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Books on the topic 'The Romantic Tourist Gaze'

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1

Brown, Jonathan. The Romantic tourist: Granada. [Guildford]: [University of Surrey], 1998.

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2

The tourist gaze: Leisure and travel in contemporary societies. London: Sage Publications, 1990.

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3

K, Walton John, ed. Constructing cultural tourism: John Ruskin and the tourist gaze. Buffalo, N.Y: Channel View Publications, 2010.

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4

Coates, Gerry. Romantic holidays-U.K.: A U.K. honeymoon guide. Sevenoaks: G.C.P., 1990.

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5

The literary tourist: Readers and places in romantic & Victorian Britain. Basingstoke [England]: Palgrave Macmillian, 2006.

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6

Jehle, Eveline. Reactions to the tourist gaze: Contesting the pre-modern, modern and post-modern in a Swiss alpine community. [Guildford]: [University of Surrey], 1995.

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7

The high road: Romantic tourism, Scotland, and literature, 1720-1820. New York: St. Martin's Press, 1997.

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8

The high road: Romantic tourism, Scotland, and literature, 1720-1820. Basingstoke: Macmillan, 1997.

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9

The Tourist Gaze 30. Sage Publications (CA), 2011.

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10

Tourist Gaze 3. 0. SAGE Publications, Limited, 2011.

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11

The Tourist Gaze (Published in association with Theory, Culture & Society). Sage Publications Ltd, 2002.

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12

Public Places, Private Journeys: Ethnography, Entertainment, and the Tourist Gaze. Rutgers University Press, 2003.

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13

Strain, Ellen. Public Places, Private Journeys: Ethnography, Entertainment, and the Tourist Gaze. Rutgers University Press, 2004.

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14

The Tourist Gaze (Published in association with Theory, Culture & Society). Sage Publications Ltd, 2002.

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15

Watson, Nicola J. The Literary Tourist: Readers and Places in Romantic and Victorian Britain. Palgrave Macmillan, 2006.

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16

Hicklin, John. Excursions In North Wales: A Complete Guide To The Tourist Through That Romantic Country. Kessinger Publishing, LLC, 2007.

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17

Hicklin, John. Excursions In North Wales: A Complete Guide To The Tourist Through That Romantic Country. Kessinger Publishing, LLC, 2007.

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18

Frazier, Adrian. Irish Acting in the Early Twentieth Century. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.16.

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Frank Fay, with his brother William Fay, were primarily responsible for the development of what became known as the Abbey style of acting, Frank drawing upon his study of the French actor Coquelin and the director André Antoine, William with his experience of acting in fit-up touring companies. This style, conditioned by the limited playing resources available to them, centred on fine speech, teamwork, and restraint. In a later period, after the Fays had left in 1908, the tradition of ensemble playing in a permanent company allowed for the development of fine individual character acting represented by Sara Allgood, F. J. McCormick, and Barry Fitzgerald. The actor-manager Anew McMaster, with his large romantic style, helped to shape the tradition of the otherwise modernist Gate Theatre. Irish acting in the first half of the twentieth century was thus a hybrid compound of many different elements.
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19

Green, Joshua. From the Faroes to the World Stage. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.6.

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This chapter explores music in the context of evolving transnational dynamics in the Faroe Islands, focusing on the tourism boom and on connections with the global music industry. Similar to the situation in Iceland a decade earlier, music became part of an evolving tourism economy in the early 2010s, shaped by exotic views of the North Atlantic. Drawing from Urry’s concept of the tourist gaze, the chapter shows how Faroese bands work as producers of difference, within an international system of industry and institutions, including the Nordic Council. The analytical focus is on transnational mobility and industry networks of popular music and its performers. The chapter shows that Faroese bands engage with these transnational flows and with exoticism in the international marketing of their music. The core case study is the doom metal band Hamferð, whose career evolved to participation in international events, particularly festivals and competitions.
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20

Mathison, Ymitri, ed. Growing Up Asian American in Young Adult Fiction. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496815064.001.0001.

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Growing Up Asian American in Young Adult Fiction focuses on moving beyond stereotypes to examine how Asian American children and adolescents define their unique identities. For these kids, being or considered to be American becomes a challenge in itself as they assert their Asian and American identities; claim their own ethnic identity, be they an immigrant or American-born; and negotiate their ethnic communities. Chapters focus on primary texts from many ethnicities, such as Chinese, Korean, Filipino, Japanese, Vietnamese, South Asian, and Hawaiian. Individual chapters crossing cultural, linguistic, and racial boundaries revise the traditional white male bildungsroman to negotiate the complex terrain of Asian American children’s and teenagers’ identities. Chapters cover such topics as internalized racism and self-loathing; hyper-sexualization of Asian American females in graphic novels; the fluidity and ambiguity of the biracial or mestizo Filipino male and female’s ethnic and racial identities; interracial friendships between Japanese Americans and Americans of other ethnicities during the Japanese internment; transnational adoptions and birth searches by Korean Americans; food as a means of assimilation and resistance for first generation immigrant Vietnamese American girls; the hostile and alienating environment generated by the War on Terror for South Asian American teenagers; and commodity racism and the tourist gaze as well as self-authorship, interstitial identity, and the ambiguity of motherland in Hawaiian American literature.
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21

Vincent, Patrick. British Romantics Abroad. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.45.

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This chapter explores two possible interpretations of the British Romantics abroad, the first referring to the many writers who travelled on the Continent in this period, the second to their texts that circulated outside of Britain. It argues that these travellers as well as their books contributed to a shared sense of European identity and helped foster liberal democracy in an age of political reaction. The first part of the chapter shows how, despite clear differences between the Grand Tour, Revolutionary travel, and modern tourism, Romantic-period travel writing shares common features, among them the opposition between traveller and tourist, and the ideal of Europe as a system of politically emancipated nations. The second part reviews the channels of transmission, notably foreign reviews and pirated editions, that enabled the transnational circulation and reputation of British-authored texts and helped place Britain’s liberal brand of Romanticism at the forefront of European culture.
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22

Yoshikawa, Saeko. William Wordsworth and Modern Travel. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621181.001.0001.

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This book explores William Wordsworth’s pervasive influence on the tourist landscapes of the Lake District throughout the age of transport revolutions, popular tourism, and the Great 1914-18 War. It reveals how Wordsworth’s response to railways was not a straightforward matter of opposition and protest; his ideas were taken up by advocates and opponents of railways, and through their controversies had a surprising impact on the earliest motorists as they sought a language to describe the liberty and independence of their new mode of travel. Once the age of motoring was underway, the outbreak of the First World War encouraged British people to connect Wordsworth’s patriotic passion with his wish to protect the Lake District as a national heritage—a transition that would have momentous effects in the interwar period when the popularisation of motoring paradoxically brought a vogue for open-air activities and a renewal of Romantic pedestrianism. With the arrival of global tourism, preservation of the cultural landscape of the Lake District became an urgent national and international concern. By revealing how Romantic ideas of nature, travel, liberty and self-reliance were re-interpreted and utilized in discourses on landscape, transport, accessibility, preservation, war and cultural heritage, this book portrays multiple Wordsworthian legacies in modern ways of perceiving and valuing the nature and culture of the Lake District.
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