Relevant bibliographies by topics / The Rime of the Ancient Mariner

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'The Rime of the Ancient Mariner'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "The Rime of the Ancient Mariner"

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Dr.S.RADHIKA, Dr S. RADHIKA. "Psycholinguistic Analysis of Coleridge’s - Rime of the Ancient Mariner." Indian Journal of Applied Research 4, no. 3 (October 1, 2011): 219–20. http://dx.doi.org/10.15373/2249555x/mar2014/65.

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Zhatkin, Dmitry N., and Anna A. Ryabova. "THE RIME OF THE ANCIENT MARINER." TURKISH ONLINE JOURNAL OF DESIGN, ART AND COMMUNICATION 2018 (March 1, 2018): 254–62. http://dx.doi.org/10.7456/1080mse/032.

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Ower, John. "Coleridge's Rime of the Ancient Mariner." Explicator 65, no. 1 (September 2006): 19–21. http://dx.doi.org/10.3200/expl.65.1.19-21.

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Das, Arunava. "Rereading of Samuel Taylor Coleridge's Rime of the Ancient Mariner as an allegorical poem, a ballad with Ecocritical touch." International Journal of English Literature and Social Sciences 7, no. 5 (2022): 065–69. http://dx.doi.org/10.22161/ijels.75.11.

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In recent times many critics view Samuel Taylor Coleridge epoch-making work ‘The Rime of the Ancient Mariner’ from many different perspectives. This paper mainly tends to unify all major perspectives of critics in one single reading. 'The Rime of the Ancient Mariner' as a supernatural poem, a lyrical ballad, a Christian allegory of sin, sufferings and exploitation leading to spiritual elimination along with ecocritical conscious with which ‘The Rime of the Ancient Mariner’ recently associated by the Eco critics and environmentalist. Within the structural framework of seven parts, the poem is formally designed as a romantic lyrical ballad in which the basic ingredients of medieval gothic ballad tradition are satisfactory found how an adventurous journey change into a journey of sin and how the mariner harm the natural world and how he realises his sin and bent before God for forgiveness. The main motto of this paper is to discuss the above mention aspects of the poem which can give a new light to the poem as well as to bring forth the poetic genius of Coleridge.
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Khozooi, Fatemeh, and Razieh Eslamieh. "A Lacanian Reading of Samuel Taylor Coleridge’s The Rime of the Ancient Mariner and Christabel." International Journal of Linguistics 11, no. 5 (October 22, 2019): 213. http://dx.doi.org/10.5296/ijl.v11i5.15383.

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The present paper compares Lacanian Psychoanalytic Orders in The Rime of the Ancient Mariner and Christabel. Imaginary Order and Symbolic Order are basic notions studied as a path to a better understanding of the poems. In The Rime of the Ancient Mariner, the Ancient Mariner has not entered the realm of the Symbolic Order completely and it can be claimed he still partly lives in the Imaginary Order. Despite the fact that the two poems are different in narrative and character development, some similarities are revealed in the way the main characters pass the Orders and form their final individuality. Both Christabel and the Mariner have connections with Imaginary Order which has hindered their complete transition to the Symbolic Order. However, some events loosen their bonds with this Order and cause their complete transition to the Symbolic Order.
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Lee, Chung-Eun. "Coleridge's “The Rime of The Ancient Mariner”." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 64 (August 31, 2016): 233. http://dx.doi.org/10.21087/nsell.2016.08.64.233.

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Wilkes, David M. "Coleridge's the Rime of the Ancient Mariner." Explicator 61, no. 4 (January 2003): 202–4. http://dx.doi.org/10.1080/00144940309597811.

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Melville, Peter. "Coleridge's THE RIME OF THE ANCIENT MARINER." Explicator 63, no. 1 (January 2004): 15–18. http://dx.doi.org/10.1080/00144940409597245.

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Ulmer, William A. "AnsweringThe Borderersin “The Rime of the Ancient Mariner”." European Romantic Review 19, no. 3 (July 2008): 233–46. http://dx.doi.org/10.1080/10509580802211405.

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Chadha, Sonia, and Parul Mishra. "A Fresh Perspective in the Lyrical Ballads of Samuel Taylor Coleridge’s The Rime of Ancient Mariner through the aspect of Water." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 1 (January 12, 2022): 55–60. http://dx.doi.org/10.53573/rhimrj.2022.v09i01.011.

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The Romantic Era is known for the new wave of thought and Samuel Taylor Coleridge being the pioneer delivered a ray of hope for changing the traditional trend of the period. The four realm of the earth it is supposed to be the main factor for making this blue planet to survive and Coleridge portrayed the utility of these in his ballad The Rime of Ancient Mariner through a sea voyage of a mariner by establishing some ethical values related to water. The purpose of this study is to analyze the importance of water and water bodies in S.T. Coleridge major work such as The Rime of Ancient Mariner and to reveal out the facts which are hidden under the layers of skepticism. Henceforth, Coleridge’s Supernatural technique and innovative ideas used water as a symbol of salvation constructed a new platform for the succeeding generations.
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Dissertations / Theses on the topic "The Rime of the Ancient Mariner"

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Poletti, Neto Walter. "The rime of the ancient mariner” em diferentes narrativas." Universidade Federal de São Carlos, 2016. https://repositorio.ufscar.br/handle/ufscar/8141.

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The main objective of this dissertation is to investigate the dialogue between the romantic poem The Rime of the Ancient Mariner, by Samuel Taylor Coleridge, first published in 1798, and its transcreation – concept proposed by Haroldo de Campos – in the homonymous song released by the heavy-metal group Iron Maiden. Based on three levels of analysis of both texts, according to Fredric Jameson dialectical critic, this interpretation will make evident or clear, in the very first moment, which elements of the poem are approached or neglected in Steve Harris’ adaptation, leader, founder and main songwriter of the British group; simultaneously, a comparison between the form of the texts will be made to list important elements such as rime and meter, verses and stanzas, fable, “characters”, and others. In the second moment, the analysis must point out how nature and religion, illustrated in elements such as the sea, rain, snow, fog and mist, Sun and Moon, wind and breeze, beautiful or slimy living things, prayers, sin and “shrieve” made critics such as Franca Neto, John Lowes, Alexander Silva and Tania Asnes to interpret the poem as imaginative, subjective or religious, connected to what Fredric Jameson calls strategies of containment. The third level of reading will bring up the History hidden under the surface of the work of arts, or in other words, an social-aesthetical reading or an “political interpretation of the literary texts” (JAMESON, 1992, p. 15) supported specially in the concepts of mediation – “the establishment of relationships between, say, the formal analysis of a work of art and its social ground, or between the internal dynamics of the political state and its economic base” (ROBERTS, 2000, p. 78, 79), verifying acts socially symbolic revealed in a final analysis.
O objetivo desta dissertação é investigar o diálogo entre o poema romântico The Rime of the Ancient Mariner, de Samuel Taylor Coleridge, publicado originalmente em 1798, e sua transcriação – conceito proposto por Haroldo de Campos – na música homônima do grupo de heavy-metal Iron Maiden. A análise dos textos se dá em três níveis, de acordo com a crítica dialética de Fredric Jameson. Em primeira instância, a análise evidenciará quais elementos do primeiro são abordados ou negligenciados na releitura de Steve Harris, líder, fundador e principal compositor do grupo britânico; simultaneamente, caberá uma comparação entre a forma dos textos, elencando elementos fundamentais da estrutura como rima e métrica, versos e estrofes, fábula, “personagens”, entre outros. Num segundo momento, a análise deverá salientar como a natureza e a religião, a partir de elementos como mar, chuva, neve, névoa, Sol e Lua, ventos e brisas, criaturas divinas belas ou assustadoras, orações, pecado e absolvição levaram críticos como Franca Neto, John Lowes, Alexander Silva e Tania Asnes interpretaram o poema como imaginativo, subjetivo ou religioso, prendendo-se àquilo que Fredric Jameson denomina estratégias de contenção. Traremos à tona a História oculta por debaixo da superfície das obras a fim de ampliar nossa leitura ao plano estético-social ou, segundo proposto por Fredric Jameson em “O Inconsciente Político”, uma “interpretação política dos textos literários” (JAMESON, 1992, p. 15) apoiada especialmente nos conceitos de mediação – “relações entre a análise formal de uma obra de arte e seu chão social” (JAMESON, 1992, p. 35), verificando atos socialmente simbólicos a serem revelados à luz de uma análise final.
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Engdahl, Max. "Iron Maiden, Coleridge, and the Ancient Mariner : A comparative analysis of stylistics in Iron Maiden's and Coleridge's The Rime of the Ancient Mariner." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-80500.

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This essay is a comparative analysis of stylistics in Iron Maiden’s adaptation of Samuel T. Coleridge’s Rime of the ancient mariner. The essay employs the following concepts: the poetic function of language, the referential function of language, parallelism, and meter to investigate stylistic differences and conformity between the two texts. Furthermore, the essay also discusses how the stylistic elements affect meaning, especially regarding the theme of sin and redemption, and the extent to which the meaning of Iron Maiden’s text conforms to, differs from, or is informed by Coleridge’s poem.
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Pacheco, Katie. "The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/937.

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The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem that centers on the concept of prajna, or wisdom, as a vital tool for cultivating the mind. Focusing on prajna, I argue that the Mariner’s didactic story traces his cognitive voyage from ignorance to enlightenment. By examining The Rime within the framework of Buddhism, readers will also be able to grasp the importance of cultivating the mind and transcending ignorance.
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Remblance, Michelle. "'All this 'pother about a bird' : consciousness and conscience in The Rime of The Ancient Mariner by S.T. Coleridge." Thesis, University of East Anglia, 2011. https://ueaeprints.uea.ac.uk/42358/.

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This PhD consists of a novel entitled Shooting the Albatross and a thesis entitled 'All This ‘Pother About a Bird': Consciousness and Conscience in The Rime of The Ancient Mariner by S.T.Coleridge. The novel is an interpretation of The Rime of The Ancient Mariner in the context of the poem’s forerunner The Wanderings Of Cain. The thesis is a discussion of my interpretation, in the context of a range of academic readings of the poem. In Part One of my thesis I discuss how the albatross came to be incorporated into the poem, what the albatross has signified to various critics in the last two hundred years, and what range of explanations have been given for the shooting of the bird. I then offer my own examination of the shooting of the albatross, as a conscious act of the diseased will, discussing how and why I have incorporated this interpretation into Part One of my novel. In Part Two of my thesis I discuss Part Two of my novel with reference to Coleridge’s poem as a journey from a state of the ‘impure will,’ or a diseased consciousness and disconnection from God, towards temporary reconnection and increased consciousness through the act of blessing the snakes. Part Three of the novel is discussed in the third part of the thesis, where I examine critical reactions to the message in The Rime of The Ancient Mariner ‘to love all creatures great and small’. I discuss my interpretation of the message in relation to the novel, and in the context of twenty-first century environmental concerns.
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Heller, Caroline. "EQUIVOCAL LIFE:LYRICS OF (NON)LIVINGNESS IN S.T COLERIDGE'S "RIME OF THE ANCIENT MARINER" (1798) AND CHARLOTTE SMITH'S BEACHY HEAD (1807)." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1374066876.

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Resende, Helena Maria Pereira. "Percursos irónicos da escrita poética de Samuel Taylor Coleridge : Para uma leitura da Biographia Literaria e de "The Rime of the Ancient Mariner"." Master's thesis, Porto : [Edição do Autor], 2000. http://hdl.handle.net/10216/13028.

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A dissertação procura apresentar uma leitura do poema "The Rime of the Ancient Mariner" à luz da ironia romântica. Dado que o autor do poema - Samuel Taylor Coleridge - desenvolveu uma teoria poética na sua obra Biographia Literaria, que se considera fundamental para esta leitura da procura, o primeiro capítulo aborda a auto-reflexão consciente do autor em relação aos filósofos idealistas alemães que o influenciaram. Este capítulo analisa ainda um autor simultaneamente crítico da sua obra, da sua vida e das tradições que o rodeiam a partir de uma enunciação em primeira pessoas. O segundo capítulo centra-se no poema "The Rime" numa perspectiva interna ao poema e o terceiro capítulo aborda a sua recepção numa perspectiva externa e sua relação com a recepção interna do poema.
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Resende, Helena Maria Pereira. "Percursos irónicos da escrita poética de Samuel Taylor Coleridge : Para uma leitura da Biographia Literaria e de "The Rime of the Ancient Mariner"." Dissertação, Porto : [Edição do Autor], 2000. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000105220.

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A dissertação procura apresentar uma leitura do poema "The Rime of the Ancient Mariner" à luz da ironia romântica. Dado que o autor do poema - Samuel Taylor Coleridge - desenvolveu uma teoria poética na sua obra Biographia Literaria, que se considera fundamental para esta leitura da procura, o primeiro capítulo aborda a auto-reflexão consciente do autor em relação aos filósofos idealistas alemães que o influenciaram. Este capítulo analisa ainda um autor simultaneamente crítico da sua obra, da sua vida e das tradições que o rodeiam a partir de uma enunciação em primeira pessoas. O segundo capítulo centra-se no poema "The Rime" numa perspectiva interna ao poema e o terceiro capítulo aborda a sua recepção numa perspectiva externa e sua relação com a recepção interna do poema.
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黃雅婷. "Sound and Sense in Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” and Its Application to English Teaching." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/27382757399834060233.

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碩士
國立彰化師範大學
英語學系
92
Abstract The close relationship between music and poetry can be traced back to the Middle ages. However, in the Renaissance, due to the different essences between music and poetry, they gradually separated. It is not until the Romantic stage that music and poetry begin to interact again. This thesis aims to explore the interaction between musical elements and sense in English Romantic poet, Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” and the appropriateness of applying “sound and sense” to English teaching. The whole thesis is divided into six chapters. Chapter One explains the motivation why the Romantic stage, Samuel Taylor Coleridge, and “The Rime of the Ancient Mariner” are selected as the subjects and meanwhile it also indicates that literature, especially poetry, is appropriate as the teaching material. Chapter Two discusses the musical elements in “The Rime of the Ancient Mariner.” In the beginning, Coleridge’s sensitivity to music which influences his arrangement of sound of words is illuminated. Then, the musical elements such as distorted stanzas, arrangement of words and rhythmic variation related to the sense of the content are analyzed. Chapter Three provides an analysis of the teaching material. Questionnaires are used in the pilot study in order to investigate senior high school teachers and students’ opinions about applying the concept of “sound and sense” to English teaching. In the pilot study, 5 teachers and 218 students participated. Chapter Four is the application of “The Rime of the Ancient Mariner,” including the teaching plan and the teaching procedures. In designing the teaching plan, students and teachers’ opinions in the questionnaires are taken into consideration. Besides, clear teaching process and complete achievement tests are also provided. Chapter Five is the results and discussion of the teaching application. In the study, 92 students participating in the experimental study were selected in order to manifest the appropriateness of applying “sound and sense” in “the Rime of the Ancient Mariner” to English teaching. The results showed that teaching “sound and sense” in the poem helped the students to revise the stereotyped opinions about English poetry. Most students agreed the appropriateness and helpfulness of employing “sound and sense” in “the Rime of the Ancient Mariner” as the teaching material. Besides, the results also revealed that the audio-visual teaching aids are required and necessary in poetry teaching. In Chapter Six, major findings and limitations of the study and suggestions for further study are proposed. Key words: Coleridge, The Rime of the Ancient Mariner, sound and sense, English teaching
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Wu, May-hong, and 吳美虹. "Nature in the Romantic Quest in Samuel Taylor Coleridge's "Christabel," "The Rime of the Ancient Mariner" and "Kubla Khan"." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/20744150838706980304.

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碩士
國立中正大學
外國語文研究所
89
The romantic imagination in nature for the Romantic poets zeroes in on a special topic in English Romanticism during the 19th century. In a word, the romantic imagination for Samuel Taylor Coleridge actually stands for the esemplastic power, which goes into the central parts of his poems. Samuel Taylor Coleridge, one of the top and eminent poets, fathered the Modern Poetry and the Romantic Revolution in English Literature, since the Romantic Revolution was giving the spirit of new birth to Modern Literature that spreads the emotional experience and the spiritual ecstasy. For instance, M. H. Abrams has commented, "Colerigde's poetic talent and insight are the seminal and excellent contributions to literature, and also regards him as the intellectual center of the English Romanticism movement." This thesis is divided into 5 parts, including the introduction, three chapters as the main body and the conclusion. First, this thesis aims to analyze the poetic mind and nature, as G. Wilson Knight has acclaimed, the quester has come to the world of "Hell, Purgatory and Paradise" in "Christabel," "The Rime of the Ancient Mariner" and "Kubla Khan." Second, this thesis focuses on how the poet-speaker explicates the poetic mind and nature in the romantic quest, and how the romantic imagination forms the poem as an organic whole. By its inward-looking journey, the poet-speaker, readers and the characters at the end have adopted the enlightenment of the moral indoctrination when they are on their road to seek after the grand central truth. After experiencing the spiritual odyssey, the poet-speaker, readers and the characters become "sadder and wiser" men. In addition, understanding the essence of good, evil, love, and moral, they reconstruct the spirit of internalization of the romantic quest, and are inspired by the enlightenment of the moral indoctrination. In Chapter One, firstly, what is Romanticism? Generally speaking, Romanticism is a "rebellion in a number of senses" that contains a wide freedom and the personal imagination, as which acts a perfect element in the poetic writings. Next, what is Coleridge's imagination? The poet-speaker in the "Conversation Poems" has explicated the poetic mind and nature, in which readers have touched with the variant forms of breathing of the romantic imagination, as "Nature's self is the breath of God." Chapter Two focuses on how the poet-speaker deals with nature in the romantic quest. The demonic group is close to the idea of Christian myth, which bases on the central spirit of the "apocalypse of imagination," just as Harold Bloom has mentioned, "the Romantics tended to take Milton's Satan as the archetype of the heroically defeated Promethean quester." So readers, the dreamer and the characters have experienced the metamorphic allusion of good, evil, moral, innate sin, misunderstanding, and understanding. They must go into the happiness and terror of "Hell, Purgatory and Paradise," respectively, which already reflect to the world of nature and the world of super-nature. Chapter Three copes with one thematic level of love and seeking after the grand central truth. As Harold Bloom has mentioned, "The higher Imagination shapes truth; the lower merely takes it, through nature, from the Shaping Spirit of God, and the Mariner's quest came to duplicate of his creation." The spirit of internalization of quest-romance is regarded as the central spirit of romantic quest, and also manifests it as the poet's higher imagination. Therefore, in my conclusion, the poet-speaker is an expert who deals with the dark world of nature, in which the poet-speaker has performed man's anxiety and guilt. However, at the end, human beings can discover love, truth and light, and also experience that the romantic imagination reshapes the poem as an organic whole.
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KUDRLOVÁ, Jana. "The religious symbolism in the work of S.T.Coleridge The Rime of the Ancient Mariner/Náboženská symbolika v díle S.T.Coleridge Píseň o starém námořníku." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-175186.

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Since The Rime of the Ancient Mariner was published in 1798, the disputes about its interpretation have been held. Some of the critics described it as a poem about morality; the other voices turned it into the political parallel. This thesis aims to show a different approach, namely through the religious overtones. The theoretical part consists of a general introduction to the interpretation of the symbols and of the insight into Romanticism and life of the author. The practical part includes a detailed analysis of the poem and interpretation of symbols. The thesis will also compare the author's view of certain aspects with those of his contemporaries. A comprehensive view of the extraordinary work meaning a significant milestone in the history of English literature and indicating a shift to modern poetry will be achieved by using several resources.
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Books on the topic "The Rime of the Ancient Mariner"

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Coleridge, Samuel Taylor. Rime of the ancient mariner. London: Phoenix, 1996.

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Coleridge, Samuel. Rime of the Ancient Mariner. Independently Published, 2017.

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Coleridge, Samuel. Rime of the Ancient Mariner. Independently Published, 2020.

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Coleridge, Samuel Taylor. Rime of the Ancient Mariner. Beaufort Books, 1986.

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Rime of the Ancient Mariner. Waiheke Island: The Floating Press, 2009.

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Coleridge, Samuel Taylor. Rime of the Ancient Mariner. Independently Published, 2022.

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Rime of the Ancient Mariner. Creative Media Partners, LLC, 2022.

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Rime of the Ancient Mariner. Creative Media Partners, LLC, 2018.

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Rime of the Ancient Mariner. Creative Media Partners, LLC, 2018.

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Helen Woodrow [From Old Catalog] Bones. Rime of the Ancient Mariner. Creative Media Partners, LLC, 2016.

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Book chapters on the topic "The Rime of the Ancient Mariner"

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Leadbetter, Gregory. "“The Rime of the Ancient Mariner”." In Coleridge and the Daemonic Imagination, 163–82. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118522_8.

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Fry, Paul H. "Combining Perspectives on the “Rime”." In The Rime of the Ancient Mariner, 315–42. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_9.

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Fry, Paul H. "Deconstruction and “The Rime of the Ancient Mariner”." In The Rime of the Ancient Mariner, 261–314. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_8.

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Fry, Paul H. "Marxist Criticism and “The Rime of the Ancient Mariner”." In The Rime of the Ancient Mariner, 131–67. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_5.

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Fry, Paul H. "Psychoanalytic Criticism and “The Rime of the Ancient Mariner”." In The Rime of the Ancient Mariner, 220–60. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_7.

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Fry, Paul H. "Biographical and Historical Contexts." In The Rime of the Ancient Mariner, 3–24. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_1.

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Fry, Paul H. "“The Rime of the Ancient Mariner”: The 1798 and 1817 Texts." In The Rime of the Ancient Mariner, 26–75. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_2.

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Fry, Paul H. "A Critical History of “The Rime of the Ancient Mariner”." In The Rime of the Ancient Mariner, 79–96. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_3.

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Fry, Paul H. "Reader-Response Criticism and “The Rime of the Ancient Mariner”." In The Rime of the Ancient Mariner, 97–130. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_4.

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Fry, Paul H. "The New Historicism and “The Rime of the Ancient Mariner”." In The Rime of the Ancient Mariner, 168–219. New York: Macmillan Learning, 1999. http://dx.doi.org/10.1007/978-1-349-15040-3_6.

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Conference papers on the topic "The Rime of the Ancient Mariner"

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Houmis, Nicholas J., Thomas Y. Wilson, and Kenneth R. Herd. "Solving ``The Rime of the Ancient Mariner'' in the Tampa Bay Area: Overcoming Pipeline Design Challenges to Meet Regional Water Supply Needs." In Pipeline Division Specialty Conference 2001. Reston, VA: American Society of Civil Engineers, 2001. http://dx.doi.org/10.1061/40574(2001)64.

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Ezzeldin, Hend. "Narrating the Wound: Trauma and Memory in Coleridge’s ‘Ancient Mariner’ and Poe’s ‘The Raven’." In 2nd International Conference on Research in Social Sciences and Humanities. GLOBALK, 2020. http://dx.doi.org/10.33422/2nd.icrsh.2020.12.05.

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Indranadi, V. B. "Depositional Model of Muda Formation, East Natuna Basin." In Indonesian Petroleum Association - 46th Annual Convention & Exhibition 2022. Indonesian Petroleum Association, 2022. http://dx.doi.org/10.29118/ipa22-g-295.

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Abstract:
The current exploration in the Natuna Basin is focusing on the Muda Formation, as there have been shallow gas discoveries such as Dara and Tuna in the East Natuna Basin as well as Kaci and Mako in the West Natuna Basin. Unfortunately, only limited studies or publications are available because the Muda Formation has not been the main exploration target in the past. This study attempts to build a series of regional Gross Depositional Environment (GDE) of the Muda Formation in the southeastern part of the East Natuna Basin that has never been published before. The present-day bathymetric and ancient river network maps of the Natuna region were integrated into the interpretation to complement limited seismic and well data. The present-day bathymetric map was adjusted to the Haq’s eustatic sea level curve and biostratigraphic data to depict ancient water depth, shoreline, and basin configuration maps. Meanwhile, the ancient river network map from Molengraaff (1921) was also used to establish the locus of the sediment influx into the basin. The depositional history of the Muda Formation began in the Late Miocene until the present-day during a period of tectonic quiescence. The continental slope gradient in the Natuna region was very gentle and hence the sedimentary process in the basin was strongly controlled by sea level changes. The Muda Formation has been subsequently divided into three sequences based on the eustatic sea level curve by Haq et al (1987), namely: the Lower Muda, Middle Muda, and Upper Muda sequences. Meanwhile, the paleobathymetric map and paleoriver network modeling suggests that there were two major estuaries, namely Maludam and Molengraaff that were influenced by tidal-dominated processes during the deposition of the Muda interval in the nearshore area. The Lower Muda deposition began in the Late Miocene, following the Middle Miocene tectonic uplift in the Natuna region. Its paleobathymetry is interpreted to be approximately 50 meters deeper than the present-day bathymetry. The sediment provenance of Lower Muda derived from onshore NW Borneo through the Maludam Estuary in the southeastern part of the basin. The Middle Muda Sequence marked a maximum transgressive event during the Early Pliocene period. The interpreted Middle Muda water depth was approximately 80 meters deeper than the present-day water depth due to global sea level rise. The Upper Muda Sequence was deposited during Plio-Pleistocene. A rapid and significant change of water depth, shoreline and sediment influx were controlled by the sea level change due to glaciation during the Ice Age. Its main sediment source was coming from Sumatera through the Molengraaff River toward estuary in the southwestern part of the basin during events when sea level dropped and alternately shifted through Maludam River and estuary during interglacial. This study proves that the eustatic curve, ancient river network and present-day water depth maps are valuable data to interpret the depositional model of the Muda Formation. The same data integration can be applied to other cases, which have equivalent age ranges in a similar geological setting. Overall, the Muda Formation is interpreted as clastic sediment that was deposited in fluvial to marine shelf environments.
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