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1

Edwards, Duane. The rainbow: A search for new life. Boston: Twayne Publishers, 1990.

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2

H, Lawrence D. Hong: The rainbow / David Herbert Lawrence. Shanghai: Shanghai wen yi chu ban she, 2015.

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3

D.H. Lawrence's The rainbow and Women in love: A critical study. New York: Peter Lang, 2005.

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4

D. H. Lawrence: Myth and metaphysic in The rainbow and Women in love. Ann Arbor, MI: UMI Research Press, 1988.

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5

H, Lawrence D. D.H. Lawrence, three complete novels: Lady Chatterley's lover, The Rainbow, Sons and lovers. New York: Barnes & Noble, 1993.

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6

Landry, Thomas. Annual and geographical variations in sealworm (Pseudoterranova decipiens) larvae in rainbow smelt (Osmerus mordax) from the Gulf of St. Lawrence. Moncton, N.B: Dept. of Fisheries and Oceans, Science Branch, Gulf Region, 1990.

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7

Holmes, Richard. Socio-political readings of the prose works of D.H. Lawrence, "The Rainbow" and after: A selective bibliography (1980 to The present). [s.l.]: typescript, 1992.

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8

D'Agnillo, Renzo. D. H. Lawrence's The rainbow: Re-readings of a radical text. Roma: Aracne, 2010.

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9

D. H. Lawrence's The rainbow: Re-readings of a radical text. Roma: Aracne, 2010.

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10

Zangenehpour, Fereshteh. Sufism and the quest for spiritual fulfilment in D.H. Lawrence's The Rainbow. Göteborg: Acta Universitatis Gothoburgensis, 2000.

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11

This is carbon: A defense of D.H. Lawrence's The rainbow against his admirers. Seattle, Wash: Genitron Press, 1986.

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12

Surma, Anne. A selective bibliographical guide to secondary texts examining organising principles in D.H. Lawrence's "The Rainbow" and"Women in Love". [s.l.]: typescript, 1986.

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13

Spear, Hilda D. The York Notes on D.H.Lawrence's "Rainbow". Longman, 1991.

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14

Edwards, Duane. Rainbow: A Search for New Life (Twayne's Masterwork Studies, No 51). Twayne Pub, 1990.

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15

Edwards, Duane. The Rainbow: A Search for New Life (Twayne's Masterwork Studies). Twayne Pub, 1990.

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16

H, Lawrence D. The Rainbow: Cambridge Lawrence Edition (Penguin Classics). Penguin Classics, 2007.

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17

1928-, Beynon Richard, ed. D.H. Lawrence: The rainbow, Women in love. Cambridge, UK: Icon, 1997.

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18

The Rainbow (Collected Works of D.H. Lawrence). Classic Books, 2000.

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19

1956-, Day Gary, Di Niro Libby 1959-, and Dye Joy 1972-, eds. The Rainbow and Women in love: D.H. Lawrence. New York: Palgrave Macmillan, 2004.

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20

Beynon, Richard. D. H. Lawrence: The Rainbow-Women in Love. Palgrave Macmillan, 2002.

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21

(Introduction), Anne Fernihough, and Mark Kinkead-Weekes (Editor), eds. The Rainbow: Cambridge Lawrence Edition (Twentieth Century Classics Series). Penguin Classics, 1995.

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22

H, Lawrence D. The Rainbow: Cambridge Lawrence Edition (Twentieth Century Classics Series). Penguin Classics, 1995.

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23

Day, Gary. Rainbow and Women in Love: D. H. Lawrence (New Casebooks). Palgrave Macmillan, 2003.

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24

H, Lawrence D. Great Novels of D H Lawrence: The Rainbow/Lady Chatterley's Lover. Dempsey Parr, 2000.

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25

1927-, Russell Ken, Lawrence D. H. 1885-1930, and Film Education, eds. Ken Russell's The rainbow, from the novel by D.H. Lawrence: A study guide. London: Film Education, 1989.

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26

Balbert, Peter. D. H. Lawrence and the Psychology of Rhythm: The Meaning of Form in the Rainbow. De Gruyter, Inc., 2019.

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27

Crossland, Rachel. D. H. Lawrence’s ‘Theory of Human Relativity’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815976.003.0004.

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Chapter 3 begins with Lawrence’s 1921 request for ‘a simple book on Einstein’s relativity’, exploring Lawrence’s immediate response to the ideas he would have found therein in his 1922 work Fantasia of the Unconscious. The chapter pays particular attention to Lawrence’s suggestion in Fantasia that ‘we are in sad need of a theory of human relativity’, exploring what such a theory may consist of and arguing for its relevance to his concern with and writing of human relationships in his works up to 1921. The importance to Lawrence of the absolute nature of the individual is considered, as is his recognition of the similarly vital move towards relationship. His background as a student and teacher of science is also explored. Alongside a close focus on Fantasia, this chapter also considers The Trespasser, Sons and Lovers, The Rainbow, and Women in Love, as well as some of Lawrence’s essays.
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28

The rainbow and Women in love, D.H. Lawrence / edited by Gary Day and Libby Di Niro ; with the assistance of Joy Dye. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.

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29

Harold, Bloom, ed. D.H. Lawrence's The rainbow. New York: Chelsea House Publishers, 1988.

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30

H, Lawrence D. Women in Love . By : D. H. Lawrence: Novel, Published in 1920, "Women in Love" is a sequel to the earlier novel The Rainbow , and follows ... of the Brangwen sisters, Gudrun and Ursula. CreateSpace Independent Publishing Platform, 2017.

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31

Novels for Students. 2nd ed. Thomson Gale, 2007.

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32

Mitchell, Jennifer. Ordinary Masochisms. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066677.001.0001.

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Ordinary Masochisms argues for literary alternatives to pervasive dictatorial norms about masochism that first surface in Victorian literature, reach their pioneering pinnacle in the modernist moment, and are expressly mourned in post-modern texts. In particular, the literary works discussed all challenge the more popular term “sadomasochism” as a conglomerate form of perversion that was named and studied in the late nineteenth century. Underscoring close textual analyses with modern theories of masochism as empowering, this book argues that Charlotte Brontë Villette (1853), George Moore’s A Drama in Muslin (1886), D.H. Lawrence’s The Rainbow (1915), and Jean Rhys’s Quartet (1928) all experiment with masochistic relationships that extend far beyond reductive early readings of inherently feminine or sexually aberrant masochism. Ordinary Masochisms begins with a historical and theoretical examination of masochism’s treatment during the nineteenth, twentieth, and twenty-first centuries before moving to an examination of the Biblical tale of Samson and Delilah in conjunction with Leopold von Sacher-Masoch’s Venus in Furs (1870), from which masochism garners its name. An intermediary chapter treats Octave Mirbeau’s The Torture Garden (1903) as a case study transitioning between sexological and psychoanalytical discourses of the nineteenth and twentieth centuries, while the conclusion about Ian McEwan’s The Comfort of Strangers (1981) addresses masochism’s seeming inability to recuperate itself from categories of deviance, despite the success of contemporary popular culture representations. The book closes with a brief consideration of masochistic reading, a subtle undercurrent of the project as a whole.
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