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Journal articles on the topic 'The traditional Romanian culture'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Beissinger, Margaret. "“Lăutar Space”: Marriage, Weddings, and Identity among Romani Musicians in Romania." Martor. The Museum of the Romanian Peasant Anthropology Review 25 (November 15, 2020): 97–114. http://dx.doi.org/10.57225/martor.2020.25.06.

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This article treats, through the lens of marriage and nuptial practices, how lăutari (professional male Romani musicians who perform at Romanian weddings) and their families self-identify as Romanianized Roma. Lăutari assume hybrid forms of identity, drawing on both traditional Romani and mainstream Romanian culture as they perpetually create and recreate their own composite sense of “lǎutar space.” Lăutari, like many Roma, preserve basic norms of traditional matrimony, and weddings provide an arena in which they express emblems of Romani culture. Yet lăutari also invoke their “elite” status v

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Ciurtin, Eugen. "Myths and Magic in Romanian Traditional Culture." East European Politics & Societies 15, no. 3 (2001): 735–40. http://dx.doi.org/10.1177/088832501766276353.

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Ciurtin, Eugen. "Myths and Magic in Romanian Traditional Culture." East European Politics and Societies: and Cultures 15, no. 3 (2001): 735–40. http://dx.doi.org/10.1177/0888325401015003012.

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Shimanskaya, Olga Konstantinovna. "Traditional social institutions in Romanian youth policy." Contemporary Europe, no. 5 (December 15, 2023): 147–60. http://dx.doi.org/10.31857/s0201708323050121.

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Youth policy is an important area of the EU social policy. The national specificity of the EU member states allows different models for the implementation of youth policy, corresponding to their history and political culture. The study aims to explore a transition from the universalist model of implementing the Romanian youth policy of the socialist period to a centralised (or Mediterranean) one in which traditional social institutions play a pivotal role, such as family and the Church. The study applies the content analysis and the systemic method. Romania's accession to the EU made the gover

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PANTELIMON BISTRICEANU, Corina. "THE CULTURE OF CHILDHOOD IN TRADITIONAL ROMANIAN SOCIETY." Anthropological Researches and Studies 10, no. 1 (2020): 180–92. http://dx.doi.org/10.26758/10.1.19.

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Ghilaş, Victor. "Identity emblems of the national culture: romanian Calus." Revista de Ştiinţă, Inovare, Cultură şi Artă "Akademos" 1, no. 56 (2020): 148–54. https://doi.org/10.5281/zenodo.4095142.

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In the present text, a brief radiography of the Romanian ancestral custom, called Calus, is undertaken, which attempts to identify some cultural signs and symbolic meanings found within it. Meanwhile, the general aspects, the temporal context of the unfolding of the custom, the structure of the singing group and its characters, the clothing, the props (main, secondary) and the accessories of the group of dancers are highlighted. The symbolism of the numbers that mark the group’s composition with the deciphering of the significance of the odd numbers and the description of the functional

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Mohr, Carol-Alexandru. "Un monument tardiv, dar esențial. Primul instrument enciclopedic al interferențelor germano-române în perioada 1918–1933." Analele Bucovinei 62, no. 2 (2024): 609–13. https://doi.org/10.56308/ab.2024.2.22.

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The encyclopaedic work German Language and Culture in Romania (1918–1933): Post-Imperial Realities, Public Discourse, and Cultural Fields, edited by Andrei Corbea-Hoișie and Rudolf Gräf, represents a unique and comprehensive research tool for the study of German-Romanian interferences during a period spanning two significant temporal thresholds. The work addresses not only historical and social aspects, but also public discourses that have influenced the collective memory of various groups in Romania. A special emphasis is placed on the cultural and linguistic interactions between German-speak

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Li, Caiyue. "The First Reception of Chinese Literature and Culture in Romania." Management of Sustainable Development 8, no. 2 (2016): 35–36. http://dx.doi.org/10.1515/msd-2017-0006.

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Abstract Although the bilateral diplomatic relations between China and Romania have 65 years, the communication and cooperation in the fields of education, science and technology, culture and politics have a long history. And what’s more there is a traditional friendship between the Romanian and Chinese people. When we talk about the first reception of Chinese literature and culture in Romania, we can’t forget one important person-Nicolae Milescu Spatarul and his contribution. In this paper first I will talk about the brief introduction of the relationship between Romania and China, and then I

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Radu, Valentin. "Gabriel Hasmațuchi, in front of the palette of cultural alternatives." Sæculum 48, no. 2 (2019): 29–31. http://dx.doi.org/10.2478/saec-2019-0027.

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AbstractThe „obsession” of Gabriel Hasmațuchi in his book Cultural alternatives (Techno Media, Sibiu, 20181) is the destiny of Romanian culture. The traditional conflict between archaic and modern in Romanian culture and society is being studied in some of its contemporaneous manifestations. The author believes that both the traditionalists and the modernists of this Romanian debate have contributed constructively over the years.

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Deca, Roxana. "BUCATE PASCALE TRADIȚIONALE DIN OLTENIA." Arhivele Olteniei 38 (December 20, 2025): 329–36. https://doi.org/10.59277/ao.38.24.

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In general ritual context generated by the celebration of Easter, the ritual food from Oltenia were cooked both in the pre-Easter period and for the feast days completing the overall picture created by one of the biggest traditional calendar celebrations of the Romanian village and the Christian community from Romania. Thus, eating and preparation of ritual foods contains multi-millenary magic constitute of meaningful and present reality, over time, in the landscape of traditional Romanian culture. Moreover, Oltenia excels in a food variety related to the fasting period of Easter, but especial

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David, Doina, Călin Florea, and Elena-Adriana Tomuletiu. "The Anthropomorphic Sings and Symbol in the Romanian Traditional Culture." Procedia - Social and Behavioral Sciences 116 (February 2014): 5156–59. http://dx.doi.org/10.1016/j.sbspro.2014.01.1091.

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12

Matcan-Lisenco, Inga. "THE PROMOTION OF NATIONAL IDENTITY AND ROMANIAN TRADITIONAL AESTHETICS THROUGH THE USE OF CONTEMPORARY ADORNMENTS." Journal of Social Sciences VI, no. 4 (2024): 41–51. http://dx.doi.org/10.52326/jss.utm.2023.6(4).04.

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This study accentuates the importance of the contemporary jewelry in the promotion of the national Bessarabanian identity. Romanian jewelry and adornments can include traditional elements, materials and techniques for the purpose of creating a unique masterpiece, which reflect Romanian culture. The ways through which contemporary jewerly can help promote Romanian national and traditional identity include inspiring traditional motifs, exploring cultural symbols, education and awareness, collaborating with local designers, and promoting sustainability. This study highlights the vital role of con

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13

COSTANDACHE, Ana-Elena. "« Le goût des arts étrangers » et « les esprits nouveaux » dans la culture roumaine du XIXe siècle." Analele Universității „Dunărea de Jos” din Galați. Fascicula XX, Sociologie / The Annals of ”Dunarea de Jos” University of Galati. Fascicle XX, Sociology, no. 17 (November 23, 2022): 133–40. http://dx.doi.org/10.35219/socio/2022.09.

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At a time when European cultures, considered as elitist, “lived” their full development, the Romanian culture, more modest, tried to “find its way” according to foreign influences, according to political influences. Little by little new spirits began to make themselves known in the Romanian provinces and the arts from abroad proved to be the basis for the renewal of Romanian culture, which still kept the traditional native models and found it difficult to give up legacy of old values. The political, cultural and literary lives directly received European influences adapted to the Romanian reali

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Povian, Cristina Maria. "Alternative educational methods for teaching traditional art and architecture to Romanian children raised abroad." SHS Web of Conferences 66 (2019): 01023. http://dx.doi.org/10.1051/shsconf/20196601023.

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This paper presents alternative methods used for helping Romanian children who live abroad to discover and to keep their interest in their original country culture. The aim of this article is to analyze the existing situation of this category of children in Europe and in Italy and the existing programs which are already implemented and the outcomes in 2018. This article focuses on presenting also an architectural workshop as an alternative method of teaching and learning, realized in April 2018, in Padova, Italy with Romanian children who were born or are living in Veneto region since they wer

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SANDU, Ancuța Simona. "THE PRESERVATION OF TRADITIONAL WIND INSTRUMENTS. THE ROMANIAN ALPHORN." International Journal of Conservation Science 15, no. 1 (2024): 561–76. http://dx.doi.org/10.36868/ijcs.2024.01.12.

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This study aims to clarify the organological aspects of the alphorn and to shed some light on aspects related to the history, evolution and construction particularities of this old, popular instrument, which is an important part of Romania᾿s folk culture as regards instrumental music. One of the main objectives of all musicians, performers and researchers who stimulate the collection and preservation of the spiritual productions of Romanians is to increase the value of folklore. With few exceptions, the alphorn has gone out of everyday use, that's why its study is more and more difficult but a

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Soare, Ionica, Constanta Laura Zugravu, and Gheorghe Adrian Zugravu. "Research on Consumer Perception Regarding Traditional Food Products of Romania." Foods 12, no. 14 (2023): 2723. http://dx.doi.org/10.3390/foods12142723.

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Traditional Romanian food products are an integral part of local culture and spirituality. These food traditions have been formed over the centuries and represent a particularly important part ofthe development of a circular economy in rural areas. In order to contribute to the development of this sector of activity we conducted a study on consumer perception of traditional Romanian food products. The purpose of this work was to identify the structure of the studies and the future directions of research related to the image of traditional food products through the bibliometric study, as well a

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17

Constantiniu, Theodor. "Music Transfer and Cultural Contact: Romanian Popular Songs in the Repertoire of the Saxons From the Secașe Valley." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (2022): 175–93. http://dx.doi.org/10.24193/subbmusica.2022.1.12.

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"The Secașe Valley is an ethnographic area populated by different ethnic groups, the most numerous being the Romanians, Saxons, Hungarians, and Roma. Starting from field recordings of Romanian music performed by Saxon peasants from this region, we aim to contribute to the topic of inter-ethnic musical exchange in Transylvania. The songs borrowed by the Saxons from their Romanian neighbors are diverse, ranging from ritual songs, ballads, lyric songs representative for the area, to dance songs, romances, and other modern creations. We concluded that the Saxons thoroughly absorbed the style of tr

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18

Inikova, Svetlana A. "OLD BELIEVERS OF ROMANIA IN THE 21ST CENTURY: NEW CHALLENGES TO OLD TRADITIONS." Vestnik of Kostroma State University, no. 3 (2020): 93–99. http://dx.doi.org/10.34216/1998-0817-2020-26-3-93-99.

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Russian Old believes – Lipovans – have always been part of the Russian world, the guardians of the old Orthodox faith and Russian culture. For a long time, they managed to maintain a religious and cultural distance from the rest of the Romania’s population and to restrain the pace of inevitable assimilation. Over the past thirty years, cultural globalisation has become the new tremendous threat. The article, written on the materials of the expeditions to the Romanian Lipovans conducted in 2009–2019, shows how radically the life of the Lipovans changed after the revolution of 1989, and especial

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Ursu, Valentina. "Actions of the Soviet Moldovan authorities in relation to traditional culture (1940s)." JOURNAL OF ETHNOLOGY AND CULTUROLOGY 31 (2022): 84–91. http://dx.doi.org/10.52603/rec.2022.31.09.

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This article is devoted to the mechanisms of influence used by the Soviet authorities in the early years of the Soviet occupation of Bessarabia for the depreciation and rejection of the ancestral cultural heritage and the establishment of new ways of life. In the 40-s. XXth the governing bodies of the CPSU and the PCM adopt numerous directives and provisions aimed at establishing new mechanisms of influence on all inhabitants of the Moldovan SSR, regardless of ethnic characteristics, language, customs, traditions, holidays. All secular history is forgotten. In order to compare the accuracy of

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20

NECHITA, Costel-Mirel. "THE SITUATION OF THE ORTHODOX CHURCH IN NORTHERN BUKOVINA DURING ALIENATION FROM ITS MOTHERLAND, BY THE AUSTRO-HUNGARIAN EMPIRE." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 5, no. 1 (2021): 85–89. http://dx.doi.org/10.26520/mcdsare.2021.5.85-89.

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In 1775, the Austro-Hungarian Empire occupied Northern Bukovina, a wonderful land, sprinkled with towering mountains, covered with secular forests, rich grasslands and crystal-clear waters, and good householders and worthy people. The fate of this part of Romania was shared by other confreres, occupied by the same abusive empire: Transylvania in 1699, Banat and Oltenia in 1718. Thus, the occupied Romanians found themselves in a kind of forced diaspora, becoming neighbors of borders with their own brothers. The occupation was very oppressive, long-lasting and with disastrous consequences in all

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21

В. Аксић, Нина. "ОД КЛОТ ПАСУЉА ДО САРМИ СА СОЈОМ – Пост кроз народну традицију Срба у српском и румунском Банату". ИСХОДИШТА 9, № 1 (2023): 9–26. http://dx.doi.org/10.46630/ish.9.2023.1.

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Research of traditional culture, with a special emphasis on ceremonial nutrition, on the territory of Serbian and Romanian Banat, have been carried out for many years within two projects – „Exploring the history and culture of Serbs in Romania“, organized by the Scientific Centre at the Union of Serbs in Romania (Timisoara, Romania) and „The culture of nutrition in Vojvodina through ceremonial practice. Linguistic and ethnological aspect“ and „The culture of nutrition in Vojvodina. Linguistic and ethnological aspect“, owned by Matica srpska (Novi Sad, Serbia). As a participant in the first men

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22

Tecuci, Gheorghe. "A Life Dedicated to the Science, Philosophy and Romanian Society." International Journal of Computers Communications & Control 4, no. 4 (2009): 316. http://dx.doi.org/10.15837/ijccc.2009.4.2449.

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<p>With outstanding contributions in Electronics, Informatics, and Philosophy, and as Professor, Researcher, and Manager, Acad. Mihai Drăgănescu is the most important encyclopedic personality of contemporary Romania.<br /> Educated in the nascent Romanian school of electronics, Acad. Mihai Drăgănescu creates a worldclass school of electronic devices and microelectronics. Envisioning the evolution of the modern society, becomes initiator and promoter of the informatics revolution in Romania, conceptually defining it and coordinating its development. Generalizing the concept of infor

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HERMAN, Grigore Vasile, Nicolae NICHITUȚ, Paula Ancuța NICHITUȚ, et al. "THE PLUM BRANDY FROM OAȘ LAND SYMBOL OF IDENTITY AND OF LOCAL SPECIFICITY." Revista Română de Geografie Politică 25, no. 2 (2023): 86–96. http://dx.doi.org/10.30892/rrgp.252104-367.

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The plum brandy from Oaș Land is an identitary, specific element, deeply rooted into geographical romanian realities. With its origins long lost in past time, the craft and art of obtaining the plum brandy are nowadays in danger to be lost against the background of socio-economic changes specific to globalization. In this context, the purpose of the present study is to highlight and briefly describe a traditional occupation (plum tree cultivation and obtaining plum brandy) that has endured and survived over time. The obtained results highlighted the main aspects regarding the culture of plums

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Pop, Laura Cristina. "Romulus Vuia - om de imagine a României." Anuarul Muzeului Etnograif al Transilvaniei 32 (December 20, 2018): 207–15. http://dx.doi.org/10.47802/amet.2018.32.13.

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Romulus Vuia, the founder of Transylvanian Museum of Ethnography (founded in 1922) is a famous personality of the begining of the 20th century’s in Transylvania. As a museum founder and director, as a university professor, he was very active in academic life. He represented Romania at international congresses and conferences between 1924 and 1944 and his whole activity was, in a way, aimed to create a good image of Romanian traditional culture abroad, fact that is shown also in the German language press from Germany, in 1944.

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Kibak, Diana. "Names of the romanian folk costume (District of Storozhynets, Chernivtsi Region)." Current issues of social sciences and history of medicine, no. 1 (August 14, 2023): 113–16. http://dx.doi.org/10.24061/2411-6181.1.2023.386.

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Field research in the Storozhinet district, which includes the Romanian villages of Budenets, Cheresh, Chudei, Krasnoilsk, Izhivtsi, Nizhny and Verkhni Petrivtsi, as well as in the Hlybot district, in the village of Ropcha, convinced us that everywhere there is a special interest in preserving the Romanian language, names ancient folk clothing and Romanian culture in general by popularizing traditions and the Christian-Orthodox faith, which are the main components of spiritual identity, defining elements of Romanian identity not only in this zone, but also in other adjacent territories. The pu

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Stanciu, Magdalena-Cristina, and Carmen-Alice Teacă. "Wood - An inestimable valuable good in the traditional Romanian household." BioResources 20, no. 3 (2025): 5226–29. https://doi.org/10.15376/biores.20.3.5226-5229.

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Objects made of wood form one of the most important chapters of the heritage of civilization, culture, and traditional popular art of woodcraft among the Romanian people, encompassing creations that continue to develop this millennia-old legacy. Popular art in wood is, undoubtedly, an organic art. It is deeply connected to work and life in which various objects seamlessly blend utility with beauty in the most natural way possible, fully addressing this dual necessity. Wood art is not just a craft of shapes and motifs; it reveals, in specific stylistic structures, a genuine thought and concepti

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Faur, Florica. "Romanian Language, Culture and Civilization at the University of Studies in Udine. Book Collections: Carlo Tagliavini and Valentova – Niculescu." Philologica Jassyensia 39, no. 1 (2024): 283–92. http://dx.doi.org/10.60133/pj.2024.1.21.

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The study of the similarities between the Romanian and Friulan language started in the 9th century and, in 1986 when Professor Alexandru Niculescu moved to Udine, the Romanian language became the study object of the Department of Romanian Studies at the University of Udine. It followed a constant path of preservation of the Romanian language and culture; difficult in the last period, but supported by a series of Italian teachers specialized in Romanistics. No less important was the contribution of the Romanian language teachers, with the generous contribution that the Bucharest Institution of

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Arapu, Valentin. "Plague – ”The Turkish disease”: a traditional Romanian perception (historical, theological, ethnological and epidemiological aspects)." Journal of Ethnology and Culturology 30 (December 2021): 5–10. http://dx.doi.org/10.52603/rec.2021.30.01.

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The article addresses the issue of the traditional Romanian perception of the plague as ”Turkish disease” and presents relevant historical, theological, ethnological and epidemiological information. This perception is based on the memory of the frequent wars waged by the Ottomans on Romanian territory; wars during which contagious diseases were recurrent, and implicitly the plague. In historiography, the invocation of the plague epidemics in the context of Ottoman history was nuanced in the works of Mihail Critobul from Imbros, Dimitrie Cantemir, Montesquieu, Constantin Bazili. The reluctance

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Vlad, Daciana. "Mărturii asupra vârcolacului în cultura tradițioanlă." Anuarul Muzeului Etnograif al Transilvaniei 31 (December 20, 2017): 156–62. http://dx.doi.org/10.47802/amet.2017.31.06.

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The werewolf is, in the Romanian mitology, an extraordinary being, a demon who swallows the Sun and the Moon, thus causing eclipses. Multiple representations of this creature, such as regular animals (wolves and dogs) or even fantastic beings (dragons) have led to a mistery concerning the demon's appearance. The werewolf is the embodiment of evil, which disturbs the order of the world, and any deviation from a community can lead to one becoming a werewolf. So, werewolves, like ghouls, can appear from different sources: unnamed children, malformed children, kin-slayers, even an action that is c

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Б. Богдановић, Бојана. "СРБИ У РУМУНСКОМ ДЕЛУ БАНАТА: ЕТНОГРАФИЈА ТЕРЕНСКОГ ИСТРАЖИВАЊА". ИСХОДИШТА 1, № 7 (2021): 35–49. http://dx.doi.org/10.46630/ish.7.2021.3.

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This text brings together few areas of anthropological interest, namely fieldwork methodology as well as marginal and marginalized ethnic groups and minorities (Serbs in Romania). Its aim is to present the structures, dynamics and main impressions from field researches in the villages of Romanian Banat (Кraljevac, Čanad, Felnak, Sokolovac, Lugovet and Zlatica) as it was realized during 2018 and 2019 within the project Researching the history and culture of Serbs in Romania. Investigation was focused on the ways of celebrating Christmas, Patron Saint Day and weddings among Serbs in Romania vill

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Moldovan, Ionel. "The Social Theology of Spiru Haret^*." Review of Ecumenical Studies Sibiu 15, no. 2 (2023): 263–76. http://dx.doi.org/10.2478/ress-2023-0018.

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Abstract This study aims to display a less known part of Spiru Haret’s activity: his vision and efforts for reforming the activity of the Romanian Orthodox Church. Alongside its traditional, Liturgical activity, Haret proposed a larger involvement of the clergy in the social problems of their communities. Therefore, alongside school teachers, the priests had the duties of establishing and/or supporting local associations, clubs and committees active in domains like education, morals, culture, hygiene and even economics. The aim of Haret’s initiative was to modernise Romanian society by raising

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Pană, Cristina-Mariana. "Where is the Romanian university heading at the beginning of the third Millenium?" Studia Doctoralia 2, no. 1 (2018): 41–53. http://dx.doi.org/10.47040/sd/sdpsych.v2i1.17.

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This article presents some of the results obtained from a larger empirical study conducted during the period 2008-2011 in five universities that have the traditional, tehnical and economic profiles in Romania. Our basic approach was the qualitative-quantitative analysis of the possibility of the Romanian higher education to assimilate the entrepreneurial perspective in the current practices from two different perspectives, i.e. teachers and students. The theoretical model of our study belongs to the acclaimed author Burton R. Clark (1998) who identified five ways to develop an entrepreneurial-

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Pană, Cristina-Mariana. "Where is the Romanian university heading at the beginning of the third Millenium?" Studia Doctoralia 2, no. 1 (2018): 41–53. http://dx.doi.org/10.47040/sd0000017.

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This article presents some of the results obtained from a larger empirical study conducted during the period 2008-2011 in five universities that have the traditional, tehnical and economic profiles in Romania. Our basic approach was the qualitative-quantitative analysis of the possibility of the Romanian higher education to assimilate the entrepreneurial perspective in the current practices from two different perspectives, i.e. teachers and students. The theoretical model of our study belongs to the acclaimed author Burton R. Clark (1998) who identified five ways to develop an entrepreneurial-

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d’Anca, Christene. "Mediating a loss of history in Doina Rusti’s The Ghost in the Mill." Journal of European Studies 48, no. 3-4 (2018): 265–77. http://dx.doi.org/10.1177/0047244118796092.

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In her novel Fantoma din moara, or The Ghost in the Mill, and in her other prolific output, Doina Rusti has helped in the process of preserving history, specifically that of communist Romania. A village in the Romanian countryside, populated by people whose stories had been discounted, or never even told, acts as the perfect microcosm to isolate the Romanian identity while examining its multifaceted elements from disparate perspectives that all reify within the frame narrator. Rusti synchronously experiences both past and present, negating a traditional trajectory along a temporal axis. This i

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Bâgiu, Lucian Vasile, and Paraschiva Bâgiu. "The Indo-European Voice of Barbarians." Swedish Journal of Romanian Studies 1, no. 1 (2018): 169–78. http://dx.doi.org/10.35824/sjrs.v1i1.17255.

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In our essay we shall focus on the analyses (cum grano salis) of a limited number of words from the introductory pages of the novel Barbarians (such as gorgan, grui, crap, fală, sfadă, etc.). Here, more than elsewhere the author makes use of a good amount of rather strange words in his stylistic attempt to conceive the realm of the Dacians. We shall make an analysis of the etymology of these rather uncommon words as designated in Vinereanu's Etymological Dictionary of Romanian Language (2008) (unlike the traditional Romanian dictionaries, a different vision). From the (probable) linguistic dis

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Lupu, Olguța. "Enescian Imprints in the Violin Concerto Chimeras by Doina Rotaru." Musicology Today: Journal of the National University of Music Bucharest, no. 58 (May 28, 2025): 183–98. https://doi.org/10.69608/mt.58.05.

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Written in 2020, on the occasion of the centenary of the Union of Romanian Composers and Musicologists, the concert Himere for violin and orchestra brings together multiple references to mythology, archaic music and certain creators with a special national reverberation (Paciurea, Enescu, Eminescu, Brâncuși, Olah), constituting a refined and subtle homage to Romanian culture. Towards the end of the Concerto, the composer inserts a quotation from the Sonata No. 3 for Piano and Violin “in Romanian folk character” by George Enescu. The selection of the quotation is not accidental, as its first ce

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Cristea, Mihaela Delia. "From Philological Tradition to Cognitive Semantics: the Evolution of Metaphor Studies in Romanian Linguistics." Philologica Jassyensia 40, no. 2 (2024): 59–74. https://doi.org/10.60133/pj.2024.2.05.

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This article traces the evolution of idiomatic expression studies in Romanian linguistics, highlighting its alignment with broader linguistic movements, including early cognitive approaches. Through a historical analysis – spanning from Lazăr Șăineanu in the 19th century to Stelian Dumistrăcel in the 20th century – it demonstrates how Romanian phraseology anticipated key aspects of cognitive semantics. Idiomatic expressions not only enrich language but also structure collective thought, revealing deep connections between language, culture, and cognition. Romanian linguistics developed an origi

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Pletosu, Victor. "Contribuția lui Petre Ștefănucă la dezvoltarea folcloristicii românești din Basarabia interbelică." Limba, literatura, folclor, no. 1 (August 2021): 77–84. http://dx.doi.org/10.52505/llf.2021.1.08.

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In this article, the author explains the special role of the ethnologist Petre V. Ştefănucă in creating national folkloric archive. Petre V. Ştefănucă is an illustrious personality of the cultural life in Bessarabia from the first half of the 20th century, who asserted himself through his program to substantiate a historiography of the traditional culture in Romanian. Preservation and promotion of intangible cultural heritage has its roots in the interwar period, by the prodigious activity of Romanian Social Institute in Basarabia, led by Professor Petre Ştefănucă - disciple of Romanian Sociol

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Tsybanyuk, O., S. Dariichuk, and A. Petrov. "Development of the public movement of physical culture and sports orientation in the Romanian lands: "Tourist Society of Romania" (beginning of the 20th century)"." Scientific Journal of National Pedagogical Dragomanov University. Series 15. Scientific and pedagogical problems of physical culture (physical culture and sports), no. 11(157) (December 1, 2022): 153–55. http://dx.doi.org/10.31392/npu-nc.series15.2022.11(157).35.

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In the article by "Development of the public movement of physical culture and sports orientation in the Romanian lands: "Tourist Society of Romania" (beginning of the 20th century)" the peculiarities of the formation of the public movement of physical culture and sports orientation in the Romanian lands of the beginning of 20th century The role of the "Tourist Society of Romania" in popularizing and spreading hiking tourism among all segments of the population is highlighted. The society's achievements in attracting school youth to systematic physical education, tourism, local history, etc. ha

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Berindei, Cosmina-Maria. "Elemente de arhitectură tradițională într-un fond documentar inedit: răspunsurile la Chestionarul II Casa al Muzeului Limbii Române." Studia Universitatis Babeș-Bolyai Historia Artium 66, no. 1 (2021): 43–68. http://dx.doi.org/10.24193/subbhistart.2021.03.

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"Elements of Traditional Architecture in a Unique Documentary Fund: The Replies to The Romanian Language Museum’s 2nd Questionnaire. The House. The present paper’s aim is to demonstrate the scientific importance of the traditional architecture elements preserved in the documentary fund created during the inter-war period at the Romanian Language Museum; the fund is the result of the indirect linguistic survey led by Sextil Pușcariu. The survey included eight thematic questionnaires, the second of which – called The House – recorded the entire vocabulary and knowledge about the culture of build

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Purcărea, Theodor Valentin, Gheorghe Orzan, Mihai Orzan, and Ivona Stoica. "Romanian Consumer Behavior Regarding Traditional Foods: Contributing to the Rebuilding of a Healthier Food Culture." Journal of Food Products Marketing 19, no. 2 (2013): 119–37. http://dx.doi.org/10.1080/10454446.2013.766074.

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BUMBAK, Silviu Vasile, Marin ILIEȘ, Mihai HOTEA, and Thowayeb H. HASSAN. "ANALYSIS OF MOVEMENT DATA FROM GPS-MONITORED LIVESTOCK GUARDIAN DOGS (LGDS) AT TWO SHEEPFOLDS IN THE NORTH-WESTERN MARAMURES LAND, ROMANIA USING THE KERNEL DENSITY ESTIMATION METHOD. IMPLICATIONS FOR OUTDOOR TOURISM." GeoJournal of Tourism and Geosites 54, no. 2 supplement (2024): 811–20. http://dx.doi.org/10.30892/gtg.542spl05-1256.

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The Carpathians and other mountainous regions around the world are renowned for their specific landscapes shaped by pastoralism, a millennia-old traditional and sustainable economic system. In Romania, this traditional occupation has an established place within the Romanian culture. In an environment where large predators are present, the livestock owners and shepherds have traditionally relied, and still do, on livestock guardian dogs (LGDs) to protect the flock against carnivores or theft, therefore, the dogs are perceived as an integral component of the traditional pastoral system. However,

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Corduneanu, Ioana, and Nicolae Sorin Drăgan. "Semiotics of White Spaces on the Romanian Traditional Blouse, the IA." Romanian Journal of Communication and Public Relations 18, no. 3 (2017): 49. http://dx.doi.org/10.21018/rjcpr.2016.3.215.

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<p>In this article we understand the Romanian traditional blouse <em>IA </em>as a multi-dimensional semiotic object, with a complex semiotic structure. We will examine the structure and interpretation of semiotic borders and white spaces on <em>IA</em>, from the perspective of Lotman’s semiotic theory of culture. The white spaces found on our shirts may carry out messages equally important as those expressed by the sewn signs. Not only they define the rhythm, allowing the patterns to breathe, but sometimes they have their own story to tell. The white spaces also c

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Cazac, V., and L. Adascaliţa. "SIGNIFICANCE AND MULTIPLE VALUES OF THE RHOMBUS IN TRADITIONAL ROMANIAN ART." Art and Design, no. 2 (January 31, 2023): 19–28. http://dx.doi.org/10.30857/2617-0272.2022.2.2.

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The purpose of the study is related to the identification and analysis of the significance and multiple values of the rhombus in the Romanian art, considering from its frequent perpetuation in the traditional art. Methodology. The study is founded by the application of direct-descriptive observation methods, exploratory methods, structural, comparative, culturological-historical, artistic, inductive and deductive analysis. The substantiation of the arguments was based on the multicriterial analysis of the bibliographic sources of reference published on this subject. Results. There were analyze

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Kész, Barnabás. "Ethnic Peculiarities and Inter-ethnic Parallels in the Traditional Material Culture of the Hungarians of Ugocsa." Ethnographica et Folkloristica Carpathica, no. 26 (October 21, 2024): 233–52. http://dx.doi.org/10.47516/ethnographica/26/2024/15048.

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The Hungarians living in the present-day Transcarpathian region have lived peacefully for centuries together with the majority Ruthenian/Ukrainian population, as well as with the Romanian, German, Roma and other ethnic groups, who live in a similar minority to the Hungarians. Ethnographers and tourists visiting the region are convinced that these nationalities have retained the characteristics of their culture to this day. At the same time, it is worth observing how this long historical coexistence is reflected in the way of life and mentality of these people. The parallels between Ruthenian a

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Aleksandrović, Marija, Jelena Prtljaga, and Ivana Đorđev. "Symbolism of plants in Serbian and Romanian intangible cultural heritage." Research in Pedagogy 11, no. 1 (2021): 311–27. http://dx.doi.org/10.5937/istrped2101311a.

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The paper brings about the results of a research carried out within the project the Importance of Plants in Roma Culture, which on the one hand was dedicated to collecting of intangible cultural heritage of Roma on names of plants in Romani language and how they are used by Roma people in folk medicine, customs, religious celebrations, and, on the other hand to comparison between symbolic uses of certain plants in Serbian and Roma Culture. The research aim was to collect the names of plants in Roma language and to identify their use in folk medicine, customs, religious celebrations, as well as

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Cristescu, Constanta. "Musical styles of byzantine tradition from western and southwestern romania reflected in the work Anastasimatar Arădean." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 7–12. http://dx.doi.org/10.55383/amtap.2022.2.01.

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The traditional Byzantine music of western and southwestern Romania was a collective music, orally perpetuated as the folklore, a music in which no composers stood out, as they stood out in the orthodox musical culture of Moldova, Muntenia and Oltenia. Regional musical styles of Byzantine tradition were formed in these areas, through a long process of enclavisation for centuries. They are the result of the inter-influence of Byzantine music with the folklore and with the Western music culture imposed through the school. One of these sub-zonal styles from southwestern Romania is the style prese

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HÎRȚESCU, Diana Petronela, and Nicolae SILISTRARU. "Formation of children’s ethnoartistic culture in the perspective of popular music and dance." Univers Pedagogic 86, no. 2 (2025): 75–80. https://doi.org/10.52387/1811-5470.2025.2.10.

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The text analyzes the formation of children’s ethno-artistic culture from the perspective of folk music and dance, highlighting their fundamental role in preserving cultural identity and transmitting traditional values. The study explores the diversity of Romanian folk dances, the geographical and historical influences on choreographic styles and the impact of music on the dynamics and expressiveness of movements. The rhythmic structure, tempo and instrumental accompaniment are also analyzed, as well as the importance of shouts as essential elements of the folk performance. These perspectives

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Davis, Sacha E. "Competitive Civilizing Missions: Hungarian Germans, Modernization, and Ethnographic Descriptions of theZigeunerbefore World War I." Central European History 50, no. 1 (2017): 6–33. http://dx.doi.org/10.1017/s0008938917000012.

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AbstractThis article examines writings on theZigeuner(“Gypsies”) by three prominent Hungarian-German scholars—Johann Schwicker, Anton Herrmann, and Heinrich von Wlislocki—as responses to Magyarization pressures, which divided Hungarian-Germans by threatening the traditional privileges of some while offering others opportunities for social advancement. Hungarian and German elites alike castZigeuneras primitiveNaturvölkerin an effort to legitimize reform efforts. By writing about theZigeuner, scholars asserted competing Magyar and German models for modernization and reform. Passionate German nat

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Munteanu, Angela. "PROMOTING NATIONAL IDENTITY IN STYLISTICS OF CONTEMPORARY ARCHITECTURE AND INTERIOR DESIGN." Journal of Social Sciences III (4) (December 15, 2020): 90–100. https://doi.org/10.5281/zenodo.4296370.

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The identity of a nation represents the culture, the traditions, the material values and the spiritual values, these forming the treasure of a country, for this reason everyone's duty to preserve it and offer it continuity, not to allow us to reach a rupture between human and traditionalism. For the old peasant, the choice of the founding place of the household turns into a perfect ritual. The traditional style includes man's relationship with the natural and the supernatural, human's connection with nature, with all that the Creator has offered. Compared to the contemporary human,

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