Relevant bibliographies by topics / The Shawshank Redemption

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'The Shawshank Redemption'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "The Shawshank Redemption"

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Peng, Yuan-yuan. "An Interpretation of Influences of Institutionalization on the Fate of Characters in “The Shawshank Redemption”." English Language Teaching 13, no. 5 (April 9, 2020): 11. http://dx.doi.org/10.5539/elt.v13n5p11.

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Institutionalization is mentioned over and over again in film “The Shawshank Redemption”. In this film, the institution refers to the fixed prison institution, and institutionalization refers to a process of rigidifying prisoners’ behaviors, thoughts and mindsets in some imperceptible constraint mechanisms. In this process, the prisoners are forced to change their original behaviors, thoughts and ideas, and begin to accept, get used to and even depend on the current situation little by little. As a result, they become obedient to such prison management. They don’t want or dare to change their realistic conditions, but have to depend on them for survival. The death of Brooks, pigeon Jake and Tommy, the fear of Red and the escape of Andy are all associated with institutionalization. In this paper, influences of institutionalization on the fate of characters in “The Shawshank Redemption” were analyzed. In addition, the wisdom of coping with and avoiding institutionalization was preliminarily analyzed.
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Chua, Daniel K. L. "Listening to the Self: The Shawshank Redemption and the Technology of Music." 19th-Century Music 34, no. 3 (2011): 341–55. http://dx.doi.org/10.1525/ncm.2011.34.3.341.

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Abstract Music has often been used to symbolize and express ontological experiences. This article explores a mode of nineteenth-century self-audition where music captures a glimpse of the freedom that lies at the core of the subject. This mode of listening has intensified with the development of modern technology and is still prevalent in constructing the identity of the self. The opera scene from the Shawshank Redemption not only is an example of this special effect, but provides a narrative of how music achieves this affect, creating an ideal and virtual self through sound technology.
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Гмирко, В. П. "Діяльнісний погляд на реструктуризацію кримінального процесу: the attempt of dogmatic shawshank redemption?" Юридична Україна, no. 10 (190) (2018): 33–49.

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Fiddler, Michael. "Projecting the prison: The depiction of the uncanny in The Shawshank Redemption." Crime, Media, Culture: An International Journal 3, no. 2 (August 2007): 192–206. http://dx.doi.org/10.1177/1741659007078546.

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Гмирко, В. П. "Діяльнісний погляд на реструктуризацію кримінального процесу: the attempt of dogmatic shawshank redemption?" Юридична Україна, no. 10 (190) (2018): 33–49.

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Rizzo Parse, Rosemarie. "Hope in “Rita Hayworth and Shawshank Redemption”: A Human Becoming Hermeneutic Study." Nursing Science Quarterly 20, no. 2 (April 2007): 148–54. http://dx.doi.org/10.1177/0894318407299567.

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Rahmawati, Erni, and Gustaman Saragih. "WHITE SUPREMACY AND STRUCTURAL RACISM IN “THE SHAWSHANK REDEMPTION” BY FRANK DARABONT." INFERENCE: Journal of English Language Teaching 3, no. 3 (November 1, 2020): 216. http://dx.doi.org/10.30998/inference.v3i3.5788.

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<p>The purpose of this study was to analyze white supremacy and structural racism in the film "The Shawshank Redemption". The method used is descriptive-qualitative to describe white supremacy and structural racism in the film. Data is obtained, analyzed and explained based on dialogues contained in the film, namely: 1) white supremacy that is analyzed from a) the appearances of the character using a sequence table, and b) visible glorification and invisible glorification using glorification dialogue table, and 2) structural racism, using binary opposition, namely positive and negative characterization of the characters. By the sequence table, the character that is predominant in the film is Andy Dufresne. From the glorification dialogue table, visible glorification gets the highest presentation while invisible glorification gets the lowest presentation. This shows that white supremacy exists in American film. As for structural racism, the negative characterization of the supporting characters is the highest while the negative characterization of the main character is the lowest. This shows that structural racism exists in American film.</p><p><strong>Key Words: </strong>American film; drama; white supremacy; structural racism<strong>.</strong></p>
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Wessels, Brett. "Uber, Dominos, and the Shawshank Redemption: The Inevitable Legalization of Daily Fantasy Sports." Gaming Law Review and Economics 20, no. 9 (November 2016): 765–74. http://dx.doi.org/10.1089/glre.2016.2096.

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O'Sullivan, Sean. "Representations of Prison in Nineties Hollywood Cinema: From Con Air to The Shawshank Redemption." Howard Journal of Criminal Justice 40, no. 4 (November 2001): 317–34. http://dx.doi.org/10.1111/1468-2311.00212.

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10

Szochner, Wiktor. "A film adaptation of Stephen King’s novella “Rita Hayworth and Shawshank Redemption” (1982) as an example of a multimodal translation pattern." Językoznawstwo 13, no. 1 (March 25, 2020): 173–81. http://dx.doi.org/10.25312/2391-5137.13/2019_11wsz.

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Dissertations / Theses on the topic "The Shawshank Redemption"

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Oden, Chelsea. "Reflection and Introspection in the Film Scores of Thomas Newman." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20483.

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The most transformative moments in life cause us to look both backward (reflection) and inward (introspection). Likewise, reflective and introspective moments in film often align with important plot points. Separating music and dialogue from the rhythms of the image, these moments suspend time, creating a distinct temporality for the character(s) and the viewer to observe the past and the present in juxtaposition. The music of film composer Thomas Newman brings to life some of the most beautiful reflective and introspective moments in cinema. In this thesis, I approach Newman’s understudied, but highly successful film scores from narrative, musical, and audiovisual perspectives. Recognizing time as a linear common denominator between the multimedia elements of film, I examine case study scenes in Little Women (1994), The Shawshank Redemption (1994), and American Beauty (1999). Additionally, I present Kofi Agawu’s method of generative analysis as a tool well-suited to Newman’s unique harmonic language.
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Hsu, Wan-Jung, and 徐婉容. "Translation and Discussion of the Different Seasons - Rita Hayworth and Shawshank Redemption." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/16336404421015790323.

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碩士
長榮大學
翻譯學系碩士班
103
This thesis includes a translated text of Different Seasons - Rita Hayworth and Shawshank Redemption and a discussion of theory and methods to the task; it also details the author’s process and conclusion of translating the book. This thesis is divided into six chapters. Chapter I introduces the background, goals and methodology of this study. Chapter II gives a brief introduction of the author of the book and the book itself. Chapter III gives a thorough account of the entire translation process, including several steps through which translation task is accomplished. Chapter IV is the author’s translation. Chapter V discusses the problems while translating English to Chinese and all the needed techniques and background knowledge. Chapter VI is the conclusion which presents some suggestions based on the author’s experience in translating the book. The translation of the book has provided an excellent opportunity for the author to put translation theory into practice. Hopefully, this translation will give a contribution to the cultural exchange as well.
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Books on the topic "The Shawshank Redemption"

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Institute, British Film, ed. The Shawshank redemption. London: BFI Pub., 2003.

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2

Robbins, Tim, Frank Darabont, and Niki Marvin. The Shawshank redemption. Burbank, CA: Warner Home Video, 1999.

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3

Gareis, Elisabeth. The Shawshank redemption. Ann Arbor: University of Michigan Press, 1998.

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4

1947-, King Stephen, ed. The shawshank redemption: The shooting script. New York: Newmarket Press, 1996.

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5

Power of small choices. Boston, MA: Pauline Books & Media, 2006.

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6

1947-, King Stephen, and King Stephen 1947-, eds. Shawshank redemption. London: Warner, 2000.

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7

The Shawshank Redemption. Penguin Group US, 2011.

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8

King, Stephen. The Shawshank Redemption. Penguin Audio, 1995.

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9

King, Stephen. The Shawshank Redemption. Penguin Audio, 2010.

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10

Rita Hayworth & Shawshank redemption. Hodder, 2020.

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Book chapters on the topic "The Shawshank Redemption"

1

Grady, Maura, and Tony Magistrale. "In the Belly of the Beast: Ohio State Reformatory and The Shawshank Redemption." In The Shawshank Experience, 27–85. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-53165-0_2.

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Hooke, Alexander E. "The Shawshank Redemption as Philosophy: Freedom and Panopticism." In The Palgrave Handbook of Popular Culture as Philosophy, 1–18. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-97134-6_62-1.

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Ireland, David. "Mozart, Harmonicas, and Aesthetic Incongruence in The Shawshank Redemption." In Identifying and Interpreting Incongruent Film Music, 141–65. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00506-1_6.

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Magistrale, Tony. "Redemption through the Feminine in The Shawshank Redemption; Or, Why Rita Hayworth’s Name Belongs in the Title." In The Films of Stephen King, 101–13. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610583_9.

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Magistrale, Tony. "Defining Heroic Codes of Survival: the Dead Zone, the Shawshank Redemption, the Green Mile." In Hollywood's Stephen King, 117–46. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403980519_5.

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"Staying Clean and Proper: The Shawshank Redemption." In Abject Spaces in American Cinema. I.B.Tauris, 2013. http://dx.doi.org/10.5040/9780755698417.ch-004.

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DeYoung, Rebecca Konyndyk. "Practicing Hope." In Faith and Virtue Formation, 166–90. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895349.003.0008.

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In this chapter, DeYoung considers how the theological virtue of hope might be practiced. She first explains Thomas Aquinas’s account of this virtue, including its structural relation to the passion of hope, its opposing vices, and its relationship to the friendship of charity. Then, using narrative and character analysis from the film The Shawshank Redemption, she examines a range of hopeful and proto-hopeful practices concerning both the goods one hopes for and the power one relies on to attain those goods. In particular, she shows how the film’s picture of the role friends and friendship play in catalyzing hope is a compelling metaphor for Christian hope’s reliance on God.
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"Heaven and the New Jerusalem as a place on earth: case studies of Working Girl and The Shawshank Redemption." In Screening the Afterlife, 110–39. Routledge, 2012. http://dx.doi.org/10.4324/9780203356012-10.

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Conference papers on the topic "The Shawshank Redemption"

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Cheng, Ding. "On Subtitle Translation of the Shawshank Redemption from the Perspective of Functional Equivalence Theory." In 7th International Conference on Education, Management, Information and Mechanical Engineering (EMIM 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/emim-17.2017.192.

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