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Journal articles on the topic 'The quiet violence of dreams'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Eromosele, Femi. "Madness and psychiatry in K. Sello Duiker’s The Quiet Violence of Dreams." Journal of Postcolonial Writing 57, no. 4 (March 27, 2021): 525–38. http://dx.doi.org/10.1080/17449855.2021.1897863.

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2

Shinners, Keely. "On trauma, or how to bear witness to the quiet violence of dreams." Safundi 20, no. 4 (October 2, 2019): 489–504. http://dx.doi.org/10.1080/17533171.2019.1656050.

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3

Dlamini, Nonhlanhla. "Negotiating legitimacy and normalization of queer desires in Sello Duiker'sThe Quiet Violence of Dreams." Journal of the African Literature Association 10, no. 1 (January 2, 2016): 68–79. http://dx.doi.org/10.1080/21674736.2016.1199362.

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4

Swartz, Sharlene, James Hamilton Harding, and Ariane De Lannoy. "Ikasi styleand the quiet violence of dreams: a critique of youth belonging in post-Apartheid South Africa." Comparative Education 48, no. 1 (February 2012): 27–40. http://dx.doi.org/10.1080/03050068.2011.637761.

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Crous, Marius. "On Men and Masculinity in Phaswane Mpe'sWelcome to Our Hillbrowand K. Sello Duiker'sThe Quiet Violence of Dreams." Journal of Literary Studies 23, no. 1 (March 2007): 16–40. http://dx.doi.org/10.1080/02564710701399105.

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6

West, Mary. "“When Something Stands Up, Something Stands Up Right Beside It”: Caster Semenya and “The Quiet Violence of Dreams”." International Journal of Diversity in Organizations, Communities, and Nations: Annual Review 10, no. 5 (2011): 51–62. http://dx.doi.org/10.18848/1447-9532/cgp/v10i05/38923.

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7

Carolin, Andy. "Constructing post-colonial African sexualities: identities and discourses in Mardia Stone'sKonkaiand K. Sello Duiker'sThe quiet violence of dreams." Scrutiny2 18, no. 1 (May 2013): 42–52. http://dx.doi.org/10.1080/18125441.2013.803725.

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8

Viljoen, Shaun. "Non-racialism remains a fiction: Richard Rive's ‘Buckingham Palace’,District Sixand K. Sello Duiker'sThe Quiet Violence of Dreams." English Academy Review 18, no. 1 (December 2001): 46–53. http://dx.doi.org/10.1080/10131750185310061.

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9

Carolin, Andy, and Ronit Frenkel. "Sex in the Text: Representations of Same-Sex Male Intimacies in K. Sello Duiker’sThe Quiet Violence of Dreams." English Studies in Africa 56, no. 2 (October 2013): 36–48. http://dx.doi.org/10.1080/00138398.2013.856558.

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Nthunya. "K. Sello Duiker and the Possibility of a Different Future in The Quiet Violence of Dreams." International Journal of Critical Diversity Studies 2, no. 1 (2019): 56. http://dx.doi.org/10.13169/intecritdivestud.2.1.0056.

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11

Heaton, Roger. "Klangforum Wien, Wien Modern, Wiener Konzerthaus, 13 November 2019." Tempo 74, no. 292 (March 6, 2020): 82–83. http://dx.doi.org/10.1017/s0040298219001281.

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The thirty-second Wien Modern was an extraordinary month-long festival of concerts and events with almost 90 world and Austrian premieres. The excellent Klangforum Wien programme at the Wiener Konzerthaus, conducted by Bas Wiegers, was well attended by an enthusiastic and mostly young-ish audience, where the focus was two first performances for large ensemble: Klaus Lang's linea mundi and Mirela Ivičević's Sweet Dreams. The evening was, in fact, billed as being ‘in honour’ of Ivičević who had won the Erste Bank Composition Prize 2019 with this piece. Ivičević is a Croatian composer now living in Vienna and her work shows an involvement with big themes: politics, diversity and violence, among others. Apart from concert pieces she works with different media and takes by-products of popular trash culture often as a starting point for her work. In interviews she has talked about the ‘subversive potency of sound’, and said that her work is ‘raw, imperfect, unpolished’, which this piece, and other recent examples you can hear on YouTube, demonstrate, despite her quite rigorous musical education in Zagreb and Vienna. Sweet Dreams is a lively, noisy, busy piece about the rapid change between sleep and waking states. The large ensemble, including harmonium, electric guitar and harp, opens with monumental repeated sections, dramatic but with a sense of direction toward slow, strong, pedal entries. Rough punctuation from alto saxophone, bass clarinet and trumpet adds to the ‘rawness’ but the writing is assured with a particular, individual imagination and sense of colour that bodes well for future work.

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12

Rarity, John G. "Dreams of a quiet light." Physics World 7, no. 6 (June 1994): 46–52. http://dx.doi.org/10.1088/2058-7058/7/6/29.

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13

Blair, Harry, Betsy Hartmann, James K. Boyce, and Jayanta Kumar Ray. "A Quiet Violence." Pacific Affairs 58, no. 4 (1985): 728. http://dx.doi.org/10.2307/2758514.

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14

Payer, Cheryl. "A Quiet Violence." Monthly Review 37, no. 7 (December 8, 1985): 52. http://dx.doi.org/10.14452/mr-037-07-1985-11_8.

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15

James H. Sweet. "The Quiet Violence of Ethnogenesis." William and Mary Quarterly 68, no. 2 (2011): 209. http://dx.doi.org/10.5309/willmaryquar.68.2.0209.

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16

Radner, Sanford. "The Quiet American." Radical Teacher 113 (February 14, 2019): 18–20. http://dx.doi.org/10.5195/rt.2019.572.

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17

Perkins, R. "Adorno's Dreams and the Aesthetic of Violence." Telos 2011, no. 155 (June 1, 2011): 21–37. http://dx.doi.org/10.3817/0611155021.

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18

Hale, Sylvia, Betsy Hartmann, and James K. Boyce. "A Quiet Violence: View from a Bangladesh Village." Pacific Affairs 72, no. 4 (1999): 599. http://dx.doi.org/10.2307/2672417.

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19

Van den Bulck, Jan, Yakup Çetin, Ömer Terzi, and Brad J. Bushman. "Violence, sex, and dreams: Violent and sexual media content infiltrate our dreams at night." Dreaming 26, no. 4 (2016): 271–79. http://dx.doi.org/10.1037/drm0000036.

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20

Gqibitole, Khaya. "The Quiet Violence of Rape: Unnamed Survivors, Unnameable Scars." Open Journal of Social Sciences 08, no. 08 (2020): 86–104. http://dx.doi.org/10.4236/jss.2020.88007.

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21

Shuman, R. Baird. "Big Guns, Thwarted Dreams: School Violence and the English Teacher." English Journal 84, no. 5 (September 1995): 23. http://dx.doi.org/10.2307/820004.

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22

Cribb, T. J., and Jeremy Tambling. "Dickens, Violence and the Modern State: Dreams of the Scaffold." Yearbook of English Studies 28 (1998): 333. http://dx.doi.org/10.2307/3508803.

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23

Margherita, Giorgia, Gina Troisi, and Maria Ilaria Incitti. "“Dreaming Undreamt Dreams” in Psychological Counseling with Italian Women Who Experienced Intimate Partner Violence: A Phenomenological-Interpretative Analysis of the Psychologists’ Experience." International Journal of Environmental Research and Public Health 17, no. 17 (August 28, 2020): 6286. http://dx.doi.org/10.3390/ijerph17176286.

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In psychological consultations with women who survive Intimate Partner Violence, it is essential to work on elaboration of the trauma as a complex trauma within the context of a relationship. We consider dreams to be a symbolic-representative process, which requires the right psychic, relational and contextual conditions to occur, and that is hindered when trauma is present. The objective of the present study is to investigate the meanings that psychologists working at anti-violence centers attribute to the clinical intervention with women victims of IPV, with a focus on the area of sleep and dreaming in a traumatic experience, and in the clinical work on the trauma. Twelve female psychologists were interviewed using the Interpretative Phenomenological Analysis methodology. From the analysis of the interviews, three main themes emerged: (1) Day and night, neither awake nor asleep, (2) Anti Violence Centers: setting as a container of emotion? and (3) dreaming undreamt dreams. The study highlights the importance of dreams as an indicator not only of psychic and mental functioning but also of the psychological relationship within a specific context.

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24

Madan, Anuja. "Slow Violence and Water Racism in Sarnath Banerjee’sAll Quiet in Vikaspuri." South Asian Review 39, no. 1-2 (April 3, 2018): 125–43. http://dx.doi.org/10.1080/02759527.2018.1509548.

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25

Tobin, David. "Minor Events and Grand Dreams." positions: asia critique 27, no. 4 (November 1, 2019): 739–71. http://dx.doi.org/10.1215/10679847-7726968.

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The official China Dream of the Great revival tells a story of China reversing “humiliation” by Western powers and returning to its premodern, rightful place at the center of world affairs. However, since ethnically targeted violence in Ürümqi in 2009, leading thinkers and policy makers ask how they can avoid a “nightmare” of frontier insecurity derailing dreams of international power. This article uses a postcolonial approach to critically analyze tensions between ethnic inclusion and exclusion in visual and textual narratives from a Xinjiang regional exhibition that celebrated the PRC’s sixtieth anniversary. It asks who is included and excluded in these visions of China’s rise? How does China domestically refract insecurity from experiences of a colonial world order that constructs it as inferior? The event tells a story of the history and future of a powerful rising state but expresses deep insecurities that domestic cultural difference is an obstacle to China’s global power.

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26

Baas, Renzo. "Fictional Dreams and Harsh Realities." Matatu 50, no. 2 (February 13, 2020): 407–29. http://dx.doi.org/10.1163/18757421-05002008.

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Abstract This paper looks at the novels by Joseph Diescho (Born of the Sun, 1988), Kaleni Hiyalwa (Meekulu’s Children, 2000), and Neshani Andreas (The Purple Violet of Oshaantu, 2001) with a special focus on the access to education and land, but also problems such as Gender Based Violence and poverty. By comparing how an independent Namibia is imagined during South African apartheid rule, during the Liberation Struggle, and post-independence, the novels open up perspectives that empirical studies may overlook or decide not to emphasise. Furthermore, this comparison also allows for a linear, yet non-chronological, view on how the literary visions evolve with concepts such as nation and liberation, but also modernity and nationalism as they ‘enter’ into the characters’ every day. With the protagonists deeply involved in the make-up of their respective villages, they can also be considered prototypical Namibians in their value systems and networks. Through their eyes, it is possible to trace how political promises that were envisioned and imagined prior to 1990 are either realised or disappointed.

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27

Doehring, Carrie. "The Absent God: When Neglect Follows Sexual Violence." Journal of Pastoral Care 47, no. 1 (March 1993): 3–12. http://dx.doi.org/10.1177/002234099304700102.

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Uses the experience and dreams of a woman who was sexually assaulted and then neglected to explore the intrapsychic forces of assault followed by neglect and family denial. Proposes a particular empathic stance as a therapeutic model for the healing and growth of such persons. Transposes this same model of empathy to the level of culture in order to allow a deeper understanding and a greater empowerment rooted in wider community relationships.

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28

Stamatakis, Caroline, Ashleigh Howard, Laura Chiang, Greta M. Massetti, Rose Apondi, Kirsten Stoebenau, Jennifer Hegle, Lydia Wasula, and Pragna Patel. "Regional heterogeneity in violence and individual characteristics associated with recent transactional sex among Ugandan girls and young women: A national and regional analysis of data from the Violence Against Children and Youth Survey." PLOS ONE 16, no. 9 (September 2, 2021): e0257030. http://dx.doi.org/10.1371/journal.pone.0257030.

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Objectives This study assessed associations between recent transactional sex (TS) and potential determinants and variations in patterns across two geographic regions with high HIV burden compared to the rest of Uganda, among adolescent girls and young women (AGYW). Methods In 2015, a nationally representative cross-sectional household survey was conducted in Uganda. A stratified multi-stage cluster sample design produced nationally representative estimates and sub-national estimates for AGYW in two high HIV burden regions, DREAMS Central 1 (Bukomansimbi, Ssembabule, and Rakai districts) and DREAMS Central 2 (Mubende, Mityana, Gomba, and Mukono districts), and the rest of Uganda. To identify associations between recent TS (defined as sex in the past 12 months in exchange for material support or help) and risk factors, multivariable logistic regressions were conducted. Interaction terms assessed the associations between violence and recent TS across geographic regions. Results Nationally, 14.2% of sexually active AGYW engaged in recent TS. Region-specific significant associations emerged between recent TS and marriage, family wealth, friendship, orphanhood, and sexual debut. In DREAMS Central 1 and 2, AGYW who witnessed violence in the home or community, or experienced sexual, physical, or emotional violence had higher odds of recent TS than AGYW who did not experience that form of violence (adjusted odds ratio ranged between 2.10 (95% CI, 1.07, 4.13) and 8.25 (95% CI, 3.40, 20.06)). The magnitude of association between recent TS and types of violence varied by region. Conclusions Violence is strongly and consistently associated with recent TS, and patterns in prevalence and risk factors vary across regions in Uganda. Given the high risk of HIV association with recent TS, HIV epidemic control efforts may benefit from focus on comprehensive violence prevention and target persons who engage in TS. Comprehensive HIV prevention programming aimed at keeping AGYW HIV-negative should incorporate prevention of violence and TS as key components to facilitate HIV epidemic control in this vulnerable population.

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29

Risch, William Jay. "European Dreams and European Nightmares in Prewar Donetsk." Soviet and Post-Soviet Review 47, no. 1 (August 13, 2019): 39–72. http://dx.doi.org/10.1163/18763324-04603008.

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Abstract This article is based on interviews with and questionnaires completed by Donetsk area residents when the author visited the city January 7–17, 2014. They demonstrate that, at least among Donbas area residents with higher education, there were possibilities for building a “European dream” that Euromaidan protesters in Kyiv championed. Fighting for the rule of law, human rights, and an end to corruption—values identified with the Euromaidan—could have transcended Ukraine’s regional divisions. Even those skeptical of “European values” still agreed that they belonged to one nation with differing political objectives. Yet the manipulation of the Kyiv protests by politicians, outbursts of violence in Kyiv, continued stereotypes of Ukraine’s regions, and complex economic ties with Russia and Europe made this European dream elusive. Escalating violence in January 2014 and the sudden implosion of the regime of Viktor Yanukovych the next month polarized public opinion in Donetsk. Due to manipulations by local politicians, pro-Russian activists, and pro-Russian propaganda in local media, Donetsk residents and others in the Donbas protested the Kyiv “Junta” and demanded greater rights for their region. The ensuing geopolitical battle brought about greater Russian intervention, both politically and militarily, making it impossible for civil society to resist the sudden emergence of separatist republics. As pro-Russian activists and armed militants, some from across the Russian border, terrorized pro-Ukrainian citizens and Euromaidan activists, the European dream in Donetsk came to an end for the foreseeable future.

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Bispo, Margarida Maria Araujo, and Maria Helena Santana Cruz. "Sexual and gender diversity: facets of a quiet fight through centuries." JOURNAL OF RESEARCH AND KNOWLEDGE SPREADING 2, no. 1 (May 19, 2021): e12379. http://dx.doi.org/10.20952/jrks2112379.

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This article addresses sexual diversity, the historic struggle for the rights of LGBTQIA + groups, and the silencing they have suffered over the centuries. The text discusses the history and progress of this struggle to break the barriers of silencing, and confirm their rights in society and in educational practices in two State Schools located in the municipality of Tobias Barreto/SE. The theoretical approach will be post-structuralist based on scholars who approach the trajectory of homosexuals and transgenders in the historical and social context. Although the battle was fought at the beginning of the fight quietly, the achievements are still minimal in view of the full range of violence suffered by homosexuals and transsexuals in the social environment that they are part of. The violence suffered by LGBTQIA+ is a problem to be discussed in the educational environment, through the history of struggle as an element of empowerment for these young people.

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31

Smith, Anna. "Dreams of cultural violence: Ben Okri and the politics of the imagination." World Literature Written in English 38, no. 2 (January 2000): 44–54. http://dx.doi.org/10.1080/17449850008589327.

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32

Sánchez-Cuenca, Ignacio. "Revolutionary Dreams and Terrorist Violence in the Developed World: Explaining Country Variation." Journal of Peace Research 46, no. 5 (August 14, 2009): 687–706. http://dx.doi.org/10.1177/0022343309336707.

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33

High, Steven. "The “Normalized Quiet of Unseen Power”: Recognizing the Structural Violence of Deindustrialization as Loss." Urban History Review 48, no. 2 (April 2021): 97–116. http://dx.doi.org/10.3138/uhr.48.2.06.

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This article explores the structural violence of deindustrialization and the urban losses that result. It is a global story of mass displacement and dispossession but also an intensely local one that has devastated the working-class. But much of this history is submerged under a dominant, postindustrial, discourse that instills not only a sense of inevitability but of progress and where the ravages of deindustrialization, when recognized at all, are safely contained to rust belt zones or inner-city areas. These twin processes of “invisibilization” can even co-exist within a metropolitan area like Montreal where deindustrialization’s lasting effects are at once too diffuse and too localized to be noticed, further privatizing the pain and hurt that results. In exploring the internalized despair produced by the structural violence of deindustrialization, the article invites us to consider the ways that public recognition or non-recognition structures the public conversation about what’s lost in mill or factory closings. Edward Said, among others, has asked us to interrogate the “normalized quiet of unseen power” when violence becomes largely invisible to us.

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34

Kalter, Susan. "A Savagist Abroad: Anti-Colonial Theory and the Quiet Violence in Twain's Western Oeuvre." Texas Studies in Literature and Language 53, no. 1 (2011): 26–113. http://dx.doi.org/10.1353/tsl.2011.0001.

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35

Luca, Gabriela. "The Metamorphosis of Tea. Teahouses and Tea shops in Bucharest." International Review of Social Research 1, no. 2 (June 1, 2011): 99–108. http://dx.doi.org/10.1515/irsr-2011-0013.

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Abstract This paper examines the increase of public, non-domestic tea consumption in Bucharest. In order to offer a full picture, I approached the consumer engines in terms of both teahouses’ owners and consumers. I found that most entrepreneurs have established their business in an effort to have a place of their own, quiet, where to practice their passions with people who share the same values and interests. Consumers, in turn, are attracted primarily by the interior space of the teahouses. Their reasons are the most diverse: for relaxation and dreaming, to escape from the city’s violent stimuli, for introspection, for new bodily experiences, to strengthen or build friendship, romantic or business relationships, as well as for the ‘dream’ characteristics of the teahouses’ environment. Both the teahouses’ owners and their consumers may be regarded as varieties of prosumers.

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36

Nisly, L. Lamar. "Tim Gautreaux’s The Missing: Journeys of Vengeance or Belonging?" Religion and the Arts 15, no. 1-2 (2011): 193–209. http://dx.doi.org/10.1163/156852911x547529.

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AbstractLouisiana Catholic author Tim Gautreaux engages questions of violence and revenge in his two most recent novels, The Clearing (2003) and The Missing (2009). In particular, engaging the popular myth of redemptive violence, The Missing explores the attractiveness of this idea before ultimately revealing the falseness of this simplistic approach to evil. This essay draws on Catholic social teaching as well as theologian Walter Wink’s analysis of redemptive violence to investigate the critique of revenge revealed in the novel. Through the protagonist Sam Simoneaux’s wrestling with the possibility of revenge juxtaposed with his uncle’s quiet Catholic-infused teaching, the novel reveals that a journey toward reclaiming a painful past is only possible if the siren song of vengeance is resisted.

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37

Conesa, Jorge. "Relationship between Isolated Sleep Paralysis and Geomagnetic Influences: A Case Study." Perceptual and Motor Skills 80, no. 3_suppl (June 1995): 1263–73. http://dx.doi.org/10.2466/pms.1995.80.3c.1263.

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This preliminary report, of a longitudinal study, looks at the relationship between geomagnetic activity and the incidence of isolated sleep paralysis over a 23.5-mo. period. The author, who has frequently and for the last 24 years experienced isolated sleep paralysis was the subject. In addition, incidence of lucid dreaming, vivid dreams, and total dream frequency were looked at with respect to geomagnetic activity. The data were in the form of dream-recall frequency recorded in a diary. These frequency data were correlated with geomagnetic activity k-index values obtained from two observatories. A significant correlation was obtained between periods of local geomagnetic activity and the incidence of isolated sleep paralysis. Specifically, periods of relatively quiet geomagnetic activity were significantly associated with an increased incidence of episodes.

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38

Mahruliana, N. Cici, Hariyani Hariyani, and Yuda Syahputra. "Problem Solving for Women Victims of Domestic Violence: Descriptive Analysis with JASP Based on Demographics." Psychocentrum Review 2, no. 2 (September 27, 2020): 56–68. http://dx.doi.org/10.26539/pcr.22370.

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Problem solving must be owned by everyone, because in life everyone must have a problem, for that the importance of improving problem solving skills. This study focuses on women who are victims of domestic violence. The effects of domestic violence are a matter of concern, because some victims prefer to be quiet rather than sharing family problems with others or counselors. This research uses a quantitative approach with descriptive methods. Sampling uses a purposive sampling technique that is using certain criteria. The number of samples was 64 people (ages ranging from 25-56 years). The instrument used was a problem harassment instrument for victims of domestic violence who had 34 items. The results showed a solution to the problem of victims of domestic violence from counseling, ethnicity, and education services, M = 106.45, Md = 106.00, Mode = 85.00. Women victims of domestic violence who have done counseling and counseling services are better able to solve family problems than those who have never had counseling, and education influences the problem solving of women victims of domestic violence.

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Schlesinger, Louis B. "Book Section: Essay and Review: Dark Dreams: Sexual Violence, Homicide, and the Criminal Mind." Journal of Psychiatry & Law 31, no. 2 (June 2003): 243–46. http://dx.doi.org/10.1177/009318530303100209.

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40

Zirakzadeh, Cyrus Ernesto. "From Revolutionary Dreams to Organizational Fragmentation: Disputes over Violence within ETA and Sendero Luminoso." Terrorism and Political Violence 14, no. 4 (December 2002): 66–92. http://dx.doi.org/10.1080/714005641.

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41

Lantrip, Kali R., Paula J. Luginbuhl, Krista M. Chronister, and Lauren Lindstrom. "Broken Dreams: Impact of Partner Violence on the Career Development Process for Professional Women." Journal of Family Violence 30, no. 5 (April 21, 2015): 591–605. http://dx.doi.org/10.1007/s10896-015-9699-5.

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42

Menzies, Robert. "Review of Luke Timothy Johnson’s Prophetic Jesus, Prophetic Church." Journal of Pentecostal Theology 22, no. 1 (2013): 17–25. http://dx.doi.org/10.1163/17455251-02201004.

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Menzies acknowledges Johnson’s ability to creatively organize and summarize Luke’s powerful message. He also affirms Johnson’s overall emphasis: Luke does call the church to follow in the footsteps of the Prophet-like-Moses. However, Menzies argues that Johnson’s vision for the contemporary church as a prophetic community is too restricted, too quiet, and too rational. It is too restricted in that Johnson suggests that only a select group are called to take up the prophetic mantle. Menzies maintains that for Luke, the church is not simply a prophetic community; rather, it is to be a community of prophets. Johnson’s vision is too quiet in that he tends to stress the ethical teaching of Jesus and downplays the call to bear verbal witness. But, for Luke, bold witness is the key manifestation of the Spirit’s inspiration and this theme dominates his narrative. Finally, Johnson’s vision is too rational in that he fails to take seriously the narrative of Acts as a model for the contemporary church. Thus, his prophetic vision for the contemporary church largely ignores ‘visions and dreams’, ‘inspired witness’, and ‘signs and wonders’, three key elements of Joel’s prophecy as quoted by Peter on the day of Pentecost (Acts 2.17-21).

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43

Vidojković, Dario. "Early Representations of Wartime Violence in Films, 1914–1930." Cultural History 6, no. 1 (April 2017): 37–56. http://dx.doi.org/10.3366/cult.2017.0134.

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This article deals with the cinematic representations of warfare violence and with its aestheticization in early films. It argues, in particular, that the patterns and narrative structures of (anti-)war movies were laid out during the First World War. Among the first films establishing those patterns and rules were D.W. Griffith's The Birth of a Nation, a film on the American Civil War, and Hearts of the World, showing the war on the western front, produced in 1918. Films such as these offered the main elements that would mark, henceforth, how anti-war movies would portray violence. With the up-coming of sound, moviegoers would be able not only to see, but also to hear what a war sounded like. Lewis Milestone's All Quiet on the Western Front (1930), one of the first sound films, exposed the audiences to a series of (calculated) audio/visual distortions, including explosions, screams, and the monotone sound of machinegun fire.

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44

Norris, Marisol Samantha. "Freedom Dreams: What Must Die in Music Therapy to Preserve Human Dignity?" Voices: A World Forum for Music Therapy 20, no. 3 (October 30, 2020): 4. http://dx.doi.org/10.15845/voices.v20i3.3172.

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This commentary was written on the week of September 28, 2020, as grand jury decisions on the killing of Breonna Taylor in Louisville, Kentucky, United States, were publicly announced on news and media outlets. Six months after Breonna Taylor's brutal murder in Louisville, Kentucky (United States), justice for her life has not been actualized. The author reflects on this injustice and discusses its relationship to anti-Black violence and systemic oppression in music therapy culture and practice.

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45

Milutin, Otilia. "Shōjo Murasaki, Seinen Genji: Sexual Violence and Textual Violence in Yamato Waki’s Fleeting Dreams and Egawa Tatsuya’s Tale of Genji Manga." Japanese Language and Literature 55, no. 1 (April 21, 2021): 275–305. http://dx.doi.org/10.5195/jll.2021.159.

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This paper examines how two manga versions of the Heian classic Tale of Genji, belonging to two different genres and targeting different readership, engage with and interpret the tale’s episodes depicting sexual encounters, which may be read as problematic in the original text. The shojo version, Yamato Waki’s Asaki yumemishi, published between 1980 and 1993, and targeting predominantly female audiences, how two distinct approaches in its treatment of certain potentially uncomfortable episodes: some episodes which verge too close to a reading of sexual violence, are outright erased from the manga versions. Others, whose presence is invaluable to the narrative, are remarkably faithful to the original text, while at the same time contextualizing and domesticating all threats of sexual violence that might have marred the original text. By contrast, Egawa Tatsuya’s seinen version of Genji monogatari, marketed towards a young male adult readership, takes the extreme approach of depicting all sexual encounters in the tale as consensual, pleasurable and highly explicit. The ambiguity of the original text is simply done away with by juxtaposing said text and its fairly accurate rendition into modern Japanese with quasi-pornographic, shunga-evoking scenes of sex.

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Affierni, Siti Indriyanti, Iken Nafikadini, and Dewi Rokhmah. "Qualitative Study on Perpetrator of Child Sexual Violence with the Symbolic Interaction Theory Approach." Jurnal Kesehatan Masyarakat 16, no. 1 (July 27, 2020): 17–27. http://dx.doi.org/10.15294/kemas.v16i1.17722.

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Based on data from the Jember Resort Police (Polres), the highest case of violence against children is sexual violence. The purpose of this research was to analyze the forms of sexual behavior in perpetrators of child sexual violence. This research was a qualitative research with a case study approach, with purposive technique to 7 perpetrators. Credibility was done by testing source triangulation to additional informants, namely wife behavior and triangulation techniques using observation. Most of the events occurred in the perpetrator’s house. Most perpetrators used symbols to commit sexual violence to children with verbal cues and invitations. Most had more than one experience of marriage and other one had not married. There were perpetrators who had risky behaviors that often watched porn videos and had sex with commercial sex workers. Most of the perpetrators had a problem of harmony with their partners. Besides pedophiles, abnormal sexual behavior carried out on victims was incest. The victims were stepchildren who have quiet and weak characters.

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Humpál, Martin. "Roman som skuespill: Sjangerhybriditet i Erlend Loes Stille dager i Mixing Part." European Journal of Scandinavian Studies 49, no. 1 (April 24, 2019): 42–54. http://dx.doi.org/10.1515/ejss-2019-0003.

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Abstract Erlend Loe’s novel Stille dager i Mixing Part (2009, Quiet Days in Mixing Part) focuses on a marital crisis of a Norwegian couple on vacation in Germany. The husband, Bror Telemann, is a dramaturg who dreams of writing a major play, and he tries in vain to begin to write one. The novel is a third-person narrative, but it actually contains few narrative passages: most of the text consists of dialogues. The text is, in fact, a hybrid of two genres – part novel, part play. This seems to be a consciously chosen aesthetic strategy on Loe’s part. The main thematic aspects of Stille dager i Mixing Part are tied up with drama and theatre in various ways. This article shows how genre hybridity, aided by intertextual allusions, contributes to representing these main aspects.

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Hagglund, Kent. "Issues of Sexuality and Power: Five Swedish ‘Dreams’, 1989–90." New Theatre Quarterly 8, no. 29 (February 1992): 23–33. http://dx.doi.org/10.1017/s0266464x0000628x.

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Why should one of Shakespeare's plays suddenly receive almost as many productions in a single season in the Swedish theatre as it had done during the whole previous decade? Kent Hagglund, in analyzing and comparing the five productions of A Midsummer Night's Dream seen in his country between July 1989 and June 1990, explains some of the accidental reasons for such a convergence of interest – such as the availability of a new and clear modern translation, which is only now becoming part of Swedish theatrical consciousness. But he also looks at those elements in the play itself which give it a sudden contemporary relevance – notably, the struggle for dominance which manifests itself in forms of sexual violence. All five productions prove to have been closely concerned with this issue, which, suggests Hagglund, also reflects an important aspect of the crisis afflicting ‘the Swedish social ideal’ today.

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Yosmaoğlu, İpek Kocaömer. "Bedross Der Matossian.Shattered Dreams of Revolution: From Liberty to Violence in the Late Ottoman Empire." American Historical Review 121, no. 4 (October 2016): 1393–94. http://dx.doi.org/10.1093/ahr/121.4.1393.

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Moran, Ines G., Stéphanie M. Doucet, Amy E. M. Newman, D. Ryan Norris, and Daniel J. Mennill. "Quiet violence: Savannah Sparrows respond to playback-simulated rivals using low-amplitude songs as aggressive signals." Ethology 124, no. 10 (September 11, 2018): 724–32. http://dx.doi.org/10.1111/eth.12805.

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