Relevant bibliographies by topics / The rainbow (Lawrence)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'The rainbow (Lawrence)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "The rainbow (Lawrence)"

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Markova, E. A. "“Underground Love”: D. H. Lawrence and “Notes from the Underground” by F. M. Dostoevsky." Nauchnyy Dialog, no. 2 (February 28, 2020): 238–50. http://dx.doi.org/10.24224/2227-1295-2020-2-238-250.

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The reception of the novel by F. M. Dostoevsky “Notes from the Underground” in the works and correspondence of D. H. Lawrence is analyzed in the article. The novelty of the study is in the fact that the influence of this story on Lawrence’s prose is being studied for the first time. Particular attention is paid to Lawrence’s letters to the translator S. S. Kotelyansky, with whom the English writer shared his impressions of reading the works of Russian classics, especially Dostoevsky, as well as to one of the letters addressed to the writer G. Campbell, which contains the only direct reference to “Notes from the Underground” in Lawrence. This letter reveals an individual interpretation of the story by Lawrence. It is proved that this interpretation turns out to be close to the reading of the Notes by L. Shestov. The question is raised about the existing parallels between the text of Dostoevsky and the novels of D. G. Lawrence (“Women in Love”, “The Lost Girl”, “Rainbow” and “Aaron’s Rod”). The similarity is seen in the peculiar interpretation of the Underground concept by Lawrence. It is shown that the image of the Underground in the works of the English writer (usually expressed by the words “underworld”, “subterranean”) is always somehow connected with the irrational principle and is involved in the formation of Lawrence sensualism.
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Gouirand, Jacqueline. "The Self and its Discontents: Ursula’s Progress in The Rainbow." Études Lawrenciennes, no. 45 (December 15, 2014): 45–56. http://dx.doi.org/10.4000/lawrence.221.

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Ponomareva, O. B. "COGNITIVE-ASSOCIATIVE INTERPRETATION OF THE CONCEPT-SYMBOL RADUGA/RAINBOW IN THE FOLKLORE AND THE BELLES-LETTRES DISCOURSE (based on the novel “The Rainbow” by D.H. Lawrence)." Voprosy Kognitivnoy Lingvistiki, no. 4 (2017): 27–38. http://dx.doi.org/10.20916/1812-3228-2017-4-27-38.

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Yamboliev, Irena. "D. H. Lawrence’s Stained Glass." Twentieth-Century Literature 67, no. 1 (March 1, 2021): 1–30. http://dx.doi.org/10.1215/0041462x-8912247.

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This essay reveals the unexpected yet profound ways stained glass contributes to the representational logic of Lawrence’s fiction, especially his early story “A Fragment of Stained Glass” (1908) and The Rainbow (1915). Lawrence develops a prose style that mimics stained glass’s visual aesthetic—its juxtaposition of translucent, glowing color with opaque line that holds and tempers it—and its power to shape psychological interiors by shaping exterior surroundings. Especially in narrating moments when a character struggles to comprehend her relationship to another person or to the external world, Lawrence’s prose converts stained glass’s organizing principles into syntax, foregrounding the contrasts and overlaps between nouns and adjectives, independent and dependent clauses, and words’ multiple repetitions. In doing so, he formalizes a conceptual parallel: the non-verbal medium’s filtering of white light into netted color is repeated when a writer filters the raw materials of sensory perception into hierarchies we think of as central to the novel—character’s primacy over setting, or representation’s primacy over elaboration. In undoing such hierarchies, Lawrence takes to their logical endpoints late nineteenth-century debates about decorative aesthetics, foregrounding the plastic arts’ emphasis on the expressive power of patterning over depiction.
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Acheson, James. "Schopenhauer, Nietzsche and D. H. Lawrence’s Women in Love." Journal of European Studies 50, no. 1 (February 26, 2020): 7–16. http://dx.doi.org/10.1177/0047244119892871.

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D. H. Lawrence began to read Schopenhauer and Nietzsche while a student at Nottingham University College. The influence of the two philosophers on his early short stories and his novels from The White Peacock (1911) through to The Rainbow (1915) has been considered at length in books and essays on Lawrence. There has been little discussion to date, though, of the presence of Schopenhauer and Nietzsche in Women in Love (1920). The unmistakably Nietzschean term Wille zur Macht (will to power) appears in the novel and has attracted some critical comment, but there is no equally obvious reference to Schopenhauer, and discussion of Schopenhauer’s influence has been accordingly slight. Lawrence believed, however, that every novel should have a ‘background metaphysic’, and careful examination of Women in Love reveals that its metaphysic, or ‘theory of being’, derives from a combination of Schopenhauer’s and Nietzsche’s philosophical theories.
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Erwin, John, Ken Altman, and Fran Esqueda. "Temperature Impacts Cactus and Succulent Development Rate." HortTechnology 27, no. 1 (February 2017): 65–68. http://dx.doi.org/10.21273/horttech03515-16.

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One cactus and 17 succulent species/cultivars were grown at 10, 16, 22, or 28 °C (plant temperature) for 10 or 15 weeks. The change in leaf/tubercle number at each temperature (after 10 or 15 weeks) was determined, and leaf/tubercle-unfolding rate was calculated. ‘Jade Necklace’ kebab bush (Crassula rupestris ssp. marnieriana), ‘Lola’ echeveria (Echeveria), ‘Green Ice’ gasteraloe (Gasteraloe), and lithops (Lithops species) leaf-unfolding rate per day was unaffected by temperature. Leaf-unfolding rate per day increased as temperature increased from 10 to 16 °C on ‘Firebird’ aloe (Aloe), ‘Key Lime Pie’ adromischus (Adromischus cristatus), prostate rainbow bush (Portulacaria afra variegata), burro’s tail (Sedum burrito), and ‘Sir William Lawrence’ houseleek (Sempervivum calcareum). Leaf-unfolding rate per day increased as temperature increased from 10 to 22 °C on mescal agave (Agave parryi truncata), ‘Firebird’ aloe, Sunrise anacampseros (Anacampseros telephiastrum variegata), ponytail palm (Beaucarnea recurvata), subsessilis echeveria (Echeveria subsessilis), zebra plant (Haworthia fasciata), prostrate rainbow bush, burro’s tail and ‘Sir William Lawrence’ houseleek. Increasing temperature from 22 to 28 °C decreased ‘Kiwi’ tree houseleek (Aeonium percarneum) leaf-unfolding rate per day, increased ‘Firebird’ aloe and tiger tooth aloe (Aloe juvenna) leaf-unfolding rate, and resulted in shoot tip death on burro’s tail, and plant death of ‘Sir William Lawrence’ houseleek and ‘Silver Dollar’ jade (Crassula arborescens). The cactus, ‘Arizona Snowcap’ mammillaria (Mammillaria gracilis fragilis), tubercle-unfolding rate per day increased as temperature increased from 16 to 28 °C. Taken together, temperature (10 to 28 °C) effects on development rate were species specific and related to the indigenous environment of a species.
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Gurung, Gol Man. "Performing Gender: Female Masculinity in D. H. Lawrence’s The Rainbow." Molung Educational Frontier 10 (December 31, 2020): 27–39. http://dx.doi.org/10.3126/mef.v10i0.34055.

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This paper analyses Ursula, the female protagonist of D. H. Lawrence’s the novel The Rainbow, who reflects her masculinity. Many feminist critics have perceived this novel as man-centered. In response to this analysis of the novel, the paper tries to look at the novel from the perspective of Judith Halberstam’s theoretical concept of female masculinity, especially Ursula as a masculine woman who acts like a man. Female masculinity is not an identity but a site for identification where different identities can flourish, but masculine women possess confidence, assertiveness, and independence. Lawrence gives justice to women’s role by presenting Ursula as a new woman who seeks her individual identity in the traditional world. Through the reading of the novel as its theoretical tool, the research concludes that females can be as males and males can be like females. She acts like a man and that means she has masculine qualities. The novelist portrays Ursula as a woman with masculinity because she can flourish different identities of her life. She plays the role of an independent woman, a liberated woman, a Lesbian woman, and a new woman, etc. She behaves like a tomboy who refuses to accept the Victorian conventions of society. So, she is a masculine woman rather than a feminine woman. This paper emphasizes how a woman can perform like a man; this suggests masculinity is not the private property of a male; it is a social position that can be practiced in an individual way.
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Fernandes, Bruna Renata Rocha, and Carlos Augusto Viana da Silva. "The Rainbow e a tradução de D. H. Lawrence Para as Telas." Revista FSA 15, no. 2 (March 1, 2018): 141–55. http://dx.doi.org/10.12819/2018.15.2.8.

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Bell, Michael. "Towards a Definition of the ‘long modernist novel’." Modernist Cultures 10, no. 3 (November 2015): 282–98. http://dx.doi.org/10.3366/mod.2015.0115.

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This paper considers a number of long fictions from the modernist period to see how far their length serves specifically modernist concerns, especially temporality and history. Various extended narratives suit modernist aesthetic mythopoeia for which Nietzsche's essay on The Advantages and Disadvantages of History for Life provides a philosophical articulation. Joyce's Ulysses, Proust's A la recherche, and Mann's Joseph and his Brothers (along with Lawrence's The Rainbow and Women in Love) are the principal works compared and contrasted. But there are authors who stand apart from these encompassing, if not to say masterful, mythopoeic visions. Musil's unfinished Man without Qualities resists the modes of resolution which in several of the former instances have a strongly masculinist inflection. So too, to a significant extent, does Lawrence with his strongly feminine sensibility. Above all, Virginia Woolf and Dorothy Richardson, while engaging with similar concerns, constitute a critical outside to the mythopoeic grouping.
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Jardine, C. G. "Public Evaluation of Fish Tainting from Pulp and Paper Mill Discharges." Water Science and Technology 25, no. 2 (January 1, 1992): 57–64. http://dx.doi.org/10.2166/wst.1992.0035.

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As part of the Remedial Action Plan (RAP) programs for the St. Lawrence and Spanish Rivers in Ontario, Canada, tainting evaluations were conducted using members of the Public Advisory Committees (PACs) and the RAP teams. Triangle test sensory evaluations were conducted on caged rainbow trout (Salmo gairdneri) exposed insitu upstream and downstream of the pulp and paper mill diffuser outfalls In the St. Lawrence River only, evaluations were conducted on indigenous yellow perch (Perca flavescens) caught upstream and downstream of the mill discharge . In both locations, the odour of the flesh from the caged trout exposed above the diffuser outfall was not judged significantly different from caged trout exposed downstream of the discharge. However, the indigenous perch caught downstream of the mill in the St. Lawrence River were judged by the panelists to have a significantly more objectionable odour than those caught upstream of the discharge. While the effluent tainting potential appears to have been eliminated in the Spanish River, further studies are required to determine the source and magnitude of tainting concerns in the St. Lawrence River. The sensory test and results reported here provide useful tools for evaluating the tainting potential of pulp mill discharges and for assessing perceived consumer quality of the fish exposed to these effluents.
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Dissertations / Theses on the topic "The rainbow (Lawrence)"

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Bain, Susan. "The language of D.H. Lawrence : repetition and revision in 'The Rainbow'." Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/21390.

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Chapter 1 identifies the problems which Lawrence had in finding a 'new language' for The Rainbow, and demonstrates his faith in his evolving new style. A critical overview is provided of work on both his repetition, and revision processes, and the thesis is placed in the context of revisionist criticism of Lawrence's lexical and grammatical fluidity. The aims and methodology of the thesis are outlined. Chapter 2 identifies Lawrence's linguistic specificity in an extract from The Rainbow, and demonstrates the importance of his repetitive style his developing doctrine of creative, and destructive, opposition. The Rainbow's inversion of the quasi-gender attributions of Study of Thomas Hardy is demonstrated as operating at the level of lexical cohesion in the extract from The Rainbow, and also in the 1914 version of 'The White Stocking'. Similar repetitive presentation of oppositions are shown to occur, uninverted, in an extract from Sons and Lovers. It is argued that repetition reveals that Lawrence's move towards the language of The Rainbow was beginning before Study of Thomas Hardy and the Prussian Officer collection. Chapter 3 reveals that the 'structural skeleton' which Hardy provides for The Rainbow occurs at a finer stylistic level than has previously been considered. Identification of matching relations and Biblical parallelism reveals that The Rainbow's repetitive structures provide an evaluative framework against which the deficiencies and achievements of each generation can be considered. This framework develops through the revision process, as the characteristics and themes of each generation evolve. Chapter 4 examines The Rainbow's repetition in the light of Hardy's doctrine of 'Male' and 'Female'. Repetition is shown to characterise the specific nature and progress of the protagonists in each generation. The complex cross-hatching of 'Male' and 'Female' principles within and between individuals, and its proportional attribution to characters, is predictive of their achievements. Chapter 5 examines repetition and revision in The Rainbow to counter Ross' assertion in The Composition of The Rainbow and Women in Love: A History, that Lawrence's proof revisions were made under pressure of self-censorship, and pressure from Methuen. It is shown that lexical specificity, cohesion and revisions reveal consistent patterns of creative revisions and thematic development - and further inclusion of the language and ideas of Hardy.
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Cherqaoui, Jaouad. "Le Couple dans l'oeuvre de D.H. Lawrence union humaine, union mystique dans "The Rainbow" et "Women in love"." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb375966694.

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Louzir, Aïcha. "Une question de style : la métaphore corporelle dans The Rainbow de D. H. Lawrence et ses deux traductions françaises." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30056/document.

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Ce travail de recherche examine le style en traduction à travers le prisme de la métaphore corporelle dans le roman censuré The Rainbow (1915) de D.H. Lawrence et ses deux traductions françaises par Albine Loisy (1939) et Jacqueline Gouirand-Rousselon (2002). Notre réflexion s’inscrit dans la traductologie de corpus et adopte une approche descriptive grâce à une analyse qualitative et quantitative. Nous avons articulé notre travail autour de trois parties : en parcourant différents cadres théoriques allant d’Aristote jusqu’aux études plus récentes, nous avons tenté d’explorer la question relative à la nature de la métaphore et à ses fonctions. Cette première étape a confirmé notre point de vue selon lequel la métaphore est un support qui agence la pensée pour traduire une représentation particulière du monde. La métaphore est en effet un outil de communication redoutable. Nous avons, par la suite, exploré la notion de style en traductologie afin de tisser un lien entre la métaphore et le style dans l’écriture lawrencienne. Métaphoriser et traduire sont deux processus sensiblement proches qui tournent autour d’un point commun, celui du mouvement. L’analyse détaillée des 35 exemples extraits de The Rainbow et de leurs traductions en français nous a permis de détecter les convergences et les divergences au niveau du style et des représentations métaphoriques du corps. L’emploi récurrent de la métaphore chez Lawrence n’est pas anodin. Il s’agit d’un moyen pour conceptualiser la philosophie de l’auteur. Les traductrices ont dû surmonter au moins deux défis : préserver la charge métaphorique et opter pour un style qui reflète la complexité de l’écriture lawrencienne, tout en respectant les normes stylistiques de la langue française. Les écarts constatés au niveau des traductions ouvrent la voie à des interprétations qui pourraient prendre forme grâce à de futures retraductions
The aim of this research, which draws on a descriptive approach to translation and uses a corpus-based methodology, is to explore D.H. Lawrence’s style through his use of body-related metaphors. I will focus on their stylistic particularities in order to examine the manner in which body metaphors were translated into French. The main argument of my study is that Lawrence’s metaphors are a relevant tool to highlight his vision of human relationship. This thesis falls into three parts: first of all, I explore different theoretical frameworks from Aristotle to more recent studies, notably those carried out by Lakoff and Johnson. This step confirms that metaphors are a relevant tool of communication that organises one’s thought in order to create a specific representation in a given situation. Secondly, in order to weave a link between metaphors and Lawrence’s writing in The Rainbow, I examine style in Translation Studies and beyond. Metaphorising and translating are two closely related processes that revolve around a common aspect, movement. Thirdly, I conduct a qualitative and quantitative analysis of 35 excerpts from the censored and the unabridged edition of The Rainbow (1915) with their French translations by Albine Loisy (1939) and Jacqueline Gouirand-Rousselon (2002) in order to highlight convergences and divergences in the style and metaphorical representations of the body. The recurring use of metaphor in The Rainbow is a means of conceptualising Lawrence’s vision of the world. Both translators had to overcome at least two challenges: to preserve the metaphorical images and to opt for a style that reflects the complexity of the Lawrencian writing, while respecting the stylistic norms of the French language. Differences in translations pave the way for new interpretations that could take shape through future retranslations
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Cherqaoui, Jaouad. "Le couple dans l'oeuvre de D. H. Lawrence : Union humaine, union mystique dans The Rainbow et Women in love." Université Marc Bloch (Strasbourg) (1971-2008), 1986. http://www.theses.fr/1986STR20018.

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GOUIRAND, ROUSSELON GOUIRAND JACQUELINE. "Aspects de la creation litteraire chez d. H. Lawrence. Analyse des avant-textes, de "the rainbow a women in love"." Montpellier 3, 1990. http://www.theses.fr/1990MON30045.

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L'attitude critique adoptee dans cette these - comparer le manuscrit de the rainbow et les deux manuscrits de women in love aux versions publiees de ces romans, permet d'apprehender le processus et l'orientation de la creation litteraire chez d. H lawrence. Ce travail se presente non comme une etude exhaustive des variantes, mais comme une analyse selective avec regroupement thematique. Centree sur women in love, cette etude integre ce qui, du premier roman, marque une difference de caractere general dans l'inspiration et affecte les personnages qui se retrouvent dans les deux oeuvres. La production de cette fiction - 1913-20 - marque un tournant dans la creation romanesque de d. H lawrence, qui subit des transformations considerables. S'il fait de la quete de la completude, le theme central de the rainbow qui consacre la suprematie du principe feminin, il exalte le principe masculin dans le second roman, en redonnant a l'homme l'initiative dans la rencontre sexuelle. Il met en oeuvre une nouvelle ethique des relations humaines qui se dessine nettement d'une version a l'autre de women in love. L'amour ainsi recycle, l'homme et la femme en retournant aux sources de la vie, accedent au salut et transcendent les distinctions sexuelles
The comparison of the mss of the rainbow and the typescripts of women in love with the published versions enables to apprehend the process of literary creation in d. H lawrence together with its orientation. This work does not consist in an exhaustive study of the variants but in a selective one, the main themes of the second novel being grouped together. Centered on women in love, this thesis integrates some elements of the first novel. The production of this fiction (1913-1920) is a turning point in lawrence's art and vision. In the rainbow, whose main theme is the quest for selthood, the feminine principle is exalted; in women in love, the masculine principle triumphs, man becomes woman's initiator : from the first version of this novel to the ultimate one, a new code of human relationships emerges. Love being thus recycled, man and woman, returning to the sources of life, experience salvation and transcend sexual distinctions
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Woolhead, Ben. "Between, beneath and beyond words : silences in D. H. Lawrence's The rainbow and Women in love." Thesis, University of Nottingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430268.

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Burnley, Toni. "The struggle for verbal consciousness : the development of Lawrence's analysis of man and human relationships in 'Sons and lovers', 'The rainbow' and 'Women in love'." Thesis, University of Sheffield, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284830.

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Hsu, Shih-chin, and 徐世瑾. "D. H. Lawrence in the Vanguard: His Concepts of a Whole Life as Revealed in The Rainbow, Women in Love, and Lady Chatterley's Lover." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/25536541121619086952.

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碩士
國立高雄師範大學
教育學系
83
Nowadays, most of Lawrence's ideas and concepts revealed in his novels are widely acclaimed or even taken for granted. Nevertheless, in conventional Edwardian society they are sevely condemned and particularly his masterpiece, Lady Chatterley's Lover, is banned. People then go into a panic over it because in them many of the so-called universal norms are radically challenged. Lawrence devotes himself, wholeheartedly and altruistically, to translating the neglected, the alientated, the shameful into something speakable, well-accepted, and even universal. Based on his three major novels, The Rainbow, Women in Love, and Lady Chatterley's Lover, this thesis is intended to present Lawrence's significant role as a writer in the vanguard who draws up for his contemporaries and later generations a blueprint of how to lead a whole and fulfilling life. Chapter One briefly describes the background of Edwardian society, introduces Lawrence's unique character, personal background, and the effect of his writing on society. The following three chapters then respectively probe and illustrate his concepts of how to lead a whole life. Chapter Two focuses on individual's return to the core of life. Chapter Three delineates the importance of a dynamic and intimate relationship with the beloved. Chapter Four points out the necessity of women's true liberation. Chapter Five, the conclusion, affirms Lawrence's contributions in helping people lead a whole and genuine life.
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WU, SHU-HUA, and 吳淑華. "A study of motifs in D. H. Lawrence's The rainbow and Women in love." Thesis, 1987. http://ndltd.ncl.edu.tw/handle/57054262215468934567.

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碩士
輔仁大學
英國語文研究所
75
D‧ H‧ 勞倫斯小說中的女性和書中傳播出的生命力吸引著我。他呈現現代人的問題 ，而不流入現代小說常有的壓迫感和艱澀。勞倫斯的文句優美。他能生動呈現人物動 作和景物，同時也將人心深處的感覺帶出。 本論文探討的範圍，僅止於勞倫斯兩本小說「彩虹」與「戀愛中的女人」的主題研究 。在檢視作品主題時，我大都以重覆出現的意象、觀念或用語等來探討。這兩本小說 頗能代表作者風格，且顯示了作者心態的改變。 在「彩虹」中，重覆出現的主題還有：自然意象，如水、陽光、種子、彩虹，動物意 象，男女相異的本質以其男女間變化而富生機的關係。因而我們可以看出「彩虹」明 顯呈現生命遞邅的訊息和人與自然的關係。兩性的關係尤其是「彩虹」的重心，透過 此一主題，作者顯示男女本質的差異，以及本能和心智、肉體和精神之相異和相抗。 同時我們看出這相異導致吸引以及互相抗衡，由是激洫出生命力，新生命也由此結合 誕生，生生不息推衍著。 至於「戀愛中的女人」，其中重覆的主題有水、泥、冰、雪：明亮等意象，由是帶出 死亡的訊息。又動物意象如鷹、狼或鼠、甲蟲等，點出現代人卑劣或殘酷的特質；在 作者筆下，人類沒有完整的人格，已全然喪失人性的尊嚴。我們清楚看到在機械工業 凌駕下，人喪失活躍的生命力，人與人的關係不復帶有生機，而是互相摧毀。一直覺 得今日臺灣物質主義犯濫，此書讀來格外驚心。 透過「彩虹」和「戀愛中的女人」主題的探討，我們將看到勞倫斯如何經營他的小說 。在此二作品中，主題相互依存，意象前後呼應，整本小說形成一整合體。這一來整 個作品內在的生命力豐富了起來，可容許更多角度來加以探討。最後，我要肯定一點 ，那就是勞倫斯是位優秀的小說家，他不僅會「傳教」，重要的是他以一種動人的方 式傳教。如果您熱愛生命，您會欣賞勞倫斯的。
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Hsu, Jui-Yuan, and 徐瑞元. "Corporeal Ethics in D. H. Lawrence’s The Rainbow and Women in Love: An Irigarayan Reading." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/31694770474604802886.

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碩士
淡江大學
英文學系碩士班
95
This thesis studies how Luce Irigaray’s theories of “sexual difference,” and “divinity” could offer a non-phallocentric approach to read D. H. Lawrence’s novels, The Rainbow and Women in Love and how Lawrence’s novels could liberate women from the patriarchal society and create a new revolution in man-woman relationship, namely, Lawrentian theory of “star-equilibrium.” Lawrence’s theory of star-equilibrium is a way to escape the control of the diseased intellectualism. Once people are released from the oppression of diseased intellectualism, they will find the divine in the body through which women can be emancipated from patriarchal oppression. Star-equilibrium is an exemplification of Irigarayan sexual difference in which the partners of opposite sexes can maintain a relationship of both freedom and alliance. Irigaray’s theory has caused great controversy among contemporary feminists. But what Irigaray emphasizes is the “sensible transcendental,” which contributes to women’s liberation from the repression of western patriarchal society.
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Books on the topic "The rainbow (Lawrence)"

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Edwards, Duane. The rainbow: A search for new life. Boston: Twayne Publishers, 1990.

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H, Lawrence D. Hong: The rainbow / David Herbert Lawrence. Shanghai: Shanghai wen yi chu ban she, 2015.

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D.H. Lawrence's The rainbow and Women in love: A critical study. New York: Peter Lang, 2005.

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D. H. Lawrence: Myth and metaphysic in The rainbow and Women in love. Ann Arbor, MI: UMI Research Press, 1988.

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H, Lawrence D. D.H. Lawrence, three complete novels: Lady Chatterley's lover, The Rainbow, Sons and lovers. New York: Barnes & Noble, 1993.

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Landry, Thomas. Annual and geographical variations in sealworm (Pseudoterranova decipiens) larvae in rainbow smelt (Osmerus mordax) from the Gulf of St. Lawrence. Moncton, N.B: Dept. of Fisheries and Oceans, Science Branch, Gulf Region, 1990.

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Holmes, Richard. Socio-political readings of the prose works of D.H. Lawrence, "The Rainbow" and after: A selective bibliography (1980 to The present). [s.l.]: typescript, 1992.

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8

D'Agnillo, Renzo. D. H. Lawrence's The rainbow: Re-readings of a radical text. Roma: Aracne, 2010.

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D. H. Lawrence's The rainbow: Re-readings of a radical text. Roma: Aracne, 2010.

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Zangenehpour, Fereshteh. Sufism and the quest for spiritual fulfilment in D.H. Lawrence's The Rainbow. Göteborg: Acta Universitatis Gothoburgensis, 2000.

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Book chapters on the topic "The rainbow (Lawrence)"

1

Ingram, Allan. "The Rainbow." In The Language of D.H. Lawrence, 119–37. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20512-7_7.

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Kelsey, Nigel. "The Rainbow." In D. H. Lawrence: Sexual Crisis, 121–40. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21749-6_4.

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Humphrey, Richard. "Lawrence, D. H.: The Rainbow." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8944-1.

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Day, Gary. "Introduction: Lawrence and Criticism." In The Rainbow and Women in Love, 1–28. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-137-06453-0_1.

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Messenger, Nigel. "The Rainbow (1915)." In How to Study a D. H. Lawrence Novel, 53–77. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-09125-6_4.

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Becket, Fiona. "Undulating Styles: The Rainbow." In D. H. Lawrence The Thinker as Poet, 117–44. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230378995_6.

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Balbert, Peter. "3. “Logic of the Soul”: Prothalamic Pattern in The Rainbow." In D. H. Lawrence, edited by Phillip L. Marcus, 45–66. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501741135-004.

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Johns Speese, Erin K. "Transcending the rainbow." In Gender and the Intersubjective Sublime in Faulkner, Forster, Lawrence, and Woolf, 87–117. New York : Routledge, 2017. | Series: Among the Victorians and modernists; 4: Routledge, 2017. http://dx.doi.org/10.4324/9781315583983-5.

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Kinkead-Weekes, Mark. "The Sense of History in The Rainbow." In D.H. Lawrence in the Modern World, 121–38. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09848-4_8.

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Reid, Susan. "“Between Heaven and Earth”: Space, Music, and Religion in The Rainbow." In D.H. Lawrence, Music and Modernism, 85–117. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04999-7_4.

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