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Relevant bibliographies by topics / The text unconscious

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Academic literature on the topic 'The text unconscious'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "The text unconscious"

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McGrath, S. J. "Schelling on the Unconscious." Research in Phenomenology 40, no. 1 (2010): 72–91. http://dx.doi.org/10.1163/008555510x12626616014664.

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AbstractThe early Schelling and the romantics constructed the unconscious in order to overcome the modern split between subjectivity and nature, mind and body, a split legislated by Cartesian representationalism. Influenced by Boehme and Kabbalah, the later Schelling modified his notion of the unconscious to include the decision to be oneself, which must sink beneath consciousness so that it might serve as the ground of one’s creative and personal acts. Slavoj Zizek has read the later Schelling’s unconscious as a prototype of Lacan’s reactive unconscious, an unconscious that only exists as the

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Borochov, Ber. "Classical Text in Translation The Tasks of Yiddish Philology>." Science in Context 20, no. 2 (2007): 355–73. http://dx.doi.org/10.1017/s0269889707001305.

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BLOCH, BRANDON. "THE ORIGINS OF ADORNO's PSYCHO-SOCIAL DIALECTIC: PSYCHOANALYSIS AND NEO-KANTIANISM IN THE YOUNG ADORNO." Modern Intellectual History 16, no. 02 (2017): 501–29. http://dx.doi.org/10.1017/s147924431700049x.

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This essay examines one of the least-studied works in the philosophical corpus of Theodor Adorno, The Concept of the Unconscious in the Transcendental Theory of Mind. A retracted habilitation thesis composed in 1926–7, the text is often regarded as an exposition of the philosophical system of Adorno's teacher, Hans Cornelius, that bears little significance for Adorno's mature works. I argue that Concept of the Unconscious sheds significant light on both the historical origins and the conceptual underpinnings of the relationship between society and the psyche that Adorno would theorize over the

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Crous, M. L. "Karakterisering in Christine: ’n Jungiaanse perspektief." Literator 12, no. 3 (1991): 103–10. http://dx.doi.org/10.4102/lit.v12i3.785.

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The central character in Bartho Smit’s complex drama Christine is Paul Harmse. This essay focuses on the text and regards it as the psyche of the protagonist Paul Harmse. Jung’s theory of the collective unconscious and the archetypal figures that inhabit the collective unconscious is implemented in the analysis of the text. The characters are regarded as representations of the shadow and the anima. There is a prevailing conflict between Paul Harmse and the subconscious forces at work in his psyche.

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Janowitz, Naomi. "Lusting for death: Unconscious fantasies in an ancient Jewish martyrdom text." Psychoanalytic Psychology 23, no. 4 (2006): 644–53. http://dx.doi.org/10.1037/0736-9735.23.4.644.

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Zyl, Susan van, and Joanne Stein. "A language of the unconscious and the enervation of the text." Journal of Literary Studies 6, no. 1-2 (1990): 77–86. http://dx.doi.org/10.1080/02564719008529934.

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Goldhill, Simon. "Vered Lev Kenaan, The Ancient Unconscious: Psychoanalysis and the Ancient Text." Psychoanalysis and History 22, no. 2 (2020): 247–50. http://dx.doi.org/10.3366/pah.2020.0341.

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Miller, Jason. "Dredging and Projecting the Depths of Personality: The Thematic Apperception Test and the Narratives of the Unconscious." Science in Context 28, no. 1 (2015): 9–30. http://dx.doi.org/10.1017/s0269889714000301.

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ArgumentThe Thematic Apperception Test (TAT) was a projective psychological test created by Harvard psychologist Henry A. Murray and his lover Christina Morgan in the 1930s. The test entered the nascent intelligence service of the United States (the OSS) during the Second World War due to its celebrated reputation for revealing the deepest aspects of an individual's unconscious. It subsequently spread as a scientifically objective research tool capable not only of dredging the unconscious depths, but also of determining the best candidate for a management position, the psychological complexes

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Erdinast-Vulcan, Daphna. "Conrad's Mystic Writing Pad: Translation and the Unconscious Labor of the Text." American Imago 77, no. 4 (2020): 691–709. http://dx.doi.org/10.1353/aim.2020.0034.

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Mills, A. D. "The Ancient Unconscious: Psychoanalysis and the Ancient Text by Vered Lev Kenaan." American Imago 77, no. 4 (2020): 753–65. http://dx.doi.org/10.1353/aim.2020.0043.

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Dissertations / Theses on the topic "The text unconscious"

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Claude-Phalippou, Laurence. "La parole dans l'oeuvre romanesque de Barbey D'Aurevilly." Paris 3, 2008. http://www.theses.fr/2008PA030076.

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La parole est au cœur de l’œuvre romanesque de Barbey d’Aurevilly : omniprésente, elle en façonne puissamment à la fois l’esthétique, la poétique et l’imaginaire. Dans sa fiction, l’essentiel passe en effet par le truchement du dire. Le travail du style en témoigne, comme les narrations qui trouvent dans la communication orale aussi bien leur principe déclencheur que le soubassement inconscient qui leur confère toute leur portée. Mais il y a plus : une ontologie singulière se dessine, dans laquelle l’identité des personnages se structure à partir de leur relation à la parole, de leur voix et d

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Moraes, Juliana Martins Rodrigues de. "Texto para prosa, dança e verso = traços de discursos coreógraficos." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284936.

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Orientador: Cássia Navas Alves de Castro<br>Acompanhado de 4 DVDs de espetáculo: Querida Sra. M., (2000); 3 tempos num quarto sem lembrança (2009); Um corpo do qual se desconfia (2007); (depois de) Antes da Queda (2010)<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-18T01:50:03Z (GMT). No. of bitstreams: 1 Moraes_JulianaMartinsRodriguesde_D.pdf: 19861954 bytes, checksum: 0d52fcb0187c5f49bc157dd08e12eaba (MD5) Previous issue date: 2011<br>Resumo: A presente tese dedica-se a uma reflexão sobre conceitos que foram se tornando f

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Regol, Anna. "Le Rap, un langage à la marge ?" Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3045.

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La recherche clinique conduite en psychiatrie porte sur les processus psychiques inconscients engagés pour le sujet de l’inconscient dans la création de rap. L’épistémologie psychanalytique s’appuie sur les concepts freudiens et lacaniens. Une approche transversale linguistique et sociologique permet de définir le rap comme un langage et un phénomène esthétique. La problématique s’intéresse à l’implication des processus de déplacement, de condensation, de substitution et d’association des représentants des représentations et aux processus d’identification et narcissiques en question pour le su

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Brooks, Charles Kennedy. "Multiple independent implicit personality processes: a challenge to dual process theory." Thesis, Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/37309.

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This study applied the Process Dissociation Procedure (Bornstein, 2002) to test independence between personality processes represented by different implicit measurement techniques. In contrast to the commonly adopted literal view of dual processes in personality theory, the study predicted that two implicit measures (CRT-A and IAT-A) and one explicit measure (NEO-AH) of aggressive disposition would dissociate with each other in their 1) intercorrelations, 2) predictions of behavioral criteria of aggressiveness, and 3) potential moderation by situational cues. These hypotheses were generally, t

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Books on the topic "The text unconscious"

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Lev Kenaan, Vered. The Ancient Unconscious. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827795.001.0001.

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Commonly understood as a modern conceptual invention rather than the discovery of a psychic reality, the notion of the unconscious is often criticized by traditional classicists as an anachronistic lens, one that ineluctably subjects ancient experience to modern patterns of thought. The book challenges this ambivalent theoretical disposition toward the psychoanalytic concept by offering an interpretation of the unconscious, explaining why this concept is in fact inseparable from, and crucial for, the study of the ancient text and more generally for the methodology of classical philology. The b

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Cohen, Richard I., ed. Ken Koltun-Fromm, Imagining Jewish Authenticity: Vision and Text in American Jewish Thought. Bloomington: Indiana University Press, 2015. 266 pp. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912628.003.0024.

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This chapter reviews the book Imagining Jewish Authenticity: Vision and Text in American Jewish Thought (2015), by Ken Koltun-Fromm. Imagining Jewish Authenticity examines the ways in which texts and images interact in American Jewish culture to promote a vision of Jewish “authenticity,” while also highlighting the deep anxieties harbored by Jews with respect to their own identities. Koltun-Fromm argues that claims of authenticity are most perceptible in both the conscious and unconscious interface between text and image, which provides authors and artists with an outlet to make the contradict

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Kenaan, Vered Lev. Ancient Unconscious: Psychoanalysis and Classical Texts. Oxford University Press, 2019.

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Banerjee, Padmakali, Bankey Lal Dubey, and Anand Dubey. Inkblot Personality Test: Understanding the Unconscious Mind. SAGE Publications, Incorporated, 2019.

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MacIntyre, Alasdair C. The Unconscious: A Conceptual Analysis (Key Texts). Thoemmes Press, 1997.

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Brower, Virgil W. Sigmund Freud. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423632.003.0026.

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Can Freud be abandoned? Interrelations between sacer, ambivalence, exception, suspension, property, use and civil war around the origin of law are traces of Freud that manifest themselves throughout the development of Agamben’s thought. Most direct engagements are found in early texts,2 best articulated in Stanzas. Here is incipient indication of (a) Freud’s guilt by association with shortcomings of the sociology of religion (S 137).3 Agamben displays (b) lessons learned from Freud in terms of phantasm, fetishism and the unconscious (S 22–3, 31–3, 145–7; IH 48), but overall performs (c) critic

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Stam, Robert. Revisionist Adaptation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.13.

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Cross-cultural adaptations can revitalize their source texts through provocative changes in their setting, genre, casting, or production processes. Chapter 13 examines a series of frankly revisionist adaptations that mount a critique of source texts drawn from other cultures by adapting new perspectives, restoring excised material, or allowing previously silenced voices to speak. The power of such cross-cultural adaptations finds subversive new meanings in their canonical texts by staging conflicts of languages and discourses. Instead of reflecting or refracting the reality beneath their sourc

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Leeb, Claudia. Disrupting the Fantasy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190639891.003.0008.

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“Disrupting the Fantasy: Adorno and the Working-Class Woman” exposes Adorno’s identity thinking in his figurations of the “working-class woman.” The forms in which she appears in Adorno’s texts (the phallic, castrating, and castrated woman) correspond to the three dimensions (the imaginary, the symbolic, and the real) through which Lacan mapped his thought. In all of these forms she advances to object petit a (Lacan)—the unconscious fantasy object that promises to cover up the fears and desires that non-wholeness incites. That the thinker of non-identity reinforces identity thinking exposes so

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Smith, Matthew Wilson. The Emptying of Gesture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644086.003.0002.

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How can one read another’s true thoughts and feelings? Many philosophical texts and acting manuals reached the same answer to this age-old question: we can read another’s hidden mental states through careful observation of gesture—especially unconscious gesture. Gesture, in this account, offered a promise that words could not, the promise of a natural, universal language and a royal road to the psyche. This chapter tells a story of this promise’s disintegration and the gradual replacement of gestures by nerves as reliable signs of mental states. The chapter’s first part traces connections betw

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Napolin, Julie Beth. The Fact of Resonance. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288175.001.0001.

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The Fact of Resonance returns to the imperial and colonial contexts in which Anglophone and francophone narrative theory developed, seeking an alternative sonic premise for theorizing narrative form. The exclusion of postcolonial sound and acoustics is foundational not only to modernist studies, but to narrative theory, novel theory, and the strains of film theory they orient. The study is primarily focused on Joseph Conrad and concerns the bearing of his multilingual formation and attunement to the gender and race of sound in colonial encounter. To return to Conrad is to return to the repress

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Book chapters on the topic "The text unconscious"

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Goodrich, Peter. "Parenthesis: The Text without Subject." In Law and the Unconscious. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25974-8_3.

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Steiner, Enit Karafili, and Nicholas Tredell. "The Text, the Unconscious and Commodity, 1950s–1990s." In Jane Austen: Northanger Abbey/Persuasion. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-43218-6_6.

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Bauer, René, and Beat Suter. "“Realities from the unconscious” or “Reprogramming digital sub(con)texts”." In New Realities: Being Syncretic. Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-78891-2_7.

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Peary, Alexandria. "Taking Self-Help Books Seriously: The Informal Aesthetic Education of Writers." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_9.

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AbstractAesthetic education with a writing focus has occurred in the United States through two vehicles: textbooks in classroom-based instruction or self-help books in extracurricular instruction. Writing self-help books, or texts which address a readership interested in learning about writing independent of a teacher or university, played a significant role in guiding countless individuals during the twentieth century and continue to do so today (For the purposes of this article, “self-help” refers exclusively to self-help literature offering advice about the act of writing and not to any of the myriad of other self-help topics [dieting, relationships, and so forth]). The evolution of these self-help books paralleled the development of college and university writing courses that arose early in the twentieth century: indeed, a powerful informal aesthetic education has been occurring through self-help books. In this chapter, I perform a textual analysis of five twentieth-century self-help books, all attracting substantial readership: Dorothea Brande’s Becoming a Writer (1934); Brenda Ueland’s If You Want to Write (1938); Peter Elbow’s Writing Without Teachers (1973); Natalie Goldberg’s Writing Down the Bones (1986); and Anne Lamott’s Bird by Bird (1995). An examination of these popular twentieth-century self-help books reveals four areas of overlapping content. Collectively, self-help books on writing address the role of the unconscious in composing, issues of control, the holistic nature of composing, and failures in traditional teaching, and they all formulate a broader argument about the universal ability of humans to be creative.

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"THE UNCONSCIOUS AND THE TEXT." In The Unconscious. Routledge, 2003. http://dx.doi.org/10.4324/9780203197653-7.

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Lev Kenaan, Vered. "Freud on the Acropolis." In The Ancient Unconscious. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827795.003.0003.

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Freud’s essay “A Disturbance of Memory on the Acropolis” is the focus of the third chapter. Freud’s short essay revisits an enigmatic memory from the visit to the Acropolis. Two different yet inseparable themes surface in the text; the chapter unravels their connectedness through their relation to the cultural and intellectual dual origins of Freud’s upbringing. In the essay the twofold thematics of Freud’s Jewish background at home and his classical education in the gymnasium intersect, creating a picture of a life of duality, ambivalence, and internal contradictions. The cultural intersection between Athens and Jerusalem constitutes the essence of Freud’s personal history and is responsible for the creation of his indissolubly tangled narrative. The chapter deals with the notion of the woven materiality of the text, the inner ties between antiquity and modernity, as well as those between Freud’s past and present, and the unconscious language of analogies.

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Diazzi, Alessandra. "Is There an Unconscious in This Text? On Italo Svevo’s La coscienza di Zeno." In Archaeology of the Unconscious. Routledge, 2019. http://dx.doi.org/10.4324/9780429293047-12.

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Wordsworth, Ann. "Household Words: Alterity, the Unconscious and the Text." In Jacques Derrida. Routledge, 2017. http://dx.doi.org/10.4324/9781315110981-3.

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Wordsworth, Ann. "Household Words: Alterity, the Unconscious and the Text." In Jacques Derrida. Routledge, 2018. http://dx.doi.org/10.4324/9781351155205-3.

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"2. Body and Text: The Roots of the Unconscious." In Fetish. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501731815-004.

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Conference papers on the topic "The text unconscious"

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Bushueva, Tatyana. "C. Jung Theory Of Unconscious And Literary Text." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.74.

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Martin, Miguel Vargas, Kamilla Johannsdottir, Gerardo B. Reynaga, Jayshiro Tashiro, and Miguel A. Garcia-Ruiz. "Unconscious mind: Authenticating with something you don't know? Or just an infallible liveness test?" In 2010 IEEE 23rd Canadian Conference on Electrical and Computer Engineering - CCECE. IEEE, 2010. http://dx.doi.org/10.1109/ccece.2010.5575164.

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Leeuwenberg, Artuur, and Marie-Francine Moens. "A Survey on Temporal Reasoning for Temporal Information Extraction from Text (Extended Abstract)." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/712.

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Time is deeply woven into how people perceive, and communicate about the world. Almost unconsciously, we provide our language utterances with temporal cues, like verb tenses, and we can hardly produce sentences without such cues. Extracting temporal cues from text, and constructing a global temporal view about the order of described events is a major challenge of automatic natural language understanding. Temporal reasoning, the process of combining different temporal cues into a coherent temporal view, plays a central role in temporal information extraction. This article presents a comprehensi

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Rodriguez Cadena, Maria De Los Angeles. "CULTURAL MEMORY AND THE OPTICAL UNCONSCIOUS: WOMEN OF THE PAST IN HISTORICAL AUDIOVISUAL TEXTS BY WOMEN DIRECTORS IN LATIN AMERICA." In 42nd International Academic Conference, Rome. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.042.042.

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AlAnsari, Noora Essa, Ali Idrissi, and Michael Grosvald. "The McGurk Effect in Qatari Arabic: Influences of Lexicality and Consonant Position." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0279.

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The McGurk effect is a psycholinguistic phenomenon where an illusion is made by dubbing an auditory element of one sound on a visual element of another sound, which leads to hearing a third sound. The phenomenon demonstrates how the perception of speech does not depend on audio inputs only. Rather, it shows how seeing the shape of the mouth while producing a certain sound can influence what we hear. Thus, it proves the interaction of both vision and auditory parameters in understanding language. In addition, what is known as “lexicality – the property of a word being real or not” influences sp

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Martinez Escobedo, Eduardo. "New Product Development; The Nikola Tesla Extrapolation." In Systems & Design 2017. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.6603.

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Product development has been approached by linear methods that apply to any design problem without concern of ambient variables. In this approach, we will find a new matrix method that can deliver a basic path in which the designer can begin his journey, but adaptable to accept ambient variables. Nikola Tesla in his book “The Strange Life of Nikola Tesla” (1914) told us: “Thus I have been led unconsciously to evolve what I consider a new method of materializing inventive concepts and ideas, which is radially opposite to the purely experimental and is in my opinion ever so much more expeditious

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