Relevant bibliographies by topics / The Romantic Tourist Gaze

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'The Romantic Tourist Gaze'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "The Romantic Tourist Gaze"

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Karlsdóttir, Unnur B. "Nature worth seeing! The tourist gaze as a factor in shaping views on nature in Iceland." Tourist Studies 13, no. 2 (June 26, 2013): 139–55. http://dx.doi.org/10.1177/1468797613490372.

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This article discusses the historical development of nature-based tourism in Iceland, in the light of the concept of the ‘tourist gaze’ and the romantic wilderness ideology, which has put a deep mark on modern views on nature and created a widespread demand for coming into touch with wild nature up to such an extent that a thriving sector of today’s tourist industry is built on it. Questions explored are what views on nature have shaped this story and what image of Icelandic nature has been highlighted in its marketing as a tourist attraction. Finally, the harsh conflict that has occurred between the different values of nature preservation and energy production is addressed and how nature-based tourism does, in the light of its values and interests, support the battle for the protection of natural landscape and wild ecosystems.
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Schwarz, Kaylan C. "“Gazing” and “performing”: Travel photography and online self-presentation." Tourist Studies 21, no. 2 (January 18, 2021): 260–77. http://dx.doi.org/10.1177/1468797620985789.

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This article illustrates the self-presentations young people foreground when they visually communicate international volunteer experiences to social media audiences. Through a “categorical-content” analysis of repeated semi-structured interviews and photographic content posted to Facebook, and with theoretical support from Urry’s “tourist gaze” and Goffman’s “presentation of self,” I describe three impressions “given” and “given off” within participants’ profiles. The findings reveal some familiar touristic scenes (necessitating tribute to the well-established “family” and “romantic” gazes) and also inspire a new gazing form (incorporating “gutsy” bodily experiences). However, these holiday-like portrayals were selectively disclosed and complicated by the sentiments participants expressed during face-to-face interviews. As different self-presentations were idealized in different settings, this article helps to elucidate the situational role of the audience and offers unique analytical insights that may not have emerged had I utilized one method in isolation. Its contribution is located within its intersections: blending gazing and performing frameworks, employing verbal and visual approaches, leading to etic and emic understandings.
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Harris, Richard J. P. "Building Regional Identity: Social and Cultural Significance of Railways for Cornwall in the Late Nineteenth and Early Twentieth Centuries." Journal of Transport History 41, no. 2 (November 21, 2019): 254–77. http://dx.doi.org/10.1177/0022526619886041.

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Railways have contributed to the complex mosaic of Cornish identity in three ways. First, as a holiday destination promoted from late Victorian times until the Second World War by companies such as the Great Western Railway, London and South Western Railway and Southern. Initially marketing its mild climate and health benefits as an alternative to holidaying abroad evolved, from the 1920s, into an enduring tourist gaze of romantic landscapes, myth and legend. Second, structural changes in the Cornish economy in association with a decline in metal mining precipitated large-scale emigration which continued until the start of the First World War. Railways represented the initial phase of the emigrant journey and the volume of migration was such that their role has become part of a cultural text signifying both loss and opportunity. Lastly, their physical presence and contribution to the landscape adds a further layer of social and cultural significance to Cornish identity.
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Hammond, Charlotte, and Andrew McGregor. "O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005)." Contemporary French Civilization: Volume 46, Issue 1 46, no. 1 (March 1, 2021): 27–47. http://dx.doi.org/10.3828/cfc.2021.2.

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This article explores the Orientalist dynamics of North/South sexual tourism in Laurent Cantet’s Vers le sud/Heading South (2005). The narrative of the film is structured around the self-interested motivations of three white middle-aged bourgeois Western women who travel from North America to Haiti in the late 1970s in order to explore their sexuality in what they perceive as an island paradise, effectively exiling themselves from the codified social behavior expected of them in their homeland. The women avail themselves of the pleasures offered by young black Haitian men, often in exchange for money or goods, and fuel one-sided fantasies of romantic love with their local hosts, seemingly oblivious to the Orientalist nature of such an imbalance of social and economic power. The article explores the historical context of the political repression and violence of late-1970s Haiti under the Duvalier regime, as well as the manifestations of spatial politics represented in the film. In its Haitian setting, Vers le sud sheds light on a relatively unfamiliar cultural and social milieu for the Western/Northern audience, with the director keenly aware of the exoticism of the subject matter and the impossibility of the film to maintain its neutrality in a problematic engagement with the Orient/South. The article argues that the privileged position of the film’s protagonists is matched not only by Cantet’s directorial gaze, but also by the intellectual detachment of postcolonial scholars such as the article’s authors, who acknowledge that their engagement with the subject matter risks re-enacting the Orientalist dynamics they seek to expose.
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Leiper, Neil. "The tourist gaze." Annals of Tourism Research 19, no. 3 (January 1992): 604–7. http://dx.doi.org/10.1016/0160-7383(92)90156-j.

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Nash, Dennison. "The tourist gaze." Tourism Management 12, no. 3 (September 1991): 265. http://dx.doi.org/10.1016/0261-5177(91)90017-n.

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Lee, Y.-S. "Tourist Gaze: Universal Concept." Tourism Culture & Communication 3, no. 2 (February 1, 2001): 93–99. http://dx.doi.org/10.3727/109830401108750724.

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Ryan, Chris. "The Tourist Gaze 3.0." Tourism Management 36 (June 2013): 234–36. http://dx.doi.org/10.1016/j.tourman.2012.12.008.

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URRY, JOHN. "The Tourist Gaze “Revisited”." American Behavioral Scientist 36, no. 2 (November 1992): 172–86. http://dx.doi.org/10.1177/0002764292036002005.

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Janes, Dominic. "Beyond the tourist gaze?" Journal of Research in International Education 7, no. 1 (April 2008): 21–35. http://dx.doi.org/10.1177/1475240907086886.

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Dissertations / Theses on the topic "The Romantic Tourist Gaze"

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Maior-Barron, Denise Cristina Ioana. "Petit Trianon and Marie Antoinette : representation, interpretation, perception." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3930.

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This interdisciplinary thesis belongs to Marie Antoinette studies. The contemporary dissonant commodification of the controversial historical character of the last Queen of France, detected at her former home, Petit Trianon, drives the course of the thesis research. Considering the complexity and controversy of the subject, the thesis seeks to make a contribution to extant scholarship by clarifying important modern history issues through a fresh approach: by using art history as an indicator in assessing the historical truth of the narrative of Petit Trianon, the residence identified as home to the last Queen of France. The thesis examines Petit Trianon and Marie Antoinette in the context of four major narratives - the historical, cinematic, architectural and heritage narratives - relevant to the contemporary heritage interpretation of Petit Trianon as well as its visitor perceptions. In addition to sourcing evidence for the arguments originating in art history information, the thesis relies on the data collection provided by a tailor-made survey for the topic, placing the results in the wider context of a hermeneutical interpretation of data found in either history or contemporary popular culture. The array of Marie Antoinette’s images detected by the analysis charts the commodification of this historical character at Petit Trianon: its production and consumption. It is through the assessment of this commodification that the present thesis reveals the misconceptions surrounding the historical character best known as Marie Antoinette. The thesis argues that the true role of the last Queen of France was successfully obscured through juxtaposition with her perception by the French collective memory. In other words, the perception of Marie Antoinette had subverted historical truth. Furthermore, the commodification of her historical character is perpetuated in an endless chain of representations fuelled by postmodern consumerism.
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Maclean, Coinneach. "The 'Tourist Gaze' on Gaelic Scotland." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5178/.

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The Scottish Gael is objectified in an un-modified ‘Tourist Gaze’; a condition that is best understood from a post-colonial perspective. John Urry showed that cultures are objectified by the gaze of a global tourist industry. The unequal power relations in that gaze can be mediated through resistance and the production of staged touristic events. The process leads to commoditisation and in-authenticity and this is the current discourse on Scottish tourism icons. An ethnographic study of tour guiding shows a pattern of (re)-presentation of a silenced and near invisible Gaeldom. By building upon Foucauldian theories of power, Said’s critique of Orientalism’s discourse and Spivak on agency, this unmodified gaze can be explained from a postcolonial perspective. Six related aspects of Gaeldom’s (re)-presentation are revealed ; the discourse of the Victorian invention of Scottish cultural icons, and, by metonymic extension, Gaelic culture; the commoditisation of Gaelic culture in the image of the Highland Warrior; the re-naming of landscape and invention of new place narratives; historical presence by invitation; elision with Irish culture; and, the mute Gael. Combined, the elements of (re)-presentation result in the distancing and the rendering opaque of Gaelic culture. The absence of informed mediators, either tourist authorities or individuals, the lack of an oppositional narrative and the pervasive discourse of invention reduces the Gael to a silenced subaltern ‘other’. Thus the unmediated tourist ‘gaze’ continues. This exceptionally singular condition of Scottish Gaeldom is comprehensible through analysis of Scottish tourism from a postcolonial perspective.
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Li, Mohan. "Tourist photography and the tourist gaze : an empirical study of Chinese tourists in the UK." Thesis, University of Central Lancashire, 2015. http://clok.uclan.ac.uk/12879/.

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This study seeks to deepen knowledge and understanding of the tourist gaze and tourist photography. The original concept of the ‘tourist gaze as proposed by John Urry is inherently Western-centric and, as a consequence, it is arguably of limited value as a conceptual framework for appraising the tastes, gazes and, more generally, the visual practices of the increasing number of non-Western tourists’. At the same, despite the fact that, in recent years, smart phone cameras have become widely used by people both in their everyday lives in general and in their travels in particular, few attempts have been made to explore and analyse the potential transformations brought to the landscape of the tourist photography by the increasing use of smart phone cameras. The purpose of this thesis, therefore, is to re-conceptualise and study empirically the tourist gaze and tourist photographic behaviour, as influenced by a variety of social, cultural and technological factors, amongst non-Western tourists. More specifically, it aims to explore the visual preferences of Chinese tourists in the UK, to consider critically what and how they take photographs of, and to evaluate the extent to which their gazes, their performance of gazing and their photographic practices are shaped by social, cultural and technological factors. In order to meet this aim, the qualitative research method of visual autoethnography is employed during two field studies with Chinese tourists in the UK. More precisely, a first field study was based on a seven-day package tour undertaken with eighteen Chinese tourists, visiting a total of thirteen destinations around British destinations. The second field study, in contrast, involved the researcher undertaking a five-day holiday with six Chinese tourists to the Isle of Wight off the south coast of England. During these two field studies, the researcher adopted the role of ‘researcher-as-tourist’, engaging in travel with the respondents, staying in the same accommodation, joining in with their activities and taking photographs with them. These first-hand travel and photographic experiences conspired to become an integral part of the resultant data resources which were not only analysed but also shared with the respondents during interviews with them. From the data collected during the two field studies and, indeed, the autoethnographic experiences of the researcher, it became clearly evident that smart phone cameras had become the principal means of taking photographs amongst Chinese tourists. Moreover, smart phone cameras have also altered the landscape of tourist photography, primarily by de-exoticising this practice and further enhancing its ‘playfulness’ and increasing its social functions. During the field studies, the Chinese tourist respondents engaged in a variety of visual and photographic activities, purposefully including but by no means being confined to an interactive game of photo-taking and photo-sharing, imagining authenticity, sensing the passing of time from gazing on natural spectacles, and deliberately observing what they considered to be ‘advanced’ aspects of the toured destination. Based upon these identified performances and practices, this thesis proposes the concept and framework of the Chinese tourist gaze. That framework essentially establishes what Chinese tourists prefer to see during their travels and seeks to explain why and how they see certain specific spectacles or tourist objects. At the same time, it theoretically re-situates both their gazes and their ways of gazing within a network of influential social, cultural and technological factors, including: the travel patterns of the élite in pre-modern China; the cultural characteristics of Chinese people; the intertwining of contemporary communication and photography technologies; and, the fusion of the Chinese nation-state, its economic policies policies and the resultant social and environmental problems that have emerged over the last three decades. Moreover, the framework points to potential future transformations in the Chinese tourist gaze, such as the de-exoticisation of that tourist gaze. The principal contribution of this thesis to extant knowledge is the concept and framework of the Chinese tourist gaze, as this may provide future researchers with the foundation for continuing to study and more profoundly understand the tastes, gazes, practices of gazing and other visual activities, including photography, of Chinese tourists. Indeed, given the inherent Western-centric bias in the relevant literature, an appropriate theoretical framework enabling them to do has, arguably, not previously existed. In addition, the dimensions and characteristics of tourist smart-phone-photography revealed in this research are of much significance, contributing to a deeper, richer understanding of transformations in the practice of tourist photography and, in particular, of why and how contemporary Chinese tourists take photographs. Furthermore, through identifying and exploring how the Chinese respondents in this study shared their photographs, greater knowledge and understanding has emerged of Chinese tourists’ technological travel communication and connections as well as their attitudes towards and use of the multiplicity of social networking sites and mobile-apps.
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Lee, Young-Sook. "Constructing tourism in South Korea : nation state and the tourist gaze /." St. Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17474.pdf.

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Fraley, Brandy B. "From Dissection to Connection: The Preservative Power of the Empathetic Gaze in Romantic Literature." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1272987977.

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Soper, Anne K. "Cultural heritage, identity, and tourism in Mauritius moving beyond the tourist gaze /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3220177.

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Thesis (Ph.D.)--Indiana University, Dept. of Geography, 2006.
Title from PDF t.p. (viewed April 15, 2009). Source: Dissertation Abstracts International, Volume: 67-05, Section: A, page: 1864. Adviser: Daniel C. Knudsen.
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Cater, Carl Iain. "Beyond the gaze : the reflexive tourist and the search for embodied experience." Thesis, University of Bristol, 2001. http://hdl.handle.net/1983/180a6371-8b5a-4704-9a64-d642a5bedd44.

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Vogler, Agnes School of English UNSW. "I came, I saw, I ???? Contemporary Australian representations that return the tourist gaze." Awarded by:University of New South Wales. School of English, 2005. http://handle.unsw.edu.au/1959.4/23948.

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This thesis adopts post-colonial theory as a reading strategy to address both fiction and interdisciplinary critical writing on the subject of tourism. The introduction argues for the viability of this methodology, highlighting similarities between the ideological underpinnings of tourism and imperialism, especially in relation to the power of the gaze. The first chapter draws on analyses of early exploration and travel writing to advance the argument that as the ideology of empire was encoded in travel writing, so contemporary tourist culture, in so far as it has inherited this discourse, continues to operate within it. I suggest that in much the same way as the explorer???s gaze was a form of creating knowledge disseminated through writing, fiction constitutes a cultural production that contests the power of the gaze. The second chapter focuses on the ambivalent effects of the commodification of culture caused by the tourist industry. I argue that cultural tourism, centred on heritage and history, has constituted a platform from which to review conventional representations of Australian history in a way that demonstrates the relevance of heritage to contemporary national narratives. The third and final chapter examines the relationship between cultural performances in tourism and subject formation, contending that the repetitive nature of performance offers an ideal opportunity to interpolate transformative views of both locals and tourists into the conventional tourist discourse.
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Rodrian, Philipp. "Das Erbe der deutschen Kolonialzeit in Namibia im Fokus des "Tourist Gaze" deutscher Touristen /." Würzburg : Selbstverl. des Inst. für Geographie der Univ. Würzburg, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018925306&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Lui, Chi-Wai. "Global shifts and local imaginations : changing tourist gaze and the transformation of Hong Kong's tourism /." St. Lucia, Qld, 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17856.pdf.

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Books on the topic "The Romantic Tourist Gaze"

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Brown, Jonathan. The Romantic tourist: Granada. [Guildford]: [University of Surrey], 1998.

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The tourist gaze: Leisure and travel in contemporary societies. London: Sage Publications, 1990.

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K, Walton John, ed. Constructing cultural tourism: John Ruskin and the tourist gaze. Buffalo, N.Y: Channel View Publications, 2010.

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Coates, Gerry. Romantic holidays-U.K.: A U.K. honeymoon guide. Sevenoaks: G.C.P., 1990.

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The literary tourist: Readers and places in romantic & Victorian Britain. Basingstoke [England]: Palgrave Macmillian, 2006.

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Jehle, Eveline. Reactions to the tourist gaze: Contesting the pre-modern, modern and post-modern in a Swiss alpine community. [Guildford]: [University of Surrey], 1995.

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The high road: Romantic tourism, Scotland, and literature, 1720-1820. New York: St. Martin's Press, 1997.

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The high road: Romantic tourism, Scotland, and literature, 1720-1820. Basingstoke: Macmillan, 1997.

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The Tourist Gaze 30. Sage Publications (CA), 2011.

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Tourist Gaze 3. 0. SAGE Publications, Limited, 2011.

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Book chapters on the topic "The Romantic Tourist Gaze"

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Korstanje, Maximiliano E., and Babu George. "Tourist Gaze Reconsidered." In Mobility and Globalization in the Aftermath of COVID-19, 73–94. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78845-2_4.

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Hospers, Gert-Jan. "City Branding and the Tourist Gaze." In City Branding, 27–35. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230294790_4.

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Larsen, Jonas. "The Tourist Gaze 1.0, 2.0, and 3.0." In The Wiley Blackwell Companion to Tourism, 304–13. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118474648.ch24.

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Gravari-Barbas, Maria, and Sébastien Jacquot. "From Tourist Gaze to Tourist Engagement, A Relational Approach to Heritage." In Progress in French Tourism Geographies, 135–53. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-52136-3_8.

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Fincher, Max. "Reading the Gaze: A Culture of Vigilance." In Queering Gothic in the Romantic Age, 23–44. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230223172_2.

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Larsen, Jonas. "Running away from, or with, the tourist gaze." In Mobilities and Complexities, 112–18. 1st Edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9780429470097-17.

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Tan, Eunice, and Barkathunnisha Abu Bakar. "6. The Asian Female Tourist Gaze: A Conceptual Framework." In Asian Genders in Tourism, edited by Catheryn Khoo-Lattimore and Paolo Mura, 65–87. Bristol, Blue Ridge Summit: Multilingual Matters, 2016. http://dx.doi.org/10.21832/9781845415808-008.

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Wang, Yi-Wen, and Christian Nolf. "Historic landscape and water heritage of Suzhou beyond the tourist gaze." In Suzhou in Transition, 42–86. Abingdon, Oxon ; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003010036-4.

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Bongartz, Christiane M. "2. Transformations of the ‘Tourist Gaze’: Landscaping and the Linguist behind the Lens." In Language and Tourism in Postcolonial Settings, edited by Angelika Mietzner and Anne Storch, 18–37. Bristol, Blue Ridge Summit: Multilingual Matters, 2019. http://dx.doi.org/10.21832/9781845416799-004.

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Chotmanakul, Saranphat, and Somyot Ongkhluap. "Visitor expectations and behaviours at elephant camps." In The elephant tourism business, 64–72. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789245868.0005.

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Abstract This chapter explores how tourists 'gaze' at elephants at camps in Chiangmai, Thailand. Developing John Urry's (1990) concept of the tourist 'gaze', this chapter explores and explains different behaviours and perceptions of tourists who visit elephant camps in Chiangmai, and how elephant camps and surrounding communities as the hosts respond to such a gaze. The chapter first provides an overview of how 'traditional' elephant camps rapidly developed into alternative 'eco' or 'ethical' camps in the past decade. Then it tackles the issue of how tourists perceive and react to the available resources and services at these two types of elephant camps, based on statistical evidence and participant observations. The chapter also leads readers to an understanding of how the elephants and the hosts respond to the 'gaze' as reflected from the authors' experience during fieldwork in 2015-2017.
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Conference papers on the topic "The Romantic Tourist Gaze"

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Zeng, Yan. "Dualistic Cultural Characterization of Tile-Cat under Tourist Gaze in Ethnic Tourism." In 2014 International Conference on Management, Education and Social Science (ICMESS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icmess-14.2014.28.

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Fedotov, Dmitrii, Yuki Matsuda, Yuta Takahashi, Yutaka Arakawa, Keiichi Yasumoto, and Wolfgang Minker. "Towards Estimating Emotions and Satisfaction Level of Tourist Based on Eye Gaze and Head Movement." In 2018 IEEE International Conference on Smart Computing (SMARTCOMP). IEEE, 2018. http://dx.doi.org/10.1109/smartcomp.2018.00036.

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