Relevant bibliographies by topics / The term choreography

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'The term choreography'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "The term choreography"

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Kasianenko, Liudmyla. "Theoretical "Instruments" of the Choreographic Creative Work Studying on the Basis of Musical Texture." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 77–87. https://doi.org/10.31866/2410-1176.41.2019.188643.

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The purpose of the article is to consider the theoretical and educational way of treating the issue of choreographic skills formation in the process of specialist training; validate theoretically the studying methods of the basis of choreography on the analysis of musical texture in specialized higher educational establishments of Ukraine. The research methodology. The method of analysis for understanding of the diversity of psychological states transmitted by music has been the determining methodological principle. The method of systematization and generalization of theoretical and empiric da
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Dogorova, Nadezhda Alexandrovna, and Jun Fan. "Historical evolution and typological features of choreography in China’s dance culture." Pan-Art 5, no. 2 (2025): 293–305. https://doi.org/10.30853/pa20250033.

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Ancient Chinese dance culture and folklore art left behind a rich heritage and unexplored research materials. Along with this, the academic meaning of the term “choreography” in the syncretic stage art of China appeared relatively recently. In the early 20th century in staged choreographic work, as well as in the performing skills of dancers, a number of transformations began, affecting the formation of the academic form of choreography in China. The specificity of the art of Chinese choreography in the first half of the 20th century was not divorced from the guidelines for the implementation
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Azam, Muhammad Syafiq, Sumathi Maniam, and Muhammad Fazli Taib Saearani. "Batu Tumbuk as A New Creation Dance: Art and Culture Preservation Through Time." Gelar : Jurnal Seni Budaya 20, no. 1 (2022): 1–8. http://dx.doi.org/10.33153/glr.v20i1.4019.

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This research aims to analyze the choreography of the New Creation dance, Batu Tumbuk by Muhaldin Jamin, which was staged in 2015. The term ‘New Creation dance’ refers to the dance that undergoes a process of improvement or refinement that is appropriate to the passage of time but does not affect the traditional values of the community. Hence, this research discusses the Batu Tumbuk dance from the aspect of choreography. The choreographic approach by Minton (1997) is used in this article to discuss the choreographic aspects of the New Creation dance selected. The methodology used for this rese
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Syvokon, Yuriy. "IMPROVEMENT OF THE SYSTEM OF CLASSICAL DANCE TEACHING OF CHOREOGRAPHY STUDENTS IN HIGHER EDUCATION INSTITUTIONS." Academic Notes Series Pedagogical Science 1, no. 204 (2022): 247–50. http://dx.doi.org/10.36550/2415-7988-2022-1-204-247-250.

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The problem of reforming the training of modern teacher-choreographer is relevant today. It is due to changes in approaches and technologies of higher education, which should pay attention primarily to the formation of professionally significant qualities of graduates, expanding their artistic worldview, education of general choreographic culture. The professional skill of the future teacher of choreography is a combination of general pedagogical abilities with the art of reproduction of dance skills and abilities, and, therefore, requires comprehensive, long-term training in the system of ped
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Durning, Jeanine, and Elizabeth Waterhouse. "77 choreographic proposals: Documentation of the evolving mobilization of the term choreography." International Journal of Performance Arts & Digital Media 9, no. 1 (2013): 44–51. http://dx.doi.org/10.1386/padm.9.1.44_1.

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KUZMENKO, Marianna Viktorovna, and Vera Borisovna BOLDYREVA. "DEVELOPMENT OF PSYCHOMOTOR SKILLS OF TEENAGERS USING BREAKDANCE." Tambov University Review. Series: Humanities, no. 177 (2018): 129–36. http://dx.doi.org/10.20310/1810-0201-2019-24-179-129-136.

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Choreography in sports has long been established as a means of specialized training of athletes, helping to make the composition more vivid, original, expressive, spectacular. The term “choreography” generalizes both the art of dance creation and all kinds of dance and mimic art. Among the many forms of aesthetic education of the younger generation, choreography occupies a special place. Dance classes teach not only to understand and create beauty, they develop creative thinking and imagination, give a harmonious plastic development. At present, with the appearance and development of fitness i
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Kopunova, Kseniya Sergeevna. "Continuity of the choreographic tradition of the Mariinsky Theatre and the Vaganova Academy of Russian Ballet." Культура и искусство, no. 8 (August 2022): 46–59. http://dx.doi.org/10.7256/2454-0625.2022.8.38089.

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This article is devoted to continuity in choreographic education. The novelty of the research is due to the fact that an attempt has been made to show the continuity of the choreographic tradition of the Mariinsky Theater and the Vaganova Academy of Russian Ballet in a comparative aspect. The author also examines the term "continuity" in an educational perspective, explaining the importance of this aspect in the formation of the personality of a ballet dancer. The historical moments concerning the preservation of pedagogical traditions, as well as modern issues of an educational nature are con
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Van Goidsenhoven, Leni, Jonas Rutgeerts, and Carrie Sandahl. "Differing bodyminds: Cripping choreography." Choreographic Practices 13, no. 2 (2022): 197–202. http://dx.doi.org/10.1386/chor_00051_7.

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In this position paper we start to articulate what crip theory can open up for choreography and dance. Crip theory is a critical perspective that analyses, exposes and critiques systems of normalcy in representation and social practices as well as a framework for imagining alternatives based on disabled ways of being in the world. The term crip, short-hand for the derogatory term ‘cripple’, is a re-appropriation by disabled individuals and communities, an act of pride, a demand for inclusion in mainstream life, and, paradoxically, a defiant occupation of the margins. ‘Crip theory and choreogra
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Jazuli, Muhammad, Suharji Suharji, and Sestri Indah Pebrianti. "The Symbolic Meaning of the Wireng Dance Choreography at the Kasunanan Surakarta Palace." Harmonia: Journal of Arts Research and Education 22, no. 2 (2022): 405–17. http://dx.doi.org/10.15294/harmonia.v22i2.37181.

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The aim of this research is to find out the specifications of the choreographic form and the symbolic meaning of wirèng in the Kasunanan Palace. A qualitative descriptive research design with form-matching techniques was employed; meanwhile, the data collection techniques employed observation, interviews, and literature study. The data analysis includes the form of the wirèng choreography and its symbolic meaning. From the results of the study, it was found that the choreographic form of wirèng in Kasunanan was used for pair dances and had a soldier’s theme, while in Mangkunagaran wirèng was u
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Blagova, T. "Dynamics of the Concepts Formation of the Profession of Choreographer in Ukraine (on the Material of Creativity of P. Virsky)." Zhytomyr Ivan Franko state university journal. Рedagogical sciences, no. 4(86) (December 21, 2016): 24–29. http://dx.doi.org/10.35433/pedagogy.4(86).2016.24-29.

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The article substantiates the importance of artistic and pedagogical heritage of outstanding Ukrainian choreographer P. Virsky in the development of the choreographic education in Ukraine. Content analysis of the creative legacy of choreographer has compiled the dominant direction of his professional activities which provided the formation and development of folk-stage choreography. Based on personal studio, biographical and bibliographical methods the article clarified the essence of the reform choreography of P. Virsky, its importance in the formation of the concept of Ukrainian choreographe
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Dissertations / Theses on the topic "The term choreography"

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Alghamdi, Amal. "Managing Clinical Handover Processes for Cardiology Patients Using BPM." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32740.

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Health-care delivery involves clinical handover processes that occur at many levels of inpatient care. These processes are essential to an effective health-care system due to their role in achieving efficient communication, reducing transmission time, and lowering costs. Ensuring safe and effective handover requires the coordination of multiple care providers that work together to deliver patient care efficiently. Poor coordination during handover can have major effects on patient care, leading to loss of information and contributing to adverse events. As health-care delivery evolves to becom
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Husáková, Magdaléna. "Hodnocení vývojových tendencí ve fitness aerobiku." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-365310.

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Title: Evaluation of Developmental Tendencies in Fitness Aerobic Goals: Based on the content analyses and timelines of successful professional choreographies from the World Championship 2006-2016, the aim of this work is to forecast developmental tendencies and trends including the optimal content of professional choreographies within the organization FISAF for 2018. Methods: This Thesis has a character of a quantitative research. The main researching method is the timeline created with the help of a special program called Statistica 2017 and the content analysis developed with the help of a v
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Pentassuglia, Monica. "THINKING IN TERMS OF MOVEMENT The Arts-Based Research Perspective of Teachers Professional Practice." Doctoral thesis, 2017. http://hdl.handle.net/11562/964625.

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Educational research, in recent years, in focusing its attention on the different ways of acquiring and transmitting knowledge within educational contexts, has focused special attention on practical-operative experience of teachers. But, what does it means to focus on practical experience of work? The perspective of sociomaterialism has been provided an arena in which we can reflect on the nature and on the role of materiality and its relationship with social phenomenon. In short, what we can learn from the perspective of these theories is the crucial role of the focus on activities and practi
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Books on the topic "The term choreography"

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Vasil'ev, Oleg, Evgeniy Achkasov, and Sergey Levushkin. Damage to the musculoskeletal system from overload in ballet and sports medicine. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1938064.

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The monograph, based on a long-term interdisciplinary study, outlines the features of the diagnosis and rehabilitation of injuries from overload of the lower limb on movement patterns unnatural for normal life, but typical for types of motor activity associated with the art of movement (choreography, classical dance, rhythmic gymnastics, etc.). It is shown that not so much professional requirements, as a lack of constitutional conditioned abilities are the cause of overload damage, the main predictor of which is muscle hypertonicity.
 The main X-ray morphological types of the structure of
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Pakes, Anna. Choreography Invisible. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199988211.001.0001.

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Focusing on Western theatre dance, Choreography Invisible explores the metaphysics of dances and choreographic works. It draws on a range of resources from analytic philosophy of art to develop the argument that dances are repeatable structures of action. The book also analyses the idea of the dance work in long-term historical perspective. Tracing different ways in which dances have been conceptualised across time, the book considers changing notions of authorship, fixity, persistence, and autonomy from the fifteenth century to the present day. The modern work-concept is interrogated, its rel
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Harris, Andrea. Making Ballet 1. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199342235.003.0003.

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Making Ballet 1 provides a choreographic analysis of the ballet Billy the Kid, produced by Ballet Caravan in 1938 with choreography by Eugene Loring, music by Aaron Copland, design by Jared French, and libretto by Lincoln Kirstein. This analysis challenges previous readings of the ballet as patriotic or conservative Americana. Instead, it places Billy the Kid within the internationalism and antifascism of the cultural wing of the Popular Front, in which its creative team was deeply enmeshed. Given those origins, the ballet exemplifies the cultural front’s initiative to critique the nation’s pa
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Kosstrin, Hannah. Modernist Forms in a Jewish State. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.003.0006.

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Focusing on Sokolow’s work in Israel, this chapter highlights tensions between American Jewishness and Israeliness through critical response to her dances Dreams (1961), Opus ’63 (1963), Forms (1964), and Odes (1964). It introduces the term “sabra physicality” to describe the performative qualities of defiant vulnerability that dancers in Sokolow’s Israeli company Lyric Theatre introduced into her oeuvre. With financial support from the American Fund for Israeli Institutions (America–Israel Cultural Foundation), Sokolow was part of the North American influence building Israeli art and cultural
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Giersdorf, Jens. (In)Distinct Positions. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.33.

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Investigating two mutually exclusive approaches to the theorization of dance, which are labeled for the purposes of illustration German philosophical conceptualization and US identity politics, this chapter examines the differences between these two theorizing models in terms of their politics. Caused by incompatible methodologies, international communication within the field of dance studies often takes place only at the level of information—excluding critical engagement with the opposing position. Such inability to critically engage reinforces local academic norms in national models of dance
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Sofras, Pamela Anderson. Dance Composition Basics. 2nd ed. Human Kinetics, 2020. http://dx.doi.org/10.5040/9781718227415.

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If the saying “To be the best, you must learn from the best” holds true, then this book is gold for all aspiring dancers. Dance Composition Basics, Second Edition, doesn’t just feature the works and brilliance of dance and choreographic legends Alonzo King and Dwight Rhoden–it is completely based on the choreographic operations and forms in three of their original works: Chants and Dreamer by King and Verge by Rhoden. All compositional exercises in the book are based on those three works, and the book itself is expertly crafted by Pamela Anderson Sofras, who has 34 years of experience teaching
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Reeve, Justine. More Dance Improvisations. Human Kinetics, 2024. http://dx.doi.org/10.5040/9781718237964.

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More Dance Improvisations builds on the success of its predecessor, Dance Improvisations, and offers 78 brand-new activities that have been tested and refined by author Justine Reeve, a veteran dance instructor and choreographer. This text offers a wealth of creative ideas that instructors can use to help their dancers explore and experience movement. The 78 improvisation tasks and exercises support all portions of a dance class, from improvisation lessons, warm-ups, and games that stimulate creativity to choreographic tasks for creating movement material. These new activities will provide an
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Pouillaude, Frédéric. Oral Identities: Passing Dance On, Making Versions. Translated by Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0011.

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This chapter considers the means of oral transmission in terms of what the oral implies for the survival and status of works. Where the survival of works depends on the memory of the creators and original participants, those works may surely die unless there is a real desire to reactivate that memory and an institutional framework which values the preservation of works. This kind of framework is a recent phenomenon in dance, even in the institutions devoted to classical ballet. Right up to the beginning (even the middle) of the twentieth century, the notion of the fixed repertoire remained lar
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Barnard, Philip, and Scott deLahunta. Intersecting shapes in music and in dance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0025.

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The concept of shape figures widely in discourse about both dance and music. This chapter discusses the shape using two analytic lenses explored over ten years of cumulative, interdisciplinary collaboration within R-Research, a team working alongside the contemporary dance company Wayne McGregor | Random Dance. These two lenses help locate issues, clarify problems and situate what we can learn from choreographic practice and empirical studies of dance. The first lens is a framework for describing what goes on in the making of an artwork or in design processes generally. The second lens is that
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Kraut, Anthea. Hollywood Dance-ins and the Reproduction of Bodies. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197789667.001.0001.

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Abstract This book proposes that a figure who barely registers in film studies or dance studies offers valuable insight into ideas about “the body” and the reproductive labor that gives rise to images of bodies. The book is the first scholarly study of the dance-in, a dancer who executes a star’s choreography as cameras are being focused and lights set. While they share similarities with doubles and stand-ins, dance-ins do not replace stars’ bodies on screen, and they often serve multiple unseen roles, including as choreographers’ assistants and stars’ coaches, making them vital to the creatio
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Book chapters on the topic "The term choreography"

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Morgenstern, Aliyah. "Chapter 8. The choreography of multimedial procedures and multimodal languaging in French family dinners." In Pragmatics & Beyond New Series. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/pbns.348.08mor.

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In this paper we present a multimodal multimedial approach to multiparty interactions through the analysis of French family dinners in which child and adult participants are engaged in the activities of eating and interacting. The term multimodality is used to refer to the variety of semiotic resources (gesture, speech, facial expressions, gaze) engaged in languaging (Linell 2009), and multimediality to refer to the media used in context to construct meaning (such as communicative manipulative actions/languaging). Our aim is to capture the multiple deployments of the embodied behaviors of dinn
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Strunov, Anton, Lidiya V. Boldyreva, Alexey V. Pindyurin, Maurizio Gatti, and Elena Kiseleva. "TEM Imaging of Membrane Choreography During Mitosis of Drosophila Tissue Culture Cells." In Methods in Molecular Biology. Springer US, 2022. http://dx.doi.org/10.1007/978-1-0716-2337-4_26.

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Ritter, Julia M. "Tracing Choreography." In Tandem Dances. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051303.003.0002.

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Chapter 1 contextualizes choreography as integral to, yet invisibilized within, immersive performance. The chapter's focus is the thematic concerns of choreography in Western dance history, specifically the intentionality with which it is created, the portability of its concepts outside of the realm of formal dance, and its resulting ubiquity across domains in the twenty-first century. Deployed by European aristocrats in the sixteenth and seventeenth centuries as a practice for reinforcing structures of ritual and power when assigning societal roles, choreography as a term emerged alongside th
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Freeman, R. "Spin choreography." In Pulsed Magnetic Resonance: NMR, ESR, and Optics. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198539629.003.0010.

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Abstract Very soon after the initial discovery of nuclear magnetic resonance, E. L. Hahn performed an experiment that, in conceptual originality and elegance, transcended all that had preceded it-the spin echo experiment [1]. Here was an idea to inspire the young scientists reading about NMR for the first time. Not only could oneworkwith these strange new entities called spins, but alsomanipulatethem like a conjuror with a pack of cards. In its original form, experiment was conceptually easier to follow, resembling the opening and closing of a ‘fan’ of vectors confined to the transverse(x-y)pl
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Winkler, Kevin. "Introduction." In Everything is Choreography. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190090739.003.0001.

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The Introduction juxtaposes the musicals of Tommy Tune during the 1980s with the large-scale British extravaganzas that dominated Broadway in the same decade. These imported “megamusicals,” featured lavish spectacle, special effects, cookie-cutter casting, and booming, pop-rock soundscapes. By contrast, Tune’s shows were simple, elegant, and filled with unique personalities (including Tune himself). The special effects in a Tommy Tune show were ingeniously staged singing and dancing. Tune coined the term “guzzintahs” to refer to the seamless melding of song, dance, and story, as in “this goes
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McMichael, Anthony. "Climatic Choreography of Health and Disease." In Climate Change and the Health of Nations. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190262952.003.0008.

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Ever Since Humans First looked to the skies for relief, the changing mood of the climate has been assumed to be beyond human control, other than through supplication, ceremony, and ritual sacrifice. In secu­lar modern times, there has been little interest in studying climatic influ­ences on patterns of disease and survival. After all, we can curb cigarette smoking, but we cannot change the climate. Or so we thought. Now, though, there is new interest in understanding how human- driven cli­mate change affects human health, in the present and into the future. The risks to human health extend far
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Garafola, Lynn. "In Wartime America." In La Nijinska. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197603901.003.0014.

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Settling in Hollywood where she opens a school, Nijinska presents a program of works at the Hollywood Bowl in the hope—never realized—of establishing a professional ballet company in Southern California. She travels frequently to New York to choreograph ballets for (American) Ballet Theatre, the Ballet Russe de Monte Carlo, and Ballet International, although the high cost of coast-to-coast travel causes her to lose many jobs. An inspired teacher (her students included Cyd Charisse, Maria Tallchief, and Allegra Kent) and much-admired choreographer, she restages a number of her older ballets, in
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Chalfa Ruyter, Nancy Lee. "La Meri’s Writings." In La Meri and Her Life in Dance. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813066097.003.0010.

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There is much evidence of La Meri’s lifelong commitment to writing, which seems to have been as central to her life as dance. Fortunately, her thoughts, feelings, and insights survive not only in her published poetry, articles, and books but also in the hundreds of notes and notebooks, dance descriptions, letters, and other materials in her archives. At an early age, La Meri began publishing her poetry, and, later, works about her own life experiences and about dance and its many manifestations. After some discussion of La Meri’s poetry and the books of poems that she published, this chapter f
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Kandler, Johannes. "Performative Übersetzungen – Skizze eines Arbeitsfeldes." In Dimensionen der Humantranslation / Dimensions of Human Translation. Zeta Books, 2022. http://dx.doi.org/10.5840/zeta-humantranslation20229.

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The field of performative translation focuses on forms of translation as they result from the influence of the human body in its psycho‑physical form. The human body, which is involved in productions such as a dance performances or in church processions, functions as a media relay for the translation to be performed: through it and on it, transformation processes are connected. This transformation performs two translation services: on the one hand, it extends from the sensual impression of a template to the (individual) ideas related to it and, on the other hand, from the (individual) ideas to
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Martina, Anne, Brad Haak, Van Kaplan, Craig Lucas, Christopher Wheeldon, and Stuart Oken. "Making of An American in Paris – Beyond a re-creation : Roundtable with the creative team of the award-winning stage production (Brad Haak, Van Kaplan, Craig Lucas, Stuart Oken, Christopher Wheeldon)." In American Musicals: Stage and screen / L'écran et la scène. Sorbonne Université Presses, 2019. https://doi.org/10.70551/prvv9376.

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Roundtable with the creators the award-winning stage production of An American in Paris which opened at the Théâtre du Châtelet in December 2014, before transferring to Broadway and, later, going on tour and opening in the West End. This conversation took place at the Mona Bismarck American center in Paris, with Van Kaplan and Stuart Oken (Broadway producers), Craig Lucas (writer), Christopher Wheeldon (director and choreographer), Brad Haak (musical director) and Anne Martina (moderator) on December 1st, 2014. The genesis of the show is discussed, as well as its original aesthetics in terms o
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Conference papers on the topic "The term choreography"

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VELICHE, Alice. "Ethical dilemmas in the choreographic approach. Actors vs dancers." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0024.

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The beginning of my career as a young choreographer often finds me working with both dancers and actors. This duality implies approaching different ways of working, a different structuring of the creative stages, but also an adaptation at a conversational, explanatory, bodily level. All these factors give rise to a series of hypotheses that I intend to address from an ethical perspective. Between the two forms of work there are observable differences that arise from the bodily capacities of the actors, a fact, moreover, absolutely natural. But a flawed approach that I have observed both in my
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VELICHE, Alice. "Dancing to Talk about Yourself. The Character is me. Case Study: Pina Bausch." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0023.

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From the corpus of our doctoral research, an essential place in the development and analysis of the theatrical elements of contemporary dance is the subject of Pina Bausch. The choreographic world has been and will remain strongly guided by the well-implemented corporeal principles of Pina Bausch, also called the choreographer of souls. The corporeal rigors imposed by the artistic system and classical working techniques are not the only methods by which we can access a complete final product, to the surprise of many practitioners or theorists. The proof that emotion and corporality can be acce
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Sandell, John. "Defining the City as a Commons: Mitigating Sea-Level Rise at the Intersection of Planning Policy Instruments and Public Space Networks." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.84.

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Public urban environments define a city as a commons, a place that is jointly shared. These environments make up the part of the city that is economically, environmentally, and socially advantageous toward the common good. In this study, we examine how the concept of urban commons can be characterized in the space of a city. The first part of the research is project-based. The project site is Fort Lauderdale, Florida where we utilize an alternative future scenario-based design model to examine urban environments in at-risk areas. The model can be defined as a plausible description of future cl
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Saariluoma, Pertti, José Juan Cañas Delgado, and Mari Myllylä. "Problems of content-based cognitive ergonomics." In 6th International Conference on Human Systems Engineering and Design Future Trends and Applications (IHSED 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005545.

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The turnaround process at an airport is a crucial part of flight operations. It is a precisely choreographed sequence of activities and events to ensure aircraft depart on schedule. The individual turnaround processes with passenger movements of boarding and deplaning play a pivotal role, as they are on the critical path of the turnaround. Delays in any of these processes have an immediate impact on the duration of the entire process. If the delay is long enough to cause the flight to miss its scheduled departure slot, the delay will increase even more as a new available slot must be allocated
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