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Dissertations / Theses on the topic 'The romantic irony'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Treadwell, James. "Transcendence and irony in prose autobiographical writing 1817-1834." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240280.

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2

Brott, Jonathan. "The Point of Play : Resuscitating Romantic Irony in Metamodern Poetics." Thesis, Stockholms universitet, Engelska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157375.

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This essay investigates the prospect of Romantic Irony’s potential resurgence in contemporary poetics and discusses its relevance and likeness with metamodernism. The internet has by now not only seeped into, but fully permeated, the process of literary production and distribution. The effect of this has been the birth of a new kind of poetic discourse which can broadly be called metamodernism, The New Sincerity or Alt-lit. This movement is characterized by its self-reflexive metacommentary, fragmentary nature and an oscillation between of irony and sincerity. Vermeulen and Akker, among others

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3

Bose, Siddhartha. "Back and forth : the grotesque in the play of romantic irony." Thesis, Queen Mary, University of London, 2009. http://qmro.qmul.ac.uk/xmlui/handle/123456789/401.

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This thesis examines the dramatic implications of the grotesque in Romantic aesthetics, particularly in relation to its poetics of plurality. There have been few studies exploring the drama of the Romantic grotesque, a category that accentuates the multiplicity of the self, while permitting diverse ways of seeing. The post-Kantian philosophy backing Friedrich Schlegel’s Romantic irony provides the most decisive rationalisation of this plurality of identity and aesthetic expression through theatrical play, and forms the theoretical framework for my study. Poetry and philosophy are merged in Sch

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4

Metson, John. "Shelley's idea of nature : a study of the interrelationship of subject and object in the major poems." Thesis, Durham University, 1995. http://etheses.dur.ac.uk/5327/.

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The thesis offers an interpretation of Shelley's poetry which focuses on his treatment of external nature. Its main argument is that a subject-object dialectic lies at the basis of his thought and style. Manifesting itself as a tension and oscillation between dualist and monist tendencies, this dialectic underlies the opposing strains of thought associated with his sceptical idealism; it informs the relationship between various contraries with which he is recurrently concerned, such as reason and feeling, necessity and freedom, language and thought; and it accounts for some major characteristi

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5

Abu-Jamouse, Khalid. "'Lurid figures' : anxieties of motion, disfiguration and death in romantic biographical writings." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322889.

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6

Beus, Yfen Tsau. "Towards a paradoxical theatre : Schlegelian irony in German and French romantic drama, 1797-1843 /." New York : Peter Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb39018321j.

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7

Kusnetz, Ilyse M. "The return of romantic irony : modes of feminist and post-colonial identity in the work of Angela Carter, Salman Rushdie and Ben Okri." Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/28384.

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In Chapter One, I discuss definitions of romantic irony, and the various ways in which romantic irony might be viewed in conjunction with the work of these three authors. In order to approach a working definition of 'the romantic', I briefly frame the relationships between romance, romanticism and romantic irony, and establish a particular set of ideas and themes which I view as central to this concept. In this chapter I also develop a theoretical framework for the rest of the thesis, examining points of convergence and divergence between 'the romantic', feminism, post-colonialism, and postmod

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8

Oliveira, Marina Rodrigues de. "Escravidão e resistência: a ironia como recurso estilístico nos contos machadianos." Universidade Federal da Paraíba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/6165.

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Made available in DSpace on 2015-05-14T12:39:28Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1126773 bytes, checksum: 9ded3c2c42e51586abd90b5bcdc405dc (MD5) Previous issue date: 2011-04-15<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This dissertation aims to investigate the value of irony as a stylistic and critical resource in the representation of Machado's vision on the problem of slavery in Brazilian society. For didactic purposes, the following short stories will be studied: Virginius (1864), Mariana (1871), Encher tempo (1876), O caso da vara (1891) an

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9

Båth, Katarina. "Ironins skiftningar — jagets förvandlingar : Om romantisk ironi och subjektets paradox i texter av P. D. A. Atterbom." Doctoral thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-319276.

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This dissertation explores the intimate relationship between irony and romantic subjectivity, by drawing on feminist psychoanalytical theory, via an examination of the shiftings of irony, and humor, in the works of the Swedish romanticist P. D. A. Atterbom (1790–1855). It looks at the critical role played by irony in the formation of Romantic subjectivity, and explores irony’s potential to undermine dualistically gendered notions of subject-object relations. For Atterbom, irony is an aesthetic concept closely related to drama, informed not only by German Romantic-ironic theorists such as Fried

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10

Revol, Laurence. "L'ironie dans la poétique du roman L'Homme qui rit de Victor Hugo." Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENL002.

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Cette thèse se propose d'étudier les différentes manifestations de l'ironie dans la poétique romanesque de L'Homme qui rit de Victor Hugo selon trois axes d'étude. Le premier s'organise autour d'une analyse de l'énonciation polyphonique dans le roman. Qui prend en charge le récit et avec quelles intentions? Les propos des personnages sont souvent empreints d'ironie, et sont commentés par le narrateur ou l'auteur. Nous observons surtout la fonction de ses paroles dans l’énoncé : comment leur insertion influence-elle le déroulement du récit? Pourquoi favorisent-elles les manifestations de l’iron

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11

Decourt, Laetitia. "La mosaïque, le miroir et la bibliothèque. L’ironie romantique dans la prose littéraire des écrivains « mineurs » en Russie : les années 1820-1830." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040235.

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Au cours des années 1820-1830, l’ironie romantique a contribué à élargir le champ de la prose et de la langue littéraires, en se modelant sur une situation de communication orale puis en adoptant le ton de la lettre intime. Les figures de l’ironie romantique telles que la métalepse, l’auteur-narrateur tout-puissant ont servi à la fois de laboratoire pour la formation d’une langue littéraire et de schémas narratifs adaptés aux exigences de l’époque, de tribune aux réflexions sur le destin et le contenu de la prose littéraire russe, et d’« incubateur » pour le nouveau lecteur, en créant des lect

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12

Hombourger, Juline. "Le travail du négatif dans l’œuvre romanesque de Réjean Ducharme." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040038.

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Dans les sciences humaines, le travail du négatif est une notion qui appartient surtout aux domaines philosophiques et psychanalytiques. En tenant compte de cette filiation, sa pertinence dans le champ littéraire se révèle également effective. En effet, lorsque l’on confronte l’idée à l’œuvre romanesque de Réjean Ducharme, l’action du travail du négatif rend compte des enjeux souterrains de cette écriture. Ainsi, le texte apparaît comme le lieu de l’instabilité où chacune des composantes donne à voir son envers et où les contradictions coexistent. Dans cette dynamique, les trois catégories du

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13

Hrubiš, Tomáš. ""Sbohem a řetěz"." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232399.

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14

Svensson, Tobias. "Gonzojournalistikens reflexioner : Perspektivism och romantisk ironi hos Hunter S. Thompson." Thesis, Mid Sweden University, Mid Sweden University, Department of Humanities, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-11810.

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<p>En sudie i gonzojournalistiken, dess innebörd och vad den förmedlar. Studien beskriver och kopplar gonzojournalistiken till romantikens teori och kunskapssyn och är uppdelad i två huvuddelar vilka beskriver perspektivismen samt den romantika ironi som rymms inom gonzojournalistikens teknik.</p>

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15

Magill, Ronald Jay [Verfasser]. "Inward, Christian soldiers : romantic irony and civic trust in the American mind / vorgelegt von Ronald Jay Magill, Jr." 2006. http://d-nb.info/98169568X/34.

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16

Kazmar, Vít. "Síť pohledů. Ironie a romantismus v díle Jorge Luise Borgese a Julia Cortázara." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-411537.

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A Web Of Eyes: Irony and romanticism in the works of Jorge Luis Borges and Julio Cortázar (Mgr. Vít Kazmar) Abstract The present doctoral thesis offers an interpretation of the works of Borges and Cortázar through the lens of romantic irony. It outlines the origin of the notion of irony from greek drama through philosophical dialogue to rhetorics. The main focus of the work is Schlegel's concept of romantic irony. Various aspects serve as a basis for the interpretation of the work of both Argentine writers in particular chapters: the struggle between enthusiasmus and scepsis in Borges (litotes

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17

Magid, Václav. "Estetická revoluce a subjektivita." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310398.

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The thesis is dedicated to the question of relation of Schlegel's conception of the "progressive universal poetry" to the principle of the aesthetic autonomy as the central feature of the modern notion of art. Against the opinion of J. M. Bernstein the point of view is defended, according to which Schlegel's theory doesn't undermine but advances the aesthetic autonomy. The interpretation of romantic philosophy in work of Manfred Frank serves as a base for the argument. The thesis is divided into six chapters. The first two of them offer the basic outline of the problem of the aesthetic autonom

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18

Remington, Matthew Spencer. "Fragile mechanics : connecting Holocaust and art education through the creation of a graphic novel." 2013. http://hdl.handle.net/2152/21235.

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Through the creation of a graphic novel based on a Romanian Holocaust survivor’s testimony, this study attempts to clarify the role of artistic creation in meaning-making during Holocaust and genocide education. In facilitating empathy and moral education, the creative process encourages a deeper exploration of these troubling topics than is possible within the confines of a traditional academic approach. In order to understand this process, I worked with the testimony of Zoly Zamir, who escaped Bucharest following the Iron Guard Rebellion of 1941. The creation of the graphic novel took me

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