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Journal articles on the topic 'The quarrel of the Ancients and Moderns'

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Published: 4 June 2021

Last updated: 2 February 2022

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1

Taylor, Helena. "Translating Lives: Ovid and the Seventeenth-Century Modernes." Translation and Literature 24, no. 2 (July 2015): 147–71. http://dx.doi.org/10.3366/tal.2015.0199.

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This essay argues that during the Quarrel of the Ancients and Moderns in late seventeenth-century Paris, the life of the ancient Roman poet, Ovid, held a particular appeal for the ‘Moderns’. Tracing the historiography of Ovid's life from his autobiographical Tristia through the Renaissance vitae Ovidii to the prefatory vies d'Ovide of the seventeenth century reveals that lives were synecdochic for ideological stances towards the representation and translation of the ancient world; and that there was a specific identification between the narration of Ovid's Life and ‘Modern’ approaches to such representation. It suggests that this was because Ovid had already inscribed the interpretation and appropriation of tradition that underpinned the Moderns' attitude towards classical culture into his own version of his life, hence his ‘translation’ into a proto-Moderne, a figure heralding paradigmatic change.

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2

STAUFFER, DEVIN. "Reopening the Quarrel between the Ancients and the Moderns: Leo Strauss's Critique of Hobbes's “New Political Science”." American Political Science Review 101, no. 2 (May 2007): 223–33. http://dx.doi.org/10.1017/s0003055407070141.

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Leo Strauss's greatest project was his attempt to resurrect classical political philosophy by reawakening the quarrel between the ancients and the moderns. This essay illuminates Strauss's view of that quarrel by considering a crucial stage in the development of his understanding of the most important differences between ancient and modern political philosophy. Strauss's critique of Hobbes inThe Political Philosophy of Hobbesculminates in a striking comparison of Hobbes's distinctively modern approach to political philosophy with the approach of Plato and Aristotle. By examining Strauss's critique of Hobbes's “new political science,” this essay brings out the view of the deficiencies in modern political philosophy that led Strauss to conceive of the possibility of a genuine return to classical thought.

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3

Rosen, Stanley. "Is there a quarrel between the ancients and the moderns?" Society 39, no. 5 (July 2002): 7–16. http://dx.doi.org/10.1007/bf02717538.

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4

Levine, Joseph M. "Giambattista Vico and the Quarrel between the Ancients and the Moderns." Journal of the History of Ideas 52, no. 1 (January 1991): 55. http://dx.doi.org/10.2307/2709582.

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5

FORCE, PIERRE. "VOLTAIRE AND THE NECESSITY OF MODERN HISTORY." Modern Intellectual History 6, no. 3 (November 2009): 457–84. http://dx.doi.org/10.1017/s147924430999014x.

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This article revisits what has often been called the “naive presentism” of Voltaire's historical work. It looks at the methodological and philosophical reasons for Voltaire's deliberate focus on modern history as opposed to ancient history, his refusal to “make allowances for time” in judging the past, and his extreme selectiveness in determining the relevance of past events to world history. Voltaire's historical practice is put in the context of the quarrel of the ancients and the moderns, and considered in a tradition of universal history going back to Bossuet and leading up to nineteenth-century German historicism. Paradoxically, Voltaire is a major figure in the history of historiography not in spite of his presentism (as Ernst Cassirer and Peter Gay have argued), but because of it.

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6

Nagy, Eugene L. "The Passion of Understanding: Preliminary Remarks on Strauss’ Quarrel Between Ancients and Moderns." Catholic Social Science Review 14 (2009): 75–84. http://dx.doi.org/10.5840/cssr2009148.

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7

GICQUEL, JJ, and PJ PISELLA. "Shack-Hartmann aberrometry vs OQAS : the quarrel of the ancients and the moderns ?" Acta Ophthalmologica 90 (August 6, 2012): 0. http://dx.doi.org/10.1111/j.1755-3768.2012.2433.x.

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8

Martins, Juliana Timbó. "A construção de uma literatura moderna nas obras de Charles Perrault em meio a querela dos Antigos e dos Modernos * The construction of a modern literature in Charles Perrault's works in the middle of the quarrel of the Ancients and the Moderns." História e Cultura 7, no. 2 (December 2, 2018): 120. http://dx.doi.org/10.18223/hiscult.v7i2.2682.

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Conhecida, já no século XVII, como querela dos Antigos e dos Modernos, a série de debates entre membros da Academia Francesa opôs, de um lado, aqueles que defendiam a exemplaridade da Antiguidade na produção artística e literária do período e, de outro, os partidários da legitimidade da criatividade dos artistas modernos. Entre os letrados que em pleno reinado de Luís XIV deram ensejo a essa disputa, Charles Perrault se destacou não apenas como porta-voz dos autointitulados Modernos, mas também como o estopim e catalisador do debate. Nesse sentido, este trabalho tem como objetivo apresentar as ideias e argumentos do poeta francês durante a querela a fim de evidenciar em suas obras tanto a defesa de uma literatura moderna, entendida como arte que expressa a singularidade de seu tempo, quanto o exercício de suas premissas na escrita de Contos da Mamãe Gansa, obra de maior sucesso do autor e da literatura francesa.*Already known in the seventeenth century as the quarrel of the Ancients and the Moderns, the series of debates between members of the French Academy opposed, from one side, those who defended the exemplarity of antiquity in the artistic and literary production in that age and, on the other side, the legitimacy partisans of the modern artists’ creativity. Among the scholars who, during Louis XIV’s reign, created the occasion to such dispute, Charles Perrault stood out not only as an advocate to Moderns, but also as the trigger and the catalyst of the debate. In this regard, this paper aims to present the ideas and arguments of the French poet during the quarrel in order to highlight in his works both the defense of modern literature whereas art that expresses its time’s singularity, and the exercise of his premises in the writing of Tales of Mother Goose, the most successful work of the author and French literature.

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9

Rubin-Detlev, Kelsey. "An Ancient in Catherinian Russia: Classical Reception, Sensibility, and Nobility in Princess Ekaterina Urusova's Poetry of the 1770s." Slavic Review 80, no. 1 (2021): 90–111. http://dx.doi.org/10.1017/slr.2021.31.

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This article argues for the importance of Princess E.S. Urusova's four poems published between 1772 and 1777 to scholarly discussions of both classical reception and noble culture. Urusova engages more intensively than any other Russian writer of the period with the European Quarrel of the Ancients and the Moderns, formulating thereby unique responses to major literary and political concerns of the 1770s. In the literary sphere, the Quarrel allows Urusova to conceptualize with exceptional perspicacity the multifaceted cultural environment of the time: contributing to Russia's claim to be the direct heir of the Greeks and Romans, she also makes the interesting case that the emerging culture of sensibility ideally equips readers and writers to absorb the classics. In the political sphere, by evoking the framework of ancient virtue through classical intertexts, she envisages an alliance between the sovereign and a strong nobility based on both cultural refinement and a sense of duty and service to the nation. Urusova's case shows how imitating and reinterpreting the classics helped one woman to find her voice as a poet in eighteenth-century Russia.

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10

Mehigan, Tim. "Schiller after Kant: The “Unexpected Science” of theBriefe über die ästhetische Erziehung des Menschen." Kant-Studien 111, no. 2 (May 26, 2020): 285–302. http://dx.doi.org/10.1515/kant-2020-0018.

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AbstractIn the Briefe über die Ästhetische Erziehung des Menschen, the focus of this article, Schiller’s ostensible aim – to complete Kant’s aesthetic theory – is progressively abandoned. The article examines the reasons for this abandonment. On the one hand, Schiller’s original purpose was overtaken by events in France. Schiller found that he could no longer sustain confidence in reason’s capacity to build a durable political republic. On the other hand, the alternative path he favours involves him in the expounding of an anthropology he did not set out to undertake. The Ästhetische Briefe, for this reason, finds itself adumbrating an “unexpected science” with little remaining reference to Kant – an account of the human being whose desirable future state, that of morality, can only be made secure by passage through the aesthetic state. A by-product of this argument, and perhaps its chief consequence, is that it finally settles the quarrel of the ancients and the moderns (in favour of the moderns).

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11

Tarcov, Nathan. "On a Certain Critique of “Straussianism”." Review of Politics 53, no. 1 (1991): 3–18. http://dx.doi.org/10.1017/s0034670500050178.

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This article examines a certain critique of what I will take the liberty of calling “Straussianism,” a critique which raises questions I believe are worth discussing, especially by all those interested in the work of Leo Strauss. This particular critique appeared in a review of a book on Platonic political philosophy, a review by a young scholar who had published only a couple of articles on classical political philosophy himself.This reviewer aptly characterizes the author as one who, “thoroughly dissatisfied with modern philosophy in all its forms, and unwilling to take refuge in Thomism … turns back to classical philosophy, to the teaching of Plato and Aristotle, as the true teaching” (p. 326). According to this perceptive critic, the author considered the quarrel of the ancients and the moderns “definitely settled in favor of the classics. After having disposed of this fundamental question, which as such is a theoretical question, he can pursue a practical or political intention on the foundation of the classical teaching.”

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12

Gendreau, Andrée. "Museums and Media: A View from Canada." Public Historian 31, no. 1 (2009): 35–45. http://dx.doi.org/10.1525/tph.2009.31.1.35.

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Abstract The rapid transformation of museums over the last twenty years, both in Canada and around the world, has provoked numerous commentaries and interpretations. It has also fanned the flames of an argument that began three hundred years ago. The quarrel of the ancients and the moderns on the question of “museumfication” continues today. The quarrel is now not so much about problem of works and objects being placed in a kind of thesaurus, removed from their true context and accessible to only a limited public, but rather about the mummification of living traditions, intangible heritage, public spaces, and certain cities or their neighborhoods. The museum networks is growing extremely quickly, while at the same time becoming part of today's mass media universe. These changes are received enthusiastically by some, but are met with disapproval by others. Communication, theatrical presentation, the exchange and sharing of works, and the increased forging of links between institutions throughout the world have all contributed to making museums places of encounter and debate. As a result, museums now are among the liveliest and most productive cultural industries in the Western world. This hypermediatization has also brought about internal changes in museums. The goal of the museum has not necessarily been modified, but the ways of managing the institution have definitely undergone a transformation. What is the place of historians and researchers in this shifting world? Are they still welcome there?

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13

Valesini, Aldo Oscar. "A modest proposal. Los límites de la ironía." Cuadernos de Literatura, no. 10 (June 12, 2001): 73. http://dx.doi.org/10.30972/clt.0103155.

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<p>A Modest Proposal For Preventing the Children of Ireland from Being a Burden to their Parents or Country; and for Making them Beneficial to the Publick (híodesta proposición para evitar que los niños de Irlanda sean una carga para sus padres o para el Estado y se conviertan en beneficio público) aparece en Dublin en 1729. Los panfletos relativos a Irlanda constituyen una parte importante de su obra. La serie comienza en 1720, con A Proposal for the Universal Use of lrish Manufacture, in Cloaths, etc. En 1724 aparece el primero de la colección The Drapier’s Letters', en 1727, A Short View of the State of Ireland, referido también a la situación del territorio y publicados en Dublin. Ya en 1704 había dado cuenta de un manejo sagaz del discurso satírico, en A Tale of a Tub (And the Battle of the Books), que aparece en una edición anotada en 1710: The Battle of the Books was Swift’s contribution of the famous Quarrel of the Ancients and the Moderns.<br /><br /><br /></p>

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14

Heuser, Beatrice. "Denial of Change: The Military Revolution as Seen by Contemporaries." International Bibliography of Military History 32, no. 1 (2012): 3–27. http://dx.doi.org/10.1163/22115757-03201002.

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The introduction and spread in Europe of gunpowder came in the context of a wave of technological innovations, which – especially initially – masked the potential of and changes that eventually resulted specifically from gunpowder. Since Michael Roberts identified the latter as “Military Revolution”, historians have debated its dating, and whether it was an evolution and a revolution. But was gunpowder the cause of these changes, or itself one of a complex of interacting changes reflecting a change in mentality which embraced innovations and explored their potential? Significantly, this article shows that many contemporaries did not perceive gunpowder as the crucial or even the only cause of change. Many even denied that there was any progress at all, in keeping with an earlier and enduring mentality in which classical Antiquity was seen as an age superior to the present. Only gradually, symbolised by the “Quarrel between the Ancients and the Moderns”, did a new consensus emerge, acknowledging that the world had changed fundamentally since Antiquity, and that the changed instruments of war, as well as the state structures underpinning warfare, had become much mightier. Even then, technology was seen – and probably rightly so – as only one cause, not the only one.

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15

Tolle, Gordon J. "Rights: The New Quarrel between the Ancients and the Moderns. By Luc Ferry. Translated by Franklin Philip. Chicago: University of Chicago Press, 1990. 151p. $21.00." American Political Science Review 85, no. 2 (June 1991): 608–9. http://dx.doi.org/10.2307/1963185.

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16

Zuckert, Catherine. "A Heideggerian Strauss? - Luc Ferry: Rights—The New Quarrel between the Ancients and the Moderns. (Chicago: University of Chicago Press, 1990. Pp. vii, 151. $21.00.)." Review of Politics 53, no. 4 (1991): 723–25. http://dx.doi.org/10.1017/s0034670500016417.

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17

Deutsch, Kenneth L., and Walter Nicgorski. "Preface to this Special Issue." Review of Politics 53, no. 1 (1991): iii—x. http://dx.doi.org/10.1017/s0034670500050166.

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Interest in Leo Strauss has grown considerably since his death in 1973. His incisive commentaries on the great texts of the Western political tradition have contributed to the revival of scholarly attention to the quarrels between Athens and Jerusalem, poetry and philosophy, the ancients and the moderns, the philosopher and the city as well as to the crisis of liberal democracy. Strauss's teachings that bear on the problem of liberal education have encouraged many of his students and others to write and speak boldly about “the closing of the American mind.”

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18

Lewisohn, Jane. "Flowers of Persian Song and Music: Davud Pirniā and the Genesis of the Golhā Programs." Journal of Persianate Studies 1, no. 1 (2008): 79–101. http://dx.doi.org/10.1163/187471608784772742.

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AbstractThis article examines the 'Flowers of Persian Song and Music' (golhā) radio programs broadcast during the third quarter of the 20th century on the Iran National Radio. These programs—some 1,400 of which the author has collected and deposited in the British Library—constitute an unrivalled encyclopaedia of classical Persian music and poetry. The golhā programs introduced to the general public over 250 poets from the ancients to the moderns, and it preserved Persian classical music and fostered its future development. The seminal role played by Dāvud Pirniā in founding and producing these programs is examined and explored, while highlighting the various artists, poets, musicians, vocalists and scholars who performed in them.

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19

Garsten, Bryan. "Hobbes and the Quarrel between the Ancients and the Moderns - Devin Stauffer: Hobbes's Kingdom of Light: A Study of the Foundations of Modern Political Philosophy. (Chicago: University of Chicago Press, 2018. Pp. 336.)." Review of Politics 82, no. 1 (December 20, 2019): 133–36. http://dx.doi.org/10.1017/s0034670519000858.

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20

Taylor, Gary. "Ancients and Moderns." Shakespeare Quarterly 36, no. 4 (1985): 525. http://dx.doi.org/10.2307/2870330.

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21

McCloskey, Donald. "Ancients and Moderns." Social Science History 14, no. 3 (1990): 289. http://dx.doi.org/10.2307/1171353.

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22

Braden, Gordon. "Ancients and Moderns." Translation and Literature 3, no. 3 (May 1994): 131–37. http://dx.doi.org/10.3366/tal.1994.3.3.131.

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23

McCloskey, Donald. "Ancients and Moderns." Social Science History 14, no. 3 (1990): 289–303. http://dx.doi.org/10.1017/s0145553200020812.

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The battle between narrative history and social scientific history, which has broken out again in the pages of the American Historical Review, is a new battle of ancients and moderns. Like many battles of the books, it is deeply foolish and tends to bring the reading of books into disrepute.It is the old battle of the sciences against art, poetry, and the humanities, refought in history as analysis against narrative, model against story, number against word. The official battle was joined in the seventeenth century. Plato banished poets from the Republic, of course, but his notion that science and poetry are adversaries was not taken up in the ancient world. Plato himself wrote poetic prose, Lucretius a few centuries later presented an atomistic physics in poetry, and down to Galileo and beyond the dialogue served science as much as it served comedy and tragedy.

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24

Dalrymple, T. "Ancients or moderns?" BMJ 338, jun30 3 (June 30, 2009): b2410. http://dx.doi.org/10.1136/bmj.b2410.

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25

McGavin, George C. "Ancients and moderns." Nature 370, no. 6487 (July 1994): 261–62. http://dx.doi.org/10.1038/370261b0.

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26

Kampen, Natalie Boymel, and Amy Richlin. "Ancients and Moderns." Women's Review of Books 10, no. 9 (June 1993): 11. http://dx.doi.org/10.2307/4021573.

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27

Duro, Paul. "Ancients and Moderns." Art History 41, no. 4 (September 2018): 780–83. http://dx.doi.org/10.1111/1467-8365.12396.

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28

Cook, Patricia. "The Ancients and the Moderns." New Vico Studies 8 (1990): 115–19. http://dx.doi.org/10.5840/newvico1990817.

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29

Shaw, Narelle L. "Ancients and Moderns in Defoe's Consolidator." Studies in English Literature, 1500-1900 28, no. 3 (1988): 391. http://dx.doi.org/10.2307/450592.

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30

Monte, S. "Ancients and Moderns in Mrs. Dalloway." Modern Language Quarterly 61, no. 4 (December 1, 2000): 587–616. http://dx.doi.org/10.1215/00267929-61-4-587.

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31

Raynard. "Ancients vs. Moderns: The Women's Riposte." Marvels & Tales 33, no. 1 (2019): 116. http://dx.doi.org/10.13110/marvelstales.33.1.0116.

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32

Reinhold, Meyer, and Stanley Rosen. "The Ancients and the Moderns: Rethinking Modernity." Classical World 83, no. 6 (1990): 538. http://dx.doi.org/10.2307/4350699.

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33

Kerman, Joseph, Laurence Dreyfus, Joshua Kosman, John Rockwell, Ellen Rosand, Richard Taruskin, and Nicholas McGegan. "The Early Music Debate: Ancients, Moderns, Postmoderns." Journal of Musicology 10, no. 1 (January 1, 1992): 113–30. http://dx.doi.org/10.2307/763564.

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34

Loughlin, Felicity. "Ancients and Moderns in Europe: comparative perspectives." Intellectual History Review 26, no. 4 (September 9, 2016): 558–61. http://dx.doi.org/10.1080/17496977.2016.1225374.

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35

Kerman, Joseph, Laurence Dreyfus, Joshua Kosman, John Rockwell, Ellen Rosand, Richard Taruskin, and Nicholas McGegan. "The Early Music Debate: Ancients, Moderns, Postmoderns." Journal of Musicology 10, no. 1 (January 1992): 113–30. http://dx.doi.org/10.1525/jm.1992.10.1.03a00060.

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36

Smith, Gregory Bruce. "Joseph Cropsey on the Ancients and Moderns." Perspectives on Political Science 43, no. 2 (April 3, 2014): 73–77. http://dx.doi.org/10.1080/10457097.2014.888913.

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37

Taylor, Kathryn. "Ancients and moderns in sixteenth-century ethnography." History of European Ideas 46, no. 2 (November 17, 2019): 113–30. http://dx.doi.org/10.1080/01916599.2019.1690287.

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38

Pons, Alain. "Vico between the Ancients and the Moderns." New Vico Studies 11 (1993): 13–23. http://dx.doi.org/10.5840/newvico19931112.

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39

Wallach, John R. "Deconstructing the Ancients/Moderns Trope in Historical Reception." Polis, The Journal for Ancient Greek Political Thought 33, no. 2 (September 20, 2016): 265–90. http://dx.doi.org/10.1163/20512996-12340099.

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Notably since Thomas Hobbes, canonically with Benjamin Constant, and conventionally amid Nietzschean, Popperian, Straussian, Arendtian, liberal (sc. Madison, Mill, Berlin, Rawls, Vlastos, Hansen), republican (sc. Skinner), political (sc. Finley), and sociological (sc. Ober) readings of ancient texts, contemporary scholarship on the ancients often has employed some version of the dichotomous ancient/modern or ancient/contemporary contrast as a template for explaining, understanding, and interpretively appropriating ancient texts and political practices – particularly those of ancient Greek philosophy and democracy (although Roman ideas and practices also have been invoked). In particular, this has been done to argue for some conception of political ethics and democracy. I argue that this rhetorical trope, often using Athens and Europe/America as synecdoches for antiquity and modernity, has generated narrow and distorted views of ancient texts and political practices, on the one hand, and their contemporary relevance, on the other – views that misinterpret the theoretical significance of historical phenomena and misread the potential lessons of ancient authorities. Instead, texts and practices should be read either with more qualifications or more fully against a historical dynamic of critical philosophy and political power – including its ethical, cultural, institutional, and governing elements – that is not framed by this dichotomy.

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40

Pask, K. "Ancients and Moderns: The Origins of Literary History." Modern Language Quarterly 73, no. 4 (January 1, 2012): 505–26. http://dx.doi.org/10.1215/00267929-1723334.

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41

Devigne, Robert. "Strauss and ‘Straussianism’: From the Ancients to the Moderns?" Political Studies 57, no. 3 (October 2009): 592–616. http://dx.doi.org/10.1111/j.1467-9248.2009.00790.x.

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42

Holdsworth, Deryck W. "Historical geography: the ancients and the moderns – generational vitality." Progress in Human Geography 26, no. 5 (October 2002): 671–78. http://dx.doi.org/10.1191/0309132502ph395pr.

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43

Bohm, Arnd. "Ancients and Moderns in Wieland's "ProceSS um des Esels Schatten"." MLN 103, no. 3 (April 1988): 652. http://dx.doi.org/10.2307/2905097.

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44

Lawrence, Christopher. "Moderns and ancients: the “new cardiology” in Britain 1880–1930." Medical History 29, S5 (1985): 1–33. http://dx.doi.org/10.1017/s0025727300070496.

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45

Schall, James V. "On The Conquest of Human Nature: Ancients, Moderns—Medievals, Futures." Catholic Social Science Review 14 (2009): 25–33. http://dx.doi.org/10.5840/cssr2009143.

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46

Gardner, Julian. "Giotto: ”First of the Moderns“ or Last of the Ancients?" Wiener Jahrbuch für Kunstgeschichte 44, no. 1 (December 1991): 63–78. http://dx.doi.org/10.7767/wjk.1991.44.1.63.

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47

Edge, Matt. "Equality for Equals." Polis: The Journal for Ancient Greek and Roman Political Thought 36, no. 2 (June 28, 2019): 191–215. http://dx.doi.org/10.1163/20512996-12340207.

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Abstract Discussions of the liberty of the ancients, in contemporary political theory, treat democratic freedom, and the political equality on which democracy was premised, as anathema to the liberty of the moderns. This article discusses ancient democratic liberty by referencing the theory of arithmetic equality preserved by Aristotle and Plato and suggests that we need to re-investigate this relationship in the interests of modern freedom. The article argues that, in fact, Greek, particularly Athenian, democratic ideas, construe freedom in a negative way and that democratic, arithmetic, accounts of equality are, at root, anti-oppressive and require further investigation in the name of justice for the moderns.

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48

Manley, Lawrence, and Joseph M. Levine. "Between the Ancients and the Moderns: Baroque Culture in Restoration England." American Historical Review 106, no. 2 (April 2001): 640. http://dx.doi.org/10.2307/2651740.

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49

Lares, Jameela. "Between the Ancients and the Moderns: Baroque Culture in Restoration England." History: Reviews of New Books 28, no. 3 (January 2000): 117. http://dx.doi.org/10.1080/03612759.2000.10525483.

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50

Woolf, D. R., and Joseph M. Levine. "Between the Ancients and the Moderns: Baroque culture in Restoration England." Albion: A Quarterly Journal Concerned with British Studies 32, no. 4 (2000): 629. http://dx.doi.org/10.2307/4053638.

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