Relevant bibliographies by topics / The symbolism of the sea

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The symbolism of the sea'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

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Journal articles on the topic "The symbolism of the sea"

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Rodning, Christopher B. "ARCHITECTURAL SYMBOLISM AND CHEROKEE TOWNHOUSES." Southeastern Archaeology 29, no. 1 (2010): 59–79. http://dx.doi.org/10.1179/sea.2010.29.1.005.

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Luo, Li. "A Symbolic Reading of Wide Sargasso Sea." Theory and Practice in Language Studies 8, no. 9 (2018): 1221. http://dx.doi.org/10.17507/tpls.0809.17.

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Wide Sargasso Sea is acclaimed as the masterpiece of the British female writer Jean Rhys. In the novel, Rhys reshapes the mad wife of Rochester, Bertha Mason, who is imprisoned in the attic in Jane Eyre. With her own life experience as a white Creole and her experience living in West Indies as a blueprint, setting the abolition of slavery in West Indies in the nineteenth century as the background of the times, Rhys restores Antoinette a real state of survival under colonialism and patriarchy, with a sense of identity loss and confusion. The use of symbolism is one of the most outstanding style
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Honcharuk, V. "SYMBOLISM AND ALLEGORY OF ERNEST HEMINGWAY'S "THE OLD MAN AND THE SEA"." Mìžnarodnij fìlologìčnij časopis 14, no. 1 (2023): 73–81. http://dx.doi.org/10.31548/philolog14(1).2023.08.

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This article explores the rich symbolism and allegory present in Ernest Hemingway's acclaimed novella, "The Old Man and the Sea." Through a comparative analysis of different interpretations, it examines the diverse meanings attributed to the novella's symbolism, particularly focusing on the sea, the old man (Santiago), the marlin, the sharks, and the character of Manolin. Furthermore, the article delves into scholarly articles and essays that shed light on the novella's symbolic layers, emphasizing the significance and contributions of various analyses. By evaluating the enduring relevance and
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Hamad, Hasan Salih. "The Use of Symbolism in Hemingway's The Old Man and the Sea." JOURNAL OF LANGUAGE STUDIES 4, no. 1 (2023): 115–25. http://dx.doi.org/10.25130/jls.4.1.6.

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Symbolism is one of the important features in literature. Some students think it is not important, that's why this is considered the problem of this study. The current study aims at showing to which extent symbolism can add something to the meaning. The procedure followed in this study is a questionnaire method to find out the percentage of the degree of agreement of symbolism in ‘‘Hemingway's The Old Man and The Sea’’. This study includes a historical review of symbolism and also discusses some theories of symbolism. then, the study discusses nine symbols in Hemingway's The Old Man And The Se
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Konopka, Emiliana. "Cloudscapes over the Baltic Sea–Cloud Motifs in Finnish, Swedish, German, Russian, Polish, Lithuanian, and Latvian Symbolic Landscape Painting around 1900." Arts 12, no. 5 (2023): 193. http://dx.doi.org/10.3390/arts12050193.

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The cloud motif, a significant one in the landscape painting of the 1890s and early 1900s, has been usually marginalized by scholars despite the fact that during this (Symbolist) period clouds became independent subjects of landscape painting in many European countries, especially in the Baltic Sea Region. Cloud imagery makes a robust appearance in Scandinavian, Russian, Polish, Lithuanian, and Latvian art during the decades around 1900. The variety of symbolic meanings and possible interpretations of cloudscapes was impacted by cultural and literary associations that emerged with European Sym
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Almahi Mohammed Khalil, Moez, and Abdallah Yassen Abdalla Mohammed. "The Concept of Symbolism through 'The Old Man and the Sea'." International Journal of Science and Research (IJSR) 11, no. 6 (2022): 1006–12. http://dx.doi.org/10.21275/sr22608171454.

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Raykov, Ivo. "The Symbolism in The Art of Alexander Mutafov (1879–1957)." Visual Studies 8, no. 2 (2024): 235–48. http://dx.doi.org/10.54664/pwra2363.

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Alexander Mutafov is one of the most recognizable names in Bulgarian fine art. He began his creative career as a painting student at the Royal Academy of Art in Turin. After completing his education in Italy, he went to specialize in painting in Munich. In Turin and in the Bavarian capital, Mutafov became part of the contemporary artistic pursuits of the era. It is inspired by the modern discourse of symbolic poetics. In the solitude of individualism and in decadent culture, he discovers that personal and intimate path to selfexpression, to the materialization of his inner world and the depths
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Hever, Hannan. "The Zionist sea: symbolism and nationalism in modernist Hebrew poetry." Jewish Culture and History 13, no. 1 (2012): 25–41. http://dx.doi.org/10.1080/1462169x.2012.712884.

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유창석. "A Study on the Symbolism of ‘Sea’ and ‘Poison’in Endou Shusaku’s the Sea and Poison." 아시아문화연구 33, no. ll (2014): 131–52. http://dx.doi.org/10.34252/acsri.2014.33..005.

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Pilipovic, Jelena. "Body made of water: The Proteus' symbolism in Virgil's poetry." Theoria, Beograd 48, no. 3-4 (2005): 19–28. http://dx.doi.org/10.2298/theo0504019p.

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Multiform sea-god that appears for the first time in the Odyssey is one of most important symbolical figures of Virgil's Georgica. In epyllion inclosing this pseudo-didactic poem, his metamorphosises are not limited to living creatures, but go far beyond that, to the level of elements - finally, he transforms his body into the body made of water. Ever-changing sea is thus crystallized in this divinity. However, Virgil is not interested in Proteus himself, but in catching of Proteus, which symbolizes restraining of disorderly forces in the human soul, in the language an in the poetry itself. A
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Dissertations / Theses on the topic "The symbolism of the sea"

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Straight, Leslie. "Transcendental Mirrors: Thoreau's Pond, Poe's Sea, and Melville's Ocean." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/346.

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Three seminal 19 th-century North American literary works feature bodies of water which serve both as key elements in their narrative structure and as symbolic entities within their meaning systems. The protagonists in Henry David Thoreau’s Walden, Edgar Allan Poe’s A Narrative of Arthur Gordon Pym of Nantucket, and Herman Melville’s Moby-Dick literally define themselves in terms of their relation to these bodies of water. The best way to determine the function of water in the texts is to analyze the initial relationship between water and the central character, the way that water serves as a
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Lima, Kalina Saraiva de. ""Love is Lak de Sea": Figurative Language in Zora Neale Hurston's Their Eyes Were Watching God." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0311102-144528/unrestricted/limak041902.pdf.

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Morse, Benjamin L. "The Bible and its modern methods interpretation between art and text /." Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/498/.

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Thesis (Ph.D.) - University of Glasgow, 2008.<br>Ph.D. submitted to the Department of Theology and Religious Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Chou, Yun-Hsin. "Servicescape symbolism." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/57199/1/Yun-Hsin_Chou_Thesis.pdf.

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In order to drive sustainable financial profitability, service firms make significant investments in creating service environments that consumers will prefer over the environments of their competitors. To date, servicescape research is over-focused on understanding consumers’ emotional and physiological responses to servicescape attributes, rather than taking a holistic view of how consumers cognitively interpret servicescapes. This thesis argues that consumers will cognitively ascribe symbolic meanings to servicescapes and then evaluate if those meanings are congruent with their sense of Self
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Jonna, Grönlund, and Kalami Kasra. "Symbolism in Games." Thesis, Blekinge Tekniska Högskola, Sektionen för planering och mediedesign, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-4815.

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This research project is about symbolism and semiotics (the science of signs) in digital-games. There’s firstly introductory information about what symbolism and semiotics are and the different aspects of them that is needed to fully understand the subject. These are things such as the two parts of a sign, signifier and signifier as well as the three modes of signs, symbolic, iconic and indexical. Then there’s information about how this is all put together in a digital game, that a game isn’t playable without some form of signs and that besides making the game playable it is used to enhance th
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Luthman, Carolina, and Denise Vestman. "Symbolism som styrmedel." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-314799.

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Organisationer har som utmaning att hitta styrmedel som resulterar i att deras medlemmars beteende är i enlighet med deras mål och strategier. I vanliga fall undersöker man traditionella styrmedel som cybernetisk styrning och finansiell fokus. Denna studie utforskar hur organisationskulturen påverkar styrningen och mer specifikt hur organisationer använder sig av symbolism i form av riter som styrmedel för att uppnå sina strategier och mål. Trice och Beyers sex typer av riter och Dandridges et al.:s modell för symboler används som teoretisk referensram för studien. Sex personer från olika dela
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Swoboda, Sylvia. "Symbolism and Art." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2034.

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I am interested in communication through symbolism. The symbols that I incorporate in my mixed media work are simplified into essential lines and shapes. I use the Kabbalah’s Tree of Life diagram as a structure to hold my own personal symbols. These symbols are my interpretation of the phases of life. I also use prehistoric symbols such as the spiral, circle, square, triangle, and cross as a focus to emphasize the beauty of these very basic lines and shapes which we see all around our world. To emphasize the beauty of symbols I use repetition, color, and texture. Life is overwhelming and chaot
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Mullan, Anna. "Virgil and Numerical Symbolism." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/811.

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In the final book of the Georgics, Virgil digresses into a nostalgic and regretful explanation of his inability to include a proper discussion of gardening because he is spatiis exclusus iniquis (147). Often deemed “the skeleton of a fifth book of the Georgics” the exact meaning and intent behind this passage is still largely contested. In this paper I will attempt to de-strange this passage by examining it philosophically and allegorically, particularly by means of numerical symbolism.
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Grew, Rachael. "The evolution of the alchemical androgyne in symbolist and surrealist art." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1858/.

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The relationship between Symbolism and Surrealism is well known yet scarcely documented in detail. This thesis aims to address this oversight by exploring the connections between these two movements, specifically through investigating their shared motif of the androgyne. The androgyne embodies the professed aim of each of these groups: the transcendence of the physical in favour of the ephemeral for the Symbolists, and the unification of opposites for the Surrealists. Equally, both movements have an interest in the occult, and the androgyne is a key image within the occult tradition symbolisin
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Li, Gregory Kenneth, and 李群雄. "Tantric symbolism in Vajrayogini imagery." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45166225.

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Books on the topic "The symbolism of the sea"

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Auburtin, Jean-Francis. Écume et rivages: La Méditerranée de Jean Francis Auburtin, 1866-1930. Images en manœuvres, 2010.

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Bez, Michel. Lexique poétique maritime. Arthaud, 2011.

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Robinson, Leonard. Winter sea: Paul Nash : the development of an image : an inquiry. William Sessions, 1997.

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Breton, Stéphane. La mascarade des sexes: Fétichisme, inversion et travestissement rituels. Calmann-Lévy, 1989.

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Kurisoo, Merike. Indifferent things?: Objects and images in Post-Reformation churches in the Baltic Sea Region. Michael Imhof Verlag, 2020.

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1958-, Enderli Lisianne, and Munter Margrit, eds. Bilder-Sturm: Dynamische Symbole in feministischer Sicht. Rex Verlag, 1993.

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Figueres, Marc-André 2., ed. Théorie érotique du clocher de Collioure, ou, Comment capturer les fantasmes. Galerie Profils, 1993.

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Auburtin, Jean-Francis. Jean-Francis Auburtin, 1866-1930: Le symboliste de la mer. Délégation à l'action artistique, 1990.

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Michele Greco, da Valona, active 1505, artist, ed. Il Rinascimento danzante: Michele Greco da Valona e gli artisti dell'Adriatico tra Abruzzo e Molise. Umberto Allemandi & C., 2011.

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Gallino, Tilde Giani. L' albero di Jesse: L'immaginario collettivo medievale e la sessualità dissimulata. Bollati Boringhieri, 1996.

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Book chapters on the topic "The symbolism of the sea"

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Coughlin, Maura. "Death at Sea: Symbolism and Charles Cottet’s Subjective Realism." In Decadence, Degeneration, and the End. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137470867_12.

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van der Wal Anonby, Christina. "Mṣaww wa Maḥḥar." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0409.02.

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This chapter explores the symbiotic relationship between the Musandam Peninsula’s inhabitants and the sea, focusing on how Kumzari oral literature portrays this bond. An analysis of the folktale Sōntyō ‘The Raft’ reveals the sea’s metaphorical significance in Kumzari society. Through an examination of a sea poem in this tale, it highlights the interplay between geography and narrative, showcasing the sea’s influence on characters’ journeys and fates. The author also explores the symbolism of sea creatures and plants entwined with the protagonist’s boat, illustrating nature’s untamed power. Thi
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Li, You-Zheng. "A Contrast Between the Sea and the Mountain: A Comparative Study of Occidental and Chinese Poetic Symbolism." In Poetics of the Elements in the Human Condition: The Sea. Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-015-3960-9_22.

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Andary, Philippe, Pascal Caron, Jean-Marc Champarnaud, Gérard Duchamp, Marianne Flouret, and Éric Laugerotte. "SEA: A Symbolic Environment for Automata Theory." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45526-4_2.

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Goldfarb, Lisa. "Music of the Sea: Elizabeth Bishop and Symbolist Poetics." In Elizabeth Bishop and the Music of Literature. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-33180-1_3.

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Hubner, Laura. "Religion, Truth and Symbolism from The Seventh Seal to The Silence." In The Films of Ingmar Bergman. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230801387_4.

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Bedos-Rezak, Brigitte. "Suger and the symbolism of royal power: the seal of Louis VII." In Form and Order in Medieval France. Routledge, 2024. https://doi.org/10.4324/9781003555773-5.

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Holota, Petr. "Christoffel Symbols and the Laplacian in Detailed Studies of the Earth’s Gravity Field with Emphasis on Topography and Eccentricity Effects." In Sea Surface Topography and the Geoid. Springer New York, 1990. http://dx.doi.org/10.1007/978-1-4684-7098-7_19.

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Reynolds III, Bennie H. "Symbolic and Non-Symbolic Visions of the Book of Daniel in Light of the Dead Sea Scrolls." In The Hebrew Bible in Light of the Dead Sea Scrolls. Vandenhoeck & Ruprecht, 2011. http://dx.doi.org/10.13109/9783666535550.218.

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Pinion, F. B. "Symbolism." In Hardy the Writer. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230389458_15.

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Conference papers on the topic "The symbolism of the sea"

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Tseng, Wei-Cheng, Yi-Jen Shih, David Harwath, and Raymond Mooney. "Measuring Sound Symbolism In Audio-Visual Models." In 2024 IEEE Spoken Language Technology Workshop (SLT). IEEE, 2024. https://doi.org/10.1109/slt61566.2024.10832254.

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NAKAMURA, Tsuyoshi, Yu GENNAMI, and Akinori YOSHIKANE. "Analysis of Sound Symbolism Appears In JoJo's Bizarre Adventure." In 2024 Joint 13th International Conference on Soft Computing and Intelligent Systems and 25th International Symposium on Advanced Intelligent Systems (SCIS&ISIS). IEEE, 2024. https://doi.org/10.1109/scisisis61014.2024.10759896.

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Dokhturishvili, Mzago. "The Black Sea in the Representation of the Coastal Population of Georgia." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8439.

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According to François Bellec, the sea, vector of discoveries, exchanges, is also a powerful engine of creation and inspiration at the literary and artistic level. The objective of this article is to continue the study of the symbolism of the Black Sea in Georgian poetry, the subject to which we have already devoted two investigations, the results of which have fueled the publication of two articles. In the first, we carried out a comparative analysis of the symbolism of water [of the sea, in this case] in Georgian and French poetry, in the second, we studied the representation of the sea, in g
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Dong, Hanzhang. "Analyzing the symbolic significance of Angelopoulos’ films from the perspective of semiotics." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004522.

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Symbolic communication is an interdisciplinary field that investigates the meaning and function of symbols in the communication process. Within the framework of symbolic communication studies, symbols are seen as tools individuals employ to convey meanings and values. As a crucial cultural artifact and visual medium, film combines various symbolic elements—including imagery, sound, and plot—to create a distinctive and intricate symbolic system, thus conveying specific meanings through symbol construction. In the films of Angelopoulos, the allure of “symbolic symbolism” is reflected through flo
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Tavoletta, Concetta. "Luigi Cosenza, Bernard Rudofsky and Gio Ponti and the Secret of the Mediterranean Sea." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021186n6.

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Landscape, cavity, courtyard, skin, pergola are some of the elements of the Mediterranean abacus that architecture tries to transfigure into a single substance but also as a derivation of a great mother, the Mediterranean Sea. However, we can suppose that all these elements come from an idea that acts as a trait d'union, an intuition that made the domestic space of the Mare Nostrum the place of the myth of living: the innovative idea of horizon summarized as the ability of the gaze to observe outward. Gio Ponti, Bernard Rudofsky and Luigi Cosenza are the architects of the materialization of th
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Ponce de León, Pedro. "The pyramid as a primary form of mediterranean fortification. Symbolic, functional and ideological character. Threats, messages and contents." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18047.

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The Egypt of the pharaohs preserves the greatest and best-known examples of this architectural form charged with symbolism. There are numerous examples not only in Europe, and as we shall see, several on the Mediterranean coast and specially in the Spanish seaside, built by peoples and civilisations with solid and well-organised social structures. These Spanish examples are contemporary to the great Egyptian pyramids of Cheops and Kephren.But this type of construction, which is both defensive, monumental and funerary, appears in other continents and cultures; as we shall see, in China an impor
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Ihantola, Petri. "Test data generation for programming exercises with symbolic execution in Java PathFinder." In the 6th Baltic Sea conference. ACM Press, 2006. http://dx.doi.org/10.1145/1315803.1315819.

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Filho, Cid Alledi, Eliana Napolea˜o Cozendey Silva, Martius Vicente R. Rodriguez, and Osvaldo L. Gonc¸alves Quelhas. "Continuous Improvement Based on Learning Capacity of Petroleum Industry." In 2004 International Pipeline Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ipc2004-0513.

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Oil industry, as well as all organizations, is facing challenges of a new paradigm: the incessant endeavors of continuous improvement. It is calling attention of all organizations that seek business sustainability. Improvement programs proliferate and aim to qualify the organization to gain new victories. However, how to implement continuous improvement in oil industry? Where should it begin? How to proceed? How to guarantee that the accomplished efforts will lead to positive results for the organization? Knowledge Management has been one of the main issues in several publications, and many au
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Li, Hongxia, and Xiaobing Qi. "On Manolin's Symbolic Meaning in the Old Man and the Sea." In International Conference on Humanities and Social Science 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/hss-26.2016.67.

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Elashvili, Ketevan. "The Srtistic Range of "Dancing Snake"." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8922.

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The artistic range of a literary work is mainly crossed by the symbolic spectrum. It is due to the universal essence of the symbol that the boundary between the authors of completely different epochs or cultures disappears and a kind of character tandem is created. A vivid illustration of this is the unforgettable dance of the snake in the artistic thinking of Charles Baudelaire (1821-1867) and Anna Kalandadze (1924-2008). The snake is perceived as a mystical zoomorphic symbol in heterogeneous aspects and therefore – creates a different artistic range. The "biblical biography" of the snake tra
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Reports on the topic "The symbolism of the sea"

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Melnyk, Yuriy. KRPOCH Symbolism. KRPOCH, 2005. http://dx.doi.org/10.26697/symbolism.

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Jaknanihan, Arrizal. Symbolism over substance in US–Indonesia partnership. East Asia Forum, 2024. http://dx.doi.org/10.59425/eabc.1706652000.

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Krause, Timothy. Sound Effects: Age, Gender, and Sound Symbolism in American English. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2301.

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Sayer, Catherine, and Martin Doherty. The classic model room task: A symbol that doesn’t measure symbolism. Peeref, 2023. http://dx.doi.org/10.54985/peeref.2306p4947936.

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Gnegy, Hannah R., and Deborah A. Christel. Enclothed Cognition: Professional Clothing Symbolism among Plus-Size Women Ages 18 to 24. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1391.

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Tawfiq, Wijdan, and Sara Marcketti. The Meaning and Symbolism of Traditional Bridal Costumes in the Western Region of Saudi Arabia. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-434.

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Hou, Amy Ye, Belinda T. Orzada, and Kelly Cobb. From Auspicious to Suspicious Evaluating the Intention and Use of Imperial Chinese Symbolism in Contemporary Fashion. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1781.

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Clague, J. J. Sea level change: factors affecting sea level. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/213910.

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Fratarangelo, P., P. A. Gale, W. J. Hancock, et al. Sea Basing. Defense Technical Information Center, 2005. http://dx.doi.org/10.21236/ada444704.

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Bell, J. S. Labrador Sea. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1989. http://dx.doi.org/10.4095/127152.

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