Relevant bibliographies by topics / The Tudors

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The Tudors'

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Published: 24 April 2022

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Journal articles on the topic "The Tudors"

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Lassiter, John C., and Richard Rex. "The Tudors." Sixteenth Century Journal 35, no. 1 (April 1, 2004): 286. http://dx.doi.org/10.2307/20476912.

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Loades, D. "The Tudors." English Historical Review 118, no. 478 (September 1, 2003): 1055–56. http://dx.doi.org/10.1093/ehr/118.478.1055.

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Youngman, Angela. "Learning about Tudors." 5 to 7 Educator 2007, no. 34 (November 2007): xxvii—xxix. http://dx.doi.org/10.12968/ftse.2007.6.10.28308.

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Rosenthal, Joel T., and Jennifer Loach. "Parliament under the Tudors." Journal of Interdisciplinary History 23, no. 4 (1993): 773. http://dx.doi.org/10.2307/206294.

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Adams, Simon. "England Under the Tudors." Historical Journal 33, no. 3 (September 1990): 677–81. http://dx.doi.org/10.1017/s0018246x00013595.

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Hanft, Sheldon. "Parliament under the Tudors." History: Reviews of New Books 21, no. 4 (June 1993): 161. http://dx.doi.org/10.1080/03612759.1993.9948756.

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Walton, EmmaL. "Tudors, tolerance, and pregnancy loss." Biomedical Journal 38, no. 1 (2015): 1. http://dx.doi.org/10.4103/2319-4170.151149.

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Smith, L. "Sex, medicine and the Tudors." Journal of Family Planning and Reproductive Health Care 31, no. 4 (October 1, 2005): 340–42. http://dx.doi.org/10.1783/147118905774480635.

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Smith, Lesley. "Sexual allure and the Tudors." Journal of Family Planning and Reproductive Health Care 32, no. 2 (April 1, 2006): 129–30. http://dx.doi.org/10.1783/147118906776276413.

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Williamson, Magnus. "Vocal polyphony under the Tudors." Early Music 43, no. 4 (November 2015): 709–10. http://dx.doi.org/10.1093/em/cav100.

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Dissertations / Theses on the topic "The Tudors"

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Etzkorn, Timothy M. "How freud explains the tudors psychological motivations and historical understanding of tudor England's religious schism /." [Denver, Colo.] : Regis University, 2009. http://165.236.235.140/lib/TEtzkorn2009.pdf.

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Schofield, Roger S. "Taxation under the early Tudors, 1485-1547 /." Oxford : Blackwell Publishing, 2004. http://catalogue.bnf.fr/ark:/12148/cb392808929.

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Proust-Le, Tohic Jacqueline. "Médecins et chirurgiens anglais à l'époque de la Renaissance, de 1530 à 1640." Paris 4, 1992. http://www.theses.fr/1993PA040033.

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L'auteur est décédé le 15 novembre 1991 avant d'avoir sa thèse de doctorat. Mais elle a laissé suffisamment de matériaux écrits et de références bibliographiques pour que l'on puisse la mener à soutenance. Ceci a été fait par son frère. Docteur en médecine qui avait l'habitude de collaborer avec elle comme conseiller scientifique. La thèse commence avec le serment d'Hippocrate considéré comme un reflet de l'idéologie des médecins et chirurgiens de l'époque élisabéthaine. Il est suivi d'une description du corps des chirurgiens et de l'enseignement qu'ils reçoivent du collège royal de chirurgie, avec l'émergence des nouvelles idées. L'œuvre de Paracelse et l'intrusion de l'occultisme rosicrucien dans la médecine sont analysés, leurs influences précisées sur la pratique anglaise et plus spécifiquement sur des médecins comme Thomas Moffret et Robert Fludo, tous ces praticiens occupant une place proéminente. En arrière scène, le rêve d'alchimie et la quête d'immortalité par des moyens "scientifiques" sont développés et analysés comme des procédures préscientifiques qui ont donné naissance à l'éthique et aux sciences médicales modernes. La conclusion insiste sur le particularisme élisabéthain de la renaissance qui inclut une évolution particulière de la société anglaise et un courant d'idées largement répandues venant d’Europe et principalement de Padoue. La bibliographie compte plus de 325 références incluant quatre communications de l'auteur à la société d'études sur la Renaissance sur des sujets aussi variés que : arum potabile, medicina catholica, Francis Anthony, un charlatan William Bullein
The author died november 15th 1991 before she had the time to put an end to her doctoral thesis. But she left enough written material and bibliographical references to allow us to carry it to completion. This has been done by her brother, doctor in medicine who used to work with he as her scientific counselor. This thesis begins with the Hippocratic Oath, which is considered as a reflection of the ideology of Elizabethans physicians and surgeons. It is followed by a description of the surgeon's corpus and the surgeon's tuition by the royal college of surgery. As new ideas emerged Paracelsus’s work and Rosicrucian occultism are both analyzed so far as medicine is concerned and their influence upon English praxis pointed out even more accurately at physicians such as Thomas Moffet and Robert Fludo and a surgeon as john Woodall. All these practitioners playing a prominent part on the medical scene of the Elizabethan era. As a background, the alchemists’ dream and the quest for immortality, through so called "scientific" means are developed and analyzed as pre-scientific procedures which gave birth to our modern medical sciences and ethics. The conclusion emphasizes the specific characters of Elizabethan renaissance, which included a peculiar evolution of the English society and a widespread tend of opinions and ideas coming four Europe and monthly fourn padoue. The bibliography is rich of more than 325 references including four papers that the author gave to the society for the study of renaissance concerning such various subjects as aurum potabile, medicina catholica, Francis Anthony a quach, William Bullein
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Uzer, Vincenette d'. "Politique et religion sous les Tudors à travers les "Homélies"." Paris 3, 1988. http://www.theses.fr/1988PA03A006.

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Les homelies sont trente-trois sermons du type homiletique, publiees en 1547 et 1563 et lues en chaire chaque dimanche par ordre royal. Leur but : etablir fortement la reforme sous la forme de l'anglicanisme, faire cesser l'emprise de rome sur l'angleterre et prevenir les revoltes religieuses. Les ecoliers repetaient ces homelies a leurs maitres, shakespeare, enfant, les a apprises et ses oeuvres en contiennent maints echos. Leurs auteurs principaux sont : cranmer, jewel, latimer, parker, grindal. Ce travail situe les homelies dans leur contexte historique, religieux et dans la tradition homiletique anglaise. Les diverses editions sont etudiees suivies de l'analyse des textes eux-memes : homelies liturgiques, chretiennes, pastorales; les eglises. Puis les homelies sont montrees comme le reflet d'une situation sociale donnee : droit de propriete, de peche, travail, chomage, aumone, rapports avec l'ordre politique, respect de la hierarchie sociale meme de la parure. Enfin les homelies sont vues comme le miroir de la foi anglicane : importance de l'ecriture, la foi salvatrice sans les oeuvres. Les cinq rites sacramentaires et les deux sacrements : bapteme et eucharistie, sont etudies a travers les homelies concernees ainsi que les liens avec le livre de la priere commune. Un releve scripturaire et de breves biographies des auteurs forment la conclusion
The homilies are thirty-three sermons of homiletic type published in 1547 and 1563 to be read from the pulpit every sunday according to royal injunction. Their aim : establish the reformation under its particular type of anglicanism, put an end to roman domination and prevent religious strife. Children were required to repeat the homilies to their teachers; shakespeare learnt them as a child and there are many echoes in his work. Their main authors are : cranmer, latimer, jewel, parker, grindal. This thesis sets the homilies in their historical context and in the english homiletic tradition. The various editions are studied as well as the homilies themselves : liturgical, christian life and pastoral, and also the places of worship. They are then shown as describing a given social situation such as right of ownership, of fishing, idleness, almsdeeds. Then comes a study of the links between the homilies and the social and political order to be respected even in your apparel. Lastly the homelies reflect the anglican faith : knowledge of the bible, salvation through faith only without works. The two sacraments : baptism and eucharist and the five sacramentary rites are studied in the homilies and their link with the book of common prayer stressed. Scriptural references and short biographical notices of the authors end the work
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Barlow, Jenna Elizabeth. "Womens historical fiction after feminism : discursive reconstructions of the Tudors in contemporary literature." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86303.

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Thesis (PhD)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: Historical fiction is a genre in a constant state of flux: since its inception in the nineteenth century, it has been shaped by cultural trends and has persistently responded to the way in which history is popularly conceptualised. As such, historical novels have always revealed as much about the socio-political context of their moment of production as they do about their historical settings. The advent of feminism was among the most significant movements which shaped the evolution of the women’s historical novel in the twentieth century, prompting as it did a radical shift in historiographic methodology. As feminist discourse became embedded in popular culture in the latter decades of the twentieth century, this shift in turn allowed authors of historical fiction the opportunity to reconsider the ways in which women have been traditionally represented in both historical narrative and fiction. The historical novel thus became a site for exploring the female perspective of history, a perspective that had been denied or ignored by more male-centred historical narratives. This dissertation will assess the impact wrought by the popularisation of feminist discourse on the genre of women’s historical fiction during the twentieth and twenty-first centuries. An examination of a selection of contemporary women’s novels set during the Tudor era will prove particularly useful in executing this assessment, not least because of the Tudors’ unprecedented popularity as the focus of literature and film in the last decade. More significantly, the women of this period have proven to be ideal subjects for their authors to imaginatively reconstruct in the mould of third wave feminist icons in the twenty-first century. By examining how Tudor women have been represented in the contemporary historical fiction of Jean Plaidy, Philippa Gregory, Mavis Cheek, Suzannah Dunn and Emily Purdy, this dissertation will demonstrate the ways in which popular feminist discourse has impacted on the development of women’s historical fiction in the last century, focusing specifically on texts published within the last decade. Three key aspects of the genre will be assessed in detail in this regard: the author’s self-conscious feminist intervention in the characterisation of her historical heroines; the shift in the narrative perspective adopted and the deployment of postmodern literary devices; and the representation of female sexuality. The evolution of the genre as a whole will also be examined in some detail, and the shifting parameters of modern feminisms will be interrogated in order to fully understand their manifestations in popular culture.
AFRIKAANSE OPSOMMING: Historiese fiksie is ’n voortdurend veranderende genre: sedert die ontstaan daarvan in die negentiende eeu is dit beïnvloed deur kulturele neigings en het dit aanhoudend bly reageer op die manier waarop die geskiedenis populêr gekonseptualiseer word. As sodanig het historiese romans altyd net soveel oor die sosiopolitieke konteks van hulle produksiemoment as oor hul historiese milieus onthul. Feminisme was een van die betekenisvolste bewegings wat gedurende die twintigste eeu die evolusie van die historiese roman vir vroue sou beïnvloed, en het sodoende aanleiding gegee tot ’n radikale verandering in historiografiese metodologie. Namate feministiese diskoers in die latere dekades van die twintigste eeu deel van die populêre kultuur geword het, het hierdie verandering op sy beurt die skrywers van historiese fiksie die geleentheid gegun om die maniere waarop vroue tradisioneel in sowel historiese narratief as fiksie uitgebeeld is, te heroorweeg. Die historiese roman het dus ’n terrein geword waarop die vroulike perspektief op die geskiedenis verken is, naamlik ’n perspektief wat deur meer manlik-gesentreerde historiese narratiewe ontken of geïgnoreer is. Hierdie verhandeling sal die impak evalueer wat die popularisering van feministiese diskoers op die genre van historiese fiksie vir vroue gemaak het tydens die twintigste en een-en-twintigste eeue. ’n Ondersoek na ’n seleksie van kontemporêre vroueromans wat in die Tudor-tydperk afspeel, is veral nuttig in hierdie verband, onder andere as gevolg van die Tudors se ongekende gewildheid as die fokus van letterkunde en film in die afgelope dekade. Wat meer veelseggend is, is dat dit blyk die vroue van hierdie tydperk was ideale subjekte wat verbeeldingryk deur hulle outeurs gerekonstrueer kon word in die vorm van derdegolf-feministiese ikone in die een-en-twintigste eeu. Deur te ondersoek hoe Tudorvroue uitgebeeld is in die kontemporêre historiese fiksie van Jean Plaidy, Philippa Gregory, Mavis Cheek, Suzannah Dunn en Emily Purdy sal hierdie verhandeling die impak demonstreer wat populêre feministiese diskoers in die afgelope eeu op die ontwikkeling van historiese fiksie vir vroue gemaak het, met die fokus spesifiek op tekste wat in die afgelope dekade gepubliseer is. In hierdie verband sal drie sleutelaspekte van die genre uitvoerig geassesseer word: die skrywer se selfbewuste feministiese ingryping in die karakterisering van haar historiese heldinne; die verskuiwing in die vertellingsperspektief en die ontplooiing van postmoderne letterkundige tegnieke; en die uitbeelding van vroulike seksualiteit. Die evolusie van die genre as geheel word ook beskou, en die veranderende parameters van moderne feminismes word ondervra sodat hul manifestasies in die populêre kultuur ten volle verstaan kan word.
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Pourcher-Serre, Mireille. "La guerre des mots : John Bale, polémiste et homme de lettres." Clermont-Ferrand 2, 2006. http://www.theses.fr/2006CLF20002.

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Le but de cette étude sur John Bale (1495-1563) est de rendre compte à la fois de l'importance du rôle de ce réformateur, un des propagandistes les plus marquants de la Réforme anglaise, au sein du mouvement protestataire, et de la spécificité de sa contribution au développement de la littérature anglaise de la période. Bale consacra sa vie à dénoncer les erreurs des catholiques romains dans ses divers ouvrages de polémique religieuse donnant à la Réforme un répertoire d'arguments d'une très grande richesse et le soutien d'une recherche historique que peu d'auteurs à l'époque auraient pu mener à bien. L'originalité de cet auteur prolifique réside principalement dans la diversité des modes de transmission de son message à travers l'adaptation à des fins partisanes des pièces littéraires existantes, sans s'attacher à un genre particulier. S'il utilise ses vastes connaissances bibliques et historiques comme armes dans la polémique autant que pour étayer son argumentation dans la controverse, son prosélytisme le pousse à utiliser un vocabulaire grossier bien qu'adapté au contexte politico-religieux de l'époque, ce qui lui vaut le surnom de Bale "le bilieux". Après avoir mis en relief la façon dont le vécu personnel de Bale et les circonstances extérieures ont pu influer sur sa littérature, la thèse présente une analyse des principes auxquels Bale adhérait et des schémas historiques qu'il avait adoptés mettant l'accent sur le concept de suprématie royale et la tradition apocalyptique. Enfin, une dernière partie se propose d'étudier les différents genres et procédés littéraires -outils de rhétorique, de controverse et de polémique- que Bale sut mettre au service de la Réforme
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Vanparys-Rotondi, Julie. "Katherine Parr, Elizabeth Tyrwhit, Anne Askew : Trois voix de femmes dans la Réforme anglaise : convergences, divergences, influences." Thesis, Université Clermont Auvergne‎ (2017-2020), 2017. http://www.theses.fr/2017CLFAL002.

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Cette thèse étudie le rôle de la reine Katherine Parr (c. 1512-1548) et de son proche entourage féminin dont l’aristocrate Elizabeth Tyrwhit (c. 1519-1578) dans l’instauration de la Réforme. En effet, la dernière épouse d’Henri VIII, auteur de deux manuels de dévotion et première reine anglaise à voir ses écrits publiés, s’entourait des Protestants de la cour. La situation confessionnelle complexe de la fin du règne d’Henri VIII fut marquée par un retour au catholicisme strict, avec des restrictions concernant les pratiques, notamment la lecture de la Bible. Cependant, un certain nombre de personnalités acquises aux idées de la Réforme parvinrent à rester en place. Alors que les femmes n’avaient qu’un accès très limité à la Bible (The Act for the Advancement of True Religion and for the Abolishment of the contrary de 1543 le leur interdisait, sauf si elles étaient de très haut rang), une jeune femme, Anne Askew (1521-1546), quitta le domicile familial et intégra les réseaux protestants de Londres où elle prêcha ce qui lui valut d’être condamnée pour hérésie. La faction conservatrice, la sachant en contact avec les dames de la cour, la tortura lors de son second interrogatoire dans le but d’obtenir des noms de Protestants mais elle resta silencieuse et fut condamnée à brûler vive en juillet 1546. Le règne d’Édouard VI permit au protestantisme de s’imposer comme religion d’État puis, après l’intermède catholique romain du règne de Marie Ière, Élisabeth Ière rétablit le Protestantisme ce qui permit à Elizabeth Tyrwhit de publier librement son manuel de dévotion en 1574. Ce travail explore les démarches des trois femmes, leurs témoignages de foi et leur influence auprès de leurs contemporains et au-delà
This thesis examines the role of Queen Katherine Parr (c.1512-1548) and her close female entourage, including the aristocrat Elizabeth Tyrwhit (c.1519-1578) in the establishment of the Reformation. Indeed, Parr, Henry VIII’s last wife, author of two manuals of devotion and the first English queen to see her writings published, surrounded herself with the Protestants of the court. The complex confessional situation at the end of Henry VIII's reign was marked by a return to strict Catholicism, with restrictions on practices, including reading of the Bible. However, a certain number of courtiers already won over to the ideas of the Reformation managed to keep their positions at court. While women had very limited access to the Bible (the 1543 Act for the Advancement of True Religion and for the Abolishment of the contrary forbade them access to the Scriptures, unless they were of very high birth), a young woman, Anne Askew (1521-1546), left the family home and integrated the Protestant networks of London where she preached, which caused her to be condemned for heresy. The conservative faction, knowing she was in contact with the ladies of the court, tortured her during her second interrogation in order to obtain the names of Protestants but she remained silent and was condemned to burn alive in July 1546. The reign of Edward VI allowed Protestantism to establish itself as the official religion, and after the Roman Catholic interlude of Mary I, Elizabeth I re-established Protestantism, which enabled Elizabeth Tyrwhit to freely publish her devotional manual in 1574. This work explores the attitudes of the three women through their testimonies of faith and their influence with their contemporaries and beyond
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Ed, Per. "Musiken i The Tudors : En audiovisuell analys av förtexterna och avsnittet Death of a Monarchy." Thesis, Karlstads universitet, Avdelningen för humaniora och genusvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-26108.

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This is an analysis of the music in the television-series The Tudors (2007 – 2010). The opening credits and how death is portrayed musically in the last episode are analyzed. My question is what functions the music has. The method used is Michel Chion’s masking-method. You listen to the music, noise and speech and how diegetic and non-diegetic On/Off-screen sound is used. The opening credits of the first season evokes the spirit of the time of King Henry VIII and shows that the series will address topics like religion, power, money, love and war. The melody, the use of modern drums and classical instruments makes the music capturing. Non-diegetic music and speech dominates the soundtrack during the first season. From the second season and on the speech is excluded. The music is important enough in itself. In the episode about death diegetic noise and speech are more important. The non-diegetic music gives feelings of nostalgia, anger and regrets over mistakes in the past. The music evokes a sad feeling because of its slow and somber tempo. I conclude that the functions of the music are to evoke and strengthen feelings of the spectator.
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Myers, Nicholas. "La représentation du prince et le problème de l'autorité en Angleterre et en France : vers 1558 - vers 1600." Paris 4, 1997. http://www.theses.fr/1997PA040113.

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Cette étude est centrée sur la renaissance finissante et le début de l'ère baroque. A cette période, la personne du monarque doit être considérée comme réelle et fictive : clé de voute de l'ordre politique et religieux, le prince est tout autant le point focal de l'imaginaire de la communauté. Nous étudions la manière dont le prince est représenté et se représente en Angleterre ; comment son autorité se construit ou bien s'évanouit au gré de l'interprétation qui est indissociable de l'acte de représenter. Problème de l'autorité, problème de la représentation, problème de l'interprétation sont les trois pôles constitutifs de notre réseau thématique. Parce que l’Angleterre participe de plein gré aux grands courants intellectuels venus du continent - humanisme et reforme- nous rendons compte de l'imagerie autour du prince en France à la même époque. Dans une première partie, nous dessinons les traits dominants de l'imagerie royale héritée de l'antiquité, notamment de Platon, Aristote et Cicéron, ainsi que la manière dont cette imagerie est retravaillée par le premier XVIe siècle, chez Tyndale et Ponet, entre autres. Dans notre deuxième partie, nous étudions, dans son contexte historique, la construction imaginaire d'Élisabeth Ière et Jacques Ier Stuart, mais aussi, propose comme éclairage extérieur, celle d'Henri III et d'Henri IV. L'on conclut que la période de la guerre civile et de la Commonwealth marque la fin d'une épistémè, en ce sens que la monarchie ne va jamais récupérer son ascendant magique sur l'imaginaire collectif, et qu'elle va désormais avoir à partager sa tutelle souveraine sur la loi rationnelle et juste avec les textes juridiques et les juristes qui en sont les interprètes. A travers la figure du prince, nous avons voulu démêler les rapports obscurs et complexes entre littérature et histoire : dialectique dont le monarque est simultanément objet et agent. Il s'agit d'une étude sur le texte, le contexte et l'intertexte, autour de la figure royale
This study focusses on the end of the renaissance and the beginning of the baroque period. At this time, the monarch can be seen as both real and fictional. Cornerstone of the political and religious order, he is equally the point on which the collective imaginary converges. We study the ways in which the prince is represented; how his authority is constructed or deconstructed by the process of interpretation. The triangular problem of authority, representation and interpretation constitutes the backbone of our study. Since England fully participates in the major intellectual movements originating on the continent - humanism and reformation - we give an account of royal imagery in France during the period. In the first section, we sketch the main features of the royal image inherited from the classical period, as well as the way in which it is reshaped in the early 16th century, in the writings of such as Tyndale and Ponet. In the second section we study, against their historical background, the imaginary representations of Elizabeth I and James I, but equally, for the alternative perspective they afford, those of Henri III and Henri IV. We conclude that the civil war and commonwealth period marks the end of an episteme, inasmuch as the monarchy will never again recover its magical prestige in the collective imaginary, and that henceforth it is obliged to cede its monopoly as source of rational justice to the corpus of legal texts and those who interpret them. We have attempted to clarify the obscure and complex interplay between literature and history, a dialectic in which the monarch is both agent and object. What is proposed is a study on the text, the intertext and the context centered on the prince
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Lemire, Mélanie. "Les proclamations royales sous les Tudors, 1485-1603 entre pardon et châtiments, l'utilisation de la justice pour gouverner." Mémoire, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/5704.

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Lorsque Henry VII monte sur le trône en 1485, il est loin d'être le successeur légitime. Bien qu'avoir gagné la bataille de Bosworth lui permette d'accroître celle-ci, ce n'est que sous ses descendants qu'elle sera totalement acquise. Les prérogatives royales, particulièrement les proclamations royales et le pardon, sont l'une des méthodes utilisées par cette dynastie pour asseoir leur pouvoir. Même si leur légitimité est de moins en moins en doute, ils doivent faire face à des révoltes pour différentes raisons, principalement politiques et religieuses. Les Tudors n'ont pas tous réagi de la même manière à cette contestation de leur autorité. Alors qu'Henry VII pardonne tous les Northern rebels lors de son ascension, Elizabeth procède à une forte répression lors de la rébellion des comtes. Le contexte joue en partie sur les décisions de répression, mais l'opinion publique y est également pour quelque chose. Bien que les proclamations royales aient été utilisées pour gouverner, l'utilisation du pardon et du châtiment dans celles-ci a certes été utile pour la construction de la légitimité, mais elle n'est pas seule à avoir servie [i.e. servi] le dessein des Tudors.
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Books on the topic "The Tudors"

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John, Townsend. Tudors. London: Franklin Watts, 2013.

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Harman, Alice. Tudors. London: Wayland, 2012.

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Macdonald, Fiona. Tudors. London: Franklin Watts, 2012.

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Tudors. London: Wayland, 2014.

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Langley, Andrew. Tudors. 2nd ed. Oxford: Heinemann Library, 2006.

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Langley, Andrew. Tudors. Oxford: Heinemann Educational, 1993.

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The Tudors. London: B.T. Batsford, 1987.

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Minois, Georges. Les Tudors. Paris: Presses universitaires de France, 1996.

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The Tudors. London: Wayland, 2012.

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1932-, Fraser Antonia, ed. The Tudors. Berkeley: University of California Press, 2000.

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Book chapters on the topic "The Tudors"

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MacCulloch, Diarmaid, and Anthony Fletcher. "The first Tudors." In Tudor Rebellions, 17–27. Seventh edition. | New York : Routledge, 2020. | Series: Seminar studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429326516-5.

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Betteridge, Thomas. "The Tudors and the Tudor Court: Know Your Symptom." In History, Fiction, and The Tudors, 195–207. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-43883-6_12.

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Côté, Jane McL. "The Tudors of Boston." In Fanny and Anna Parnell, 13–27. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21497-6_2.

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Howarth, David. "The Royal Portrait: The Tudors." In Images of Rule, 77–119. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25481-1_4.

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Jayne, Sears. "The Early Tudors (1485–1558)." In Plato in Renaissance England, 83–96. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-015-8551-4_5.

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Elton, G. R. "The Tudor Problem." In England Under the Tudors, 1–18. Abingdon, Oxon ; N.Y., NY : Routledge, [2019] | Series: Routledge classics: Routledge, 2018. http://dx.doi.org/10.4324/9780429457333-1.

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Elton, G. R. "The Elizabethan Settlement, 1558–68." In England Under the Tudors, 266–98. Abingdon, Oxon ; N.Y., NY : Routledge, [2019] | Series: Routledge classics: Routledge, 2018. http://dx.doi.org/10.4324/9780429457333-10.

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Elton, G. R. "The Growing Conflict, 1568–85." In England Under the Tudors, 299–333. Abingdon, Oxon ; N.Y., NY : Routledge, [2019] | Series: Routledge classics: Routledge, 2018. http://dx.doi.org/10.4324/9780429457333-11.

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Elton, G. R. "Seapower." In England Under the Tudors, 334–60. Abingdon, Oxon ; N.Y., NY : Routledge, [2019] | Series: Routledge classics: Routledge, 2018. http://dx.doi.org/10.4324/9780429457333-12.

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Elton, G. R. "War, 1585–1603." In England Under the Tudors, 361–97. Abingdon, Oxon ; N.Y., NY : Routledge, [2019] | Series: Routledge classics: Routledge, 2018. http://dx.doi.org/10.4324/9780429457333-13.

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Conference papers on the topic "The Tudors"

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Maquil, Valérie, Christian Moll, and João Martins. "In the Footsteps of Henri Tudor." In ISS '17: Interactive Surfaces and Spaces. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3132272.3134115.

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Verejanu, Dan. "Tudor Palladi la 75 ani – portret enciclopedic." In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.26.

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Abstract:
Poet, traducător, eseist, critic și istoric literar, editor, Tudor Palladi, pe parcursul anilor de maturitate profesionistă, trece la o poezie metafizică umanistă, concentrat asupra puterii transformatoare a imaginației, preocupările sale imaginare fiind dintotdeauna luminoase şi reflexive. Iubirea eternă e evadarea metafizică a poetului Tudor Palladi. Prin poezie autorul își recuperează destinul. Registrul meditației sale are mari profunzimi sufletești, deține puterea de a conecta misterul sufletesc cu misterul cosmosului, a universului infinit, cu Puterea Divină.
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Ciornea, Carmen. "The Journalist Sandu Tudor and the ‘gândirist’ paradigm." In DIALOGO 2020. Dialogo, 2020. http://dx.doi.org/10.18638/dialogo.2020.7.1.5.

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Medelete, Dragos. "ECONOMIC-FINANCIAL ASPECTS TO SC TUDOR MIHAI SERV L.L.C." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/13/s04.101.

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"Failed Martyrs: Tudor Representations of Individuals Denied Recognition in Catholic and Protestant." In March 20-21, 2017 London. URUAE, 2017. http://dx.doi.org/10.17758/uruae.uh0317041.

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Richter, M., M. Wackerle, S. Kibler, M. Biehl, T. Koch, C. Müller, R. Halter, J. Nuffer, and O. Zeiter. "C5.2 - Miniaturized drug delivery system TUDOS with accurate metering of microliter volumes." In AMA Conferences 2013. AMA Service GmbH, Von-Münchhausen-Str. 49, 31515 Wunstorf, Germany, 2013. http://dx.doi.org/10.5162/sensor2013/c5.2.

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Akbar, Nadeem S., Olga Surova, and Boris Zhivotovsky. "Abstract 4882: Downregulation of core component of miRNA machinery, Tudor-SN, impedes NSCLC resistance to chemotherapy." In Proceedings: AACR 103rd Annual Meeting 2012‐‐ Mar 31‐Apr 4, 2012; Chicago, IL. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/1538-7445.am2012-4882.

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Ozboyaci, Musa, Ozlem Keskin, Burak Erman, and Attila Gursoy. "Computational analysis of the binding free energy of H3K9me3 peptide to the tandem tudor domains of JMJD2A." In 2010 5th International Symposium on Health Informatics and Bioinformatics. IEEE, 2010. http://dx.doi.org/10.1109/hibit.2010.5478901.

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Ciornea, Carmen. "The relation between the immanence and transcendence within the religious imaginary in Sandu Tudor�s akathist-hymns." In The concepts of "transcendence" and "immanence" in the Philosophy and Theology. EDIS - Publishing Institution of the University of Zilina, Slovak Republic, 2016. http://dx.doi.org/10.18638/dialogo.2015.2.2.5.

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Jariwala, Nidhi, Devaraja Rajasekaran, Rachel Gredler, Maaged Akiel, Chadia Robertson, Paul Fisher, Arun Sanyal, and Devanand Sarkar. "Abstract 3823: Staphylococcal nuclease and tudor domain containing 1 (SND1) in development and progression of hepatocellular carcinoma." In Proceedings: AACR 107th Annual Meeting 2016; April 16-20, 2016; New Orleans, LA. American Association for Cancer Research, 2016. http://dx.doi.org/10.1158/1538-7445.am2016-3823.

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Reports on the topic "The Tudors"

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Bowles, Carol. Women of the Tudor court, 1501-1568. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5759.

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Clark, Ann. Thought, word and deed in the mid-Tudor Commonwealth : Sir Thomas Smith and Sir William Cecil in the reign of Edward VI. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2772.

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Figueiredo, Ana Beatriz, Arturo Daniel Alarcon Rodriguez, Bruno César Araújo, Clémentine Tribouillard, Dalve Alexandre Soria Alves, Dea Fioravante, Diego Arcia, et al. Retomada nos municípios: Por onde começar. Inter-American Development Bank, April 2021. http://dx.doi.org/10.18235/0003234.

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Ao assumirem as prefeituras em 2021, os novos gestores e os gestores reeleitos se depararam com uma complexa realidade socioeconômica em virtude da pandemia, com desemprego e urgências sanitárias que vão emergindo a partir de uma segunda curva pandêmica. Podemos resumir que, neste quadro apreensivo, os desafios destes gestores, especialmente aqueles de cidades pequenas e médias são priorizar e optar por ações concretas que possam ser implementadas. Todas as necessidades são importantes, no há dúvidas. Entretanto, o estabelecimento de foco em alguns elementos da gestão pública pode resultar em uma abordagem mais pragmática para apoiar os municípios na retomada da economia e dos índices de qualidade de vida de seus cidadãos, tanto do ponto de vista imediato, quanto prospectando as condições necessárias para uma recuperação consistente nos próximos anos. Essa recuperação economica também deve ser sustentável, introduzindo medidas simples de mitigação e adaptação às mudanças climáticas. Assim, a retomada econômica trata da redução de despesas nos cofres públicos, possibilidades de crescimento econômico e geração de emprego e renda. Apresentamos nesta publicação sugestes de áreas a dedicar mais atenção nos próximos meses, tendo a inovação e o empreendedorismo como elementos transversais, reunindo produtos de conhecimento e material técnico do BID e de parceiros, iniciativas de organizações dedicadas a ajudar às cidades neste período único da história recente, e material multimídia de maneira sintética e esquemática, porém compreensiva aos problemas que mais afligem a população. E nas cidades onde tudo acontece, e no BID estamos comprometidos a atuar de maneira multissetorial, tendo os cidadãos como centro das intervenções e iniciativas que apoiamos. No cenário atual de apreensão em que nos encontramos, acreditamos que a priorização é uma maneira construtiva de criar as bases da sociedade que queremos quando as emergências se dissiparem. Esperamos que os gestores municipais encontrem neste material, de acordo com a sua realidade e necessidades locais, conteúdo útil para dirigirem esta jornada.
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