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Journal articles on the topic 'The Rime of the Ancient Mariner'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Dr.S.RADHIKA, Dr S. RADHIKA. "Psycholinguistic Analysis of Coleridge’s - Rime of the Ancient Mariner." Indian Journal of Applied Research 4, no. 3 (October 1, 2011): 219–20. http://dx.doi.org/10.15373/2249555x/mar2014/65.

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2

Zhatkin, Dmitry N., and Anna A. Ryabova. "THE RIME OF THE ANCIENT MARINER." TURKISH ONLINE JOURNAL OF DESIGN, ART AND COMMUNICATION 2018 (March 1, 2018): 254–62. http://dx.doi.org/10.7456/1080mse/032.

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3

Ower, John. "Coleridge's Rime of the Ancient Mariner." Explicator 65, no. 1 (September 2006): 19–21. http://dx.doi.org/10.3200/expl.65.1.19-21.

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4

Das, Arunava. "Rereading of Samuel Taylor Coleridge's Rime of the Ancient Mariner as an allegorical poem, a ballad with Ecocritical touch." International Journal of English Literature and Social Sciences 7, no. 5 (2022): 065–69. http://dx.doi.org/10.22161/ijels.75.11.

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In recent times many critics view Samuel Taylor Coleridge epoch-making work ‘The Rime of the Ancient Mariner’ from many different perspectives. This paper mainly tends to unify all major perspectives of critics in one single reading. 'The Rime of the Ancient Mariner' as a supernatural poem, a lyrical ballad, a Christian allegory of sin, sufferings and exploitation leading to spiritual elimination along with ecocritical conscious with which ‘The Rime of the Ancient Mariner’ recently associated by the Eco critics and environmentalist. Within the structural framework of seven parts, the poem is formally designed as a romantic lyrical ballad in which the basic ingredients of medieval gothic ballad tradition are satisfactory found how an adventurous journey change into a journey of sin and how the mariner harm the natural world and how he realises his sin and bent before God for forgiveness. The main motto of this paper is to discuss the above mention aspects of the poem which can give a new light to the poem as well as to bring forth the poetic genius of Coleridge.

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5

Khozooi, Fatemeh, and Razieh Eslamieh. "A Lacanian Reading of Samuel Taylor Coleridge’s The Rime of the Ancient Mariner and Christabel." International Journal of Linguistics 11, no. 5 (October 22, 2019): 213. http://dx.doi.org/10.5296/ijl.v11i5.15383.

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The present paper compares Lacanian Psychoanalytic Orders in The Rime of the Ancient Mariner and Christabel. Imaginary Order and Symbolic Order are basic notions studied as a path to a better understanding of the poems. In The Rime of the Ancient Mariner, the Ancient Mariner has not entered the realm of the Symbolic Order completely and it can be claimed he still partly lives in the Imaginary Order. Despite the fact that the two poems are different in narrative and character development, some similarities are revealed in the way the main characters pass the Orders and form their final individuality. Both Christabel and the Mariner have connections with Imaginary Order which has hindered their complete transition to the Symbolic Order. However, some events loosen their bonds with this Order and cause their complete transition to the Symbolic Order.

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6

Lee, Chung-Eun. "Coleridge's “The Rime of The Ancient Mariner”." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 64 (August 31, 2016): 233. http://dx.doi.org/10.21087/nsell.2016.08.64.233.

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7

Wilkes, David M. "Coleridge's the Rime of the Ancient Mariner." Explicator 61, no. 4 (January 2003): 202–4. http://dx.doi.org/10.1080/00144940309597811.

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8

Melville, Peter. "Coleridge's THE RIME OF THE ANCIENT MARINER." Explicator 63, no. 1 (January 2004): 15–18. http://dx.doi.org/10.1080/00144940409597245.

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9

Ulmer, William A. "AnsweringThe Borderersin “The Rime of the Ancient Mariner”." European Romantic Review 19, no. 3 (July 2008): 233–46. http://dx.doi.org/10.1080/10509580802211405.

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10

Chadha, Sonia, and Parul Mishra. "A Fresh Perspective in the Lyrical Ballads of Samuel Taylor Coleridge’s The Rime of Ancient Mariner through the aspect of Water." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 1 (January 12, 2022): 55–60. http://dx.doi.org/10.53573/rhimrj.2022.v09i01.011.

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The Romantic Era is known for the new wave of thought and Samuel Taylor Coleridge being the pioneer delivered a ray of hope for changing the traditional trend of the period. The four realm of the earth it is supposed to be the main factor for making this blue planet to survive and Coleridge portrayed the utility of these in his ballad The Rime of Ancient Mariner through a sea voyage of a mariner by establishing some ethical values related to water. The purpose of this study is to analyze the importance of water and water bodies in S.T. Coleridge major work such as The Rime of Ancient Mariner and to reveal out the facts which are hidden under the layers of skepticism. Henceforth, Coleridge’s Supernatural technique and innovative ideas used water as a symbol of salvation constructed a new platform for the succeeding generations.

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11

Zinovyeva, Irina Viktorovna. "Attributes Functioning in S. T. Coleridge’s Poem “The Rime of the Ancient Mariner”." Filologičeskie nauki. Voprosy teorii i praktiki, no. 8 (July 2021): 2468–74. http://dx.doi.org/10.30853/phil210367.

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12

Miss Roshani Saiyyad and Mr. Ashok Kumar Malviya. "A Repentant Shadow of old Mariner in Rime of the Ancient Mariner." Creative Launcher 5, no. 5 (December 30, 2020): 68–72. http://dx.doi.org/10.53032/tcl.2020.5.5.09.

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The present paper is an attempt of Coleridge's psychological, supernatural phenomenon, perspective and uncertainty in human life through the Old Mariner life. Somewhere somebody offence in life needed to recognizance sins and repentance. Before death, need to confession and repentance. Coleridge almost represents his love for creatures and nature in the poem and inscribe the marvellous nature imagery in this poem. Coleridge confluence natural with supernatural elements in Rime of the Ancient Mariner. He presents 'Death' into mariner lives. Coleridge proved that punishment of any sin is an opportunity for Repentant – the way of salvation. This is a mariner who killed albatross merciless and bagged to mercy with Jesus, pray to him. It is the form of mankind. The paper shows mankind's nature, his psychology every aspect of life.

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13

Hoeveler, Diane Long. "Glossing the feminine inThe Rime of the Ancient Mariner." European Romantic Review 2, no. 2 (January 1992): 145–62. http://dx.doi.org/10.1080/10509589208569949.

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14

Shailer, Dan. "Guilt in Coleridge’s ‘The Rime of the Ancient Mariner’." Keats-Shelley Review 32, no. 1 (January 2, 2018): 72–76. http://dx.doi.org/10.1080/09524142.2018.1460956.

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15

Edgecombe, R. S. "Otway, Coleridge, and 'the Rime of the Ancient Mariner'." Notes and Queries 49, no. 1 (March 1, 2002): 28–29. http://dx.doi.org/10.1093/nq/49.1.28.

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16

Edgecombe, Rodney Stenning. "Otway, Coleridge, and ‘the Rime of the Ancient Mariner’." Notes and Queries 49, no. 1 (March 1, 2002): 28–29. http://dx.doi.org/10.1093/nq/490028.

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17

Reed, Mary. "Weather Talk: Revisiting “The Rime of the Ancient Mariner”." Weatherwise 44, no. 4 (September 1991): 42. http://dx.doi.org/10.1080/00431672.1991.9929379.

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18

Foakes, R. A. "Coleridge, Violence and ‘The Rime of the Ancient Mariner’." Romanticism 7, no. 1 (April 2001): 41–57. http://dx.doi.org/10.3366/rom.2001.7.1.41.

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19

Khan, Shaukat, Sumaira Jehanzeb, Irfan Ulah, and Muhammad Irfan. "A STYLISTIC ANALYSIS OF “THE RIME OF THE ANCIENT MARINER”." English Review: Journal of English Education 5, no. 1 (December 12, 2016): 37. http://dx.doi.org/10.25134/erjee.v5i1.387.

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If a specimen of literary art is seen as a fine tapestry of words made by the skilled seamstress—the poet, then the lexis and structure of a language are the raw materials—the fabric and the thread—by weaving which into specific patterns the finished product is achieved. The choice of materials and their arrangement into unique patterns always bear an image of their creator, or the artist; thus, a close view of them reveals the artist’s identity and brings out the meaningful message that underlies the ornate running threads. Mostly, the students of literary studies cannot appreciate the beauty of the literary classics on their own. Consequently, they simply mimic the ideas, and sometimes even the words, of famous professional critics when asked to give their own critical judgment on the aesthetic merit or the thematic quality of a literary work in the shape of a home assignment, classroom presentation or an annual assessment test. Now, the researcher has got the inspiration for carrying out this study from an idea expounded in Widdowson (1975) that this mimicry can be replaced by genuine individual opinion if the students, or even those people who have non-academic concerns with literature, are brought to a standpoint from where they can have a closer view of the raw materials, the language resources, which are involved in the making of a literary product. And, if the product in its finished form cannot elicit a desired response from them then making them sensitive to the process of its making can be quite effective in this regard. Through the present study, an attempt has been made to show an easy access to the outlandish world of verse by means of the linguistic route which is laid with the familiar flagstones of grammar and vocabulary. Meaning thereby that in this study the elusiveness of poetry will be dealt with the precision of a social scientist, the linguist. The approach which serves as the basis of this study is not an invention of the researcher; rather, it is a well-known twentieth century approach known as stylistics (Jeffries & McIntyre, 2010, p. 30). Samuel Taylor Coleridge’s famous ballad, “The Rime of the Ancient Mariner”, being a widely read poem and bearing various stylistics features, offered itself as an ideal object for this study. The poet’s aesthetic message is explored by analyzing the finest details of his linguistic expression. And, careful considerations have been made throughout the study to prevent the overlooking of any instance of deviant linguistic units or recurring patterns for interpretation because such elements contribute largely to the meaning of any literary product. The study is descriptive in its nature therefore qualitative data has been integrated with and substantiated by the quantitative one. Keywords: stylistics, literature, lexical, semantic and graphological deviations

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20

Rudolf, Matthias. "Unspeakable Discovery: Romanticism and the “Rime of the Ancient Mariner”." European Romantic Review 24, no. 2 (April 2013): 185–210. http://dx.doi.org/10.1080/10509585.2013.766401.

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21

Frost, Alan. "PRETENCE, PLAGIARISM, CREATIVITY—AND THE RIME OF THE ANCIENT MARINER." English Studies in Africa 51, no. 2 (January 2008): 93–108. http://dx.doi.org/10.1080/00138390809487858.

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22

Davies, Damian Walford. "Diagnosing “The Rime of the Ancient Mariner”: Shipwreck, Historicism, Traumatology." Studies in Romanticism 55, no. 4 (2016): 503–35. http://dx.doi.org/10.1353/srm.2016.0002.

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23

Avery, Joshua. "The Failure of the Sacraments in Coleridge’s Rime of the Ancient Mariner." Renascence 72, no. 2 (2020): 87–98. http://dx.doi.org/10.5840/renascence20207227.

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This essay argues that Coleridge’s Rime of the Ancient Mariner represents in its imagery a tension within Coleridge prior to his conversion to Anglicanism. Specifically, the poem’s treatment of institutional sacraments argues for their apparent inefficacy, at least from the Mariner’s vantage point. The sacramental idea upheld by a High Church view would suggest that particular earthly institutions, such as Holy Communion or matrimony, could function as actual and not merely symbolic vehicles of divine grace. The Rime, however, displays a protagonist whose hopes for such possibilities are repeatedly disappointed. Consequently, Coleridge’s poem depicts the terrors of a cosmos in which the activities of divine grace are removed from and inaccessible to human intelligibility and choice.

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24

Jadwe, Majeed U. "Storytelling, Liminality & the Textual Fashioning of a Post-Colonial “Ancient Mariner” in Mohsin Hamid’s The Reluctant Fundamentalist." Studies in Linguistics and Literature 3, no. 3 (July 5, 2019): p241. http://dx.doi.org/10.22158/sll.v3n3p241.

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This paper examines Mohsin Hamid’s 2007 novel The Reluctant Fundamentalist as a post-colonial re-writing of S. T. Coleridge’s narrative poem “The Rime of the Ancient Mariner” (1798). A comparative analysis is carried between these two works to establish their affinities in terms of storytelling technicalities and the space of liminality where they position their narrators. The comparative analysis shall prove that Hamid’s affinities with Coleridge’s work are deliberately employed to fashion his central character Changez as a post-colonial ancient mariner, which ultimately lies to the heart of the novel as both a contemporary politico-moral fable and as an act of resistance to post 9/11 American neo-colonialist discourses.

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25

Zhatkin, Dmitry Nikolayevich, and Anna A. Ryabova. "Traditions of S.T. Coleridge’s ‘The Rime of the Ancient Mariner’ in ‘The Ballad of Reading Gaol’ by O. Wilde." Space and Culture, India 7, no. 3 (November 25, 2019): 40–53. http://dx.doi.org/10.20896/saci.v7i3.430.

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This article aims to analyse the poetic traditions of The Rime of the Ancient Mariner by S.T. Coleridge, which migrated into The Ballad of Reading Gaol by O. Wilde. A comparative analysis of original poems and their Russian translations reveals a thematic and structural link that connects these two poems. The article highlights the common features and the differences in literary devices used by Coleridge and Wilde to transmit the complex concepts of suffering and forgiveness through their characters and to declare values and philosophical ideas. The literary devices in point define how these concepts are covered, and serve a common theme in the work of Coleridge and Wilde. The article also provides arguments to confirm the social situation described in the works. The lyrico-epic genre allows using both poetry analysis tools and prose research methods, which ensures high-quality research. The article frames values of the modern culture and creates conditions for discovering a conceptual similarity in the symbolism of The Rime of the Ancient Mariner and The Ballad of Reading Gaol.

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26

Abdulmajeed, Rufaidah Kamal. "Rhetorical Structure of Superstitious Images in Coleridge’s The Rime of the Ancient Mariner." International Journal of English Linguistics 7, no. 4 (July 16, 2017): 138. http://dx.doi.org/10.5539/ijel.v7n4p138.

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The Rime of the Ancient Mariner by Samuel Taylor Coleridge was written in a way to inspire fear and create a somber, dark and terrifying atmosphere to attract the readers’ attention and to steer the attention of the readers to the themes of supernatural events and deep superstitions, thus highlighting these salient themes.The main aim of this study is to highlight the superstitious images in The Rime of the Ancient Mariner and analyse them according to Hoey’s (1983) Problem-Solution Pattern of rhetorical structure of discourse analysis by showing how certain lexical items can signal the narrative structure of the whole texts. The discourse analysis of the stanzas that carry superstitious images shows that this theory is applicable not only to sentences but to poems as well. Stanzas as grammatical units with complete thoughts can be analysed as well since they have the same narrative structure. The results show that all the stanzas, the subject of the analysis, have the rhetorical narrative structure components. They are namely; situation, problem, response, evaluation whether positive or negative.

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27

Joshi, Dipak Raj. "Politics of Affect in Coleridge’s The Rime of the Ancient Mariner." European Journal of Humanities and Social Sciences 1, no. 4 (August 27, 2021): 95–101. http://dx.doi.org/10.24018/ejsocial.2021.1.4.125.

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This paper analyzes The Rime of the Ancient Mariner in terms of Coleridge’s imaginative plea for a modification of consciousness about racial slavery prevalent in the then British society. What lends muscle to the plea is the use of gothic supernaturalism, which helps bring about a transformation in the Mariner. The gothic-actuated transformation, this paper claims, derives from Coleridge’s own ambiguous attitude to English imperialism—an ambivalence which results into systematic portrayal of the violator as the rightful beneficiary of the reader’s sympathy. The paper concludes that the poem’s turn to the affect of moral sentimentalism intends to make the reader of Coleridge’s time acquiesce in accepting colonial guilt as the spiritual politics of quietism, thereby averting the possibility of a violent reaction both from the hapless victims and some conscientious victimizers. There was not much thrust on an economic and political upgrading of the status of the slaves; instead, the affects of outrage, disgust, horror, and shame were evoked in the white anti-slavery texts so that the ugliness of imperialism and the concomitant slavery were criticized without really writing them off.

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28

Franklin, Derek. "Eiresponsibilities: Rhythm and Revolution in 'The Rime of the Ancient Mariner'." Irish Review (1986-), no. 11 (1991): 91. http://dx.doi.org/10.2307/29735622.

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29

Dilworth, Thomas. "Parallel Light Shows in Coleridge's THE RIME OF THE ANCIENT MARINER." Explicator 65, no. 4 (July 2007): 212–15. http://dx.doi.org/10.3200/expl.65.4.212-215.

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30

Bohm, Arnd. "Text and Technology in Coleridge’s The Rime of the Ancient Mariner." ESC: English Studies in Canada 15, no. 1 (1989): 35–47. http://dx.doi.org/10.1353/esc.1989.0030.

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31

Zhatkin, Dmitry N., and Anna A. Ryabova. ""THE RIME OF THE ANCIENT MARINER" BY S.-T.COLERIDGE IN RUSSIAN TRANSLATIONS." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 8 (March 1, 2018): 133–41. http://dx.doi.org/10.7456/1080mse/017.

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32

Singh, Navratan. "An Ecocritical Study of S.T. Coleridge’s “The Rime of the Ancient Mariner." African Journal of Humanities and Social Sciences 2, no. 1 (February 1, 2022): 11. http://dx.doi.org/10.51483/afjhss.2.1.2022.11-17.

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33

Walls, K. "The Wedding Feast as Communion in The Rime of the Ancient Mariner." Notes and Queries 61, no. 1 (January 29, 2014): 56–58. http://dx.doi.org/10.1093/notesj/gjt289.

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34

Kim, Paul Chi Hun. "Ecotheology and the Idea of Forgiveness inThe Rime of the Ancient Mariner." Literature Compass 11, no. 2 (February 2014): 107–16. http://dx.doi.org/10.1111/lic3.12130.

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35

Watson, Jeanie. "Coleridge's Rime of the Ancient Mariner: An Encounter with Faerie." Children's Literature Association Quarterly 11, no. 4 (1986): 165–70. http://dx.doi.org/10.1353/chq.0.0084.

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36

Rahmani, Fateme, and Hossein Pirnajmuddin. "A Greimassian Reading of The Rime of the Ancient Mariner." American, British and Canadian Studies 38, no. 1 (June 1, 2022): 201–23. http://dx.doi.org/10.2478/abcsj-2022-0011.

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Abstract Samuel Taylor Coleridge’s Rime of the Ancient Mariner, first appearing as the opening poem to Lyrical Ballads, has proved to be highly enigmatic since its publication. The blending of supernatural and reality along with the intricacy of the underlying structure seem to have added to the complication. The present article is an attempt to read the poem through the lens of Algirdas Julien Greimas’s actantial model and semiotic square to shed some light on the semantic richness of the poem. The results seem in line with Coleridge’s idea of imagination as the Mariner’s imagination in co-presence with his will, along with the Moon as the source of Nature’s benignity and his muse, assist him with his object-value: the unity between man, Nature, and the Creator. Moreover, the Mariner’s suffering and atonement could be attributed to his moments of reasoning and free-will, devoid of imagination or spirituality and associated with the presence of the sun or diurnal elements. Greimas’s model offers the possibility to elucidate the moments of confusion as ‘void’ or ‘all’ phoric states of passion in which the absence of diurnal and nocturnal elements or their co-presence could justify the Mariner’s wanton murder of the Albatross or his survival.

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37

Berns, Ute. "Anthropocene Speculations: Steam Technology in Coleridge’s “Rime of the Ancient Mariner” (1798)." European Romantic Review 34, no. 1 (January 2, 2023): 19–46. http://dx.doi.org/10.1080/10509585.2022.2158458.

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38

윤일환. "The Rime of the Ancient Mariner: Speech, Subject, and Deferred Action of Trauma." New Korean Journal of English Lnaguage & Literature 56, no. 1 (February 2014): 55–81. http://dx.doi.org/10.25151/nkje.2014.56.1.004.

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39

Goodwin, Sarah Webster. "Domesticity and Uncanny Kitsch in "The Rime of the Ancient Mariner" and Frankenstein." Tulsa Studies in Women's Literature 10, no. 1 (1991): 93. http://dx.doi.org/10.2307/463954.

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40

Kumar, Rajeev. "Scientific and Mythical Approach to S.T. Coleridge's the Rime of the Ancient Mariner." RESEARCH REVIEW International Journal of Multidisciplinary 5, no. 7 (July 30, 2020): 157–58. http://dx.doi.org/10.31305/rrijm.2020.v05.i07.032.

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41

Elshikh, Asmaa. "The Dialogical Self in Samuel Taylor Coleridge’s "The Rime of the Ancient Mariner"." مجلة کلیة الآداب جامعة الفیوم 13, no. 1 (January 1, 2021): 2357–89. http://dx.doi.org/10.21608/jfafu.2022.117556.1689.

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42

Lee, Debbie. "Yellow Fever and the Slave Trade: Coleridge's The Rime of the Ancient Mariner." ELH 65, no. 3 (1998): 675–700. http://dx.doi.org/10.1353/elh.1998.0026.

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43

Netland, John T. "Reading and Resistance: The Hermeneutic Subtext of The Rime of the Ancient Mariner." Christianity & Literature 43, no. 1 (December 1993): 37–58. http://dx.doi.org/10.1177/014833319304300105.

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44

Michaels, Judy Rowe. "Reimagining Coleridge’s “Rime of the Ancient Mariner” through Visual and Performing Arts Projects." English Journal 99, no. 2 (November 1, 2009): 48–54. http://dx.doi.org/10.58680/ej20099165.

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45

Bruni Roccia, Gioiella. "The Romantic Quest for Identity: Re-reading the First Part of The Rime of the Ancient Mariner." Journal of English Language and Literature 6, no. 3 (December 31, 2016): 489–94. http://dx.doi.org/10.17722/jell.v6i3.305.

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This paper proposes a re-reading of Samuel Taylor Coleridge’s poetic masterpiece, The Rime of the Ancient Mariner, in an attempt to deepen the critical discussion about one of the major themes explored in the poem, that is the search for identity. In particular, this attempt will consist of a close reading of the first section of the ballad, inasmuch as it contains the fundamental pattern of the whole text. The conceptual framework underlying this analysis is based on Coleridge’s key principle of “the coincidence of opposites”, which the Author develops in his critical work Biographia Literaria. Indeed, the whole of Coleridge’s oeuvre is permeated by the idea of a dialectical tension between contrary forces, which struggle against each other so as to be joined, at last, in the dynamic unity of a superior harmony. In the light of this conception, the Romantic quest for identity takes the form of a struggle between two opposing forces: the impact of otherness with its confounding effects on the one side, and the irrepressible aspiration towards a unified self on the other. Such a conflicting dynamics appears to structure the entire ballad, starting from the incipit of the poem and involving all the characters – especially the two opposite figures of the ancient Mariner and the Wedding Guest.

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46

Williams, Anne. "An I for an Eye: "Spectral Persecution" in The Rime of the Ancient Mariner." PMLA 108, no. 5 (October 1993): 1114. http://dx.doi.org/10.2307/462989.

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47

Barth, J. Robert. ""A Spring of Love": Prayer and Blessing in Coleridge's "Rime of the Ancient Mariner"." Wordsworth Circle 30, no. 2 (March 1999): 75–80. http://dx.doi.org/10.1086/twc24044699.

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48

Stokes, Christopher. "“My Soul in Agony”: Irrationality and Christianity in The Rime of the Ancient Mariner." Studies in Romanticism 50, no. 1 (2011): 3–28. http://dx.doi.org/10.1353/srm.2011.0032.

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49

Al-Khader, Mutasem Tawfiq. "A Symbolic Reading of the Mariner's Voyage in the Rime of the Ancient Mariner." مجلة جامعة القدس المفتوحة للأبحاث و الدراسات, no. 37 P.1 (October 2015): 9–39. http://dx.doi.org/10.12816/0016177.

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50

Kelly, Patrick. "Day and Night: Mystery and Error in Coleridge’s “The Rime of the Ancient Mariner”." ESC: English Studies in Canada 11, no. 3 (1985): 295–310. http://dx.doi.org/10.1353/esc.1985.0004.

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