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Books on the topic 'The silent effect'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Corporation, Australian Broadcasting, ed. Silent flood: Australia's salinity crisis. ABC Books for the Australian Broadcasting Corp., 2003.

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2

1943-, Dunlap Thomas R., ed. DDT, Silent spring, and the rise of environmentalism: Classic texts. University of Washington Press, 2009.

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3

Norman, Maclean. Silent summer: The state of wildlife in Britain and Ireland. Cambridge University Press, 2010.

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4

Lovegrove, Roger. Silent fields: The current status of farmland birds inWales = Gwlad tawel. RSPB, 1995.

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5

Lovegrove, Roger. Silent fields =: Gwlad tawel : the current status of farmland birds in Wales. RSPB Wales, 1995.

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6

Stillwagon, Kevin L. Silent killers. Todd & Honeywell, 1985.

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7

Loew, Katharina. Special Effects and German Silent Film. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231.

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In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema’s emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a “

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8

Olson, Colleen Jane. The effects of structured overviews on the silent reading comprehension of students in intermediate grades. Research Centre, Saskatchewan School Trustees Association, 1986.

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9

author, Dixon Bryony, ed. Bandits! or, The collapsing bridge: An early film and a late-Victorian stage. Society for Theatre Research, 2015.

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10

1962-, Jacobs Miriam, and Dinham Barbara, eds. Silent invaders: Perticides, livelihoods and women's health. Zed Books in association with Pesticide Action Network, UK, 2003.

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11

Tardieu, Vincent. L'étrange silence des abeilles: Enquête sur un déclin mystérieux. Belin-Pour la science, 2009.

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12

1962-, Jacobs Miriam, Dinham Barbara, and Pesticide Action Network (Group). United Kingdom., eds. The silent invaders: Perticides, livelihoods, and women's health. Zed Books, 2002.

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13

1861-1938, Melies Georges, Montgomery Patrick, Martinengo Luciano, Film Preservation Associates, British Film Institute, and Kino International Corporation, eds. The cinema magic of George Melies. Kino on Video, 2002.

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14

Baladur, Rigo. Der Stille Tod: Menschheit zwischen Demenz und Dementi. Athena, 2001.

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15

1941-, Abel Richard, Altman Rick 1945-, and Domitor Conference (5th : 1998 : Library of Congress), eds. The Sounds of early cinema. Indiana University Press, 2001.

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16

L, Harding David J., ed. Britain since "Silent Spring": An update on the ecological effects of agricultural pesticides in the U. K. : proceedings of a symposium heldin Cambridge on 18th March 1988. Institute of Biology, 1988.

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17

Hill-Powell, Joanne Marie. The Effects of a Reading Intervention to Teach Silent Reading with Comprehension on the Speaker-As-Own-Listener Capability among Third Grade Students and Comparisons with Fluent Readers. [publisher not identified], 2015.

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18

Singer, Katie. An electronic silent spring: Facing the dangers and creating safe limits. 2014.

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19

Singh, Harminder, Smeer Salam, and Theodore H. Schwartz. Endocrine Silent Pituitary Tumors. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190696696.003.0016.

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Pituitary adenomas are the most common intracranial neoplasms in adults, with a prevalence of 7% to 17%. Clinically, they can be divided into 2 categories based on whether they secrete pituitary hormones: functional (secretory) and nonfunctional (nonsecretory or endocrine silent) adenomas. The biologic latency of nonfunctional (endocrine silent) adenomas makes them usually diagnosed at the stage of macro (>1 cm) and giant (>4 cm) adenomas. Because these tumors are nonfunctioning, their primary symptoms are due to mass effect, particularly on the optic chiasm and normal pituitary gland an

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20

Lovegrove, Roger. Silent Fields: The Long Decline of a Nation's Wildlife. Oxford University Press, USA, 2007.

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21

SILENT FIELDS: THE LONG DECLINE OF A NATION'S WILDLIFE. OXFORD UNIVERSITY PRESS, 2007.

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22

Blumberg, Bruce. The obesogen effect: Why we eat less and work out more but still struggle to lose weight : featuring a 3-step plan to prevent and counter the effects of silent exposures. 2018.

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23

Seitz, David W., ed. Quiet Defiance. Lexington Books, 2025. https://doi.org/10.5040/9781978748194.

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Quiet Defiance: The Rhetoric of Silent Protest focuses on the rhetorical dimensions and power of silent protest. Bridging the gap between the study of protest and the study of rhetorical silence (strategic silence meant to communicate to and influence an audience), this book is the first of its kind to concentrate solely on the phenomenon and tradition of silent protest. The contributors to this volume hail from different cultures, disciplines, and fields. They examine past and present-day cases of silent protest with different research questions and paradigmatic perspectives in mind and metho

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24

Ellis, Katharine. Researching Audience Behaviors in Nineteenth-Century Paris. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.2.

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This chapter starts by revisiting a now-familiar text: James H. Johnson’s book Listening in Paris (1995). On the basis of concert and opera reviews, images, and the paratexts of concert programs, Ellis reframes Johnson’s question “When did audiences fall silent?” as “Where and why did audiences fail to fall silent?” Multilayered answers show how (1) many of the noisier phenomena of the eighteenth century resurfaced in new guises from the 1850s onward; (2) the democratization of art music took place in contexts that could not always impose “religious” listening; and (3) there was a resurgent de

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25

Loew, Katharina. Special Effects and German Silent Film. Amsterdam University Press, 2021. http://dx.doi.org/10.1515/9789048551712.

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26

Loew, Katharina. Special Effects and German Silent Film. Amsterdam University Press B.V., 2021. http://dx.doi.org/10.5040/9789048561766.

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In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema’s emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a “

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27

Altman, Rick. Silent Film Sound. Columbia University Press, 2007.

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28

Special Effects and German Silent Film: Techno-Romantic Cinema. Amsterdam University Press, 2021.

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29

Loew, Katharina. Special Effects and German Silent Film: Techno-Romantic Cinema. Amsterdam University Press, 2021.

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30

Davis, Melonee. The effects of oral and silent reading testing on children's reading comprehension: As measured by the Gilmore oral reading test. 1986.

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31

Hendry, Patricia Joan. The effects of an adult model on a program of sustained silent reading in the sixth grade. 1985.

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32

Simonson, Randy H. Rhyme and alliteration in silent reading: Phonemic confusion effects as functions of phonemic density. 1996.

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33

Shen, Patrick, Andrew Brumme, Brandon Vedder, and Cassidy Hall. In pursuit of silence. 2017.

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34

Abel, Richard, and Charles (Rick) F. Altman. Sounds of Early Cinema. Indiana University Press, 2001.

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35

Barroso, Miguel. How Silence Made Me a Leader: The Powerful Effect of Listening. Independently Published, 2019.

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36

Pryce, Paula. Portico. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190680589.003.0001.

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Using evocative language, the book opens with a historical and contemporary exploration of the desire that motivates contemplative practitioners to seek an intimate relationship with the divine. It describes the effect of globalization and religious pluralism by noting a trend of Americans’ abandonment of mainline Christian institutions, their exploration of other contemplative traditions, and their subsequent return to Christianity when they discover its mystical history and current-day contemplative practices. The chapter describes core terms, concepts, research parameters, and basic sociolo

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37

Pepper, Robert S. Emotional Incest in Group Psychotherapy. The Rowman & Littlefield Publishing Group, 2014. https://doi.org/10.5040/9798881815325.

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Emotional Incest in Group Psychotherapy: A Conspiracy of Silence is unique in the field of analytic group psychotherapy. Many books assume that the frame of therapy, the boundary between what is and isn’t therapy, is a given. This book treats the frame as a variable, showing that alterations to the frame have consequences. A moral dilemma exists when leaders choose to operate outside the ethics and wisdom of the field. The spoken directive to "say everything" is obviated by the unspoken directive not to, and hence a conspiracy of silence is created. There is potential for iatrogenic treatment

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38

Cohan, Steven. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865788.003.0009.

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The backstudio picture is a long-lived genre. Its value, I have argued, arises from its function in defining what Hollywood signifies as a place, an industry, and a fantasy. For some filmmakers, a backstudio story has no doubt offered them a venue for settling scores or exploring cinematic creativity. But I have for the most part discounted the personal intentions of individuals throughout this book and instead have focused on the backstudio picture as a product turned out with great regularity from the silent era to the present day. The genre’s importance exceeds the commercial success or fai

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39

(Editor), Miriam Jacobs, and Barbara Dinham (Editor), eds. The Silent Invaders: Pesticides, Livelihoods and Women's Health. Zed Books, 2002.

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40

(Editor), Miriam Jacobs, and Barbara Dinham (Editor), eds. The Silent Invaders: Pesticides, Livelihoods and Women's Health. Zed Books, 2002.

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41

Sheesh, Kazi Sameeo. Dhaka University employees during the Liberation War. Center for Advanced Research in Arts and Social Sciences (CARASS), University of Dhaka, 2024. https://doi.org/10.69862/muktijudhewedukormocharee.

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The employees of the University of Dhaka during the Liberation War of Bangladesh not only fulfilled their regular responsibilities but also stood as silent pillars of resistance. They took on roles such as sheltering vulnerable individuals, including students, preserving critical information, transmitting secret messages, and safeguarding countless lives in danger—all as if bound by an invisible vow. Even amidst the turbulence of a city fraught with instability, they fearlessly dedicated themselves to serving the nation. Despite the risks to their own lives, they remained steadfast in upholdin

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42

Garvey, Michael Angelo. The Silent Revolution; Or The Future Effects Of Steam And Electricity Upon The Condition Of Mankind. Kessinger Publishing, LLC, 2007.

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43

The Silent Revolution, Or, the Future Effects of Steam and Electricity Upon the Condition of Mankind. Wentworth Press, 2016.

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44

Garvey, Michael Angelo. The Silent Revolution; Or The Future Effects Of Steam And Electricity Upon The Condition Of Mankind. Kessinger Publishing, LLC, 2007.

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45

Larkin, George. Post-Production and the Invisible Revolution of Filmmaking: From the Silent Era to Synchronized Sound. Taylor & Francis Group, 2018.

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46

Gleeson-White, Sarah. Silent Film and the Formations of U.S. Literary Culture. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.001.0001.

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Abstract Silent Film and the Formations of US Literary Culture: Literature in Motion argues that the emergence and development of motion pictures across the silent-film era constituted a defining moment in US literary history, one that would alter literature’s institutions and practices in fundamental and far-reaching ways. As literary historians have ably demonstrated, late nineteenth-century advances in transport, communications, and printing technologies combined to alter radically literary culture, not least of all in terms of its massification; as Henry James declared in 1899, “The book .

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47

Unheard Voices: The Effects of Silence on Lesbian and Gay Educators. Bergin & Garvey, 1999.

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48

Goto, Takanori. Chinmoku to bakuhatsu: Dokyumento "Minamatabyo jiken" 1873-1995 = Silence & explosion. Shueisha, 1995.

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49

Rituals of Silence. Het Spinhuis, 1997.

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50

The history of moviemaking: Animation and live-action, from silent to sound, black-and-white to color. Scholastic, 1995.

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