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Journal articles on the topic 'The Romantic Tourist Gaze'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Karlsdóttir, Unnur B. "Nature worth seeing! The tourist gaze as a factor in shaping views on nature in Iceland." Tourist Studies 13, no. 2 (2013): 139–55. http://dx.doi.org/10.1177/1468797613490372.

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This article discusses the historical development of nature-based tourism in Iceland, in the light of the concept of the ‘tourist gaze’ and the romantic wilderness ideology, which has put a deep mark on modern views on nature and created a widespread demand for coming into touch with wild nature up to such an extent that a thriving sector of today’s tourist industry is built on it. Questions explored are what views on nature have shaped this story and what image of Icelandic nature has been highlighted in its marketing as a tourist attraction. Finally, the harsh conflict that has occurred between the different values of nature preservation and energy production is addressed and how nature-based tourism does, in the light of its values and interests, support the battle for the protection of natural landscape and wild ecosystems.

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2

Schwarz, Kaylan C. "“Gazing” and “performing”: Travel photography and online self-presentation." Tourist Studies 21, no. 2 (2021): 260–77. http://dx.doi.org/10.1177/1468797620985789.

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This article illustrates the self-presentations young people foreground when they visually communicate international volunteer experiences to social media audiences. Through a “categorical-content” analysis of repeated semi-structured interviews and photographic content posted to Facebook, and with theoretical support from Urry’s “tourist gaze” and Goffman’s “presentation of self,” I describe three impressions “given” and “given off” within participants’ profiles. The findings reveal some familiar touristic scenes (necessitating tribute to the well-established “family” and “romantic” gazes) and also inspire a new gazing form (incorporating “gutsy” bodily experiences). However, these holiday-like portrayals were selectively disclosed and complicated by the sentiments participants expressed during face-to-face interviews. As different self-presentations were idealized in different settings, this article helps to elucidate the situational role of the audience and offers unique analytical insights that may not have emerged had I utilized one method in isolation. Its contribution is located within its intersections: blending gazing and performing frameworks, employing verbal and visual approaches, leading to etic and emic understandings.

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3

Harris, Richard J. P. "Building Regional Identity: Social and Cultural Significance of Railways for Cornwall in the Late Nineteenth and Early Twentieth Centuries." Journal of Transport History 41, no. 2 (2019): 254–77. http://dx.doi.org/10.1177/0022526619886041.

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Railways have contributed to the complex mosaic of Cornish identity in three ways. First, as a holiday destination promoted from late Victorian times until the Second World War by companies such as the Great Western Railway, London and South Western Railway and Southern. Initially marketing its mild climate and health benefits as an alternative to holidaying abroad evolved, from the 1920s, into an enduring tourist gaze of romantic landscapes, myth and legend. Second, structural changes in the Cornish economy in association with a decline in metal mining precipitated large-scale emigration which continued until the start of the First World War. Railways represented the initial phase of the emigrant journey and the volume of migration was such that their role has become part of a cultural text signifying both loss and opportunity. Lastly, their physical presence and contribution to the landscape adds a further layer of social and cultural significance to Cornish identity.

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4

Hammond, Charlotte, and Andrew McGregor. "O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005)." Contemporary French Civilization: Volume 46, Issue 1 46, no. 1 (2021): 27–47. http://dx.doi.org/10.3828/cfc.2021.2.

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This article explores the Orientalist dynamics of North/South sexual tourism in Laurent Cantet’s Vers le sud/Heading South (2005). The narrative of the film is structured around the self-interested motivations of three white middle-aged bourgeois Western women who travel from North America to Haiti in the late 1970s in order to explore their sexuality in what they perceive as an island paradise, effectively exiling themselves from the codified social behavior expected of them in their homeland. The women avail themselves of the pleasures offered by young black Haitian men, often in exchange for money or goods, and fuel one-sided fantasies of romantic love with their local hosts, seemingly oblivious to the Orientalist nature of such an imbalance of social and economic power. The article explores the historical context of the political repression and violence of late-1970s Haiti under the Duvalier regime, as well as the manifestations of spatial politics represented in the film. In its Haitian setting, Vers le sud sheds light on a relatively unfamiliar cultural and social milieu for the Western/Northern audience, with the director keenly aware of the exoticism of the subject matter and the impossibility of the film to maintain its neutrality in a problematic engagement with the Orient/South. The article argues that the privileged position of the film’s protagonists is matched not only by Cantet’s directorial gaze, but also by the intellectual detachment of postcolonial scholars such as the article’s authors, who acknowledge that their engagement with the subject matter risks re-enacting the Orientalist dynamics they seek to expose.

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5

Leiper, Neil. "The tourist gaze." Annals of Tourism Research 19, no. 3 (1992): 604–7. http://dx.doi.org/10.1016/0160-7383(92)90156-j.

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6

Nash, Dennison. "The tourist gaze." Tourism Management 12, no. 3 (1991): 265. http://dx.doi.org/10.1016/0261-5177(91)90017-n.

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7

Lee, Y.-S. "Tourist Gaze: Universal Concept." Tourism Culture & Communication 3, no. 2 (2001): 93–99. http://dx.doi.org/10.3727/109830401108750724.

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8

Ryan, Chris. "The Tourist Gaze 3.0." Tourism Management 36 (June 2013): 234–36. http://dx.doi.org/10.1016/j.tourman.2012.12.008.

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9

URRY, JOHN. "The Tourist Gaze “Revisited”." American Behavioral Scientist 36, no. 2 (1992): 172–86. http://dx.doi.org/10.1177/0002764292036002005.

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10

Janes, Dominic. "Beyond the tourist gaze?" Journal of Research in International Education 7, no. 1 (2008): 21–35. http://dx.doi.org/10.1177/1475240907086886.

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11

Taillon, Justin M. "The tourist gaze 3.0." Current Issues in Tourism 17, no. 2 (2013): 199–200. http://dx.doi.org/10.1080/13683500.2012.759548.

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12

Hawkins, Gay. "Booknote: The Tourist Gaze." Media Information Australia 65, no. 1 (1992): 122. http://dx.doi.org/10.1177/1329878x9206500149.

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13

Acland, Charles R. "IMAXTECHNOLOGY AND THE TOURIST GAZE." Cultural Studies 12, no. 3 (1998): 429–45. http://dx.doi.org/10.1080/095023898335492.

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14

McGregor, Andrew. "Dynamic texts and tourist gaze." Annals of Tourism Research 27, no. 1 (2000): 27–50. http://dx.doi.org/10.1016/s0160-7383(99)00034-1.

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15

Holloway, Donell, Lelia Green, and David Holloway. "The Intratourist Gaze: Grey Nomads and ‘Other Tourists’." Tourist Studies 11, no. 3 (2011): 235–52. http://dx.doi.org/10.1177/1468797611432043.

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The presence of other tourists is an integral part of the tourist experience. Hence, gazing upon other tourists is an inevitable part of being a tourist. This paper introduces the concept of the intratourist gaze, a tourist gaze where tourists are both the subjects and objects of the gaze. An analysis from ethnographic fieldwork carried out with senior tourists in rural and remote Australia indicates that the intratourist gaze has the potential to be a disciplinary gaze which, in this case, privileges and safeguards the natural environment. This paper explores the important influence other tourists have on tourists’ behaviours and sense of identity. It also contributes to discussion regarding tourist/tourist interactions in the under-explored area of qualitative research into senior tourism.

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16

Stone, Lesego S., and Gyan P. Nyaupane. "The Tourist Gaze: Domestic versus International Tourists." Journal of Travel Research 58, no. 5 (2018): 877–91. http://dx.doi.org/10.1177/0047287518781890.

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This article investigates domestic and international tourists’ “gaze” using tourism imagery. Domestic and international tourists’ preferences are critically examined using the concept of the “tourist gaze” and “local gaze.” Through qualitative, in-depth photo-elicitation interviews (PEIs) guided by 16 photographs covering various tourist attractions in Botswana, results indicate dissimilar tourist gazes between international and domestic tourists. Culture, livelihoods, and crowded spaces, with a variety of activities, influence domestic tourists’ gaze, whereas privacy, tranquility, and quietness influence the international tourists’ gaze. The tourist gaze thus can be seen as a culturally contingent concept that is not universal. Despite the differences, results indicate the continued promotion of an international tourist’s gaze. Results help explain low visitation by domestic tourists to protected areas in Botswana and Africa. In view of the study’s results, theoretical and policy implications are also discussed.

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17

D’Egidio, Angela. "The tourist gaze in English, Italian and German travel articles about Puglia: A corpus-based study." ICAME Journal 38, no. 1 (2014): 57–72. http://dx.doi.org/10.2478/icame-2014-0003.

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Abstract This paper shows how online travel articles may provide important insights into how a tourist destination is perceived and to what extent what is known as the ‘tourist gaze’ may be used to recontextualise tourist material in order to produce more effective tourist texts, which meet receivers’ expectations. For this purpose, three comparable corpora of online travel articles in English, Italian and German language were assembled and analysed in order to understand the way ordinary travellers perceive and experience a tourist destination in Italy (Puglia) by taking language as a point of reference. The first fifteen words of the frequency lists in the three corpora highlighted what landmarks and elements of attraction English, Italian and German travel writers gaze at while on holiday in Puglia. The analysis demonstrated that the Italian tourist gaze is different from the English and German tourist gazes, since not all of them focus on the same landscapes, and even when they gaze at the same sights, their perception and representation are often different. The similarities and differences between the ways the tourists behave suggest a distinction between a model of ‘global gaze’ embodied by English and German travellers, seen as ‘outsiders’, and a model of ‘local gaze’ embodied by Italian tourists, seen as ‘insiders'

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18

오정준. "Implications of Photograph in Tourist Gaze." Journal of the Association of Korean Photo-Geographers 21, no. 1 (2011): 25–34. http://dx.doi.org/10.35149/jakpg.2011.21.1.003.

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19

Zhihong, Bai. "Ethnic Identities under the Tourist Gaze." Asian Ethnicity 8, no. 3 (2007): 245–59. http://dx.doi.org/10.1080/14631360701595007.

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20

Urry, John. "The Tourist Gaze and the `Environment'." Theory, Culture & Society 9, no. 3 (1992): 1–26. http://dx.doi.org/10.1177/026327692009003001.

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21

Crouch, David. "Book Review: The Tourist Gaze 3.0." Tourist Studies 11, no. 3 (2011): 291–93. http://dx.doi.org/10.1177/1468797611432044.

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22

Gillespie, Alex. "Tourist Photography and the Reverse Gaze." Ethos 34, no. 3 (2006): 343–66. http://dx.doi.org/10.1525/eth.2006.34.3.343.

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23

Tzanelli, Rodanthi. "Domesticating the tourist gaze in Thessaloniki's Prigipos." Ethnography 13, no. 3 (2011): 278–305. http://dx.doi.org/10.1177/1466138111420619.

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24

Crang, Mike. "Picturing practices: research through the tourist gaze." Progress in Human Geography 21, no. 3 (1997): 359–73. http://dx.doi.org/10.1191/030913297669603510.

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25

Pomering, Alan. "A review of: ‘The Tourist Gaze 3.0’." Tourism Geographies 15, no. 4 (2013): 691–93. http://dx.doi.org/10.1080/14616688.2012.699095.

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26

marvell, alan. "Book Review: The Tourist Gaze (2nd edn)." Tourist Studies 2, no. 2 (2002): 206–7. http://dx.doi.org/10.1177/146879760200200207.

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27

Sumara, Dennis J. "Resisting the Tourist Gaze: Literature Reading as Dwelling." English Journal 83, no. 8 (1994): 41. http://dx.doi.org/10.2307/820334.

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28

King, Ross, and Kim Dovey. "Interstitial Metamorphoses: Informal Urbanism and the Tourist Gaze." Environment and Planning D: Society and Space 31, no. 6 (2013): 1022–40. http://dx.doi.org/10.1068/d1412.

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29

Rink, Bradley. "The aeromobile tourist gaze: understanding tourism ‘from above’." Tourism Geographies 19, no. 5 (2017): 878–96. http://dx.doi.org/10.1080/14616688.2017.1354391.

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30

Bandyopadhyay, Ranjan, and Tuhina Ganguly. "Situating the tourist gaze: from appropriation to negotiation." Current Issues in Tourism 21, no. 6 (2015): 599–615. http://dx.doi.org/10.1080/13683500.2015.1110118.

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31

Mahn, Churnjeet. "The virtual tourist gaze in Greece, 1897–1905." Annals of Tourism Research 48 (September 2014): 193–206. http://dx.doi.org/10.1016/j.annals.2014.06.001.

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32

Dahal, Arvind. "Under the Tourist Gaze: Kathmandu in Popular Culture." JODEM: Journal of Language and Literature 11, no. 1 (2020): 1–18. http://dx.doi.org/10.3126/jodem.v11i1.34799.

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This research explores the shifts and continuities of representing Kathmandu City in Western cinematic and musical creations since 1970s. My research concerns with the representations of Kathmandu in the popular culture intends to explore the imagination of Kathmandu as a touristic place and how they represent the city and produce images in the popular culture which expands far beyond the visual apprehension and enjoyment of a landscape. While doing so my research first explores the representations, practices and processes of identity formation and cultural negotiations that are brought about in the city by tourism and secondly, it analyses the content and the visual representations of the movies and songs relying primarily on the theoretical tools of Popular Culture and secondarily the image production of the landscape in terms of Tourist gaze.

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33

Holmes, Kirsten, and Steven Rowley. "A native-visitor in Western Australia: an account of an insider-outsider." International Journal of Culture, Tourism and Hospitality Research 9, no. 4 (2015): 409–16. http://dx.doi.org/10.1108/ijcthr-08-2015-0086.

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Purpose – This study aims to apply confirmatory personal introspection (CPI) to illuminate the experiences of the authors as partial native-visitors to Western Australia. The native-visitor is the tourist who is able to see beyond Urry’s shallow conception of the Tourist Gaze through their lengthy immersion as “insiders” in the destination’s culture. In this paper, the experiences of two immigrants, the authors, to Western Australia illustrate the different perspectives of the Tourist Gaze 4.0. Design/methodology/approach – The paper uses CPI, as this is a more reliable method of uncovering a traveler’s experiences than subjective personal introspection because CPI uses additional data sources such as written historical records and photographs for confirming the researcher’s accounts. In this study, accounts of both authors alongside photographs are used to both confirm and contrast their individual experiences. Findings – The paper demonstrates the varied forms of the tourist gaze, with an emphasis on that of the native visitor. The findings illustrate how individuals’ both maintain aspects of their original cultural identity and adopt those of the new country after an extended time living in that country. This enables individuals to see attractions and destinations from an insider perspective. Practical implications – This study shows how even after an extended period of time living in a new country, visitors may not have the cultural confidence to behave as local residents at tourist attractions and destinations, which could limit their engagement and enjoyment of these experiences. Marketers should take this into account in designing and promoting tourist experiences to visitors. Originality/value – CPI provides a valuable means for illustrating the range of perspectives within the Tourist Gaze 4.0. The method enables individuals’ rich experiences to be uncovered but at the same time uses multiple data sources to provide additional rigour.

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34

Jiménez, Javier. "CostumbristaDescription, Romantic Gaze: The Insufficiencies of Literary Discourse inSab." Romance Studies 33, no. 1 (2015): 56–67. http://dx.doi.org/10.1179/0263990415z.00000000086.

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35

Vannini, Phillip, and Lindsay M. Stewart. "The GoPro gaze." cultural geographies 24, no. 1 (2016): 149–55. http://dx.doi.org/10.1177/1474474016647369.

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During 2014–2015, we produced a short video documentary, titled The Art of Wild, which focused on the audiovisual practices of outdoor adventurers. This short written report reflects on an idea inspired by the video: the GoPro gaze. Enacted by increasingly sophisticated, portable and affordable recording audiovisual technologies such as the GoPro Hero camera, the ‘GoPro gaze’ entails not just the pursuit of pleasures derived from adventure and nature-based travel, but also the production and distribution of professional-quality independent videos for Internet audiences. Based on a series of ‘go-along’ interviews with adventure travelers/athletes/artists, this article and the accompanying video prompt us to reflect on how the affective pleasures and technological affordances of the ‘GoPro gaze’ trouble the established idea of the ‘tourist gaze’.

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36

Stock, Mathis. "John Urry et Jonas Larsen, The Tourist Gaze 3.0." Mondes du tourisme, no. 7 (June 1, 2013): 105–6. http://dx.doi.org/10.4000/tourisme.201.

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37

Dewailly, Jean-Michel. "John Urry et Jonas Larsen, The Tourist Gaze 3.0." Géocarrefour, no. 3-4 (December 19, 2012): 281. http://dx.doi.org/10.4000/geocarrefour.8521.

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38

Halsall, David A. "Railway heritage and the tourist gaze: Stoomtram Hoorn–Medemblik." Journal of Transport Geography 9, no. 2 (2001): 151–60. http://dx.doi.org/10.1016/s0966-6923(00)00030-2.

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39

Scroggins, Mark. "Constructing cultural tourism: John Ruskin and the tourist gaze." Journal of Tourism History 3, no. 3 (2011): 333–35. http://dx.doi.org/10.1080/1755182x.2011.628164.

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40

Kay Hin TAN, Keith. "The tourist gaze: leisure and travel in contemporary societies." Annals of Leisure Research 21, no. 5 (2018): 631–34. http://dx.doi.org/10.1080/11745398.2018.1462662.

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41

Larsen, J., and C. Svabo. "The tourist gaze and "Family Treasure Trails" in museums." Tourist Studies 14, no. 2 (2014): 105–25. http://dx.doi.org/10.1177/1468797614532178.

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42

Welten, R. "Stendhal's Gaze: Towards an hermeneutic approach of the tourist." Tourist Studies 14, no. 2 (2014): 168–81. http://dx.doi.org/10.1177/1468797614532182.

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43

Canziani, Bonnie Farber. "Power in tourism research: the tourist gaze as metonym." International Journal of Tourism Anthropology 4, no. 1 (2015): 13. http://dx.doi.org/10.1504/ijta.2015.067645.

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44

VOLKMAN, TOBY ALICE. "Visions and revisions: Toraja culture and the tourist gaze." American Ethnologist 17, no. 1 (1990): 91–110. http://dx.doi.org/10.1525/ae.1990.17.1.02a00060.

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45

Willis, Cheryl, Adele Ladkin, Juliet Jain, and William Clayton. "Present whilst absent: Home and the business tourist gaze." Annals of Tourism Research 63 (March 2017): 48–59. http://dx.doi.org/10.1016/j.annals.2016.10.008.

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46

Otto, Natália. "Globalizando o olhar do turista, de John Urry." Plural (São Paulo. Online) 23, no. 2 (2016): 142. http://dx.doi.org/10.11606/issn.2176-8099.pcso.2016.125105.

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47

Huang, Wei-Jue, and Byeong Cheol Lee. "The Tourist Gaze in Travel Documentaries: The Case ofCannibal Tours." Journal of Quality Assurance in Hospitality & Tourism 11, no. 4 (2010): 239–59. http://dx.doi.org/10.1080/1528008x.2010.504180.

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48

Leotta, Alfio, and Miriam Ross. "Touring the ‘World Picture’: virtual reality and the tourist gaze." Studies in Documentary Film 12, no. 2 (2018): 150–62. http://dx.doi.org/10.1080/17503280.2018.1503859.

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49

Stabell, Ivy Linton. ""'It's Grisly!' 'It's Disgusting!'": Children's History through the Tourist Gaze." Lion and the Unicorn 42, no. 3 (2018): 302–20. http://dx.doi.org/10.1353/uni.2018.0029.

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50

Franklin, A. "The Tourist Gaze and beyond: An interview with John Urry." Tourist Studies 1, no. 2 (2001): 115–31. http://dx.doi.org/10.1177/146879760100100201.

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