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Journal articles on the topic 'The Rime of the Ancient Mariner'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Dr.S.RADHIKA, Dr S. RADHIKA. "Psycholinguistic Analysis of Coleridge’s - Rime of the Ancient Mariner." Indian Journal of Applied Research 4, no. 3 (2011): 219–20. http://dx.doi.org/10.15373/2249555x/mar2014/65.

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2

Zhatkin, Dmitry N., and Anna A. Ryabova. "THE RIME OF THE ANCIENT MARINER." TURKISH ONLINE JOURNAL OF DESIGN, ART AND COMMUNICATION 2018 (March 1, 2018): 254–62. http://dx.doi.org/10.7456/1080mse/032.

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3

Ower, John. "Coleridge's Rime of the Ancient Mariner." Explicator 65, no. 1 (2006): 19–21. http://dx.doi.org/10.3200/expl.65.1.19-21.

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4

Das, Arunava. "Rereading of Samuel Taylor Coleridge's Rime of the Ancient Mariner as an allegorical poem, a ballad with Ecocritical touch." International Journal of English Literature and Social Sciences 7, no. 5 (2022): 065–69. http://dx.doi.org/10.22161/ijels.75.11.

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In recent times many critics view Samuel Taylor Coleridge epoch-making work ‘The Rime of the Ancient Mariner’ from many different perspectives. This paper mainly tends to unify all major perspectives of critics in one single reading. 'The Rime of the Ancient Mariner' as a supernatural poem, a lyrical ballad, a Christian allegory of sin, sufferings and exploitation leading to spiritual elimination along with ecocritical conscious with which ‘The Rime of the Ancient Mariner’ recently associated by the Eco critics and environmentalist. Within the structural framework of seven parts, the poem is f

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5

Khozooi, Fatemeh, and Razieh Eslamieh. "A Lacanian Reading of Samuel Taylor Coleridge’s The Rime of the Ancient Mariner and Christabel." International Journal of Linguistics 11, no. 5 (2019): 213. http://dx.doi.org/10.5296/ijl.v11i5.15383.

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The present paper compares Lacanian Psychoanalytic Orders in The Rime of the Ancient Mariner and Christabel. Imaginary Order and Symbolic Order are basic notions studied as a path to a better understanding of the poems. In The Rime of the Ancient Mariner, the Ancient Mariner has not entered the realm of the Symbolic Order completely and it can be claimed he still partly lives in the Imaginary Order. Despite the fact that the two poems are different in narrative and character development, some similarities are revealed in the way the main characters pass the Orders and form their final individu

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6

Lee, Chung-Eun. "Coleridge's “The Rime of The Ancient Mariner”." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 64 (August 31, 2016): 233. http://dx.doi.org/10.21087/nsell.2016.08.64.233.

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7

Wilkes, David M. "Coleridge's the Rime of the Ancient Mariner." Explicator 61, no. 4 (2003): 202–4. http://dx.doi.org/10.1080/00144940309597811.

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8

Melville, Peter. "Coleridge's THE RIME OF THE ANCIENT MARINER." Explicator 63, no. 1 (2004): 15–18. http://dx.doi.org/10.1080/00144940409597245.

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9

Ulmer, William A. "AnsweringThe Borderersin “The Rime of the Ancient Mariner”." European Romantic Review 19, no. 3 (2008): 233–46. http://dx.doi.org/10.1080/10509580802211405.

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10

Chadha, Sonia, and Parul Mishra. "A Fresh Perspective in the Lyrical Ballads of Samuel Taylor Coleridge’s The Rime of Ancient Mariner through the aspect of Water." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 1 (2022): 55–60. http://dx.doi.org/10.53573/rhimrj.2022.v09i01.011.

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The Romantic Era is known for the new wave of thought and Samuel Taylor Coleridge being the pioneer delivered a ray of hope for changing the traditional trend of the period. The four realm of the earth it is supposed to be the main factor for making this blue planet to survive and Coleridge portrayed the utility of these in his ballad The Rime of Ancient Mariner through a sea voyage of a mariner by establishing some ethical values related to water. The purpose of this study is to analyze the importance of water and water bodies in S.T. Coleridge major work such as The Rime of Ancient Mariner a

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11

Miss Roshani Saiyyad and Mr. Ashok Kumar Malviya. "A Repentant Shadow of old Mariner in Rime of the Ancient Mariner." Creative Launcher 5, no. 5 (2020): 68–72. http://dx.doi.org/10.53032/tcl.2020.5.5.09.

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The present paper is an attempt of Coleridge's psychological, supernatural phenomenon, perspective and uncertainty in human life through the Old Mariner life. Somewhere somebody offence in life needed to recognizance sins and repentance. Before death, need to confession and repentance. Coleridge almost represents his love for creatures and nature in the poem and inscribe the marvellous nature imagery in this poem. Coleridge confluence natural with supernatural elements in Rime of the Ancient Mariner. He presents 'Death' into mariner lives. Coleridge proved that punishment of any sin is an oppo

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12

Zinovyeva, Irina Viktorovna. "Attributes Functioning in S. T. Coleridge’s Poem “The Rime of the Ancient Mariner”." Filologičeskie nauki. Voprosy teorii i praktiki, no. 8 (July 2021): 2468–74. http://dx.doi.org/10.30853/phil210367.

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13

Hoeveler, Diane Long. "Glossing the feminine inThe Rime of the Ancient Mariner." European Romantic Review 2, no. 2 (1992): 145–62. http://dx.doi.org/10.1080/10509589208569949.

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14

Shailer, Dan. "Guilt in Coleridge’s ‘The Rime of the Ancient Mariner’." Keats-Shelley Review 32, no. 1 (2018): 72–76. http://dx.doi.org/10.1080/09524142.2018.1460956.

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15

Edgecombe, R. S. "Otway, Coleridge, and 'the Rime of the Ancient Mariner'." Notes and Queries 49, no. 1 (2002): 28–29. http://dx.doi.org/10.1093/nq/49.1.28.

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16

Edgecombe, Rodney Stenning. "Otway, Coleridge, and ‘the Rime of the Ancient Mariner’." Notes and Queries 49, no. 1 (2002): 28–29. http://dx.doi.org/10.1093/nq/490028.

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17

Reed, Mary. "Weather Talk: Revisiting “The Rime of the Ancient Mariner”." Weatherwise 44, no. 4 (1991): 42. http://dx.doi.org/10.1080/00431672.1991.9929379.

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18

Foakes, R. A. "Coleridge, Violence and ‘The Rime of the Ancient Mariner’." Romanticism 7, no. 1 (2001): 41–57. http://dx.doi.org/10.3366/rom.2001.7.1.41.

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19

Khan, Shaukat, Sumaira Jehanzeb, Irfan Ulah, and Muhammad Irfan. "A STYLISTIC ANALYSIS OF “THE RIME OF THE ANCIENT MARINER”." English Review: Journal of English Education 5, no. 1 (2016): 37. http://dx.doi.org/10.25134/erjee.v5i1.387.

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If a specimen of literary art is seen as a fine tapestry of words made by the skilled seamstress—the poet, then the lexis and structure of a language are the raw materials—the fabric and the thread—by weaving which into specific patterns the finished product is achieved. The choice of materials and their arrangement into unique patterns always bear an image of their creator, or the artist; thus, a close view of them reveals the artist’s identity and brings out the meaningful message that underlies the ornate running threads. Mostly, the students of literary studies cannot appreciate the beauty

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20

Rudolf, Matthias. "Unspeakable Discovery: Romanticism and the “Rime of the Ancient Mariner”." European Romantic Review 24, no. 2 (2013): 185–210. http://dx.doi.org/10.1080/10509585.2013.766401.

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21

Frost, Alan. "PRETENCE, PLAGIARISM, CREATIVITY—AND THE RIME OF THE ANCIENT MARINER." English Studies in Africa 51, no. 2 (2008): 93–108. http://dx.doi.org/10.1080/00138390809487858.

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22

Davies, Damian Walford. "Diagnosing “The Rime of the Ancient Mariner”: Shipwreck, Historicism, Traumatology." Studies in Romanticism 55, no. 4 (2016): 503–35. http://dx.doi.org/10.1353/srm.2016.0002.

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23

Avery, Joshua. "The Failure of the Sacraments in Coleridge’s Rime of the Ancient Mariner." Renascence 72, no. 2 (2020): 87–98. http://dx.doi.org/10.5840/renascence20207227.

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This essay argues that Coleridge’s Rime of the Ancient Mariner represents in its imagery a tension within Coleridge prior to his conversion to Anglicanism. Specifically, the poem’s treatment of institutional sacraments argues for their apparent inefficacy, at least from the Mariner’s vantage point. The sacramental idea upheld by a High Church view would suggest that particular earthly institutions, such as Holy Communion or matrimony, could function as actual and not merely symbolic vehicles of divine grace. The Rime, however, displays a protagonist whose hopes for such possibilities are repea

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24

Jadwe, Majeed U. "Storytelling, Liminality & the Textual Fashioning of a Post-Colonial “Ancient Mariner” in Mohsin Hamid’s The Reluctant Fundamentalist." Studies in Linguistics and Literature 3, no. 3 (2019): p241. http://dx.doi.org/10.22158/sll.v3n3p241.

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This paper examines Mohsin Hamid’s 2007 novel The Reluctant Fundamentalist as a post-colonial re-writing of S. T. Coleridge’s narrative poem “The Rime of the Ancient Mariner” (1798). A comparative analysis is carried between these two works to establish their affinities in terms of storytelling technicalities and the space of liminality where they position their narrators. The comparative analysis shall prove that Hamid’s affinities with Coleridge’s work are deliberately employed to fashion his central character Changez as a post-colonial ancient mariner, which ultimately lies to the heart of

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25

Zhatkin, Dmitry Nikolayevich, and Anna A. Ryabova. "Traditions of S.T. Coleridge’s ‘The Rime of the Ancient Mariner’ in ‘The Ballad of Reading Gaol’ by O. Wilde." Space and Culture, India 7, no. 3 (2019): 40–53. http://dx.doi.org/10.20896/saci.v7i3.430.

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This article aims to analyse the poetic traditions of The Rime of the Ancient Mariner by S.T. Coleridge, which migrated into The Ballad of Reading Gaol by O. Wilde. A comparative analysis of original poems and their Russian translations reveals a thematic and structural link that connects these two poems. The article highlights the common features and the differences in literary devices used by Coleridge and Wilde to transmit the complex concepts of suffering and forgiveness through their characters and to declare values and philosophical ideas. The literary devices in point define how these c

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26

Abdulmajeed, Rufaidah Kamal. "Rhetorical Structure of Superstitious Images in Coleridge’s The Rime of the Ancient Mariner." International Journal of English Linguistics 7, no. 4 (2017): 138. http://dx.doi.org/10.5539/ijel.v7n4p138.

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The Rime of the Ancient Mariner by Samuel Taylor Coleridge was written in a way to inspire fear and create a somber, dark and terrifying atmosphere to attract the readers’ attention and to steer the attention of the readers to the themes of supernatural events and deep superstitions, thus highlighting these salient themes.The main aim of this study is to highlight the superstitious images in The Rime of the Ancient Mariner and analyse them according to Hoey’s (1983) Problem-Solution Pattern of rhetorical structure of discourse analysis by showing how certain lexical items can signal the narrat

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27

Joshi, Dipak Raj. "Politics of Affect in Coleridge’s The Rime of the Ancient Mariner." European Journal of Humanities and Social Sciences 1, no. 4 (2021): 95–101. http://dx.doi.org/10.24018/ejsocial.2021.1.4.125.

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This paper analyzes The Rime of the Ancient Mariner in terms of Coleridge’s imaginative plea for a modification of consciousness about racial slavery prevalent in the then British society. What lends muscle to the plea is the use of gothic supernaturalism, which helps bring about a transformation in the Mariner. The gothic-actuated transformation, this paper claims, derives from Coleridge’s own ambiguous attitude to English imperialism—an ambivalence which results into systematic portrayal of the violator as the rightful beneficiary of the reader’s sympathy. The paper concludes that the poem’s

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28

Franklin, Derek. "Eiresponsibilities: Rhythm and Revolution in 'The Rime of the Ancient Mariner'." Irish Review (1986-), no. 11 (1991): 91. http://dx.doi.org/10.2307/29735622.

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29

Dilworth, Thomas. "Parallel Light Shows in Coleridge's THE RIME OF THE ANCIENT MARINER." Explicator 65, no. 4 (2007): 212–15. http://dx.doi.org/10.3200/expl.65.4.212-215.

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30

Bohm, Arnd. "Text and Technology in Coleridge’s The Rime of the Ancient Mariner." ESC: English Studies in Canada 15, no. 1 (1989): 35–47. http://dx.doi.org/10.1353/esc.1989.0030.

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31

Adnan, Al Zamili Mohsen Hanif. "The Individual-Nature Relationship in Keats's "Ode on a Grecian Urn"." Multicultural Education 7, no. 3 (2021): 35. https://doi.org/10.5281/zenodo.4569130.

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<em>This article discusses the individual-nature relationship in John Keats’s “Ode on a Grecian Urn” in light of Samuel Taylor Coleridge’s poetic theories associated with this concept which are embraced by his poem, “The Rime of the Ancient Mariner”. More than that, it displays, in a poetic discussion, a critical analysis of Keats’s ode as a strong interconnection that ties the individual to nature. The main focus of this study is the sensory relationship of Keats with nature taking into consideration that it is identical with Coleridge’s poetic

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32

Zhatkin, Dmitry N., and Anna A. Ryabova. ""THE RIME OF THE ANCIENT MARINER" BY S.-T.COLERIDGE IN RUSSIAN TRANSLATIONS." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 8 (March 1, 2018): 133–41. http://dx.doi.org/10.7456/1080mse/017.

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33

Singh, Navratan. "An Ecocritical Study of S.T. Coleridge’s “The Rime of the Ancient Mariner." African Journal of Humanities and Social Sciences 2, no. 1 (2022): 11. http://dx.doi.org/10.51483/afjhss.2.1.2022.11-17.

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34

Walls, K. "The Wedding Feast as Communion in The Rime of the Ancient Mariner." Notes and Queries 61, no. 1 (2014): 56–58. http://dx.doi.org/10.1093/notesj/gjt289.

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35

Kim, Paul Chi Hun. "Ecotheology and the Idea of Forgiveness inThe Rime of the Ancient Mariner." Literature Compass 11, no. 2 (2014): 107–16. http://dx.doi.org/10.1111/lic3.12130.

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36

Watson, Jeanie. "Coleridge's Rime of the Ancient Mariner: An Encounter with Faerie." Children's Literature Association Quarterly 11, no. 4 (1986): 165–70. http://dx.doi.org/10.1353/chq.0.0084.

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37

Rahmani, Fateme, and Hossein Pirnajmuddin. "A Greimassian Reading of The Rime of the Ancient Mariner." American, British and Canadian Studies 38, no. 1 (2022): 201–23. http://dx.doi.org/10.2478/abcsj-2022-0011.

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Abstract Samuel Taylor Coleridge’s Rime of the Ancient Mariner, first appearing as the opening poem to Lyrical Ballads, has proved to be highly enigmatic since its publication. The blending of supernatural and reality along with the intricacy of the underlying structure seem to have added to the complication. The present article is an attempt to read the poem through the lens of Algirdas Julien Greimas’s actantial model and semiotic square to shed some light on the semantic richness of the poem. The results seem in line with Coleridge’s idea of imagination as the Mariner’s imagination in co-pr

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38

Berns, Ute. "Anthropocene Speculations: Steam Technology in Coleridge’s “Rime of the Ancient Mariner” (1798)." European Romantic Review 34, no. 1 (2023): 19–46. http://dx.doi.org/10.1080/10509585.2022.2158458.

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39

Navratan, Singh. "An Ecocritical Study of S.T. Coleridge's "The Rime of the Ancient Mariner"." African Journal of Humanities and Social Sciences 2, no. 1 (2022): 11–17. https://doi.org/10.51483/AFJHSS.2.1.2022.11-17.

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Ecocritical study seeks to warn us of environmental threats emanating from governmental, industrial, commercial and neo-colonial forces. Since the ages these threats remained in the focus of literature because it is the literature which teaches the man how to live on earth. It also develops a bond between the man and the nature. The man and the nature both survive together and if this bond is broken by the man it becomes punishable, the nature punishes the man time to time for criminal acts. The ecocritical study of the poem “The Rime of Ancient Mariner” presents such a bond betwee

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40

윤일환. "The Rime of the Ancient Mariner: Speech, Subject, and Deferred Action of Trauma." New Korean Journal of English Lnaguage & Literature 56, no. 1 (2014): 55–81. http://dx.doi.org/10.25151/nkje.2014.56.1.004.

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41

Goodwin, Sarah Webster. "Domesticity and Uncanny Kitsch in "The Rime of the Ancient Mariner" and Frankenstein." Tulsa Studies in Women's Literature 10, no. 1 (1991): 93. http://dx.doi.org/10.2307/463954.

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42

Kumar, Rajeev. "Scientific and Mythical Approach to S.T. Coleridge's the Rime of the Ancient Mariner." RESEARCH REVIEW International Journal of Multidisciplinary 5, no. 7 (2020): 157–58. http://dx.doi.org/10.31305/rrijm.2020.v05.i07.032.

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43

Elshikh, Asmaa. "The Dialogical Self in Samuel Taylor Coleridge’s "The Rime of the Ancient Mariner"." مجلة کلیة الآداب جامعة الفیوم 13, no. 1 (2021): 2357–89. http://dx.doi.org/10.21608/jfafu.2022.117556.1689.

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44

Lee, Debbie. "Yellow Fever and the Slave Trade: Coleridge's The Rime of the Ancient Mariner." ELH 65, no. 3 (1998): 675–700. http://dx.doi.org/10.1353/elh.1998.0026.

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45

Netland, John T. "Reading and Resistance: The Hermeneutic Subtext of The Rime of the Ancient Mariner." Christianity & Literature 43, no. 1 (1993): 37–58. http://dx.doi.org/10.1177/014833319304300105.

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46

Michaels, Judy Rowe. "Reimagining Coleridge’s “Rime of the Ancient Mariner” through Visual and Performing Arts Projects." English Journal 99, no. 2 (2009): 48–54. http://dx.doi.org/10.58680/ej20099165.

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47

Tolmatchoff, Vasily. "S. T. Coleridge’s “The rime of the Ancient Mariner”: a poem on poet and poetry?" St. Tikhons' University Review. Series III. Philology 82 (March 20, 2025): 30–54. https://doi.org/10.15382/sturiii202582.30-54.

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The article makes a pioneering attempt to study “«The Rime of the Ancient Mariner”» as a programme romantic poem about the poet and poetry. The author correlates the content of the poem with the history of its interpretation in Anglo-American literary studies and points out the insufficient attention of researchers to the figure of the lyrical narrator. Having thoroughly analysed the narrative structure of the poem, V. M. Tolmatchoff concludes that it is the narrator who transforms prose (the “«tale”» of the Mariner) into “«rimes”». As a poet, he both identifies himself with the hero (the lone

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48

Anisimova, Olga Vladimirovna, та Inna Makarova. "The image of Ship in English Romantic poetry: Reinterpreting Coleridge’s ‘Rime of the Ancient Mariner’ and Shelleу’s ‘Vision of the Sea’". Litera, № 11 (листопад 2024): 318–26. https://doi.org/10.25136/2409-8698.2024.11.72205.

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The image of Ship, along with the images of World Tree and Rosa Mundi, is rightly considered one of the three most popular topoi of Western European art, starting from ancient times up to now. The mythopoeic image of Ship, rooted in Sumero-Akkadian mythology, eventually developed its own image field, the key elements of which are widely represented in various works of art. In Romanticism, Ship received its artistic embodiment in two main directions: as a symbol of man challenging nature, and as a symbol of human soul's odyssey through the waves of fate, the image of Flying Dutchman, which took

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49

Bruni Roccia, Gioiella. "The Romantic Quest for Identity: Re-reading the First Part of The Rime of the Ancient Mariner." Journal of English Language and Literature 6, no. 3 (2016): 489–94. http://dx.doi.org/10.17722/jell.v6i3.305.

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This paper proposes a re-reading of Samuel Taylor Coleridge’s poetic masterpiece, The Rime of the Ancient Mariner, in an attempt to deepen the critical discussion about one of the major themes explored in the poem, that is the search for identity. In particular, this attempt will consist of a close reading of the first section of the ballad, inasmuch as it contains the fundamental pattern of the whole text. The conceptual framework underlying this analysis is based on Coleridge’s key principle of “the coincidence of opposites”, which the Author develops in his critical work Biographia Literari

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50

Williams, Anne. "An I for an Eye: "Spectral Persecution" in The Rime of the Ancient Mariner." PMLA 108, no. 5 (1993): 1114. http://dx.doi.org/10.2307/462989.

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