Relevant bibliographies by topics / The title and the epigraph of the literary-artistic meeting

Contents

  1. Journal articles
  2. Book chapters

Academic literature on the topic 'The title and the epigraph of the literary-artistic meeting'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'The title and the epigraph of the literary-artistic meeting.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "The title and the epigraph of the literary-artistic meeting"

1

Zhyla, S. "SYNERGY OF ARTS IN THE PROFESSIONAL TRAINING OF TEACHERS OF UKRAINIAN LITERATURE: THE LITERARY-ARTISTIC MEETING AS A FORM OF EDUCATION IN HIGHER EDUCATION INSTITUTIONS." Didactics 3 (February 4, 2022): 29–36. https://doi.org/10.5281/zenodo.5972549.

Full text
Abstract:
The peculiarities of the literary-artistic meeting as a form of preparation of the future teachers of Ukrainian literature are considered in the article. The author of the article characterizes its current functions, in particular: sociocultural, self-realization and self-affirming, communicative, entertaining, stimulating, integrative, hedonistic, educational, developmental, design, cognitive-competence, empathic, singular, facilitative, creative, emotional. The author proposes classifications of literary-artistic meeting as a form of organization of the educational process in higher educatio
APA, Harvard, Vancouver, ISO, and other styles
2

Abduzhemilev, Refat R. "“The History of the Crimean Khans” by the anonymous author. Part 1." Crimean Historical Review 9, no. 2 (2022): 193–225. http://dx.doi.org/10.22378/kio.2022.2.193-225.

Full text
Abstract:
Among the rare materials of the Department of Manuscripts of the National Library of France (Bibliotheque nationale de France. Departement des Manuscrits. Supplement turc 515) there is a small chronicle of the anonymous author dating back to the era of the Crimean Khanate. The manuscript is provided with a description: “The history of the Crimean khans from 880 to 1191 from the Hegira (1475–1777), without a title and without the name of the author. The epigraph read on the front side of the first page is not a title, but a summary of the content of this work, which is not of particular importa
APA, Harvard, Vancouver, ISO, and other styles
3

Abduzhemilev, Refat R. "“The History of the Crimean Khans” by the anonymous author. Part 2 (end)." Crimean Historical Review 10, no. 1 (2023): 198–219. http://dx.doi.org/10.22378/kio.2023.1.198-219.

Full text
Abstract:
Among the rare materials of the Department of Manuscripts of the National Library of France (Bibliotheque nationale de France. Departement des Manuscrits. Supplement turc 515) there is a small chronicle of the anonymous author dating back to the era of the Crimean Khanate. The manuscript is provided with a description: “The history of the Crimean khans from 880 to 1191 from the Hegira (1475–1777), without a title and without the name of the author. The epigraph read on the front side of the first page is not a title, but a summary of the content of this work, which is not of particular importa
APA, Harvard, Vancouver, ISO, and other styles
4

Liudmila, Iurievna Makarova. "The role of title and epigraph in the essay “The Vision of Mirza” by Joseph Addison." Филология: научные исследования, no. 12 (December 2021): 37–45. http://dx.doi.org/10.7256/2454-0749.2021.12.37204.

Full text
Abstract:
The object of this research is the essay “The Vision of Mirza” by Joseph Addison. The relevance of studying J. Addison's essay is substantiated by undue attention to his works in the Russian literary studies, as well as the need for tracing the dynamics in the genre of vision in the Age of Enlightenment. The subject of this research is the title and epigraph as parts of the work that determine its structure and artistic distinctness. Analysis is conducted on the images of the viewer, visionary hero, and his guide, chronotope of the essay and allusive links. The essay is bas
APA, Harvard, Vancouver, ISO, and other styles
5

Satarova, Sof’ya N. "DIALOGUE OF “LITERATURE” AND “LITERATURE” IN THE INDIVIDUAL-AUTHOR ERA: ECCLESIASTES AND THE WORK OF NIKOLAI LESKOV." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 7 (2023): 55–65. http://dx.doi.org/10.28995/2686-7249-2023-7-55-65.

Full text
Abstract:
The article is devoted to the issue of the interaction of sacred and artistic words in the individual author’s era. The purpose of the study is to trace how N.S. Leskov’s poetics reflected his attentive attitude to the originality of the biblical word. The material is the story “Languor of the Spirit”, the title and epigraph of which are quotations from the book of Ecclesiastes. On the basis of biblical and literary texts, the semantics of the combination “languor of the spirit” is determined. The study of the corresponding motive in Leskov’s story necessitated the analysis of the work based o
APA, Harvard, Vancouver, ISO, and other styles
6

Isichenko, Archbishop Ihor. "MILLSTONE OF HEART: FROM OBSERVATIONS ON HRYHORII SKOVORODA’S METAPHORS." Слово і Час, no. 5 (October 28, 2022): 3–16. http://dx.doi.org/10.33608/0236-1477.2022.05.03-16.

Full text
Abstract:
Hryhoriy Skovoroda’s poems are the optimal form of discursive embodiment of ethical-religious and artistic concepts due to the capacity and ambiguity of their figurative language. The connotative space of the image of the stone in the collection “The Garden of Divine Songs” testifies to this. The stone is usually an attribute of death, despair, and hopelessness in the traditional Ukrainian culture. Several invariants of this image are found in Skovoroda’s poems. These are mountains, rock (petra, cephas), diamond (‘adamant’), and flint. The rocky peaks of the mountains are involved in Skovoroda
APA, Harvard, Vancouver, ISO, and other styles
7

Korchagin, Kirill M. "Whitman — Tagore — Roerich: On a Certain Poetic Triangle." Oriental Courier, no. 4 (2024): 0. https://doi.org/10.18254/s268684310033439-0.

Full text
Abstract:
A chapter of Rabindranath Tagore’s novel The Last Poem (1929) depicts a meeting of a literary circle in Calcutta, where young Bengali writers and intellectuals discuss Tagore’s poetry in a highly snobbish manner. This scene is somewhat out of place in the overall narrative and is largely motivated by the fact that the novel’s protagonist, Amit Ray, is also a poet who, though hesitant to publish his poems, is convinced, at least in the first half of the novel, of their superiority to Tagore’s old-fashioned poetry. At a meeting of the circle, Amit reads his own poem, written in a manner more rem
APA, Harvard, Vancouver, ISO, and other styles
8

Pakhareva, Tatyana A. "ARCHITECTONICS OF THE SILENCE IN VERCORS’ NOVEL “THE SILENCE OF THE SEA”." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 93–106. http://dx.doi.org/10.32342/2523-4463-2022-2-24-8.

Full text
Abstract:
Vercors’ novel “The Silence of the Sea” is one of the French Resistance defining texts, and, at the same time, the part of silence texts’ circle in world literature that constitute a powerful paradigm. It starts from the traditions of hesychasm and ends up with the avant-garde which conceptualizes silence in a wide variety of ways. Therefore, silence as a key concept of Vercors’ text attracts attention of researchers and is usually considered as a semiotic complex which a researcher has to decipher and identify its meaning-making functions. But the very architectonical structure of the text of
APA, Harvard, Vancouver, ISO, and other styles
9

Błaszczak, Monika. "Szorstki i chropowaty dotyk – o dramaturgii zmysłów." Przestrzenie Teorii, no. 36 (December 15, 2021): 227–53. http://dx.doi.org/10.14746/pt.2021.36.14.

Full text
Abstract:
Today, the concept of dramaturgy refers primarily to the space of theater or, more broadly, to performative arts. But as the concept of drama has passed into the scientific discourse of sociology, anthropology or literary studies, so is it with dramaturgy. The understanding that appears here refers to its meaning as a special tension on the level of sensually experienced and perceived artistic events. The subject of interest here is the dramatic aesthetics of experience in the field of performing and visual arts. The aesthetic categories related to the senses are often of a physical origin and
APA, Harvard, Vancouver, ISO, and other styles
10

Рavlovich, Kristina К. "Nikitenko’s unfinished novel Leon and its allusions in An Ordinary Story by Goncharov." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 88 (2024): 217–29. https://doi.org/10.17223/19986645/88/11.

Full text
Abstract:
The article studies the aesthetic system of the Russian critic and censor Aleksandr Nikitenko and its reception by the writer Ivan Goncharov, who used these aesthetic principles in An Ordinary Story (1847), the first novel of his trilogy. For the first time, the context of Nikitenko’s literary work, which has not yet become an object of research, is scientifically investigated. The identification of typological connections with literary texts of that time also actualizes the meaning of the notion of “idealized realism”.The special and versatile personality of Nikitenko, who was a lecturer at M
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "The title and the epigraph of the literary-artistic meeting"

1

Stănescu, Ioana. "CLAUDE DEBUSSY AND INSPIRED FUSION OF CREATIVE SPIRITS." In Education, Society, Family. Interdisciplinary Perspectives and Analyses. Eikon Publishing House, 2021. http://dx.doi.org/10.56177/epvl.ch16.2021.en.

Full text
Abstract:
The cultural climate of Claude Debussy's formative years is represented by Paris, during the years of the legendary fin de siècle, in the last two decades of the 19th century, in which a remarkable artistic emulation, expression of numerous exhibitions, publications of posters, music performances, ballet or music-hall, the frequent meetings between artists wrote their history on the background of a radical change of an aesthetic conception. During this period, exhibitions of his own works initiated by painters from the original Impressionist circle, such as Pissaro, Monet, Degas, Renoir and Si
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography