raja who died by fire. The death of Raja Bil Nope in Netherlands Timor, 1910." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 165, no. 2-3 (2009): 191–215. http://dx.doi.org/10.1163/22134379-90003634.

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In the early twentieth century the Dutch in the Netherlands Indies began a concerted effort to confirm their authority throughout the archipelago. This policy had dire consequences for some indigenous rulers in Netherlands Timor, whose kingdoms were virtually destroyed. Other rulers felt that by allying themselves with the Dutch they could strengthen their position and rid themselves of rivals. This was the case with the ruler of Amanuban, Raja Bil Nope, who invited the Dutch into his kingdom in 1906. By 1910, however, Bil Nope was totally disenchanted with the Dutch administration and rose in
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14

Kurbanov, Golib. "TRADITIONS AND CEREMONIES IN LATE MEDIEVAL BUKHARA." JOURNAL OF LOOK TO THE PAST 5, no. 3 (2020): 74–78. http://dx.doi.org/10.26739/2181-9599-2020-5-12.

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The manuscript fund of the Bukhara Museum-Preserve has a collection of about 6 thousand documents. The author of the article demonstrates the capabilities of the collection as an information source, using two handwritten documents as an example. They are united by a detailed description of customs, recommendations, rules of palace etiquette and ceremonial for holding festivities (in this case, Navruz) adopted in late medieval Bukhara for rulers, nobles and ordinary people. A study of the above-mentioned documents will allow researchers to obtain additional material on the history and ethnograp
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Gusmian, Islah, and Mustaffa Abdullah. "The Network of Kiai and Rulers of Surakarta Palace in Islamic Education and Literacy in the 20th Century Ad: A Study of the Wiryadiningrat al-Qur'an Manuscript." Journal of Usuluddin 51, no. 2 (2023): 121–46. http://dx.doi.org/10.22452/usuluddin.vol51no2.5.

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This article examines the network of Kiai (the priest in Islam) and rulers of Surakara palace in the early 20th century AD, under the leadership of Pakubuwono X, in the world of Islamic education and literacy. So far, studies of the Surakarta palace have been limited to social, historical and political studies. In fact, the palace has a network with Kiai, not only in the political context, but also in Islamic education and literacy. The entrance used to analyze this issue is the Wiryadiningrat Qur'an manuscript. This manuscript is chosen because it is not only a religious text, but also part o
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Sepe, Agostino. "Back to the Roots: The Imperial City of Shenyang as a Symbol of the Manchu Ethnic Identity of the Qing Dynasty." MING QING YANJIU 16, no. 01 (2011): 129–76. http://dx.doi.org/10.1163/24684791-01601006.

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At the UNESCO meeting held in Suzhou on the 2nd of July 2004, the Imperial City of Shenyang was listed as a World Cultural Heritage Site, so that now it is recorded together with the Forbidden City of Beijing as one single item: Imperial Palaces of the Ming and Qing Dynasties, Ming Qing gongdian 明清宮殿. Nevertheless, the importance of Shenyang Palace is not at all due to its similarity to the one in Beijing. The part of the Shenyang Imperial City built before the Manchu conquest of Beijing in 1644 mirrors the culture of the Manchu people and the institutions of its rulers in its architectural st
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17

DUBEY, DR UMA. "ARCHITECTURE OF BIKANER: DEVELOPMENT AND IMPACT OF DIFFERENT STYLE." VESTIGIA INDICA: BSSS Journal of History & Archaeology 2, no. 1 (2024): 163–82. http://dx.doi.org/10.51767/jha0212.

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one of the most beautiful & interesting centers of later Indian art, Bikaner, is the place where one can see a number of monuments constructed during span of time. Bikaner was established in the year 1488 and was ruled by several rulers to be precise 22 rulers after the demise of Rao Bika, the founder of the state. Maharaja Rai Singh, Gaj Singh, Surat Singh, Ratan Singh, Dungar Singh & Ganga Sing were few other predominant rulers of Bikaner who played a key role in the development of architecture in the state. The rulers of Bikaner constructed Junagarh fort (Maharaja Rai Singh), gaudy
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18

Da Riva, Rocío. "The Neo-Babylonian palace as centre of the world." ARAMAZD: Armenian Journal of Near Eastern Studies 12, no. 1 (2018): 96–109. http://dx.doi.org/10.32028/ajnes.v12i1.894.

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In the Mesopotamian tradition, the symbolic aspect of royal ideology finds its expression in monumental architecture. The stability of a public building reflects the solidity of a kingship. In times of crisis, the construction of a building goes beyond a mere architectural project and becomes a challenge and a political statement. A usurper is legitimised when/if he is able to complete the task of constructing or renovating a building; in contrast, many kings are criticised as poor rulers if they cannot found a building, or renovate or complete a construction. Nabonidus, for instance, found fa
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Юрий Николаевич, Есин,. "THE SON OF HEAVEN'S PALACE IN THE JIANKUN DOMAIN." SCIENTIFIC REVIEW OF SAYANO-ALTAI, no. 1(33) (October 26, 2022): 4–52. http://dx.doi.org/10.52782/kril.2022.1.33.001.

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Статья посвящена проблемам определения возраста и владельца дворца в китайском стиле, открытого на левом берегу р. Абакан в 1940 г. Проанализированы существующие гипотезы, основные особенности дворца и важные для его датировки и интерпретации обстоятельства. Рассмотрены вопросы структуры полного титула правителей хунну и хронологии использования ими именования «Сын Неба». Изучены варианты обозначения и описания резиденций правителей хунну в хрониках Хань. На основе сопоставления результатов анализа со сведениями китайских письменных источников о людях и событиях эпохи Хань предложена новая гип
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Xuefeng, Zhao, and Mohd Mustafa Bin Mohd Ghazali. "Investigating the Image of Architecture Decoration of ShengJing Imperial Palace in LiaoNing Province, China." International Journal of Global Optimization and Its Application 2, no. 3 (2023): 142–47. http://dx.doi.org/10.56225/ijgoia.v2i3.256.

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Today, throughout antiquity, myriad ethnic collectives have inhabited Liaoning Province, China, significantly shaping the historical trajectory of the nation and fostering a multitude of esteemed architectural and cultural legacies. ShengJing Imperial Palace is in Shenyang, Liaoning Province, China. ShengJing Imperial Palace is a royal building built in the early Qing Dynasty 500 years ago. The information value shown by its architectural decoration needs to be further developed. This paper takes architectural decoration images as the research content. It uses the methodology of practical aest
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Sumarno, Sumarno, Indra Fibiona, and Siska Nurazizah Lestari. "Inya: Wet Nurse and Succesful Regeneration of the Mataram Islamic Court Authorities in the Past." Indonesian Historical Studies 8, no. 1 (2024): 26–39. http://dx.doi.org/10.14710/ihis.v8i1.18615.

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The fame of Islamic Mataram, a kingdom that encompassed Java and its surroundings, is reflected in its strong Javanese culture. Since the Mataram era, Javanese culture has been an important part of Javanese life. One of the main characteristics of the culture that is inherent in the lives of Javanese people is Inya. Inya is the term for the nurse or mother of the king's baby who is considered a symbol of the fame of the Islamic Mataram kingdom. This study discusses the ins and outs of Inya and its contribution to the regeneration of the rulers of the Islamic Mataram palace. The method used in
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Mashkhura Adilzhanovna Darmonova. "Khorezm school of calligraphy and its representatives." International Journal on Integrated Education 3, no. 9 (2020): 272–77. http://dx.doi.org/10.31149/ijie.v3i9.928.

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The formation of the Khorezm school of calligraphy has a long history, and in the 16th century, schools of calligraphy and writing were formed in the palace libraries of the rulers. Since the beginning of the 18th century, the art of calligraphy has developed as an independent school. The article describes the school of calligraphy that developed in Khorezm at the beginning of the 19th-20th centuries, as well as the life and spiritual heritage of its representatives.
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Janik, Karolina. "Perła Spytkowic – kompleks pałacowo -parkowy." Rocznik Spytkowicki, no. 2 (October 24, 2024): 48–69. http://dx.doi.org/10.12797/rspyt.02.2023.02.03.

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THE PEARL OF SPYTKOWICE – THE PALACE AND PARK COMPLEX The Palace and Park Complex in Spytkowice is a pearl of this place, thus being part of the tangible cultural heritage, entered in the register of monuments and the municipal register of monuments. The characteristic landscape has been built not only by history, but also by personalities associated with it, architecture and a green area, which constitute the uniqueness and exceptionality of the Complex – a place with its own, long -lasting tradition. The entire cultural heritage of the village of Spytkowice, both tangible and intangible, is
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Umar, Emmanuel. "Features of Monarchical Rules and Succession in the Ancient Near East." History Research 12, no. 1 (2024): 25–33. http://dx.doi.org/10.11648/j.history.20241201.13.

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Features of kingship in the Ancient Near East manifested in the use of titles which expressed the relationship between the King and the Divine. The titles in later usage were developed, formulated, promulgated and finally became the royal ideology. The features, therefore, revealed that the concept of Kingship in the Ancient Near East is of divine origin. This paper argues that those features were conceived and nurtured by the Kings, the royal court and palace traditions in order to subject and subdue the opposing voices among their followers especially the opposition group who might had conte
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Jackson-Tal, Ruth E., Rachel Chachy, Yakov Kalman, Ehud Netzer, Gideon Foerster, and Roi Porat. "Between Rulers and Rebels: The Glass Finds from the Mountain Palace-Fortress at Herodium." Liber Annuus 71 (January 2021): 511–44. http://dx.doi.org/10.1484/j.la.5.130769.

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Martin, Therese. "Chronicling the Iberian Palace: written sources and the meanings of medieval Christian rulers’ residences." Journal of Medieval Iberian Studies 2, no. 1 (2010): 109–39. http://dx.doi.org/10.1080/17546551003619654.

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Thomason, Allison Karmel. "From Sennacherib's bronzes to Taharqa's feet: Conceptions of the material world at Nineveh." Iraq 66 (2004): 151–62. http://dx.doi.org/10.1017/s0021088900001741.

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Edward Said argued that since the beginning of western civilization there has been a conception that the rulers of the East, the famed “Oriental despots”, were decadent, obsessed with luxury, and consumed by the collecting of objects (1978: 119, 203). The trope of the decadent Orient is deeply embedded in the western imagination. In the Louvre Museum in Paris sits a masterpiece of French Romantic painting, The Death of Sardanapalus, by Eugène Delacroix (Fig. 1). The painting depicts an Oriental despot, the mythical Ninevite king Sardanapalus, reclining with emotional detachment on a great bed
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Gomperts, Amrit, Arnoud Haag, and Peter Carey. "Stutterheim’s enigma: The mystery of his mapping of the Majapahit kraton at Trowulan in 1941." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 164, no. 4 (2008): 411–30. http://dx.doi.org/10.1163/22134379-90003649.

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For over a century archaeologists have been trying to unravel the mystery of the location of the fourteenth-century kraton (palace) of the rulers of the Majapahit kingdom which held power in Java from the thirteenth to the sixteenth century. It has been long known that the royal city and its palace was located at Trowulan about 50 kilometres southwest of Surabaya, the present-day capital of East Java. Today, unfortunately, all that remains of its former glory are isolated piles of broken bricks and an archaeologically mutilated landscape littered with craters dug by colonial-era asset stripper
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Baulina, K. "REFLECTION AND RECTIFICATION OF THE SACRAL PALACE CEREMONIAL "PROSKYNESIS" AT THE COURT OF THE ASSYRIAN AND ACHAEMENID RULERS." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 148 (2021): 18–24. http://dx.doi.org/10.17721/1728-2640.2021.148.3.

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The palace ceremonial "proskynesis" (gr. – προσκύνησις) – which consisted of a kiss and a bow – was considered and interpreted. A comparison of ancient Eastern traditions at the royal court of Assyrian and Achaemenid rulers is highlighted. The author tries to reconstruct the essence and meaning of proskynesis in the lives of kings and ordinary people. The work uses ancient greek written sources and the eastern source heritage, which is represented by reliefs and obelisks from Assyria and the Achaemenid Empire. The pertinence of the topic is an attempt to interpret part of the palace ceremony –
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Smagol, O. S. "Volto del Cavallo in Ferrara: problems of time, space, glory and memory." Journal of the Belarusian State University. History, no. 2 (April 30, 2019): 84–95. http://dx.doi.org/10.33581/2520-6338-2019-2-84-95.

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The article touches upon characteristic features of a so-called Volto del Cavallo, a Renaissance portal on the rulers’ d’Este palace facade in the 15th century Ferrara. It’s analyzed in the process of its gradual formation and in the context of such problems as time (in terms of a private biography as well as historically), space (palatial space, that of Ferrara as a city, space of the Quattrocento Ecumene), glory and last but not least memory of Ferrara leaders. This range of Volto del Cavallo parallel interpretations tends to be new and brings one to a conclusion that each aspect in question
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Fayrus, Muhammad. "Nuruddin Ar-Raniry: Kajian Pemikiran Tokoh Muslim Indonesia." SIASAT 2, no. 2 (2018): 15–23. http://dx.doi.org/10.33258/siasat.v1i2.34.

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In the Nusantara archipelago, the process of Islamization began with port cities which were at the same time the royal capital, such as Samuera Pasai and Malacca, which later became the center of the royal palace which became the center of Islamic intellectual development over the official protection of the rulers, followed by the emergence of clerical figures such as Hamzah Fansuri, Samsuddin as-Sumatrani, Nuruddin Ar-Raniry, and Abdur Rauf as-Singkili in the Aceh kingdom. While in Java there is Wali Songo. 2 These great ulamas were credited with spreading Islamic knowledge in Southeast Asia
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Hudáček, Pavol. "“The King in the Saddle”: The Árpád Dynasty and Itinerant Kingship in the Eleventh and Twelfth Centuries." Hungarian Historical Review 11, no. 3 (2022): 505–44. http://dx.doi.org/10.38145/2022.3.505.

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The rulers of the Árpád dynasty spent a great deal of time on the road traveling from one royal castle, palace, mansion, monastery, or bishop’s seat to another. The ruler’s travel and personal presence were an important way of exercising power during this period. However, few sources have survived from the eleventh and twelfth centuries, making it difficult for historians to do much research on the travel of the Árpád kings. The Kingdom of Hungary was a large country and it is necessary to determine what was the main power center and where the periphery territories were located. For the most p
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Ibrohimov, Oqilxon. "Musical art of the Timurid Renaissance." Uzbekistan: language and culture 3, no. 3 (2021): 91–101. http://dx.doi.org/10.52773/tsuull.uzlc.2021.3/jqcr2021.

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The advanced musical traditions that developed during the reign of the great Amir Temur were perceived by his successors-rulers as symbols of classical art and were adequately continued in their palaces. Thanks to the favorable conditions created by them, the comprehensive support of scientists and art workers, during this period science flourishes, important socio-cultural progress in the field of music takes place, professional cre-ativity and performing arts reach a qualitatively new level of development. Especially, the art of maqom reaches unprecedented heights. In particular, on the basi
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Содномжамц, Дамчаабадгар, Уламбаяр Эрдэнэбат, Cristina Franken, Төмөр-Очир Батбаяр та Hendrik Rohland. "Орхоны Хар балгасаас олдсон Уйгур хаадын цол өргөмжлөх бичиг". Mongolian Journal Anthropology, Archaeology and Ethnology 12, № 1 (2023): 111–23. http://dx.doi.org/10.22353/mjaae.2023120112.

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Material culture from archaeological excavations along with textual records form the basis for a better understanding of Nomadic steppe empires of the Middle Ages and their intercultural contacts. The Mongolian-German Orkhon Expedition (MONDOrEx) retrieved a fascinating collection of artefacts in Karabalgasun, the former capital of the Uyghur Empire (744/745-840). Among these artefacts, remnants of “jade books” were discovered. They are considered royal decrees for the coronation of Uyghur khans. These strips of stone are polished and inscribed with Chinese calligraphy, with the incised letter
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Budiningtyas, RR Erna Sadiarti, and H. Muhammad Sirod. "Peluang dan Tantangan Pengembangan Pariwisata di Kawasan Cagar Budaya Keraton Kasunanan Surakarta." Khasanah Ilmu - Jurnal Pariwisata Dan Budaya 12, no. 1 (2021): 7–15. http://dx.doi.org/10.31294/khi.v12i1.9978.

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Abstrak Kawasan cagar budaya Keraton Kasunanan Surakarta yang disebut Baluwarti merupakan kawasan permukiman tradisional yang banyak dihuni oleh abdi dalem dan sentana dalem Keraton Kasunanan Surakarta. Menyadari potensi budaya yang dimiliki, masyarakat berupaya untuk mengembangkan pariwisata. Akan tetapi sudah satu dekade, usaha tersebut belum juga memberikan hasil nyata. Penelitian ini dilakukan dengan tujuan untuk menganalisis peluang dan tantangan pengembangan pariwisata di kawasan permukiman yang berada dalam pengaruh penguasa lokal tradisional. Pendekatan kualitatif digunakan untuk menda
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Benyahia, Lamia, Abida Hamouda, and Narimene Moffok. "Decoding the Spatial Configuration of the Ottoman Palace “Khdewedj El Amia” in Algiers (Algeria) through Space Syntax." Prostor 29, no. 2 (62) (2021): 192–211. http://dx.doi.org/10.31522/p.29.2(62).4.

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Palaces of the Ottoman era, the Golden age of Islamic civilization, bear witness to a prestigious know-how, drawing its rules from a way of life governed by the Islamic Sharia, the socio-cultural context of the Berber-Arab population and the climate-physical environment. The palace of Khdewedj El Amia is one of the majestic palaces located at the Casbah of Algiers and constitutes the subject of this article whose objective is to decode its genome in order to understand the social logic of a space inhabited and designed by a princess who lost her sight. Hence the name El Amia, which means blind
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Pandey, Anjali. "ORCHHA- THE ARCHITECTURAL HERITAGE OF MADHYA PRADESH." International Journal of Research -GRANTHAALAYAH 8, no. 4 (2020): 262–74. http://dx.doi.org/10.29121/granthaalayah.v8.i4.2020.32.

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Orchha is a historically famous site of Bundelkhand region in Niwari district of Madhya Pradesh. It has the wide collection of tremendous Imperial monuments with historic importance and natural and living heritage at National and international level. The Jahangir Mahal, Raj Mahal and Sheesh Mahal are the three sections of Orchha Palace Complex. The blend of Mughal and Bundelkhandi style of architecture is really appreciable for its harmony, intelligent engineering and magnificent building. Jahangir Mahal was built in honour of Mughal Emperor Jahangir. Orchha is also famous for the Ram Raja tem
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Dr, Anjali Pandey. "ORCHHA- THE ARCHITECTURAL HERITAGE OF MADHYA PRADESH." International Journal of Research - Granthaalayah 8, no. 4 (2020): 262–74. https://doi.org/10.29121/granthaalayah.v8.i4.2020.32.

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Orchha is a historically famous site of Bundelkhand region in Niwari district of Madhya Pradesh. It has the wide collection of tremendous Imperial monuments with historic importance and natural and living heritage at National and international level. The Jahangir Mahal, Raj Mahal and Sheesh Mahal are the three sections of Orchha Palace Complex. The blend of Mughal and Bundelkhandi style of architecture is really appreciable for its harmony, intelligent engineering and magnificent building. Jahangir Mahal was built in honour of Mughal Emperor Jahangir. Orchha is also famous for the Ram Raja tem
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McMahon, Keith. "The Institution of Polygamy in the Chinese Imperial Palace." Journal of Asian Studies 72, no. 4 (2013): 917–36. http://dx.doi.org/10.1017/s0021911813001137.

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This study examines Chinese imperial polygamy under two aspects, as institution and actual practice. Institution refers to its existence as a set of rules and expectations, practice to the actual ways in which imperial people carried out polygamy as recorded in both historical and fictional sources. The key to the institutionalization of polygamy had to do with the idea that a ruler did not engage in polygamy because he wanted to, but because he had to in order to fulfill his role as Son of Heaven. He was obligated to extend the patriline and was as if following a hallowed directive. Practice
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Merdekawati, Bella Twoaras, and Supriyanto Supriyanto. "BENTUK TARI BEDHAYA KAWUNG KARYA M.G SUGIYARTI." Greget 21, no. 1 (2022): 8–20. http://dx.doi.org/10.33153/grt.v21i1.4436.

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Bedhaya dance is a dance that lives and grows in the palace environment. Bedhaya is a form of sacred dance in the palace, especially in Java. This bedhaya dance is performed at official palace events. Bedhaya dance is a form of group dance which is usually danced by nine female dancers. Bedhaya dance is still preserved in the Yogyakarta and Surakarta palaces. This study reveals two problems, namely how the process of creating the Bedhaya Kawung dance and how the form of the Bedhaya Kawung dance by M.G Sugiyarti. This research is qualitative using a choreographic approach, the method used is de
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Bingöl, Bora, Namiq Abbasov, and Shahla Abbasova. "′Symbols′ as Expression Tools of Islam and Their Usage Methods in Palace Architecture." Khazar Journal of Humanities and Social Sciences 27, no. 1 (2024): 8–30. http://dx.doi.org/10.5782/2223-2621.2024.27.1.8.

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Islamic architecture consists of religion, politics, philosophy, and aesthetics. The religious expression of symbols in Islamic architecture is also extremely important in architecture. These religious symbols, which are used in palace buildings and generally in administrative places in the Islamic world, are shaped depending on the function of the buildings. In this period, the palace complexes were considered to be the most important structures representing state politics and economy. In this study, the purposes and methods of use of religious symbols used in many palace complexes of Islamic
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Kastuti, Teti Indriati, and Christine Dian Permatasari. "Comparative Study of Chanoyu Tea and Tea Serving in Yogyakarta Palace." IZUMI 9, no. 2 (2020): 166–75. http://dx.doi.org/10.14710/izumi.9.2.166-175.

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The researcher's experience of studying chanoyu for one year at Urasenke Kyoto became a stimulus to compare Chanoyu tea serving ceremony and tea serving ceremony in Yogyakarta Palace. Up to this time, the tea serving ceremony in Yogyakarta Palace has never been opened to the public, unlike the worldwide Chanoyu tea serving ceremony, a particular school has even been opened to study chanoyu. With this phenomenon, researchers are interested in examining further to compare the two tea serving ceremonies. The method used is descriptive qualitative with literature study, field observation, and inte
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Portuese, Ludovico. "Bathing Rooms in First-Millennium Assyria." KASKAL 1 (December 19, 2024): 169–86. https://doi.org/10.30687/KASKAL/5235-1939/2024/01/012.

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This article presents a review of the archaeological evidence relating to those spaces identified as bathrooms in the main Neo-Assyrian palaces. An examination of the primary elements – fixed features, interior decoration, position within the palace and connectivity, use of water and possible protocol rules – serves to delve into aspects of hygiene, privacy, and protection, and supports concluding that bathrooms were the most ‘hygienic’ locations within a building. The results also aim at paving the way for a better understanding of the extent to which bathrooms contrib
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Михтуненко, Вікторія. "THE ROLE OF THE GUARD IN THE "PALACE COUP" IN THE RUSSIAN EMPIRE (1725 – 1762)." КОНСЕНСУС, no. 1 (2021): 76–85. http://dx.doi.org/10.31110/consensus/2021-01/076-085.

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It is difficult to fully understand the period in the history of the Russian Empire called the "palace coups" from Peter I to Paul I, and even to Nicholas II, without considering in detail the political history of the guard. That is why the article describes the era of "palace coups" (1725–1762) in the Russian Empire, their preconditions and reasons. The author notes that the XVIII century is one of the most interesting periods in the history of the Russian state represented by the time of palace coups. This period is characterized by constant struggle in the middle of aristocratic groups and
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Glusac, Jеlena. "Prince and despot Stefan Lazarevic and monastery of Great Lavra of Saint Athanasius on Mount Athos." Zbornik Matice srpske za drustvene nauke, no. 153 (2015): 739–46. http://dx.doi.org/10.2298/zmsdn1553739g.

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Great Lavra of Saint Athanasius is one of the Mount Athos monasteries richly donated by Serbian rulers and noblemen with properties and material goods. The monastery was acquiring its properties by completing requests from abbot and monks, but also on the initiative of the founder himself. Depending on the situation, which was dictated by the current situation in the country, the estates were privileged to a certain extent. They were abolished in moments when the danger from the Ottomans was at a high level. The population of the monastery villages primarily had to participate in military serv
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Bujang, N., A. Misni, and A. B. A. Raub. "Determinant of architectural features of Istana Bandar Alaeddin Selangor." IOP Conference Series: Earth and Environmental Science 1217, no. 1 (2023): 012012. http://dx.doi.org/10.1088/1755-1315/1217/1/012012.

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Abstract Architecture developed by humanity is the most sophisticated phenomenon relevant to the context of the environment, which is the context in which man and his environment interact with each other, were an essential component of architectural heritage growth. In this study, the main purpose is to look at the presence of art man-made construction of the palace, a building that played a significant role in the history of Malaysia. In this study context, a palace can be an olden history meant a residence for the ruler or head of the state, and often served as a place of administration. Thi
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Aminudin, Amin. "Media Sosial dan Wacana penundaan Pemilu 2024 Dalam Perspektif Norman Fairclough." JURNAL LENSA MUTIARA KOMUNIKASI 7, no. 2 (2023): 57–72. http://dx.doi.org/10.51544/jlmk.v7i2.4407.

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The discourse on postponing the elections in 2024 is considered a strategy to vent the political appetites of today's rulers who enjoy the opium of power, social media as a space for expression has become a hotly discussed discourse battle, including discussions about postponing the 2024 elections. The formulation of theproblem in this research is the purpose of this study is to find out how social media power relations have become a space to fight for discourse on postponing the 2024 general election?. The method used in this study is a qualitative method with a critical discourse analysis th
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Renne, Elisha P., and Abdulkarim Umar DanAsabe. "Royal Garments of the Emir of Kano Muhammadu Sanusi II, 2014–2020." Textile Museum Journal 48, no. 1 (2021): 72–91. http://dx.doi.org/10.1353/tmj.2021.a932827.

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Abstract: Successive Kano emirs have worn resplendent garments to convey their regal political authority among their subjects. The former Emir of Kano, Sarkin Muhammadu Sanusi II, of Kano State, Nigeria, was renowned for his striking royal dress, which often included a long jacket-like robe covered by a large hooded burnous, trousers, ostrich feather shoes, and a turban with a veil-like cloth, which could cover his face. These expensive garments and accessories were made with a range of materials, which included handwoven cotton and raw silk material made in Nigeria, as well as imported textil
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Lebedev, Maxim A. "Hellenization of the monumental landscape of the Meroitic kingdom under Natakamani and Amanitore: cultural and historic context." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 2 (2024): 44. http://dx.doi.org/10.31857/s086919080028867-0.

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The Meroitic Kush was the largest state on the southern borders of the Roman world. It reached its highest development by the 1st century AD under the rule of Natakamani and Amanitore whose extraordinary building activity attracted many scholars. Withing the framework of a large-scale program of renewing the monumental landscape of their state, the co-rulers erected, rebuilt, and restored cult and palace complexes throughout the country from Amara in the north to Naqa in the south. A characteristic feature of this activity was a wide use of Hellenizing motifs in both architecture and iconograp
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Kacaros, Vasilis. "Αγιοσ Γεωργιοσ ο Γοργοσ: Η αλληγορικη ερμηνεια στην εννοιολογικη μεταλλαξη του επιθετου". Zbornik radova Vizantoloskog instituta, № 50-1 (2013): 505–19. http://dx.doi.org/10.2298/zrvi1350505k.

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The author of this article attempts to interpret the name ?gorgos? associated with Saint George, utilizing data from the oldest tradition in conjunction with the historical environment in which revives the worship of the saint as equestrian Akrita warrior. The relationship of the rider hero with his warhorse raises the heroism of the military saints of the East, particularly of Cappadocia at a time when the bravery and the heroism of the lads of the Akritian circle is generally emerging. The combination akrita/soldier and farmer meets at the same person of Saint George, who later appears in th
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