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Journal articles on the topic 'The Shawshank Redemption'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Peng, Yuan-yuan. "An Interpretation of Influences of Institutionalization on the Fate of Characters in “The Shawshank Redemption”." English Language Teaching 13, no. 5 (April 9, 2020): 11. http://dx.doi.org/10.5539/elt.v13n5p11.

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Institutionalization is mentioned over and over again in film “The Shawshank Redemption”. In this film, the institution refers to the fixed prison institution, and institutionalization refers to a process of rigidifying prisoners’ behaviors, thoughts and mindsets in some imperceptible constraint mechanisms. In this process, the prisoners are forced to change their original behaviors, thoughts and ideas, and begin to accept, get used to and even depend on the current situation little by little. As a result, they become obedient to such prison management. They don’t want or dare to change their realistic conditions, but have to depend on them for survival. The death of Brooks, pigeon Jake and Tommy, the fear of Red and the escape of Andy are all associated with institutionalization. In this paper, influences of institutionalization on the fate of characters in “The Shawshank Redemption” were analyzed. In addition, the wisdom of coping with and avoiding institutionalization was preliminarily analyzed.

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2

Chua, Daniel K. L. "Listening to the Self: The Shawshank Redemption and the Technology of Music." 19th-Century Music 34, no. 3 (2011): 341–55. http://dx.doi.org/10.1525/ncm.2011.34.3.341.

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Abstract Music has often been used to symbolize and express ontological experiences. This article explores a mode of nineteenth-century self-audition where music captures a glimpse of the freedom that lies at the core of the subject. This mode of listening has intensified with the development of modern technology and is still prevalent in constructing the identity of the self. The opera scene from the Shawshank Redemption not only is an example of this special effect, but provides a narrative of how music achieves this affect, creating an ideal and virtual self through sound technology.

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3

Гмирко, В. П. "Діяльнісний погляд на реструктуризацію кримінального процесу: the attempt of dogmatic shawshank redemption?" Юридична Україна, no. 10 (190) (2018): 33–49.

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4

Fiddler, Michael. "Projecting the prison: The depiction of the uncanny in The Shawshank Redemption." Crime, Media, Culture: An International Journal 3, no. 2 (August 2007): 192–206. http://dx.doi.org/10.1177/1741659007078546.

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5

Гмирко, В. П. "Діяльнісний погляд на реструктуризацію кримінального процесу: the attempt of dogmatic shawshank redemption?" Юридична Україна, no. 10 (190) (2018): 33–49.

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6

Rizzo Parse, Rosemarie. "Hope in “Rita Hayworth and Shawshank Redemption”: A Human Becoming Hermeneutic Study." Nursing Science Quarterly 20, no. 2 (April 2007): 148–54. http://dx.doi.org/10.1177/0894318407299567.

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7

Rahmawati, Erni, and Gustaman Saragih. "WHITE SUPREMACY AND STRUCTURAL RACISM IN “THE SHAWSHANK REDEMPTION” BY FRANK DARABONT." INFERENCE: Journal of English Language Teaching 3, no. 3 (November 1, 2020): 216. http://dx.doi.org/10.30998/inference.v3i3.5788.

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<p>The purpose of this study was to analyze white supremacy and structural racism in the film "The Shawshank Redemption". The method used is descriptive-qualitative to describe white supremacy and structural racism in the film. Data is obtained, analyzed and explained based on dialogues contained in the film, namely: 1) white supremacy that is analyzed from a) the appearances of the character using a sequence table, and b) visible glorification and invisible glorification using glorification dialogue table, and 2) structural racism, using binary opposition, namely positive and negative characterization of the characters. By the sequence table, the character that is predominant in the film is Andy Dufresne. From the glorification dialogue table, visible glorification gets the highest presentation while invisible glorification gets the lowest presentation. This shows that white supremacy exists in American film. As for structural racism, the negative characterization of the supporting characters is the highest while the negative characterization of the main character is the lowest. This shows that structural racism exists in American film.</p><p><strong>Key Words: </strong>American film; drama; white supremacy; structural racism<strong>.</strong></p>

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8

Wessels, Brett. "Uber, Dominos, and the Shawshank Redemption: The Inevitable Legalization of Daily Fantasy Sports." Gaming Law Review and Economics 20, no. 9 (November 2016): 765–74. http://dx.doi.org/10.1089/glre.2016.2096.

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9

O'Sullivan, Sean. "Representations of Prison in Nineties Hollywood Cinema: From Con Air to The Shawshank Redemption." Howard Journal of Criminal Justice 40, no. 4 (November 2001): 317–34. http://dx.doi.org/10.1111/1468-2311.00212.

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10

Szochner, Wiktor. "A film adaptation of Stephen King’s novella “Rita Hayworth and Shawshank Redemption” (1982) as an example of a multimodal translation pattern." Językoznawstwo 13, no. 1 (March 25, 2020): 173–81. http://dx.doi.org/10.25312/2391-5137.13/2019_11wsz.

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11

Desira, Beth, Shaun Watson, George Van Doorn, Justin Timora, and Charles Spence. "Happy Hour? A Preliminary Study of the Effect of Induced Joviality and Sadness on Beer Perception." Beverages 6, no. 2 (June 1, 2020): 35. http://dx.doi.org/10.3390/beverages6020035.

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Our emotions influence our perception. In order to determine whether emotion influences the perception of beer, 32 participants watched either a scene from the movie Wall-E to induce joviality, or a short clip from the Shawshank Redemption to induce sadness. The participants were then required to sample up to 250 mL of Yenda Pale Ale beer and rate it on a variety of taste and flavor characteristics (e.g., bitterness), before completing the Positive and Negative Affect Schedule-X (PANAS-X). The data were analyzed using Bayesian t-tests and Null Hypothesis Significance Tests (NHSTs). After applying conservative corrections for multiple comparisons, NHSTs failed to reach statistical significance. However, the effect sizes suggested that inducing joviality, relative to inducing sadness, resulted in the beer being rated as (a) tasting more pleasant, (b) tasting sweeter, and (c) being of higher quality. Following the induction of joviality, participants were also willing to pay more for the beer. The Bayesian analyses indicated that induced emotion can influence flavor perception for complex taste stimuli. The effect sizes and Bayesian analyses are interpreted in terms of Feelings-as-Information theory. These preliminary findings can tentatively be applied to real-world environments such as venues that serve and/or market alcohol.

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12

Xinya, Li. "Movie Subtitle Translation: Relevance Theory Perspective with <i>Reference to the Movie The Shawshank Redemption</i> as the Case Study." International Journal of Language and Linguistics 4, no. 2 (2016): 61. http://dx.doi.org/10.11648/j.ijll.20160402.13.

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13

SHEN Chen and WANG Guilian. "A Study of Subtitle Translation in Shawshank Redemption Under Register Theory." US-China Foreign Language 17, no. 06 (June 28, 2019). http://dx.doi.org/10.17265/1539-8080/2019.06.006.

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14

Qi, Jin. "Shawshank Redemption and the Subject of the Count of Monte Cristo: Bipolar of the Love." DEStech Transactions on Social Science, Education and Human Science, icsste (May 10, 2017). http://dx.doi.org/10.12783/dtssehs/icsste2017/9266.

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15

Ulin, Donald Ingram. "From Huckleberry Finn to The Shawshank Redemption: Race and the American Imagination in the Biracial Escape Film." European journal of American studies 8, no. 1 (January 18, 2013). http://dx.doi.org/10.4000/ejas.10026.

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16

"A little bit of marketing history repeating." Strategic Direction 31, no. 2 (January 12, 2015): 10–12. http://dx.doi.org/10.1108/sd-01-2015-0015.

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Purpose – This paper aims to review the latest management developments across the globe and pinpoint practical implications from cutting-edge research and case studies. Design/methodology/approach – This briefing is prepared by an independent writer who adds their own impartial comments and places the articles in context. Findings – The effect of ‘word of mouth’ on publicising a product or service has achieved almost mythical status for marketers and marketing researchers alike. From the ‘sleeper hit’ of films such as The Shawshank Redemption to the rapid spread of successful brands of cigarettes or chocolate bars, everyone involved in understanding the how and the why of selling goods have been fascinated by a seemingly impenetrable phenomenon. Practical implications – The paper provides strategic insights and practical thinking that have influenced some of the world’s leading organisations. Originality/value – The briefing saves busy executives and researchers hours of reading time by selecting only the very best, most pertinent information and presenting it in a condensed and easy-to-digest format.

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17

Siritikul, Sirinut, Sirikorn Chalanunt, Chitipat Utrapiromsook, Suchanard Mungara, Tinakon Wongpakaran, Nahathai Wongpakaran, Pimolpun Kuntawong, and Danny Wedding. "Changes in character strengths after watching movies: when to use rasch analysis." BMC Research Notes 14, no. 1 (January 6, 2021). http://dx.doi.org/10.1186/s13104-020-05424-4.

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Abstract Objective Professionalism is a critical part of a medical education, and various activities have been proposed to enhance professionalism among medical students. Watching films is an activity to promote character related to professionalism. Limitation of such is a single group pre-posttest design raising concerns about the errors of measurement. The study aimed to demonstrate a method to deal with this design using Rasch analysis. Results This study used a pre-posttest design with 40 first year medical students. All participated in a 3-day activity that involved watching four selected movies: Twilight, Gandhi, The Shawshank Redemption and Amélie. These films offer compelling illustrations of the themes of self-regulation, humility, prudence and gratitude, respectively. All participants completed a 10-item composite scale (PHuSeG) addressing these themes before and after watching the movies. When determining who benefitted from the intervention, paired t-tests on the results of a Rasch analysis were used to evaluate changes between pre- and posttest. Using Rasch analyses, we could document the stability of the items from pre- to posttest, and significant changes at both the individual and group levels, which is a useful and practical approach for pre- and posttest design. Moreover, it helps validate the psychometric property of the instrument used.

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