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Relevant bibliographies by topics / The representation of the mother in fiction

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Academic literature on the topic 'The representation of the mother in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "The representation of the mother in fiction"

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Whitehead, Anne. "Reading with empathy: Sindiwe Magona’s Mother to Mother." Feminist Theory 13, no. 2 (August 2012): 181–95. http://dx.doi.org/10.1177/1464700112442645.

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Through a reading of Sindiwe Magona’s Mother to Mother (1998), this article assesses claims for the empathetic potential of reading fiction, as a means of promoting cross-racial understanding. Drawing on feminist theorists Ann Cvetkovich, Clare Hemmings, and Sara Ahmed, I uncover the modes of political critique that can reside in resisting affective identification, and position Magona’s rejection of empathetic cross-racial connection as a critique of the South African Truth and Reconciliation Commission (TRC). I focus particularly on Magona’s representation of black motherhood, and argue that Mother to Mother seeks to inscribe the systematic violation of the maternal relation under apartheid – a form of violence that was not registered by the TRC – and also to position the black mother’s affective experience outside of the empathetic reach of the white mother, precisely because it is embedded in a long history of social, political, and material dispossession.

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VARVOGLI, ALIKI. "Radical Motherhood: Narcissism and Empathy in Russell Banks's The Darling and Dana Spiotta's Eat the Document." Journal of American Studies 44, no. 4 (July 19, 2010): 657–73. http://dx.doi.org/10.1017/s0021875810001313.

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This article discusses constructions and representations of motherhood in Russell Banks's The Darling and Dana Spiotta's Eat the Document. It argues that the theme of motherhood has a long, if often overlooked, presence in American literature, and that the two novelists use the figure of the mother in order to engage with the themes of empathy and community. The novels participate in familiar postmodernist practices, such as multiple, fragmented viewpoints and narratives, unreliable narrators, non-chronological storytelling and the mingling of fact and fiction. However, they do not wholeheartedly embrace two key postmodern issues: irony and loss of affect. Instead, they seek to move away from some of the postmodern novel's more excessive decathecting tendencies, and they achieve that through their representations of mothers who, in not acquiescing to society's norms, challenge gender roles and cultural assumptions. The two fictional mothers under discussion share a past as Weather Underground activists, and in giving voice to them and refusing to demonize them as “bad” mothers, their creators also seek to expose other American narratives that reinforce dominant ideology and suppress the margins.

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Durán Manso, Valeriano. "The construction and the representation of the mother figure in the film production of Tennessee Williams: Typology and case studies | A construção e a representação da figura da mãe na produção do filme de Tennessee Williams: tipologia e estudos de caso." Pós-Limiar 1, no. 1 (November 28, 2018): 34. http://dx.doi.org/10.24220/2595-9557v1n1a4059.

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The maternal figure has an important presence in the literary and film works of the American playwright Tennessee Williams (1911–1983). This writer, who grew up in a southern environment marked by the religion and social conservatism, had in his own family a source of inspiration to build their characters. In this sense, the influence of his mother, the absence of his father and his sister’s disability, were determinants for the author to develop a special sensitivity to understand personal relationships. The person who exerted a great influence on his development was his mother, Edwina, who was first portrayed in “The Glass Menagerie”, and, subsequently, reflected his character and personality traits that were evident in some of his major works and adaptations. With the aim of reflecting on the important influence of Williams’ mother for the development and representation of their mothers in fiction, the aim of this article was to propose a typology of the parent that are present in his work. To do this, and with reference to Edwina, the article addresses mother-protagonists of some of his most relevant film adaptations, which were adapted in Hollywood between 1950 and 1968, such as “The Rose Tattoo” of Daniel Mann of the year of 1955, “Suddenly, Last Summer” of Joseph L. Mankiewicz of the year of 1959, and “This Property Is Condemned” of Sydney Pollack of the year of 1966, the latter being one of the most important film adaptations of the playwright.

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Lacalle, Charo, and Beatriz Gómez. "The representation of workingwomen in Spanish television fiction." Comunicar 24, no. 47 (April 1, 2016): 59–67. http://dx.doi.org/10.3916/c47-2016-06.

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During the sixties and seventies the limited presence of women in the public sphere was reflected in the restricted repertoire of roles played by female characters in television fiction (mainly those of mothers and wives). The strengthening of the feminist movement in the following decades increased and diversified the portrayals of women in the workplace, and further encouraged academic research on the social construction of working women. Despite the relevance of female professionals in current TV shows, the importance of romantic relationships and sexuality has led to a decreasing number of studies on the subject. This article summarizes the results of a study on working women in Spanish TV fiction, part of a larger project on the construction of female identities. The research uses an original methodology that combines quantitative techniques and qualitative methods (socio-semiotics) to analyse the sample of 709 female characters. The results show a coexistence of the traditional stereotypes of working women in customer service and care-giving positions with those of highly skilled female professionals. However, the empowerment of women in positions of responsibility is often associated with a negative portrayal of the character, while the problems of reconciling family and work are systematically avoided. La reducida presencia de la mujer en la esfera pública durante los años sesenta y setenta se reflejaba en el limitado repertorio de roles (madre y esposa principalmente) que le atribuía la ficción televisiva. El impulso feminista de las décadas sucesivas estimuló las representaciones de los personajes femeninos en el ámbito laboral y la reflexión académica sobre la construcción social de la mujer trabajadora. Pero, a pesar de la relevancia del rol profesional en las protagonistas de la ficción actual, la relevancia de las relaciones sentimentales y de la sexualidad ha revertido en el reducido número de estudios sobre el tema. Este artículo sintetiza los resultados de un análisis de la mujer trabajadora en la ficción televisiva española, integrado en un proyecto sobre construcción de identidades femeninas. La investigación propone una metodología original, que combina métodos cuantitativos y cualitativos (socio-semiótica) para afrontar el estudio de 709 personajes femeninos. La investigación revela la convivencia de estereotipos ligados a las representaciones tradicionales de los empleos de las mujeres (trabajos relacionados con la atención al público y el cuidado de las personas) con otras profesiones altamente cualificadas. Sin embargo, el empoderamiento de las mujeres con cargos de responsabilidad se asocia frecuentemente con una caracterización negativa del personaje, al tiempo que los problemas de conciliación de los roles familiares y profesionales se eluden sistemáticamente.

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Mohanty, Sulagna. "NATIVE, NATURE AND NEGOTIATION: AN ECO-LITERAL STUDY OF CONCILIATION OF PAST AND PRESENT WITH REFERENCE TO LESLIE SILKO’S NATIVE AMERICAN FICTION GARDENS IN THE DUNES." Kongunadu Research Journal 4, no. 1 (June 30, 2017): 41–45. http://dx.doi.org/10.26524/krj174.

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The indigenous cultures all over the world are strongly interwoven with a range of natural components. All these indigenous and aboriginal worlds including Native Americans are known for their holistic tradition as they love and revere a variety of ecological elements such as the Mother Earth, foliage, waterway, deep marine, and downpour. In the Native American fiction Gardens in the Dunes by Leslie Marmon Silko, the author weaves a spectacular narrative to convey the story of nature, home, mother, memory, exile, and return. Silko portrays this strong bonding while depicting the close relationship between Nature andvarious Native American characters. As the Native American culture believes in the deep bonding between its nature and its community members, their varied forms of farming and gardening become integral to their cultural identity. The recurrent recollections of Indigo’s mother, her Grandmother Fleet, Sister Salt, and above all, the image of the Old Garden represent the recreation and reconstruction of her cultural memory and its association with the Mother Nature. The protagonist Indigo’s love for gardens brings back the mythical memory of the Biblical ‘Garden of Eden’ which is the ‘Garden of God’ as described in the Book of the Genesis. The displacement of Indigo from her indigenous garden becomes a representation of the man’s dissociation from nature and Indigo’s homecoming to her native garden denotes man’s perpetual longing to reconcile with Mother Earth. Thus, this paper seeks to analyze the re-establishment of a negotiation between old and new, past and present and most importantly the man and the nature in the backdrop of colonization with reference to Gardens in the Dunes by Leslie Marmon Silko.

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Rahimova, U. "Status of Femininity and Motherhood in the Work of Anne Enright." Bulletin of Science and Practice 7, no. 3 (March 15, 2021): 380–83. http://dx.doi.org/10.33619/2414-2948/64/51.

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The aim of this work is to identify the ways of image representations and to reveal authorial positioning in Irish literature. As the image of mother and the topic of the family are inextricably linked, and they have become crosscutting themes in foreign writers’ fiction as well as in the works of Anne Enright’s unusual interpretation of this key image in Irish literature is of great interest for the researchers.

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Péneau, Emilie. "“Don't ever ask for the true story”: versions of reality and life stories in Atwood’s short fiction." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2010 (January 1, 2010): 140–43. http://dx.doi.org/10.33178/boolean.2010.32.

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My research focuses on Margaret Atwood’s short fiction and intends to explore how Atwood uses this particular genre in order to challenge ideological discourses. It highlights the use of this genre in order to convey or subvert ideas and considers its place in literature. It then explores the function of storytelling in Atwood’s short stories. Finally, it examines the representation of gender, Canadian identity and global issues in these stories. Storytelling has a key role in my thesis, as Atwood draws attention to the subjectivity of any narrative in order to emphasise the ideological aspect of these narratives. Therefore, this article considers the politics of storytelling in Atwood’s short stories and uses two stories to illustrate how Atwood’s writing is self-reflexive: “Giving Birth” and “Significant Moments in the Life of my Mother”. Much of Atwood’s work is concerned with the fact that any writing, even those claiming to truth such ...

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Rorato, Laura. "Narratives of Displacement: The Challenges of Motherhood and Mothering in semi-fictional works by Laura Pariani, Mary Melfi, and Donatella Di Pierantonio." International Journal of Comparative Literature and Translation Studies 6, no. 1 (January 31, 2018): 75. http://dx.doi.org/10.7575/aiac.ijclts.v.6n.1p.75.

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This article analyses the representation of the impact of migration on family dynamics in three autobiographical works: Laura Pariani’s Il piatto dell’angelo (2013), Mary Melfi’s Italy Revisited. Conversations with my Mother (2009), and Antonella Di Pietrantonio’s Mia madre è un fiume (2011). All three authors were directly or indirectly affected by the wave of emigration that took place in Italy between the end of the 19th century and the first half of the 20th century. Pariani extends her observations to the present by focusing also on those South American women who are currently moving to Italy to work as cares for old people, often leaving their families behind. Motherhood and mothering are central themes in all three books. These works problematise the patriarchal notion of motherhood and highlight the need to move towards alternative concepts of motherhood that do not imply the subordination of women. Additionally, this article offers a reflection on the role that creative writing can play in challenging some of the most engrained stereotypes, such as those of the good mother versus the bad mother, partially related to our Christian tradition. Building on Podnieks and O’Reilly’s notion of “maternal texts” (1-2), this article argues that through fiction women are less inhibited in exploring the thornier aspects of motherhood as a social construction than they seem to be in everyday life.

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Ostalska, Katarzyna. "“A right kind of rogue”: Lisa McInerney’s "The Glorious Heresies" (2015) and "The Blood Miracles" (2017)." Text Matters, no. 9 (December 30, 2019): 237–58. http://dx.doi.org/10.18778/2083-2931.09.15.

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The following article analyzes two novels, published recently by a new, powerful voice in Irish fiction, Lisa McInerney: her critically acclaimed debut The Glorious Heresies (2015) and its continuation The Blood Miracles (2017). McInerney’s works can be distinguished by the crucial qualities of the Irish Noir genre. The Glorious Heresies and The Blood Miracles are presented from the perspective of a middle-aged “right-rogue” heroine, Maureen Phelan. Due to her violent and law-breaking revenge activities, such as burning down the institutions signifying Irishwomen’s oppression (i.e. the church and a former brothel) and committing an involuntary murder, Maureen remains a multi-dimensional rogue character, not easily definable or even identifiable. The focal character’s narrative operates around the abuse of unmarried, young Irish mothers of previous generations who were coerced to give up their “illegitimate” children for adoption and led a solitary existence away from them. The article examines other “options” available to “fallen women” (especially unmarried mothers) in Ireland in the mid-twenty century, such as the Magdalene Laundries based on female slave work, and sending children born “out of wedlock” abroad, or to Mother and Baby Homes with high death-rates. Maureen’s rage and her need for retaliation speak for Irish women who, due to the Church-governed moral code, were held in contempt both by their families and religious authorities. As a representative of the Irish noir genre, McInerney’s fiction depicts the narrative of “rogue” Irish motherhood in a non-apologetic, ironic, irreverent and vengeful manner.

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Avanzas Álvarez, Elena. "Form and Diversity in American Crime Fiction:The Southern Forensic Thriller." Polish Journal for American Studies, no. 13 (Autumn 2019) (October 15, 2019): 309–19. http://dx.doi.org/10.7311/pjas.13/2/2019.11.

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The forensic thriller has traditionally been constructed as a mainstream American narrative focused on the stereotypical representation of the country as a metropolis with an incredible amount of resources, and the American capitalist dream. The author Patricia Cornwell (Postmortem, first novel in the Kay Scarpetta series, published in 1990) is considered the founding mother of this crime fiction subgenre native to the US, closely followed by Kathy Reichs (Deja Dead, first novel in the Temperance Brennan series, published in 1997) whose series have been successfully adapted to television in the show Bones (2005-2017). But the 21st century has seen the inclusion of more diverse settings for these stories, the South being the most economically successful and dominated by women authors too. Georgian Karin Slaughter is the author of the “Grant County” series, set in the fictional town of Heartsdale, in rural Georgia, and responsible for the inscription of the South in American forensic thrillers thanks to her own experience as a native. Blindsighted (2001) includes elements from both the grotesque southern gothic and the hard boiled tradition. My analysis of the first novel in the series will examine how the southern environment becomes quintessential to the development of the crimes and the characters from a literary, philosophical and feminist point of view. The issues examined will include, but not be limited to crime, morals, religion, professional ambition, infidelity, divorce, sexual desire, infertility, and family relationships.

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Dissertations / Theses on the topic "The representation of the mother in fiction"

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Weeda-Zuidersma, Jeannette Weeda-Zuidersma Jeannette. "Keeping mum representations of motherhood in contemporary Australian literature : a fictocritical exploration /." Connect to this title online, 2006. http://theses.library.uwa.edu.au/adt-WU2007.0054/.

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Pfaff-Shalmiyev, Sophia. "] To Mother." PDXScholar, 2015. http://pdxscholar.library.pdx.edu/open_access_etds/2535.

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Four weeks before the collapse of the Berlin Wall in 1989 an eleven-year-old flees the Soviet Union with her young father. As political refugee determined to eventually settle in the United States they hastily abandon the girl's estranged alcoholic mother, future stepmother, their friends and relatives, their collection of books and all but a handful of family photographs. She eventually attempts to seek out and recover the people, ideas and objects lost on that voyage to America by going back to a much changed Russia and stitching together the scattered and forgotten pieces in between her old and new homes through dream-like snapshots. Two decades after her emigration the author examines the concept of bad luck in one's travels, the significance of the number four, ambivalent attachments, learning to mother from a place of abandonment, the familial legacy of escape and the pursuit of wholeness within inconsolable loss. The un-tellability of the story is considered through the lens of Sappho, Bernadette Mayer, Yoko Ono, Roland Barthes, Doris Lessing, Nico and many other surrogate mothers and fathers brought together as a chorus in a multi-vocal, lyric approach.

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Fowler, Heather. "Father and Mother Songs." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2048.

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Lowe, Julia (Julia Margaret) Carleton University Dissertation English. "Re-inscribing the mother: feminist theory and fiction." Ottawa, 1991.

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Lewis, Jocelyn Renee. "Media representation of maternal neonaticide." Thesis, Texas A&M University, 2008. http://hdl.handle.net/1969.1/85970.

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The present research conducted a rich discourse analysis of an episode of the fictional television crime drama, Law & Order: Special Victims Unit, as well as a content analysis of local and national news transcripts focusing on the representation of mothers who commit neonaticide. Both fictional and non-fictional media sources exhibited aspects of the monstrous maternal theme and the strain defense theme. The monstrous maternal theme consists of words and statements that indicate the descriptions of crime committed against the newborn as well as negative responses and reactions by others to the young mother and her crime. The strain defense theme refers to instances that discuss the internal and external strains of the young woman that may have contributed to her committing neonaticide. However, the "monstrous maternal" is the prevailing representation of mothers who commit neonaticide in both fictional and non-fictional media sources. This media representation utilizes "control talk" to separate "us" the good mothers, who abide by the cultural expectations of traditional gender roles and embrace the internal and external strains of motherhood, from "them" the criminal mothers, who fail to adhere to these role expectations of motherhood by committing neonaticide. The present research reveals that cultural stories and scripts of the monstrous maternal still exist. This contemporary folklore may serve as a form of social control to scare women into conforming to these traditional gender roles and bearing the burden of the motherhood strains, in order to avoid being branded a bad mother. Finally, the present research develops the application of General Strain Theory to explain the internal and external strains of a young woman that may contribute to her committing the criminal act of maternal neonaticide. These media representations of maternal neonaticide could impact the criminal justice system and public policy. Questions of accuracy, gendered understandings of crime and gendered understanding of appropriate punishment are areas the present research explores. Most importantly, the present research seeks to investigate the connection between legal culture in both media and professional practice - and what those connections mean for our general cultural understandings of violence and aggression in women.

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Langston, Jessica. "Writing herself in : mother fiction and the female Künstlerroman." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79957.

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This project examines the 'mother-writer problem' within contemporary Canadian fiction by women. Using three novels that tell the story of a mother who is also a writer, Margaret Laurence's The Diviners, Audrey Thomas' Intertidal Life and Carol Shields' Unless, I will outline the manner in which the roles of mother and writer are negotiated by the authors and their central characters. Further, I will investigate how creating a narrative about a female artist who is also a mother challenges and changes the structure and content of the standard female kunstlerroman. Finally, this thesis will attempt to determine how or if such challenges and changes improve the portrait-of-the-female-artist novel.

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Németh, Andrea. "Mothers and daughters, representations on the adoption triad in contemporary popular and literary fiction : theory and original work." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0035/MQ27368.pdf.

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Leung, Ching-man, and 梁靜雯. "Autism: narrative and representation in postmodern fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48334686.

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This dissertation investigates autism as a form of disability in the literary and filmic worlds. It closely examines the narrative and representation of autism in two popular fictions, Mark Haddon’s The Curious Incident of the Dog in the Night-time and Jonathan Safran Foer’s Extremely Loud and Incredibly Close. I propose to employ a postmodern framework in reading Haddon’s and Foer’s works, and argue the texts manifest the influence of postmodernism in contemporary writings through exhibiting inter-disciplinary knowledge and transcending the boundary between textual and visual narrative. This dissertation demonstrates how the two novels, by constructing the imagined autistic narrators, and giving them the narrative voice, offer neurotypical readers new perspectives to perceive an alienated world in autistic lens, such that the autistic narrative contributes to a distinct reading experience. The two chosen novels are significant texts in constructing the popular perception about autism in view of their worldwide popularities. This dissertation investigates how the autistic subject is being constantly imagined, represented, misrepresented and fantasized as otherness in the two fictions, by drawing comparisons with the Hollywood cinema. I find that the characterization and plot formulation in the two novels largely conform to and further reinforce the conventional, stereotypical and monolithic representations of autism in the popular culture, in which people with autism are either victimized as tragic characters, or in contrast, spectacularized and romanticized as extraordinary savants. Through a critical review of autism in a broad cultural discourse, this dissertation further illustrates how autism emerges as a “transient disability” of the twenty-first century and functions as a cultural metaphor. People with autism are consistently portrayed as lonely aliens or emotionless computer cyborgs. Autism thus serves as a metaphorical and self-referential device to express the fear, anxiety and confusion towards the growing influence of computer technology and consumerism in postmodernity.
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Literary and Cultural Studies
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Pedlar, Valerie. "The representation of madness in Victorian fiction." Thesis, University of Liverpool, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357403.

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Emmelhainz, Nicole M. "Dreams of Her Mother." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1213210293.

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Books on the topic "The representation of the mother in fiction"

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Women's common density: Maternal representations in the serialized Cebuano fiction of Hilda Montaire and Austregelina Espina-Moore. Diliman, Quezon City: University of the Philippines Press, 2009.

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Sabanpan-Yu, Hope. Women's common destiny: Maternal representations in the serialized Cebuano fiction of Hilda Montaire and Austregelina Espina-Moore. Diliman, Quezon City: University of the Philippines Press, 2009.

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Gorky, Maksim. Mother. Ottawa: eBooksLib, 2005.

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Motherhood and representation: The mother in popular culture and melodrama. London: Routledge, 1992.

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ill, Goodell Jon, ed. Mother, Mother, I want another. New York: Alfred A. Knopf, 2005.

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Magona, Sindiwe. Mother to mother. Cape Town: David Philip, 1998.

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Magona, Sindiwe, and Sindiwe Magona. Mother to mother. Boston: Beacon Press, 1999.

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Brett, Belinda. Mother. London: Piatkus, 1998.

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Roberts, Bethan. Mother Island. London: Vintage, 2015.

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Chawaf, Chantal. Mother love ; Mother earth. New York: Garland Pub., 1992.

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Book chapters on the topic "The representation of the mother in fiction"

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Weekes, Ann Owens. "Figuring the Mother in Contemporary Irish Fiction." In Contemporary Irish Fiction, 100–124. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230287990_6.

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Frigg, Roman. "Fiction and Scientific Representation." In Beyond Mimesis and Convention, 97–138. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-3851-7_6.

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Elliott, Jane. "My Mother, My Self." In Popular Feminist Fiction as American Allegory, 137–62. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612808_7.

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Armitt, Lucie. "Conclusion: The Lost Mother." In Contemporary Women's Fiction and the Fantastic, 220–23. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230598997_9.

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Blake, Ann, Leela Gandhi, and Sue Thomas. "Introduction: ‘Mother Country’." In England Through Colonial Eyes in Twentieth-Century Fiction, 1–6. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599277_1.

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Di Ciolla, Nicoletta, and Anna Pasolini. "The Violent Mother in Fact and Fiction." In Domestic Noir, 137–58. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69338-5_8.

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Hölbling, Walter. "Literary Sense-Making: American Vietnam Fiction." In Vietnam Images: War and Representation, 123–40. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19916-7_8.

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Rando, David. "Introduction: Modernism, News, and the Representation of Experience." In Modernist Fiction and News, 1–25. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119666_1.

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Härtel, Insa. "Leaving Mother Behind: On the Production and Replacement of the Maternal in Space." In Body and Representation, 123–29. Wiesbaden: VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-663-11622-6_11.

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Bergman, Kerstin. "From Conflicted Mother to Lone Avenger: Transformations of the Woman Journalist Detective in Liza Marklund’s Crime Series." In Serial Crime Fiction, 111–21. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137483690_11.

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Conference papers on the topic "The representation of the mother in fiction"

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Demyanenko, Maria A. "Picture Of The World Of The Mother Tongue And Understanding Of Fiction." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.70.

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Mao, Wei-Qiang. "Representation of the Sciences in Julian Barnes' Fiction." In 2017 2nd International Conference on Humanities and Social Science (HSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/hss-17.2017.60.

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Othmani, Mohamed, and Chokri Ben Amar. "A high dimension 3D object representation using Multi-Mother Wavelet Network." In 2010 5th International Symposium On I/V Communications and Mobile Network (ISVC). IEEE, 2010. http://dx.doi.org/10.1109/isvc.2010.5656177.

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Glass, Kevin, and Shaun Bangay. "Constraint-based conversion of fiction text to a time-based graphical representation." In the 2007 annual research conference of the South African institute of computer scientists and information technologists. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1292491.1292494.

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Putri, Evi Dianti, and Indrayuda. "Ngasuh Anauk Song: A Form of Love Representation between Mother and Children." In Proceedings of the 1st International Conference on Education Social Sciences and Humanities (ICESSHum 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icesshum-19.2019.19.

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Demartoto, Argyo. "Social Capital Representation in Structured Peer Education for Prevention of Mother – to – Child Transmission." In Proceedings of the Third International Conference on Social Transformation, Community and Sustainable Development (ICSTCSD 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/icstcsd-19.2020.3.

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Ayuningtyas, Paramita, and Azis Kariko. "The Representation of National and Urban Conditions in Indonesian and Singaporean Science Fiction Short Stories." In BINUS Joint International Conference. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010023105180523.

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Arindita, Ruvira. "Representation of Working Mother in Social Media (Semiotics Analysis of Bukalapak’s Advertisement (Mother’s Day version) in Youtube)." In International Conference on Emerging Media, and Social Science. EAI, 2019. http://dx.doi.org/10.4108/eai.7-12-2018.2281811.

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Rohmah, Nurul, and Uman Rejo. "Representation Of Traditional Buton Events In Fiction Works By Wa Ode Wulan Ratna: a Study Of New Historicism." In Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.25-11-2020.2306717.

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Kosanović, Biljana, and Pero Šipka. "Output in WoS vs. Representation in JCR of SEE Nations: Does Mother Thomson Cherish All Her Children Equally." In 5th Belgrade International Open Access Conference. Centre for Evaluation in Education and Science, 2013. http://dx.doi.org/10.5937/bioac-111.

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