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Relevant bibliographies by topics / THE POWER OF MUSIC

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Academic literature on the topic 'THE POWER OF MUSIC'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "THE POWER OF MUSIC"

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Wirandi, Rika, and Fifie Febryanti Sukman. "POWER PEREMPUAN DALAM TRADISI MUSIK BECANANG DI BENER MERIAH." Gorga : Jurnal Seni Rupa 11, no. 2 (2022): 572. http://dx.doi.org/10.24114/gr.v11i2.40085.

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This study aims to identify and examine the existence and role of women in the bronze musical tradition: becanang in Bener Meriah. The extent of the role of men in Aceh, including various forms of performing arts activities known as Islamic – the becanang music culture has survived for a long time until now with supporters and performers of the culture being women. The importance of this research to be carried out for several reasons and considering the lack of studies on traditional music from a gender perspective to date in Indonesia, especially in Aceh. In addition, the reason for the low i

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Bufalini, John, and Daniel R. George. "Power in Music." Journal of the American Geriatrics Society 68, no. 12 (2020): 2964. http://dx.doi.org/10.1111/jgs.16688.

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Whitfield, Sarah. "Music: Its Expressive Power and Moral Significance." Musical Offerings 1, no. 1 (2010): 11–19. http://dx.doi.org/10.15385/jmo.2010.1.1.2.

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Rosand, Ellen. "Monteverdi's Il ritorno d'Ulisse in patria and the power of ‘music’." Cambridge Opera Journal 7, no. 3 (1995): 179–84. http://dx.doi.org/10.1017/s0954586700004559.

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What is music in opera? In Monteverdi's Orfeo, his first opera, music is arguably the protagonist, whether La Musica in the prologue, whose ritornello guides Orfeo to and from the Underworld, or embodied in the legendary singer himself, who uses his musical prowess to charm the guardians of Hell. In Il ritorno d'Ulisse, however, there is no such protagonist, no single embodiment of musical power. In the largest sense, of course, and in contrast to straight drama – the plays of Euripides, Shakespeare or Calderon may have some music in them but are essentially spoken – all of Il ritorno d'Ulisse

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Cates, Brian. "On the Power of Music: Using 'Cosmos' and 'Anthropos' to Articulate a Holistic Approach to Discussing the Power of Music." Musical Offerings 4, no. 1 (2013): 31–41. http://dx.doi.org/10.15385/jmo.2013.4.1.3.

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Dr., Seema sharma. "THE POWER OF MUSIC." International Journal of Research - GRANTHAALAYAH Innovation in Music & Dance, January,2015 (2017): 1–4. https://doi.org/10.5281/zenodo.887014.

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Since time immemorial, music has been embedded in life. It seeps into arts and culture, finds expression in language, and has great affect on lifestyle. The origin of music dates back to the earliest of civilization, thereby making it difficult to pinpoint the exact date whence it started. Robert Schumann, a German composer, noted, “Perhaps it is precisely the mystery of her origins which accounts for the charm of her beauty. Whether vocal or instrumental, music can be viewed as a form of language or speech, possessing subtler shades of meaning than the spoken word and yet displaying much more

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Sharma, Seema. "THE POWER OF MUSIC." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–4. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3505.

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Since time immemorial, music has been embedded in life. It seeps into arts and culture, finds expression in language, and has great affect on lifestyle. The origin of music dates back to the earliest of civilization, thereby making it difficult to pinpoint the exact date whence it started. Robert Schumann, a German composer, noted, “Perhaps it is precisely the mystery of her origins which accounts for the charm of her beauty. Whether vocal or instrumental, music can be viewed as a form of language or speech, possessing subtler shades of meaning than the spoken word and yet displaying muc

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Vaughan, Denis. "The Power of Music." Musical Times 131, no. 1763 (1990): 28. http://dx.doi.org/10.2307/965622.

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Rodelinda, Handel’s. "The power of music." Elderly Care 1, no. 5 (1989): 19. http://dx.doi.org/10.7748/eldc.1.5.19.s22.

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Don, Gary, and Craig Weston. "Music and Power Symposium." Computer Music Journal 15, no. 4 (1991): 96. http://dx.doi.org/10.2307/3681084.

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Dissertations / Theses on the topic "THE POWER OF MUSIC"

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Moroncini, Barbara Serena. "Experimental music after Los Angeles site, power, self, sound /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1706818091&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Walker, Seth. "Musical Spirituality: The Transformative Power of Popular Music." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1050.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Humanities

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Mikkonen, Simo. "Music and power in the Soviet 1930s : a history of composers' bureaucracy /." Lewiston, N.Y. [u.a.] : Mellen, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017397006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Colbourne, Rick. "Practice, power and learning in UK recorded music companies." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/240608.

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This thesis adopts a practice-based approach to understanding how power, knowledge and knowing intermingle in organizations to facilitate/constrain individual access to opportunities for knowing-in-practice (learning). It explores how organizational mechanisms and technologies of regulation (re)construct and (re)produce organizational dimensions of knowledge as power/knowledge resources by which intermingling modalities of power are enacted to continuously sanction and (re)constitute individual meanings and identities.

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Steinweg, David A. "Improvisational Music Performance: On-Stage Communication of Power Relationships." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4407.

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This project explores how musical improvisational processes come into being through interacting discursive power relationships that are embodied and enacted through performance. By utilizing the concepts of framing and performativity I am able to show how discursive power constitutes the performance of improvisational music. To exemplify this theory, the project presents a case study examining a Grateful Dead cover band named Uncle John's Band that performs at Skipper's Smokehouse in Tampa, FL. Using an ethnographic methodology, the project articulates the dominant discursive power relationshi

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Gerwig, Rachel. "The Power of Music in the Maori Welcoming Ceremony." Digital Commons @ Butler University, 2015. http://digitalcommons.butler.edu/grtheses/266.

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Scholars do not deny that the piiwhiri involves musical movements, but few sources adequately emphasize how intimately the piiwhiri and music are intertwined. Instead of defending a position that has not been directly challenged, but rather skimmed over, this thesis aims to define the what, how, and why questions surrounding the inseparable relationship between music and the powhiri. The goals are to pinpoint the role music plays in the Maori powhiri ceremony and to recognize that the ceremony itself would lose its effectiveness without the use of Maori music

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Anderson, Susan Lorraine. "Music and power at the English court, 1575-1624." Thesis, University of Leeds, 2006. http://etheses.whiterose.ac.uk/608/.

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This thesis examines the functions of music and dance in English occasional entertainments between 1575 and 1624 by considering masques, country house entertainments, royal entries and civic pageantry. It explores the changing discourse of music's place within court entertainments, and the ways that different types of entertainment present music. Music's associations with court power are tested through an examination of the ways in which it is adopted and adapted on non-courtly public occasions. This thesis contends that musical provision and musicality were crucial to the prestige of a partic

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Cochran, Taylor. "Effect of Music Genre on Power Output during a Wingate Test." Ohio Dominican University Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1418393612.

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Ha, Jarryn. "My Song is My Power: Postcolonial South Korean Popular Music." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522941303946503.

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Oliveira, Marcos Antonio Morgado de. "Fight the power oppositional discourse in african-american popular music." Florianópolis, SC, 1999. http://repositorio.ufsc.br/xmlui/handle/123456789/80856.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão.<br>Made available in DSpace on 2012-10-18T20:07:38Z (GMT). No. of bitstreams: 0Bitstream added on 2016-01-09T03:28:41Z : No. of bitstreams: 1 171639.pdf: 2377897 bytes, checksum: 64aec4a25c4c71fcb9a8ecf2e9d57146 (MD5)<br>Análise do discurso de oposição nas letras de músicas populares Afro-Americanas dos Estados Unidos. Este estudo identifica os elementos textuais que caracterizam o discurso como de oposição e os relaciona às representações de relações sociais e identidades sociais das elites e d

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Books on the topic "THE POWER OF MUSIC"

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McNicol, Richard. The power of music. Channel 4 Television, 1993.

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Janeiro, Randall Annie, ed. Music, power, and politics. Routledge, 2005.

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group), Wipers (Musical. Power in one. Zeno Records, 1999.

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Scarantino, Barbara Anne. Music power: Creative living through the joys of music. Dodd, Mead, 1987.

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Staunton, Ted. Power chord. Orca Book Publishers, 2011.

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Alvarez, Cynthia. Shark power! Random House, 1996.

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Mabary, Judith A. Legacies of Power in American Music. Routledge, 2022. http://dx.doi.org/10.4324/9781003275695.

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Garrigus, Scott R. Sonar 4 power! Thomson Course Technology, 2005.

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Stevens, Carolyn S. Japanese popular music: Culture, authenticity and power. Routledge, 2007.

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Whittaker, Jason, and Elizabeth Potter, eds. Bodies, Noise and Power in Industrial Music. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92462-1.

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Book chapters on the topic "THE POWER OF MUSIC"

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Hamby, Zachary. "The Power of Music." In Greek Mythology for Teens. Routledge, 2021. http://dx.doi.org/10.4324/9781003235378-3.

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Kiani-Moghaddam, Mohammad, Mojtaba Shivaie, and Philip D. Weinsier. "Advances in Music-Inspired Optimization Algorithms." In Power Systems. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12044-3_4.

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Hallam, Susan, and Evangelos Himonides. "11. Music and Studying." In The Power of Music. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0292.11.

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Hallam, Susan, and Evangelos Himonides. "2. Music and Neuroscience." In The Power of Music. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0292.02.

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Morrison, Lance D. "Jelly's “Jungle Music”:." In Legacies of Power in American Music. Routledge, 2022. http://dx.doi.org/10.4324/9781003275695-5.

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Lachmann, Frank M. "Music as narrative." In The Self-Restorative Power of Music. Routledge, 2021. http://dx.doi.org/10.4324/9781003220954-4.

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Mizrahi, Isaac. "Multicultural Segments Top the Music Charts." In Hispanic Market Power. Routledge, 2023. http://dx.doi.org/10.4324/9781003348931-22.

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Hallam, Susan, and Evangelos Himonides. "17. Music in Everyday Life." In The Power of Music. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0292.17.

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Kiani-Moghaddam, Mohammad, Mojtaba Shivaie, and Philip D. Weinsier. "Music-Inspired Optimization Algorithms: From Past to Present." In Power Systems. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12044-3_3.

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Sheinkop, Eric. "The Marketing Power of Music." In Return of the Hustle. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58202-7_2.

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Conference papers on the topic "THE POWER OF MUSIC"

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S, Oviya, Rithika S, S. Ananthi, and H. Anandakumar. "GANs-based Music Generation: Unlocking the Power of Music." In 2025 Third International Conference on Augmented Intelligence and Sustainable Systems (ICAISS). IEEE, 2025. https://doi.org/10.1109/icaiss61471.2025.11042077.

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He, Wei. "Quantum Computing in Music: Complex Pattern Recognition in Piano Music." In 2024 International Conference on Telecommunications and Power Electronics (TELEPE). IEEE, 2024. http://dx.doi.org/10.1109/telepe64216.2024.00148.

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Shekhawat, Raman, Sai Harshith Tedla, J. Selvin Paul Peter, and Priya Esther B. "Syncing Music With Emotions Using Computer Vision." In 2024 7th International Conference on Circuit Power and Computing Technologies (ICCPCT). IEEE, 2024. http://dx.doi.org/10.1109/iccpct61902.2024.10672743.

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Reddy Madhavi, K., Vishnu Chalivendra, Ch Lasya Vasantha, R. Chandra Lekha, and K. Dinesh Kumar Reddy. "Music Recommendation and Generation Based on Face Emotion Detection." In 2024 7th International Conference on Circuit Power and Computing Technologies (ICCPCT). IEEE, 2024. http://dx.doi.org/10.1109/iccpct61902.2024.10673367.

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S, Senthil Pandi, Murugan B S, Dhanasekaran S, and Kumar P. "Utilizing Spectrograms and Deep Learning Techniques for Improved Music Genre Classification." In 2024 7th International Conference on Circuit Power and Computing Technologies (ICCPCT). IEEE, 2024. http://dx.doi.org/10.1109/iccpct61902.2024.10673160.

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A, Veena Sundari, Parvathy Vinod, Sri Hari Vasan, Nithya Shankar S, Upendra Rejeti, and R. Ishwariya. "A Comprehensive Review of Fourier Series Applications in Music Theory and Practice." In 2024 International Conference on Signal Processing, Computation, Electronics, Power and Telecommunication (IConSCEPT). IEEE, 2024. http://dx.doi.org/10.1109/iconscept61884.2024.10627858.

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Velikov, Vladimir, Tsvetelina Kaneva, Irena Valova, Dimitar Trifonov, and Georgi Georgiev. "A Multidisciplinary Project-Based Approach to Engineering Education: Design and Development of a Portable Music Player." In 2025 19th Conference on Electrical Machines, Drives and Power Systems (ELMA). IEEE, 2025. https://doi.org/10.1109/elma65795.2025.11083462.

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Crozzoli, Miguel Angel, and Thor Magnusson. "Sounding Numbers: The Sonification Object as an Interface in "I Am the Ocean"." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.021.

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Designing sonification for music composition involves aesthetic and narrative manipulation through strategies based on compositional intent, sparking discussions of data clarity and understanding. This paper describes an autobiographical process of crafting an aesthetic sonification from climate change data, and its further musification. In this approach, the sonification is used as a material for composition and transformed into an interactive musical instrument, within contemporary aesthetics and live performance contexts. The sonification object becomes an interface for composition and perf

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Bacon, Ian, Scott D. Sommerfeldt, and Jonathan D. Blotter. "Determination of radiated sound power from acoustic sources using the VBSP method and a mylar boundary." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001663.

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Qiao, S., and J. J. Hu. "ART THERAPY: THE HEALING POWER OF VISUAL ARTS AND MUSIC." In GLOBAL PERSPECTIVES IN SCIENCE, EDUCATION AND APPLIED RESEARCH. Crossref, 2025. https://doi.org/10.34660/inf.2025.39.97.011.

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Recently, art therapy has been recognized as a new therapy approach and is becoming very popular. It discusses art therapy by looking at its applications in both visual arts and music. With visual art therapy, individuals create art that helps them identify and share their emotions; in music therapy, they express themselves this way by creating and singing music. They offer distinct contributions in mental health, the field of rehabilitation medicine and special education, leading to easier mental recovery

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Reports on the topic "THE POWER OF MUSIC"

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Näslund-Hadley, Emma, María Mercedes Mateo-Berganza Díaz, Emma Strother, and Danielle S. Parrillo. The Power of Music Education: Unlocking the Talent of Latin American and Caribbean Youth. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005159.

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The IDB supports youth empowerment through music education in Latin America and the Caribbean. This note draws on conversations with beneficiaries, project team leaders, and partner organizations about music as an engine of social inclusion and economic development. It highlights successful initiatives, including a program focused on music entrepreneurship among young people in Colombia, an all-female orchestra and a choir for women's rights in Guatemala, young luthiers crafting stringed instruments in Peru, and a program preventing violence through music education for children and their famil

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Józsa, Viven. Hallyu as Soft Power : The Success Story of the Korean Wave and its Use in South Korea’s Foreign Policy. Külügyi és Külgazdasági Intézet, 2021. http://dx.doi.org/10.47683/kkielemzesek.ke-2021.75.

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The Korean Wave is taking over the world, achieving great success in areas such as music and cinematography, and making Korean culture increasingly attractive. Culture being a crucial resource of soft power, which in turn serves as a powerful tool in international relations, the South Korean government is trying to take advantage of its improved national image and international influence. This analysis provides an overview of the relationship between the Korean government and the Korean Wave, how the perception of Korea has changed thanks to its cultural outflow, and how the government tries t

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Raychev, Nikolay. Can human thoughts be encoded, decoded and manipulated to achieve symbiosis of the brain and the machine. Web of Open Science, 2020. http://dx.doi.org/10.37686/nsrl.v1i2.76.

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This article discusses the current state of neurointerface technologies, not limited to deep electrode approaches. There are new heuristic ideas for creating a fast and broadband channel from the brain to artificial intelligence. One of the ideas is not to decipher the natural codes of nerve cells, but to create conditions for the development of a new language for communication between the human brain and artificial intelligence tools. Theoretically, this is possible if the brain "feels" that by changing the activity of nerve cells that communicate with the computer, it is possible to "achieve

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Stahl, Geoff, and Alex Gyde, eds. Popular Music Worlds, Popular Music Histories: Conference Proceedings, Liverpool 2009. International Association for the Study of Popular Music, 2011. http://dx.doi.org/10.5429/2225-0301/2009.

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Maddocks, Sally C. Music and Combat Motivation. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ada635065.

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Johnston, Mindy. Music and Conflict Resolution: Exploring the Utilization of Music in Community Engagement. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.437.

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Bassalé, Parfait. Music and Conflict Resolution: Can a Music and Story Centered Workshop Enhance Empathy? Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1122.

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Dairianathan, Eugene, Larry Francis Hilarian, Peter Stead, Chee Hoo Lum, and Hoon Hong Ng. Learning through popular music, lessons for the general music programme syllabus in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2024. https://doi.org/10.32658/10497/27422.

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This project sought to investigate the identity, role and function of popular music within classroom-based education in Singapore. Popular music is characterised by: (i) lnterdisclplinarity (music, dance, poetry, theatre, etc); (ii) It suffuses the lives of school-going youth in their out-of-school curriculum. (iii) Skill acquisition is frequently gained through more informal learning than is usual in institutional settings (Green, 2002). (iv) Participation in popular music by various communities seems to cut across ethnic, religious and age boundaries, which makes popular music participation

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Kaplan, Gail. Review ofThe Music of Pythagoras. The MAA Mathematical Sciences Digital Library, 2010. http://dx.doi.org/10.4169/loci003480.

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Möllenkamp, Andreas. Paradigms of Music Software Development. Staatliches Institut für Musikforschung, 2014. http://dx.doi.org/10.25366/2022.99.

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On the way to a more comprehensive and integrative historiography of music software, this paper proposes a survey of the main paradigms of music software development from the 1950s to the present. Concentrating on applications for music composition, production and performance, the analysis focusses on the concept and design of the human-computer-interaction as well as the implicit user.

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