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1

Garber, Frederick, ed. Romantic Irony. Budapest: Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.viii.

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2

Allen, Richard. Hitchcock's romantic irony. New York: Columbia University Press, 2007.

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3

Allen, Richard. Hitchcock and romantic irony. New York: Columbia University Press, 2007.

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4

The comedy of romantic irony. Lanham, MD: University Press of America, 2002.

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5

Thompson, Gary Richard. Poe's fiction: Romantic irony in the Gothic tales. Madison, Wis: University of Wisconsin Press, 1988.

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6

Greenleaf, Monika. Pushkin and romantic fashion: Fragment, elegy, Orient, irony. Stanford, Calif: Stanford University Press, 1994.

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7

Pushkin and romantic fashion: Fragment, elegy, Orient, irony. Stanford, Calif: Stanford University Press, 1994.

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8

The never-resting mind: Wallace Stevens' romantic irony. Ann Arbor: University of Michigan Press, 1996.

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9

Self, text, and romantic irony: The example of Byron. Princeton, N.J: Princeton University Press, 1988.

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10

Romantic irony in French literature from Diderot to Beckett. Nashville, Tenn: Vanderbilt University Press, 1989.

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11

Bishop, Lloyd. Romantic irony in French literature from Diderot to Beckett. Nashville, Tenn: Vanderbilt University Press, 1989.

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12

Ryals, Clyde de L. A world of possibilities: Romantic irony in Victorian literature. Columbus: Ohio State University Press, 1990.

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13

Rigg, Patricia Diane. Robert Browning's romantic irony in The ring and the book. Madison [N.J.]: Fairleigh Dickinson University Press, 1999.

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14

Mythology as metaphor: Romantic irony, critical theory, and Wagner's Ring. Westport, Conn: Greenwood Press, 1998.

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15

Finlay, Marike. Romantic irony of semiotics: Friedrich Schlegel and the crisis of representation. Berlin: De Gruyter, 1988.

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16

Finlay, Marike. The romantic irony of semiotics: Friedrich Schlegel and the crisis of representation. Berlin: Mouton de Gruyter, 1988.

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17

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Bern: Peter Lang International Academic Publishers, 2020.

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18

Desperate storytelling: Post-romantic elaborations of the mock-heroic mode. Athens: University of Georgia Press, 1987.

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19

From romantic irony to postmodernist metafiction: A contribution to the history of literary self-reflexivity in its philosophical context. Frankfurt am Main: P. Lang, 2001.

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20

Romantic encounters: Writers, readers, and the Library for Reading. Stanford: Stanford University Press, 2007.

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21

Ophälders, Markus. Dialettica dell'ironia romantica: Saggio su K. W. F. Solger. Bologna: CLUEB, 2000.

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22

Lindau, Ursula. Max Ernst und die Romantik: Unendliches Spiel mit Witz und Ironie. Köln: Wienand, 1997.

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23

Gurshtein, Ksenya, and Simonyi, eds. Experimental Cinemas in State Socialist Eastern Europe. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462982994.

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Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions.
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24

Sandra, Brown. White hot. Waterville, Me: Thorndike Press, 2004.

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25

Sandra, Brown. White hot. New York: Simon & Schuster, 2004.

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26

Sandra, Brown. Брат мой, Каин: Roman. Moskva: Izd-vo "ĖKSMO", 2005.

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27

Sandra, Brown. White hot. Waterville, Me: Large Print Press, 2005.

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28

Sandra, Brown. White hot. New York: Simon & Schuster, 2004.

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29

Sandra, Brown. White hot. New York: Pocket Books, 2005.

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30

Frederick, Garber, ed. Romantic irony. Budapest: Akadémiai Kiad́o, 1988.

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31

Mellor, Anne K. English Romantic Irony. iUniverse, 1999.

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32

Allen, Richard. Hitchcock's Romantic Irony. Columbia University Press, 2007.

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33

Hitchcock's Romantic Irony (Film and Culture). Columbia University Press, 2007.

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34

Hitchcock's Romantic Irony (Film and Culture Series). Columbia University Press, 2007.

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35

Pushkin and Romantic Fashion: Fragment, Elegy, Orient, Irony. Stanford University Press, 1997.

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36

Garber, Frederick. Self, Text, and Romantic Irony: The Example of Byron. Princeton University Press, 2014.

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37

Garber, Frederick. Self, Text, and Romantic Irony: The Example of Byron. Princeton University Press, 2014.

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38

Garber, Frederick. Self, Text, and Romantic Irony: The Example of Byron. Princeton University Press, 2016.

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39

Garber, Frederick. Self, Text, and Romantic Irony: The Example of Byron. Princeton University Press, 1988.

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40

Garber, Frederick. Romantic Irony (A Comparative History of Literatures in European Languages , Vol VIII). John Benjamins Pub Co, 1989.

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41

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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42

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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43

Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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44

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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45

Ryals, Clyde. A World of Possibilities: Romantic Irony in Victorian Literature (Studies in Victorian Life and Literature). Ohio State Univ Pr (Txt), 1991.

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46

Mee, Jon. Treason, Seditious Libel, and Literature in the Romantic Period. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.113.

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This article examines the effects of the unprecedented number of prosecutions for political opinion in the 1790s and afterward on romantic period literature. The chief instrument for these prosecutions was the law on libel. This legal framework placed a premium on various forms of metaphor, irony, and allegory, which the Crown had to construe as concrete libels in any prosecution. Many trials became major public events, a visible part of the period’s print culture, widely reported in newspapers and eagerly consumed by the public in a variety of media. The courtroom provided a theater of radical opinion in which defendants could publicize their views and mock the authority of the state. The pressure exerted on writers by the law on libel also conditioned a more general anxiety and may even have influenced developing ideas of the autonomy of the aesthetic.
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47

Salomon, Roger B. Desperate Storytelling: Post-Romantic Elaborations of the Mock-Heroic Mode. University of Georgia Press, 2008.

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48

Quendler, Christian. From Romantic Irony to Postmodernist Metafiction: A Contribution to the History of Literary Self-Reflexivity in Its Philosophical Context. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2001.

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49

Frazier, Melissa. Romantic Encounters: Writers, Readers, and the Library for Reading. Stanford University Press, 2007.

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50

Beus, Yifen Tsau. Towards a Paradoxical Theatre: Schlegelian Irony in German and French Romantic Drama, 1797-1843 (Age of Revolution and Romanticism, V. 32). Peter Lang Publishing, 2003.

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