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Journal articles on the topic 'The Tragedy of Doctor Faustus'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Kojoyan, Ani. "Damnable Lives? The Inter-Textual Relations between Marlowe’s “Doctor Faustus” and “The English Faust” Book." Armenian Folia Anglistika 10, no. 1-2 (12) (October 15, 2014): 131–41. http://dx.doi.org/10.46991/afa/2014.10.1-2.131.

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Christopher Marlowe’s play Doctor Faustus is a problematic work in regards to the issues of its date and authorship, but one thing can be stated with certainty: it was inspired by The History of the Damnable Life and Deserved Death of Doctor John Faustus which is commonly known as the English Faust Book. The present article observes inter-textual dimensions between Marlowe’s tragedy Doctor Faustus and its prose source-book – the English Faust Book. The article discusses intertextual relations both at paradigmatic and syntagmatic levels. According to the analysis, it becomes obvious that despite several similarities between the two texts, certain differences also exist which are conditioned by political and religious factors of time and social-historical factors of space.

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2

Kott, Jan. "The Two Hells of Doctor Faustus: a Theatrical Polyphony." New Theatre Quarterly 1, no. 1 (February 1985): 7–18. http://dx.doi.org/10.1017/s0266464x0000138x.

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The first article in the first issue of the original TQ was a piece by Jan Knott, utilizing the concept of the absurd as a means of understanding Greek tragedy. Recently, his essays, of which many first appeared in TQ, have been published in a new collection, The Theatre of Essence, from Northwestern University Press. Kott's idiosyncratic approach to the interpretation of theatre texts continues to distinguish him as one of those rare literary critics whose insights illuminate the play in production – the reflection in the Brook–Scofield King Lear of his Beckettian interpretation in the seminal Shakespeare Our Contemporary being just the most famous instance. Now Jan Kott, who teaches at the State University of New York, Stony Brook, turns to the world of Shakespeare's own contemporary, Christopher Marlowe, and examines Doctor Faustus as the meeting-place of many kinds of Elizabethan and pre-Elizabethan theatre, contributing to an understanding of the play that is rooted not in a dead theology but in a living theatricality.

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3

Peyré, Frédéric. "Lines, Circles, Letters, and Characters: The Conjuration of Tragedy in Marlowe's Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 47, no. 1 (April 1995): 1–8. http://dx.doi.org/10.1177/018476789504700104.

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4

Kuwayama, Tomonari, Nathalie Crouau, Gaëlle Ginestet, Florence March, Stéphane Huet, Stéphane Huet, Kaara L. Peterson, et al. "Play Reviews: Fausuto No Higeki [The Tragedy of Doctor Faustus], La Nuit des rois [Twelfth Night], Roméo et Juliette [Romeo and Juliet], La Comédie des erreurs [The Comedy of Errors], La Nuit des rois [Twelfth Night], the Coveted Crown: Henry IV, Parts I and II, the Duchess of Malfi, Richard II, the Comedy of Errors, Hamlet, King Lear, as You like it, Hamlet, Measure for Measure, Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 79, no. 1 (April 2011): 69–101. http://dx.doi.org/10.7227/ce.79.1.8.

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5

Mathieu, Jeanne. "Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 103, no. 1 (November 2020): 157–60. http://dx.doi.org/10.1177/0184767820946175q.

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6

Grenville, Anthony, Michael Beddow, and Hugh Ridley. "Thomas Mann: 'Doctor Faustus'." Modern Language Review 92, no. 1 (January 1997): 245. http://dx.doi.org/10.2307/3734780.

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7

Puhvel, Martin. "Marlowe's Doctor Faustus, V.i." Explicator 46, no. 4 (July 1988): 3–5. http://dx.doi.org/10.1080/00144940.1988.9933833.

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8

Valéro, Rémy. "Play review: Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 91, no. 1 (November 2016): 122–25. http://dx.doi.org/10.1177/0184767816669040k.

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9

Stott, Andrew. "Faustus' Signature and the Signatures of Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 54, no. 1 (October 1998): 27–43. http://dx.doi.org/10.1177/018476789805400106.

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10

McAlindon, Tom. "DOCTOR FAUSTUS: GROUNDED IN ASTROLOGY." Literature and Theology 8, no. 4 (1994): 384–93. http://dx.doi.org/10.1093/litthe/8.4.384.

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11

Alaina Jobe. "Doctor Faustus (review)." Shakespeare Bulletin 27, no. 3 (2009): 508–10. http://dx.doi.org/10.1353/shb.0.0095.

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12

Melnikoff, Kirk. "Doctor Faustus (review)." Shakespeare Bulletin 30, no. 2 (2012): 218–20. http://dx.doi.org/10.1353/shb.2012.0042.

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13

Hand, Molly. "Doctor Faustus (review)." Shakespeare Bulletin 31, no. 1 (2013): 132–36. http://dx.doi.org/10.1353/shb.2013.0007.

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14

Sheckter, Jennifer. "Doctor Faustus by Shakespeare's Globe." Shakespeare Bulletin 37, no. 3 (2019): 429–32. http://dx.doi.org/10.1353/shb.2019.0047.

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15

Rogers, Jami, Penny Gay, Lioyd Davis, Peter J. Smith, Katherine Wilkinson, and Peter J. Smith. "Play Reviews: Doctor Faustus, Twelfth Night, Doctor Faustus, the Duchess of Malfi, King Lear." Cahiers Élisabéthains: A Journal of English Renaissance Studies 71, no. 1 (May 2007): 53–60. http://dx.doi.org/10.7227/ce.71.1.7.

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16

Covella, Francis Dolores. "The Choral Nexus in Doctor Faustus." Studies in English Literature, 1500-1900 26, no. 2 (1986): 201. http://dx.doi.org/10.2307/450504.

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17

Hamlin, William M. "Casting Doubt in Marlowe's Doctor Faustus." SEL Studies in English Literature 1500-1900 41, no. 2 (2001): 257–75. http://dx.doi.org/10.1353/sel.2001.0018.

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18

Golz, D. "The Four Books of Doctor Faustus." Notes and Queries 53, no. 4 (December 1, 2006): 444–49. http://dx.doi.org/10.1093/notesj/gjl152.

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19

Hamlin, William M. "Casting Doubt in Marlowe's "Doctor Faustus"." Studies in English Literature, 1500-1900 41, no. 2 (2001): 257. http://dx.doi.org/10.2307/1556188.

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20

RICKS, CHRISTOPHER. "Doctor Faustus and Hell on Earth." Essays in Criticism XXXV, no. 2 (1985): 101–20. http://dx.doi.org/10.1093/eic/xxxv.2.101.

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21

MacIntyre, Jean. "Doctor Faustus and the Later Shakespeare." Cahiers Élisabéthains: A Journal of English Renaissance Studies 29, no. 1 (April 1986): 27–37. http://dx.doi.org/10.1177/018476788602900107.

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22

Potter, Lois. "Doctor Faustus, and: The Devil is an Ass, and: The Tragical History of Doctor Faustus (review)." Shakespeare Bulletin 26, no. 1 (2008): 124–31. http://dx.doi.org/10.1353/shb.2008.0022.

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23

Z.R., Djuraeva, and Nosirov O.T. "Dostoevsky's traditions in the novel “Doctor Faustus” by T. Mann." International Journal on Integrated Education 2, no. 6 (December 11, 2019): 110–14. http://dx.doi.org/10.31149/ijie.v2i6.216.

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This paper makes analyses of the different research points of the Dostoevsky's traditions in the novel “Doctor Faustus” by T. Mann . On this case, Reception of ideas of F. Dostoevsky's in the novel “Doctor Faustus” by T. Mann . Finally, conclusions of the author done to make further analyses on the topic.

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24

Baron, Frank, William Empson, and John Henry Jones. "Faustus and the Censor. The English Faust-Book and Marlowe's Doctor Faustus." German Studies Review 12, no. 2 (May 1989): 354. http://dx.doi.org/10.2307/1430100.

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25

Jungee Han. "Doctor Faustus: Renaissance Individualism and Protestant Individualism." Journal of Classic and English Renaissance Literature 19, no. 2 (December 2010): 73–93. http://dx.doi.org/10.17259/jcerl.2010.19.2.73.

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26

Spencer, Matthew, Christopher Marlowe, and David Wootton. "Doctor Faustus with the English Faust Book." Sixteenth Century Journal 37, no. 4 (December 1, 2006): 1152. http://dx.doi.org/10.2307/20478179.

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27

Siefken, Hinrich, and John Francis Fetzer. "Music, Love, Death, and Mann's 'Doctor Faustus'." Modern Language Review 86, no. 4 (October 1991): 1052. http://dx.doi.org/10.2307/3732633.

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28

Cerf, Steven R., and John F. Fetzer. "Music, Love, Death and Mann's "Doctor Faustus"." South Atlantic Review 56, no. 2 (May 1991): 158. http://dx.doi.org/10.2307/3199979.

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29

Walker, Katherine. "Clowns and Demonic Learning in Doctor Faustus." ELH 87, no. 2 (2020): 405–31. http://dx.doi.org/10.1353/elh.2020.0013.

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30

ERIKSEN, ROY T. "GIORDANO BRUNO AND MARLOWE'S DOCTOR FAUSTUS (B)." Notes and Queries 32, no. 4 (December 1, 1985): 463–65. http://dx.doi.org/10.1093/nq/32-4-463.

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31

Steggle, M. "Doctor Faustus and the Devils of Empedocles." Notes and Queries 56, no. 4 (December 1, 2009): 544–47. http://dx.doi.org/10.1093/notesj/gjp213.

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32

Fickert, Kurt, and John Francis Fetzer. "Music, Love, Death and Mann's Doctor Faustus." German Studies Review 14, no. 2 (May 1991): 426. http://dx.doi.org/10.2307/1430613.

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33

Minshull, C. "The Dissident Subtext of Marlowe's 'Doctor Faustus'." English 39, no. 165 (September 1, 1990): 193–207. http://dx.doi.org/10.1093/english/39.165.193.

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34

Park,Woo-Su. "Doctor Faustus and the Language of Magic." Journal of English Language and Literature 56, no. 2 (July 2010): 237–53. http://dx.doi.org/10.15794/jell.2010.56.2.003.

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35

Armstrong, Alan. "The Tragical History of Doctor Faustus (review)." Shakespeare Bulletin 24, no. 1 (2006): 77–80. http://dx.doi.org/10.1353/shb.2006.0003.

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36

Schuler, Douglas. "Doctor Faustus in the twenty-first century." AI & SOCIETY 28, no. 3 (February 17, 2012): 257–66. http://dx.doi.org/10.1007/s00146-012-0411-5.

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37

Zysk, J. "The Last Temptation of Faustus: Contested Rites and Eucharistic Representation in Doctor Faustus." Journal of Medieval and Early Modern Studies 43, no. 2 (April 1, 2013): 335–67. http://dx.doi.org/10.1215/10829636-2081996.

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38

Tate, William. "Solomon, Gender, and Empire in Marlowe's Doctor Faustus." Studies in English Literature, 1500-1900 37, no. 2 (1997): 257. http://dx.doi.org/10.2307/450833.

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39

KangSeokJu. "Doctor Faustus: Between A Text and B Text." Journal of Classic and English Renaissance Literature 25, no. 1 (June 2016): 5–32. http://dx.doi.org/10.17259/jcerl.2016.25.1.5.

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40

Murphy, Donna N. "The Date and Co-Authorship of Doctor Faustus." Cahiers Élisabéthains: A Journal of English Renaissance Studies 75, no. 1 (April 1, 2009): 43–44. http://dx.doi.org/10.7227/ce.75.1.6.

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41

Streete, A. "'CONSUMMATUM EST': CALVINIST EXEGESIS, MIMESIS AND DOCTOR FAUSTUS." Literature and Theology 15, no. 2 (June 1, 2001): 140–58. http://dx.doi.org/10.1093/litthe/15.2.140.

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42

STREETE, ADRIAN. "CALVINIST CONCEPTIONS OF HELL IN MARLOWE'S DOCTOR FAUSTUS." Notes and Queries 47, no. 4 (December 1, 2000): 430–32. http://dx.doi.org/10.1093/nq/47-4-430.

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43

STREETE, ADRIAN. "CALVINIST CONCEPTIONS OF HELL IN MARLOWE'S DOCTOR FAUSTUS." Notes and Queries 47, no. 4 (2000): 430–32. http://dx.doi.org/10.1093/nq/47.4.430.

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44

SMITH, ROBERT A. H. "DOCTOR FAUSTUS AND THE MERRY WIVES OF WINDSOR." Review of English Studies XLIII, no. 171 (1992): 395–97. http://dx.doi.org/10.1093/res/xliii.171.395.

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45

Halpern, Richard. "Marlowe's Theater of Night: Doctor Faustus and Capital." ELH 71, no. 2 (2004): 455–95. http://dx.doi.org/10.1353/elh.2004.0026.

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46

Sarah Wall-Randell. "Doctor Faustus and the Printer’s Devil." SEL Studies in English Literature 1500-1900 48, no. 2 (2008): 259–81. http://dx.doi.org/10.1353/sel.0.0001.

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47

Bogue, Ronald. "Deleuze, Mann and Modernism: Musical Becoming in Doctor Faustus." Deleuze Studies 4, no. 3 (November 2010): 412–31. http://dx.doi.org/10.3366/dls.2010.0106.

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Thomas Mann's Doctor Faustus traces the life of the composer Adrian Leverkühn, whose career culminates in the compositions Apocalipsis cum figuris and The Lamentation of Doctor Faustus. Mann treats Apocalipsis as the endpoint of a dangerous modernism allied to fascism, and The Lamentation as its partial antidote. From Deleuze and Guattari's perspective, however, Apocalipsis is a positive musical becoming-other and The Lamentation a regression. Crucial to the contrasting interpretations of Apocalipsis are two very different conceptions of modernity and fascism, that of Deleuze and Guattari providing a means of valorising becoming as a mode of aesthetic and political invention and redefining modernism and fascism.

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48

Yılmaz, Zümre Gizem. "’The sweet fruition of an earthly crown’: Elemental mastery and ecophobia in Tamburlaine the Great and Doctor Faustus." Sederi, no. 28 (2018): 79–96. http://dx.doi.org/10.34136/sederi.2018.4.

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Although the elements have been exploited for human ends in early modern discursive practices, they have so saturated social and cultural life that writers of the period could not avoid mentioning elemental formations. Marlowe’s Tamburlaine, Part I and Part II (1587) and Doctor Faustus (1592) are significant representatives of early modern English drama that highlight the inter-relationships between the human body and the elements. This study examines elemental agency, to show how the agential capacity of the four classical elements unveils ecophobic treatment; and how the ecophobic strain in the human psyche is reflected in Christopher Marlowe’s Tamburlaine and Doctor Faustus.

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49

Safaei, Mohammad. "Periodicity and intimations of a Judaic universe in David Mamet’s Faustus." International Journal of English Studies 18, no. 1 (June 26, 2018): 17–33. http://dx.doi.org/10.6018/ijes/2018/1/283321.

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David Mamet’s Faustus presents a complex amalgam of various ideas, traditions and cultures. After a preliminary discussion, in this essay, on the adaptive status of Mamet’s Faustus and on the myth of Faustus throughout history, I approach the notion of periodicity and time in the play, in its religious and anthropological contexts. I further investigate the same theme in tandem with the Nietzschean doctrine of eternal recurrence and its intersection with Judaism and, in specific, with Jewish philosopher Soloveitchik’s conception of halakhic man and its antithetical selves, namely cognitive man and homo religiosus. Exploring the echoes of Jewish existentialism in the works of Soloveitchik, I argue that the play, which is categorized as a typical adaptation of Marlowe’s Doctor Faustus, posits serious questions as to human existence and the significance of intellectual negation and spiritual challenge within a Judaic universe. The essay, beyond the analysis of intertextuality in Mamet’s Faustus, tends to underscore the play’s distinguished contribution to the myth of Faustus from a Judaic perspective.

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50

Cardullo, Bert. "Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy." Comparative Drama 45, no. 3 (2011): 271–88. http://dx.doi.org/10.1353/cdr.2011.0017.

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