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Books on the topic 'The Silence of the Girls'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Virtual silence. Sag Harbor, N.Y: Permanent Press, 1995.

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2

Motihar, Renuka. Breaking the silence: Reproductive health services for girls. New Delhi: Population Council, South & East Asia--Regional Office, 1999.

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3

The silence. New York, NY: SohoConstable, 2012.

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4

Taylor, Jill McLean. Between voice and silence: Women and girls, race and relationship. Cambridge, Mass: Harvard University Press, 1995.

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5

Silver-Stock, Carrie. Secrets girls keep: What girls hide (& why) and how to break the stress of silence. Deerfield Beach, FL: Health Communications, 2009.

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6

Doty, Kathryn Adams. A long year of silence. Roseville, Minn: Edinborough Press, 2004.

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7

Wilhelm, Kate. The price of silence. Don Mills, Ont: Mira, 2005.

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8

Wilhelm, Kate. The price of silence. Don Mills, Ont: Mira, 2005.

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9

Dirty little secrets: Breaking the silence on teenage girls and promiscuity. Naperville, Ill: Sourcebooks, Inc., 2011.

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10

Mann, Judy. The difference: Discovering the hidden ways we silence girls : finding alternatives that can give them a voice. New York: Warner Books, 1994.

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11

Gender, participation, and silence in the language classroom: Sh-shushing the girls. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003.

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12

The silence: A Gary Goodhew mystery. San Diego]: Witness Impulse, an imprint of HarperCollins, 2014.

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13

The girl who could silence the wind. London: Walker, 2012.

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14

Medina, Meg. The girl who could silence the wind. Somerville, Mass: Candlewick Press, 2012.

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15

(Organization), Human Rights Watch, ed. Suffering in silence: The links between human rights abuses and HIV transmission to girls in Zambia. New York: Human Rights Watch, 2002.

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16

name, No. Suffering in silence: The links between human rights abuses and HIV transmission to girls in Zambia. New York, NY: Human Rights Watch, 2003.

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17

Ahmed, Talatu Wada. Silent tears. Katsina [Nigeria]: Printed and bound by Adeleke Press, 1998.

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18

Scott, Michele. Silent Harmony. Las Vegas, NV: Skyscape, 2013.

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19

McCormick, Jane. Breaking my silence: Confessions of a rat pack party girl and sex-trade survivor. St. Paul, MN: Rapfire Press, 2007.

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20

Mhoja, Monica E. Child-widows silenced and unheard: Human rights sufferers in Tanzania. Bloomington, IN: AuthorHouse, 2008.

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21

Gerritsen, Tess. The silent girl. London: Bantam Press, 2011.

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22

Gerritsen, Tess. The silent girl. New York: Ballantine Books, 2011.

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23

Gritos en el silencio: Niñas y mujeres frente a redes de prostitución : un reves para los derechos humanos. Mexico, D. F: Miguel Ángel Porrúa, 2007.

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24

Guillevic, Eugène. On silence =: Du silence. Woodbridge, Ont: Éditions Albion Press, 1995.

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25

Platthy, Jenő. From silence to silence. Evansville, IN: Federation of International Poetry Associations, 1997.

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26

Silence. London: Head of Zeus, 2015.

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27

Silence. Sag Harbor, NY: The Permanent Press, 2009.

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28

Silence. London: Peter Owen, 2007.

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29

Perry, Thomas. Silence. London: Quercus, 2008.

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30

Silence. Winchester: Winchester University Press, 2010.

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31

Silence. Orlando: Harcourt, 2007.

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32

Holder, Nancy. Silence. New York: Warner Books, 2003.

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33

Brown, Ruth Nicole. More than Sass or Silence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037979.003.0006.

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This chapter presents a soundtrack of Black girls' expressive culture as ethnographically documented in SOLHOT in the form of original music. To think through the more dominant categorizations of how Black girls are heard, as both sassy and silent, this chapter samples Andrea Smith's (2006) “Heteropatriarchy and the Three Pillars of White Supremacy: Rethinking Women of Color Organizing” to offer a new frame called “The Creative Potential of Black Girlhood.” Music made from conversations in SOLHOT is used to emphasize how three logics of the creative potential framework, including volume/oppression, swagg/surveillance, and booty/capitalism, amplifies Black girls' critical thought to document the often overlooked creative process of Black girl music making, demonstrate how hip-hop feminist sensibilities inform girls' studies, and, most importantly, move those who do Black girl organizing toward a wider repertoire of actions and conversations that affirm differences among Black girls and differently sounding Black girl knowledge.

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34

Silence (Serrated Edge). Baen, 2017.

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35

Silence (Serrated Edge). Baen, 2016.

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36

The Silence of the Girls. Hamish Hamilton, 2018.

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37

The Silence of the Girls. Maine, USA: Center Point, 2019.

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38

Grave Silence. Bold Strokes Books, 2005.

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39

Silence of the Girls: A Novel. Penguin Books, Limited, 2019.

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40

The Silence of the Girls. Doubleday, 2018.

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41

Songs of Silence. Heinemann, 2003.

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42

Marcus, Geetha. Gypsy and Traveller Girls: Silence, Agency and Power. Palgrave Macmillan, 2019.

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43

Bruce, Alison. The silence. 2013.

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44

Bruce, Alison. The silence. 2013.

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45

Silence in center. CreateSpace Independent Publishing Platform, 2014.

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46

Veale, Beth. Teaching adolescent girls "at-risk": Stories of voice and silence. 2001.

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47

Between Voice and Silence: Women and Girls, Race and Relationships. Harvard University Press, 1997.

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48

Between Voice and Silence: Women and Girls, Race and Relationships. Harvard University Press, 1996.

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49

Murnaghan, Sheila, and Deborah H. Roberts. Ancient History for Girls. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199583478.003.0006.

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This chapter considers the strategies used to make history texts and works of historical fiction set in antiquity appealing to girl readers of the first half of the twentieth century, who were increasingly exposed to books with active girl heroines. Despite the severe constraints on ancient women and girls, such writers as Dorothy Mills, Caroline Dale Snedeker, Erick Berry, and Naomi Mitchison contrive to provide their readers with independent, resourceful ancient counterparts. They achieve this by filling in the silences of the ancient record, setting their stories on the spatial and temporal margins of the classical world, and devising plots in which girls act in the place of absent or inadequate brothers.

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50

Rickstad, Eric. Silent Girls. HarperCollins Publishers, 2017.

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