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Journal articles on the topic 'The red shoes'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Day, Lucille Lang. "Red Shoes." Hudson Review 52, no. 1 (1999): 69. http://dx.doi.org/10.2307/3852576.

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Tanner, Ron. "Red Shoes." Iowa Review 27, no. 3 (1997): 21–30. http://dx.doi.org/10.17077/0021-065x.4834.

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Van Jordan, A. "The Red Shoes." Callaloo 35, no. 1 (2012): 1–2. http://dx.doi.org/10.1353/cal.2012.0014.

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4

Ackerman, Robert. "The Red Shoes." Women: A Cultural Review 17, no. 3 (2006): 388–90. http://dx.doi.org/10.1080/09574040601027561.

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Mandradjieff, Mara. "Ballerina-pointe shoe becoming, fluid multiplicities, andThe Red Shoes." Text and Performance Quarterly 36, no. 4 (2016): 265–78. http://dx.doi.org/10.1080/10462937.2016.1227873.

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Sporton, Gregory. "The Red Shoes, M. Powell and E. Pressburger (dirs) (2023), 75th Anniversary Release, UK: Archers BFI Southbank, London, 29 November 2023." Scene 11, no. 1 (2023): 106–10. http://dx.doi.org/10.1386/scene_00057_5.

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Review of: The Red Shoes, M. Powell and E. Pressburger (dirs) (2023), 75th Anniversary Release, UK: Archers BFI Southbank, London, 29 November 2023 The Red Shoes: Behind the Mirror, Exhibition at the BFI Southbank, 10 November 2023–7 January 2024

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Heron, Sheryl L. "Why I Wear Red Shoes." Academic Emergency Medicine 26, no. 6 (2019): 710–12. http://dx.doi.org/10.1111/acem.13697.

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Williams, Linda Ruth. "The shock ofThe Red Shoes." New Review of Film and Television Studies 15, no. 1 (2017): 9–23. http://dx.doi.org/10.1080/17400309.2016.1274524.

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9

Yoon, Minwoo. "Bondage of the Red Shoes and Its Feminist Reinterpretation: Andersen and Atwood." Korean Society for Teaching English Literature 26, no. 2 (2022): 255–93. http://dx.doi.org/10.19068/jtel.2022.26.2.10.

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It is already known that Hans Christian Andersen attempts to curb the womanly vanity for the red shoes by Protestant belief and Victorian social convention. The girl in his Red Shoes who covets the shoes is forced to dance forever and, in order to stop it, has to mutilate her feet. In the Victorian patriarchal society, the womanly duty to work for family strongly suppressed female desire for play, artistic expression, occupation. The so-called Red Shoes syndrome refers to the female psychology and behavior which represents that women take as their own the supposedly feminine vanity and vice, a

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Drapało, Kamila. "The power of imagination In The Red Shoes." Studia z Teorii Wychowania XIV, no. 2 (43) (2023): 295–307. http://dx.doi.org/10.5604/01.3001.0053.9099.

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In the 1948 movie The Red Shoes, the power of imagination and artistic vocation are metaphorically represented as a pair of red dancing shoes. Just as in Andersen’s fable, the shoes are enchanted: they can open up new horizons and possibilities of existence and artistic expression to the one that wears them. But their inexhaustible power can also possess her, demand complete devotion, or even dance her to death. A hermeneutic reading of the three key scenes from the movie inspires a reflection on the dialectics of the power of imagination and its productive as well as destructive potential.

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Yoon, Minwoo. "Bondage of the Red Shoes and Its Feminist Reinterpretation: Anne Sexton, Kathryn Davis, Yideum Kim." Criticism and Theory Society of Korea 28, no. 1 (2023): 95–131. http://dx.doi.org/10.19116/theory.2023.28.1.95.

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For Hans Christian Andersen the red shoes syndrome indicates the supposedly feminine vanity and pride; contemporary feminist writers unveil the womanly innate desire for artistic behavior represented by the syndrome. But since this feminine desire had been a taboo, they had to interiorize it, but were not able to completely dampen it, hence often-times their desperate attempt to satisfy it, coupled with death instinct. This essay explores the red shoes syndrome in the works of Anne Sexton, Kathryn Davis, and Yideum Kim (a contemporary Korean poetess), as well as Alice Walker and a couple of ot

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Schofield, Paul. "Action and Agency inThe Red Shoes." Film-Philosophy 22, no. 3 (2018): 484–500. http://dx.doi.org/10.3366/film.2018.0091.

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In this paper, I argue that Michael Powell and Emeric Pressburger's ballet musical The Red Shoes (1948) is concerned with topics surrounding phenomenology, action, and embodied agency, and that it exploits resources that are uniquely cinematic in order to “do philosophy.” I argue that the film does philosophy in two ways. First, it explicates a phenomenological model of action and agency. Second, it addresses itself to the philosophical question of whether an individual's non-reflective movements – those that are not the result of deliberation or practical reasoning – are properly understood t

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Webster, Elaine. "Red Shoes: Linking Fashion and Myth." TEXTILE 7, no. 2 (2009): 164–77. http://dx.doi.org/10.2752/175183509x460074.

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Andrews, B. A. St, and Rosemary Sullivan. "The Red Shoes: Margaret Atwood Starting Out." World Literature Today 73, no. 3 (1999): 538. http://dx.doi.org/10.2307/40154952.

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Bastin, Anne, and Philippe Chaussecourte. "Margot’s Red Shoes: When Psychic Reality Challenges Teaching." Cliopsy N° 6, no. 2 (2011): 33–41. http://dx.doi.org/10.3917/cliop.006.0033.

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Fraser, Peter. "The Musical Mode: Putting on "The Red Shoes"." Cinema Journal 26, no. 3 (1987): 44. http://dx.doi.org/10.2307/1224907.

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LU, QIAN, JINGJING LI, ZISENG LIN, and JIN ZHOU. "Decoding the fashion trend of sports shoes with empowered computer vision." Industria Textila 74, no. 05 (2023): 519–26. http://dx.doi.org/10.35530/it.074.05.2022107.

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To adapt to the rapidly changing market and capricious trends, fashion brands need to understand trends and market conditions precisely and fast to produce marketable products. The traditional fashion trend analysis has relied heavily on the subjective judgement of experts, inevitably leading to biased decisions and is time-consuming. The development of computer vision and machine learning provides an objective and systematic approach to processing images and analysis of fashion products. However, most studies focus on clothing trends analysis, few are on shoe trends analysis. Hence, this stud

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NA, CHA, and ZHOU JIN. "Decoding the shoes of Terracotta Warriors: in terms of restoration technology and functional performance." Industria Textila 75, no. 03 (2024): 310–18. http://dx.doi.org/10.35530/it.075.03.202391.

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The shoes of the Terracotta Warriors hold significant historical and cultural value as an important legacy of ancient Chinese shoemaking craftsmanship. However, there is a dearth of research on terracotta shoes. Therefore, this study aimed to restore the Terracotta Warrior’s shoes from the perspectives of clothing engineering and archaeology, and then to assess the critical function of the restored shoes. Finally, we will explore why the soldiers of the Qin Dynasty (221–206 BC) were so successful in the military. In the restoration process, we utilized Augmented Reality ranging technology to c

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Hovik, Lise. "Artistic Research in Theater for Early Years: Methodological Movements in Mum’s Dancing." Qualitative Inquiry 25, no. 7 (2018): 670–79. http://dx.doi.org/10.1177/1077800418806619.

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This article is based on the PhD project The Red Shoes, an artistic research project reflected through analyses and experiences of performance events, filmmaking, and theory. The project conducted three different performances for and with children under the age of three, about red shoes, dancing, music, and playing. Mum’s Dancing was the final performance and allowed the children full participation in an installation together with two dancers and a musician. The artistic research process itself, moving from a theater performance toward an installation concept and in the end an improvised dance

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Goodlander, Jennifer. "Travel, Mirrors, and Red Shoes Across the Modern Global Archipelago: Gentayangan by Intan Paramaditha." Comparative Literature Studies 62, no. 1 (2025): 48–75. https://doi.org/10.5325/complitstudies.62.1.0048.

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ABSTRACT The novel Gentayangan: Pilih Sendiri Petualangan Sepatu Merahmu (The Wandering: Choose Your Own Red-Shoes Adventure) by Intan Paramaditha is an adult “chose your own adventure.” In the novel, the reader performs through the character of a bored twenty-something English teacher living in Jakarta who makes a pact with the devil for a pair of red shoes that take her on an adventure to various destinations around the world. Each reading of the novel contains different possibilities and different stories. To analyze shifts between time, place, and character as a tactic to subvert gender no

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Grace, Sherrill. "The Red Shoes: Margaret Atwood Starting Out by Rosemary Sullivan." ESC: English Studies in Canada 26, no. 3 (2000): 374–76. http://dx.doi.org/10.1353/esc.2000.0033.

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Blaikie, Evi. "Ozsvath, Zsuzsanna: "When the Danube Ran Red"; Mandel, Eva Marika: "Le Livre de Mana"; Roth, Marika: "All the Pretty Shoes; A Memoir of Survival and the Feminine Spirit"." Hungarian Cultural Studies 4 (January 1, 2011): 196–200. http://dx.doi.org/10.5195/ahea.2011.43.

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Ozsvath, Zsuzsanna. When the Danube Ran Red. Syracuse University Press, 2010,171 pp., Illus.Mandel, Eva Marika. Le Livre de Mana. Paris, Glyphe 2009, 231 pp., Illus.Roth, Marika. All the Pretty Shoes; A Memoir of Survival and the Feminine SpiritWyatt McKenzy 2010, 254 pp., Illus.Reviewed by Evi Blaikie, Freelance Writer.

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Estés, Clarissa Pinkola, and Bobbie Yow. "The red shoes: On torment and the recovery of soul life." Psychological Perspectives 28, no. 1 (1993): 135–36. http://dx.doi.org/10.1080/00332929308404807.

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Halifax, Nancy Viva Davis. "The Creative Mystique: From Red Shoes Frenzy to Love and Creativity." Arts in Psychotherapy 24, no. 3 (1997): 309–11. http://dx.doi.org/10.1016/s0197-4556(97)00027-0.

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Садыбекова, А. А. "Overview of the structure and analysis of financial and economic activities of LLC “Tervolina”." Экономика и предпринимательство, no. 5(118) (June 11, 2020): 771–74. http://dx.doi.org/10.34925/eip.2020.118.5.157.

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На российском рынке обувь Tervolina появилась в 1992 году. Первое время компания просто возила в Россию обувь зарубежных марок (из Италии, Венгрии, Чехии). Такой «спекулятивной» деятельности фирмы не суждено было стать продолжительной - кризис 1998 года застал руководство компании врасплох. Дальнейшие поставки заграничной обуви стали делом убыточным. Считается, что обувь фирмы «Терволина» оставила себе название от итальянского дизайнера, который до сих пор занимается разработкой модельного ряда. К этому времени компания уже набралась достаточного количества опыта и нашла выход из сложившейся с

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Diamond, Diana. "The Red Shoes: A fairy tale within a ballet within a film." Psychoanalytic Psychology 33, Suppl 1 (2016): S104—S119. http://dx.doi.org/10.1037/pap0000071.

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Cicchella, Antonio, and Jierui He. "A Systematic Review of Effects on ACL Injury of Soccer Shoe Outsoles, Soccer Playing Field Surfaces, and Outsole–Surface Interface." Encyclopedia 4, no. 2 (2024): 888–99. http://dx.doi.org/10.3390/encyclopedia4020057.

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Soccer is a sport with a high incidence of injuries. The most common injury occurs when the anterior cruciate ligament of the knee has undergone a sprain, strain, or partial or total rupture. Besides fitness factors (e.g., proprioception, balance and strength capabilities), a principal cause of ACL injuries is sport shoes and playing surfaces. Especially with the emergence of artificial surfaces (rubbers, turfs, concrete, asphalt, red turf), the ACL injuries dramatically increase. The cost of ACL injuries is high both in terms of career termination and in social and economic costs. Thus, it is

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Hovik, Lise. "Lek som musisk kommunikasjon." Peripeti 8, no. 15 (2011): 19–29. http://dx.doi.org/10.7146/peri.v8i15.108208.

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Through her own practice-led research into interactive theatre for children in the performance, De Røde Skoene (eng.: The Red Shoes, Hovik 2008), and critical reflections on theories of play, Lise Hovik proposes a concept of play as communicative musicality. This form of play works as a “rhythmical transparency” between the performers’ improvisations and children’s (re-)actions. She presents play heuristic as a possible resource for the development of theatre for the youngest children.

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Smith, Sue. "The red dirt stays in your shoes: Reflective practice and both-ways learning." Learning Communities: International Journal of Learning in Social Contexts 25 (December 2019): 36–43. http://dx.doi.org/10.18793/lcj2019.25.04.

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Nicholls, Mark. "Scythian Rhapsody:The Red Shoes, Le Sacre du Printemps, Creative Youth and Regenerative Rage." Quarterly Review of Film and Video 34, no. 5 (2016): 425–44. http://dx.doi.org/10.1080/10509208.2016.1261316.

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Kamila, Rahma. "The Analysis of Inflectional Morpheme in "The Red Shoes" by Hans Christian Andersen." Journal of Research on Applied Linguistics, Language, and Language Teaching 6, no. 2 (2023): 52–58. http://dx.doi.org/10.31002/jrlt.v6i2.3910.

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AbstractThe language must be understandable because it addresses the purpose and the message conveyed. Words have an important role in the development of language. Words become the basis of every existing linguistic element, for example from words to sentences, sentences to paragraphs or speech. This word is about morphology because it affects spelling, reading comprehension and vocabulary. To understand the meaning of vocabulary, language users must especially acquire knowledge of morphology inflectional morphemes. This study analyzes both morphemes that appear in the poetry "The Red Shoes' '

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Miskec, Jennifer M. "Proud and Wicked No More: “The Red Shoes” and Contemporary Children’s Picture Books." Libri et Liberi 5, no. 1 (2016): 37–54. http://dx.doi.org/10.21066/carcl.libri.2016-05(01).0002.

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Haddad, Abed, Toni Nakie-Miller, Josephine Brilliant Jenks, and Glen Kowach. "Andy Warhol and His Amazing Technicolor Shoes: Characterizing the Synthetic Dyes Found in Dr. Ph. Martin’s Synchromatic Transparent Watercolors and Used in À la Recherche du Shoe Perdu." Colorants 2, no. 1 (2022): 1–21. http://dx.doi.org/10.3390/colorants2010001.

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Synthetic organic dyes were extensively used by artists in the first half of the 20th century, knowingly or otherwise. This included Andy Warhol and his À la Recherche du Shoe Perdu (c. 1955), a major portfolio of hand-colored prints, a copy of which resides in the collection of The Museum of Modern Art (MoMA). Warhol and his friends were known to use Dr. Ph. Martin’s Synchromatic Transparent Water Colors to bring these prints to life. A historical set of Synchromatic Transparent Watercolors were initially investigated by UV-visible spectroscopy, and samples from the historic set were also cha

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Szymanek, Angelique. "Elina Chauvet." Latin American and Latinx Visual Culture 4, no. 1 (2022): 58–74. http://dx.doi.org/10.1525/lavc.2022.4.1.58.

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Women and girls of Ciudad Juárez, Mexico, have been “disappearing” for decades. The language of vanishing used to describe these events masks the brute violence of their occurrence. In writing, speaking, and memorializing these events as mystic vanishings or bloodless disappearances, the colonial tropes of the magical brown body are conjured in the service of legitimizing murder, a fundamental component of imperial logic. Confronting the language of erasure and its associated myths, artist Elina Chauvet’s Zapatos Rojos (Red shoes) installations act as decolonial gestures of embodiment. This pa

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Portuges, Catherine. "Hollywood on the Danube: Hungarian Filmmakers in a Transnational Context." Hungarian Cultural Studies 5 (January 1, 2012): 341–47. http://dx.doi.org/10.5195/ahea.2012.83.

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Exile, emigration and displacement have marked the trajectories of Hungarian filmmakers over the past century. Michael Curtiz, the Korda brothers—Alexander, Vincent and Zoltán—André de Toth, Emeric Pressburger, Vilmos Zsigmond, Miklós Rózsa, Peter Lorre, Géza von Radvány and other talented artists have crossed borders, cultures and languages, creating such classics as Casablanca, Somewhere in Europe, The Red Shoes and The Lost One. The legendary sign posted in Hollywood studios read: "It is not enough to be Hungarian, you have to have talent, too!" Accompanied by film extracts, rare footage, p

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Widyawati, Mega, and Ekarini Saraswati. "KEPRIBADIAN MYTHOMANIA TOKOH ATHA DALAM NOVEL TAKE OFF MY RED SHOES KARYA NAY SHARAYA." Jurnal Bahasa Indonesia Prima (BIP) 4, no. 1 (2022): 64–75. http://dx.doi.org/10.34012/jbip.v4i1.2127.

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Abstrak-Mythomania merupakan kecenderungan berbohong di mana penderitanya sering tidak sadar ketika sedang berbohong dan menceritakan khayalan yang ada di dalam kepalanya kepada orang lain. Pemahaman mengenai bentuk kepribadian mythomania masih jarang diketahui oleh masyarakat umum menjadi latar belakang penulisan ini. Penelitian ini bertujuan untuk mendeskripsikan kepribadian dan penyebab mythomania yang dialami tokoh Atha. Untuk menjawab permasalahan ini akan digunakan pendekatan psikologi-sastra. Penelitian ini dilakukan dengan metode deskriptif-kualitatif. Sumber data yang digunakan adalah

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Polić, Vanja. "Тihana Klepač. Dancing in Red Shoes: Barbara Baynton and the Australian Myth. FF Press, 2020. 293. ISBN 978-953-175-798-0." VTU Review: Studies in the Humanities and Social Sciences 5, № 2 (2022): 222–24. http://dx.doi.org/10.54664/yhoz2252.

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Sari, Endang T. P., Tri Gunaedi, and Ervina Indrayani. "Pengendalian Infeksi Bakteri Aeromonas hydrophila pada Ikan Nila (Oreochromis niloticus) dengan Ekstrak Rimpang Lengkuas Merah (Alpinia purpurata)." JURNAL BIOLOGI PAPUA 9, no. 2 (2018): 37–42. http://dx.doi.org/10.31957/jbp.110.

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MAS diseases (Motile Aeromonas Septicaemia) is caused by the bacterium Aeromonas hydrophila. One of the natural ingredients that can be used as an alternative to inhibit bacterial activity is the extract of red galangal rhizome (Alpinia purpurata). Active substances possessed of this material have potential as antibacterial. The purpose of this study is to determine the effectiveness of red galangal rhizome extract in the control of MAS disease in tilapia. The type of this research is experimental research in Completely Random Design (RAL) with 6 treatments, which are positive control, negativ

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Płaza, Aneta. "Czerwone buty i „bosość” stóp, czyli „substytut braku” w Janie Tajemniku Bolesława Leśmiana." Konteksty Kultury 17, no. 2 (2020): 183–98. http://dx.doi.org/10.4467/23531991kk.20.015.12449.

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Red Shoes and “Barefootedness,” i.e. “Substitute for Absence” in Jan Tajemnik [John the Mystery Man] by Bolesław Leśmian The author of the article reflects on the issue of it not being cognitively possible to understand an alienated individual. She presents the character of the fable as an emblem of a suffering, dramatically self-aware being. Revealing the secret results in the stigmatisation of the individual with the tragedy of consciousness and suspends him in the unnamed perceptional interworld. The author analyses the philosophical contexts of the text and characterises Leśmian’s ontology

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Magni, Paola A. "Red Shoes Australia: when public art meets forensic science and becomes a movement for change." Australian Journal of Forensic Sciences 56, sup1 (2024): 160–63. http://dx.doi.org/10.1080/00450618.2024.2324771.

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Podpečnik, Jože. "ALL YOU NEED IS A RED SHIRT AND CAP, AND YOU ARE SOKOL!" Science of Gymnastics Journal 6, no. 3 (2014): 61–85. https://doi.org/10.52165/sgj.6.3.61-85.

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The public appearances of Sokol companies in uniform at first awakened and later strengthened Slovenian national consciousness and united the Slovenians in Carniola and later across all Slovenian ethnic territory. The provincial government in Ljubljana and its German majority were largely opposed to the Slovenian gymnastics clubs. They blamed the Sokol clubs for encouraging ethnic intolerance with their excursions in uniform. In principle, practicing gymnastics was the first objective of the Slovenian gymnasts, followed in second place by various forms of social ‘entertainment,’ where they cou

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Batennie, Faisal. "SURVEI SARANA PRASARANA KARETEKA DI DOJO KODIM 1004 KOTABARU." CENDEKIA: JURNAL ILMIAH PENDIDIKAN 10, no. 1 (2022): 154–65. http://dx.doi.org/10.33659/cip.v10i1.228.

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The aims of the research is to know about the condition infrastructure of facilities on sport of karate in Dojo kodim 1004 Kotabaru. The method of this research is used of descriptive kualitatif or survey and technique of collecting data used of the interview, observation, questionaire and documentation. Thechnique take of sampel is that purposive of sampling, and take of sample with the ceritain of purpose. This thing show with have training building with one number that located on kodim 1004 Kotabaru or 100% that include in good category, karate clothes facilities good category, hand protect

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Wanji, Samuel, Jonas A. Kengne-Ouafo, Kebede Deribe, et al. "Study of lymphoedema of non-filarial origin in the northwest region of Cameroon: spatial distribution, profiling of cases and socio-economic aspects of podoconiosis." International Health 10, no. 4 (2018): 285–93. http://dx.doi.org/10.1093/inthealth/ihy028.

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Abstract Background Although podoconiosis is endemic in Cameroon, little is known about its epidemiology and spatial distribution. Methods This cross-sectional, population-based study enrolled all adults (≥15 y) residing in the districts of the northwest region of Cameroon for 10 or more years. Participants were interviewed and had a physical examination. The study outcomes were prevalence estimates of lymphoedema and podoconiosis. House-to-house screening was conducted by Community Health Implementers (CHIs). CHIs registered all individuals with lymphoedema and collected additional individual

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Repertório, Teatro &. Dança. "A PALHAÇARIA EM O SAPATO DO MEU TIO [Demian Moreira Reis]." REPERTÓRIO, no. 15 (July 7, 2010): 165. http://dx.doi.org/10.9771/r.v0i15.5222.

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<div>Neste artigo analiso a palhaçaria no espetáculo O sapato do meu tio. A peça O sapato do meu tio foi inspirada na obra de Peter Handke, <em>O menor quer ser tutor</em>, que pode ser aproximada ao teatro do absurdo. Mas a fórmula principal do espetáculo equaciona teatro e palhaçaria. Diversos dispositivos da técnica do palhaço foram reconhecidos, como o estabelecimento de uma relação de Branco e Augusto na relação entre o Tio e o Sobrinho; a quebra da quarta parede, estabelecendo uma relação de jogo direto com a platéia, principalmente na cena do espelho quebrado, mas tamb

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Kapuscinski, Kiley. "Exis-tensions: Surviving the Red Shoes Syndrome in Margaret Atwood’s Lady Oracle." University of Toronto Quarterly 78, no. 3 (2009): 902–23. http://dx.doi.org/10.1353/utq.0.0575.

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Gerasimovich, Lyudmila Vladimirovna. "The genus Cypripedium L. in the unique habitat of orchids in the Novosibirsk Region." Samara Journal of Science 7, no. 4 (2018): 25–31. http://dx.doi.org/10.17816/snv201874104.

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This paper provides information about the unique habitat, where 13 species of orchids of the genera Dactylorhiza Nevski, Epipactis Zinn, Gymnadenia R. Br., Herminium R. Br., Orchis L., Platanthera L.C.M. Rich., Cypripedium L. grow in Iskitim District of the Novosibirsk Region. A morphological description of three kinds of shoes is given, including a new for the Novosibirsk Region species Cypripedium ventricosum Sw., which is proposed to be included in the Red Book of the Novosibirsk Region. The investigated community of shoes is located in a birch-high-herbage forest, in the Koyniha river basi

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Narivska, Valentyna. "“Aeneid” by Anatolii Bazylevych: Picturesque Mythologization of Poem by Ivan Kotliarevskyi." Академічний журнал "Слово і Час", no. 3 (March 30, 2019): 92–103. http://dx.doi.org/10.33608/0236-1477.2019.03.92-103.

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The article analyzes 120 drawings by A. Bazylevych, the outstanding Ukrainian artist of the 20th century, created for the editions of “Aeneid” by I. Kotliarevskyi in 1969 and 1970. The subject matter is a look at the drawings in the status of a picturesque author’s myth. The skill of ‘visual intelligence’ of the artist is demonstrated in the picturesque original reading of the poem by Kotliarevskyi as a phenomenon of the Baroque with expressive literary methods of ‘image turning’ that contributed to this process and acquired the significance of historical and literary classics. The assumption

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Mark Nicholls. "A Group Marriage without Sex: Fusion and Collaboration in The Archers' The Red Shoes (1948)." Journal of Film and Video 70, no. 1 (2018): 32. http://dx.doi.org/10.5406/jfilmvideo.70.1.0032.

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Paige, Linda Rohrer. "Wearing the Red Shoes: Dorothy and the Power of the Female Imagination in The Wizard of Oz." Journal of Popular Film and Television 23, no. 4 (1996): 146–53. http://dx.doi.org/10.1080/01956051.1996.9943700.

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Galieva, F. G. "Healing practices of the Russian population of the Southern Urals: border loci, sacred objects and items." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 1(68) (March 15, 2025): 173–80. https://doi.org/10.20874/2071-0437-2025-68-1-14.

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In this paper, the information on folk medicine of Russian settlers of the Southern Urals (Ufa Province, now Bashkortostan and Chelyabinsk regions) is presented. The purpose of the study is to identify the common ideas about border loci, and sacred objects and items in folk medicine of Russians and other communities. The re-search method used is a comparative historical analysis of information collected from Russians and other ethnic groups, which makes it possible to draw time analogies and establish intercultural connections. Based on archival and field materials, and published sources, plac

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