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Relevant bibliographies by topics / The strange case of Dr Jekyll and Mr Hyde

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Academic literature on the topic 'The strange case of Dr Jekyll and Mr Hyde'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Dissertations / Theses on the topic "The strange case of Dr Jekyll and Mr Hyde"

1

Dierkes, Andreas. "A strange case reconsidered zeitgenössische Bearbeitungen von R. L. Stevensons Dr Jekyll and Mr Hyde." Würzburg Königshausen & Neumann, 2007. http://d-nb.info/991845579/04.

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2

Guedes, Rodrigo Silva. "Secular Readings of Good and Evil in R.L.Stevenson's: Strange Case of Dr. Jekyll and Mr. Hyde." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/ECAP-76CJM4.

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Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde dramatizes philosophical debates over good and evil throwing light into the analysis of these concepts. By depicting opposite personalities in one character who, at times, behaves strictly morally and, at others, utterly amorally the novel raises questions, first, as to how good and evil are represented, especially evil, in the figure of the double and the monster; second, the origins of good and evil actions; and finally, the parameters used to define or categorize such actions. Both personalities mark the conflict of reason and

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3

Jacobsson, Lisa. "The Changing Role of Science in Frankenstein, The Strange Case of Dr Jekyll and Mr Hyde, and Dracula." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-68948.

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This essay has examined the role of science in the three classic horror stories Frankenstein, or the Modern Prometheus, The Strange Case of Dr Jekyll and Mr Hyde, and Dracula. The argument stated that the role of science in these works is changeable and constitutes both a friend and an enemy, depending on the protagonists’ motives. Viktor Frankenstein and Dr Jekyll explore science selfishly and without forethought, creating fear of uncontrollable speculation as well as unpredictable degeneration. However, the good aspects of science are later redeemed when Van Helsing and Dr Seward add human a

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4

Romero, Holly-Mary. "The doppelganger in select nineteenth-century British fiction : Frankenstein, Strange case of Dr Jekyll and Mr Hyde, and Dracula." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29381/29381.pdf.

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Ce mémoire étudie les épitomés de la figure doppelganger en trois romans britanniques gothiques du XIXe siècle: Frankenstein de Mary Shelley, Strange Case of Dr. Jekyll and Mr. Hyde de Robert Louis Stevenson et Dracula de Bram Stoker. En utilisation avec les sources secondaires dont The Origin of Species et The Descent of Man de Charles Darwin, et The Uncanny de Sigmund Freud, je soutiens que le doppelganger symbolise les conventions sociales et les angoisses des hommes britanniques dans les années 1800. Grâce à un examen des représentations physiques et métaphoriques de la dualité et de la f

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5

Pereira, Ismael Bernardo. "Connections between the gothic and science fiction in Frankenstein, Strange case of Dr. Jekyll and Mr. Hyde and the island of Dr. Moreau." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/179441.

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A presente dissertação tem como objetivo estabelecer um diálogo entre três obras da literatura britânica do século XIX: o romance Frankenstein (1818), da autora Mary W. Shelley; a novela O Médico e o Monstro (1886), de autoria de Robert Louis Stevenson; e o romance A Ilha do Dr. Moreau (1896), de H. G. Wells. Tal comparação será feita com base nas convenções advindas dos gêneros Gótico e Ficção científica, presentes nas obras. Como principal alicerce teórico para a definição de gêneros entendem-se as considerações de Tzvetan Todorov, que defende que os gêneros são inevitáveis como horizonte de

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6

Rose, Brian A. "Transformations of terror: American dramatizations of Stevenson's The Strange case of Dr. Jekyll and Mr. Hyde and the dramaturgy of anxiety." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1346260393.

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7

Rose, Brian Andrew. "Transformations of terror: American dramatizations of Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde" and the dramaturgy of anxiety /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487846885777996.

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8

Paquin, Marianne, and Marianne Paquin. "Shame and late Victorian gothic : The picture of Dorian Gray, The beetle, and The strange case of Dr Jekyll and Mr Hyde." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/37625.

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Suite aux grands changements qui bousculèrent la société, la fin du dix-neuvième siècle fut une période de grande instabilité pour l’Angleterre. Les anxiétés créées par ces bouleversements se reflétèrent dans une prolifération de la littérature Gothique. Bien que le genre soit généralement étudié en relation avec la peur, ce mémoire soutient que le gothique tire son essence d’un large éventail d’émotions — et, tout particulièrement, de la honte. Étroitement liée à la notion de moralité, la honte est profondément ancrée dans les codes sociaux et les conventions. Dans une société aussi conservat

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9

Venter, Herman Adriaan. "The Monsters, the Men, and the Spaces Between in The Island of Doctor Moreau and Strange Case of Dr Jekyll and Mr Hyde." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/78944.

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In this dissertation I explore the dynamics of how the definition of the human is established and subsequently challenged in both H.G. Wells’s The Island of Doctor Moreau (1896) and R.L. Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886). Late nineteenth-century Europe was a time and place where an exploration of the definition of what it means to be human was particularly uncomfortable. The structures that upheld the then accepted conceptions of the human were under assault by new scientific discourses such as Darwinist theories of evolution, criminal anthropology and degenerationism.

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10

Smith, Enoch Shane. "The Presence of Jacques Lacan's Mirror Stage and Gaze in Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and in Rouben Mamoulian's 1931 Film." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/75.

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For many years, theorists have turned to popular movies and books to help interpret the difficult principles of Jacques Lacan. However, one story that has gotten very little attention is Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde and its derivative body of film adaptations. Both the novella and Rouben Mamoulian’s 1931 film are a small part of an intertextual body of work which contains scenes that play out the Lacanian principles of the mirror stage and the gaze very well. Since art imitates life, an in depth exploration of the way that these scenes play out can illuminat

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